|
1
|
Sir Launcelot and Queen Guinevere
|
12
|
30%
|
0
|
0%
|
|
2
|
none
|
6
|
15%
|
0
|
0%
|
|
3
|
‘And ask ye why these sad tears stream?’
|
24
|
60%
|
0
|
0%
|
|
4
|
A Farewell
|
39
|
97%
|
0
|
0%
|
|
5
|
After-Thought
|
17
|
42%
|
0
|
0%
|
|
6
|
All Things will Die
|
15
|
37%
|
0
|
0%
|
|
7
|
Amphion
|
5
|
12%
|
0
|
0%
|
|
8
|
Ask Me No More
|
9
|
22%
|
0
|
0%
|
|
9
|
Audley Court
|
2
|
5%
|
0
|
0%
|
|
10
|
Balin and Balan
|
2
|
5%
|
0
|
0%
|
|
11
|
Battle Of Brunanburgh
|
2
|
5%
|
0
|
0%
|
|
12
|
Beautiful City
|
5
|
12%
|
0
|
0%
|
|
13
|
Blow, Bugle, Blow
|
3
|
7%
|
0
|
0%
|
|
14
|
Boadicea
|
5
|
12%
|
0
|
0%
|
|
15
|
Break, break, break
|
4
|
10%
|
0
|
0%
|
|
16
|
By an Evolutionist
|
1
|
2%
|
0
|
0%
|
|
17
|
Charge Of The Light Brigade
|
9
|
22%
|
0
|
0%
|
|
18
|
Charge of the Light Brigade
|
40
|
100%
|
0
|
0%
|
|
19
|
Claribel
|
4
|
10%
|
0
|
0%
|
|
20
|
Claribel: A Melody
|
5
|
12%
|
0
|
0%
|
|
21
|
Come down, O Maid
|
7
|
17%
|
0
|
0%
|
|
22
|
Come Into the Garde, Maud
|
2
|
5%
|
0
|
0%
|
|
23
|
Come not when I am dead
|
2
|
5%
|
0
|
0%
|
|
24
|
Cradle Song
|
1
|
2%
|
0
|
0%
|
|
25
|
Crossing the Bar
|
6
|
15%
|
0
|
0%
|
|
26
|
Demeter and Persephone
|
3
|
7%
|
0
|
0%
|
|
27
|
Duet
|
2
|
5%
|
0
|
0%
|
|
28
|
Early Spring
|
1
|
2%
|
0
|
0%
|
|
29
|
Far-Far-Away
|
3
|
7%
|
0
|
0%
|
|
30
|
Fatima
|
1
|
2%
|
0
|
0%
|
|
31
|
Flower in the Crannied Wall
|
4
|
10%
|
0
|
0%
|
|
32
|
Freedom
|
5
|
12%
|
0
|
0%
|
|
33
|
from 'The Princess'
|
2
|
5%
|
0
|
0%
|
|
34
|
Gigantic daughter of the West,
|
1
|
2%
|
0
|
0%
|
|
35
|
Guinevere
|
2
|
5%
|
0
|
0%
|
|
36
|
Hands All Round
|
1
|
2%
|
0
|
0%
|
|
37
|
Home They Brought Her Warrior Dead
|
5
|
12%
|
0
|
0%
|
|
38
|
How Thought You That This Thing Could Captivate?
|
2
|
5%
|
0
|
0%
|
|
39
|
In Memoriam 3: O Sorrow, Cruel Fellowship
|
1
|
2%
|
0
|
0%
|
|
40
|
In Memoriam A. H. H. Obiit MDCCCXXXIII: 3. O Sorrow, cruel
|
1
|
2%
|
0
|
0%
|
|
41
|
In Memoriam A. H. H. Obiit: 124. That which we dare invoke
|
2
|
5%
|
0
|
0%
|
|
42
|
In Memoriam A. H. H.: 105. To-night ungather'd let us leave
|
1
|
2%
|
0
|
0%
|
|
43
|
In Memoriam A. H. H.: 11. Calm is the morn without a sound
|
1
|
2%
|
0
|
0%
|
|
44
|
In Memoriam A. H. H.: 118. Contemplate all this work of Tim
|
1
|
2%
|
0
|
0%
|
|
45
|
In Memoriam A. H. H.: 72. Risest thou thus, dim dawn, again
|
1
|
2%
|
0
|
0%
|
|
46
|
In Memoriam A. H. H.: 78. Again at Christmas did we weave
|
4
|
10%
|
0
|
0%
|
|
47
|
In Memoriam A. H. H.: 82. I wage not any feud with death
|
1
|
2%
|
0
|
0%
|
|
48
|
In Memoriam A. H. H.: 83. Dip down upon the northern shore
|
3
|
7%
|
0
|
0%
|
|
49
|
In Memoriam A. H. H.: 96. You say, but with no touch of sco
|
2
|
5%
|
0
|
0%
|
|
50
|
In The Garden At Swainston
|
1
|
2%
|
0
|
0%
|
|
51
|
Late, Late, So Late
|
1
|
2%
|
0
|
0%
|
|
52
|
Lilian
|
2
|
5%
|
0
|
0%
|
|
53
|
Mariana In The South
|
1
|
2%
|
0
|
0%
|
|
54
|
Marriage Morning
|
4
|
10%
|
0
|
0%
|
|
55
|
Maud: A Monodrama (Part II, excerpt)
|
1
|
2%
|
0
|
0%
|
|
56
|
Milton (Alcaics)
|
1
|
2%
|
0
|
0%
|
|
57
|
Minnie and Winnie
|
1
|
2%
|
0
|
0%
|
|
58
|
Move Eastward, Happy Earth
|
1
|
2%
|
0
|
0%
|
|
59
|
Northern Farmer: Old Style
|
2
|
5%
|
0
|
0%
|
|
60
|
Now Sleeps the Crimson Petal
|
5
|
12%
|
0
|
0%
|
|
61
|
O Beauty, Passing Beauty!
