|
1
|
5: 06 PM
|
1
|
20%
|
0
|
0%
|
|
2
|
A Brief Short Story: A Phone Line
|
1
|
20%
|
0
|
0%
|
|
3
|
A Brief Short Story: A Question
|
1
|
20%
|
0
|
0%
|
|
4
|
A Brief Short Story: As long As Three Days
|
1
|
20%
|
0
|
0%
|
|
5
|
A Brief Short Story: Eve's Historical Mind
|
1
|
20%
|
0
|
0%
|
|
6
|
A Child Is Born: From Close
|
1
|
20%
|
0
|
0%
|
|
7
|
A Child Is Born: From Far
|
3
|
60%
|
0
|
0%
|
|
8
|
A Free Sky Diving Jump
|
1
|
20%
|
0
|
0%
|
|
9
|
A Mirror
|
1
|
20%
|
0
|
0%
|
|
10
|
A Pocket of Pride
|
1
|
20%
|
0
|
0%
|
|
11
|
A Poem
|
1
|
20%
|
0
|
0%
|
|
12
|
A Pyramid
|
1
|
20%
|
0
|
0%
|
|
13
|
Absence
|
1
|
20%
|
0
|
0%
|
|
14
|
Abstract: A Angle
|
1
|
20%
|
0
|
0%
|
|
15
|
Abstract: A Curve
|
2
|
40%
|
0
|
0%
|
|
16
|
Acceptance
|
1
|
20%
|
0
|
0%
|
|
17
|
Again!
|
1
|
20%
|
0
|
0%
|
|
18
|
Amazon
|
1
|
20%
|
0
|
0%
|
|
19
|
Anatomy: Eyes 'And' Lips
|
1
|
20%
|
0
|
0%
|
|
20
|
Apple Juice
|
3
|
60%
|
0
|
0%
|
|
21
|
As Simple As
|
1
|
20%
|
0
|
0%
|
|
22
|
Asian Dumplings
|
1
|
20%
|
0
|
0%
|
|
23
|
At The Edge
|
1
|
20%
|
0
|
0%
|
|
24
|
At The End Of The Day
|
1
|
20%
|
0
|
0%
|
|
25
|
Axiom VI
|
1
|
20%
|
0
|
0%
|
|
26
|
Axiom VIII
|
1
|
20%
|
0
|
0%
|
|
27
|
Beauty And The Beast
|
2
|
40%
|
0
|
0%
|
|
28
|
Beauty Formation
|
1
|
20%
|
0
|
0%
|
|
29
|
Bill Gate
|
1
|
20%
|
0
|
0%
|
|
30
|
Birthday Curiosity Box
|
4
|
80%
|
0
|
0%
|
|
31
|
Both
|
1
|
20%
|
0
|
0%
|
|
32
|
Both Are Fanatic
|
1
|
20%
|
0
|
0%
|
|
33
|
Bravery Of A Man
|
1
|
20%
|
0
|
0%
|
|
34
|
Buoyancy
|
1
|
20%
|
0
|
0%
|
|
35
|
But
|
1
|
20%
|
0
|
0%
|
|
36
|
Chiken Eggs
|
1
|
20%
|
0
|
0%
|
|
37
|
Child Adoption
|
1
|
20%
|
0
|
0%
|
|
38
|
Christmas Parties
|
1
|
20%
|
0
|
0%
|
|
39
|
Comedy
|
1
|
20%
|
0
|
0%
|
|
40
|
Complete Set
|
1
|
20%
|
0
|
0%
|
|
41
|
Czech
|
2
|
40%
|
0
|
0%
|
|
42
|
Dali, Pablo, Albert, And Camus
|
1
|
20%
|
0
|
0%
|
|
43
|
Day And Night II
|
1
|
20%
|
0
|
0%
|
|
44
|
Day And Night III
|
1
|
20%
|
0
|
0%
|
|
45
|
Day And Night IV
|
1
|
20%
|
0
|
0%
|
|
46
|
Day And Night IX
|
2
|
40%
|
0
|
0%
|
|
47
|
Day And Night VII
|
1
|
20%
|
0
|
0%
|
|
48
|
Day And Night VIII
|
1
|
20%
|
0
|
0%
|
|
49
|
Day And Night X
|
1
|
20%
|
0
|
0%
|
|
50
|
Day And Night XII
|
1
|
20%
|
0
|
0%
|
|
51
|
Dead End
|
2
|
40%
|
0
|
0%
|
|
52
|
Deception -Three
|
1
|
20%
|
0
|
0%
|
|
53
|
Deception -Two
|
1
|
20%
|
0
|
0%
|
|
54
|
Dégénérescence Des Profondeurs
|
1
|
20%
|
0
|
0%
|
|
55
|
Depth: Simplicity
|
1
|
20%
|
0
|
0%
|
|
56
|
Détour II
|
1
|
20%
|
0
|
0%
|
|
57
|
Do Not Blow On My Eyes
|
1
|
20%
|
0
|
0%
|
|
58
|
Do Not Look At The Mirror
|
1
|
20%