|
1
|
2%
|
0
|
0%
|
|
62
|
O true and tried
|
1
|
2%
|
0
|
0%
|
|
63
|
OBIIT MDCCCXXXIII (Entire)
|
1
|
2%
|
0
|
0%
|
|
64
|
Ode to Memory
|
4
|
10%
|
0
|
0%
|
|
65
|
Recollections of the Arabian Nights.
|
2
|
5%
|
0
|
0%
|
|
66
|
Ring Out , Wild Bells
|
2
|
5%
|
0
|
0%
|
|
67
|
Sea Dreams
|
1
|
2%
|
0
|
0%
|
|
68
|
Sir Galahad
|
4
|
10%
|
0
|
0%
|
|
69
|
Sir Launcelot and Queen Guinevere
|
1
|
2%
|
0
|
0%
|
|
70
|
Summer Night
|
2
|
5%
|
0
|
0%
|
|
71
|
Tears, Idle Tears
|
2
|
5%
|
0
|
0%
|
|
72
|
The Brook
|
25
|
62%
|
0
|
0%
|
|
73
|
The Charge Of The Light Brigade
|
2
|
5%
|
0
|
0%
|
|
74
|
The Coming Of Arthur
|
1
|
2%
|
0
|
0%
|
|
75
|
The Death of the Old Year
|
2
|
5%
|
0
|
0%
|
|
76
|
The Defence of Lucknow
|
1
|
2%
|
0
|
0%
|
|
77
|
The Deserted House
|
1
|
2%
|
0
|
0%
|
|
78
|
The Eagle
|
5
|
12%
|
0
|
0%
|
|
79
|
The Eagle (A Fragment )
|
4
|
10%
|
0
|
0%
|
|
80
|
The Flower
|
2
|
5%
|
0
|
0%
|
|
81
|
The Garden
|
1
|
2%
|
0
|
0%
|
|
82
|
The Lady of Shalott
|
38
|
95%
|
0
|
0%
|
|
83
|
The Lady of Shalott (1832)
|
1
|
2%
|
0
|
0%
|
|
84
|
The Lady of Shalott (1842)
|
2
|
5%
|
0
|
0%
|
|
85
|
The Letters
|
3
|
7%
|
0
|
0%
|
|
86
|
The Lotos-eaters
|
1
|
2%
|
0
|
0%
|
|
87
|
The Marriage Of Geraint
|
1
|
2%
|
0
|
0%
|
|
88
|
The Miller's Daughter
|
1
|
2%
|
0
|
0%
|
|
89
|
The Oak
|
3
|
7%
|
0
|
0%
|
|
90
|
The Owl
|
1
|
2%
|
0
|
0%
|
|
91
|
The Princess (part 2)
|
1
|
2%
|
0
|
0%
|
|
92
|
The Princess: A Medley: Tears, Idle Tears
|
1
|
2%
|
0
|
0%
|
|
93
|
The Princess: A Medley: Thy Voice is Heard
|
1
|
2%
|
0
|
0%
|
|
94
|
The Splendor Falls
|
3
|
7%
|
0
|
0%
|
|
95
|
The War
|
1
|
2%
|
0
|
0%
|
|
96
|
Tithonus
|
10
|
25%
|
0
|
0%
|
|
97
|
To E. Fitzgerald: Tiresias
|
1
|
2%
|
0
|
0%
|
|
98
|
To J. S.
|
1
|
2%
|
0
|
0%
|
|
99
|
Ulysses
|
38
|
95%
|
0
|
0%
|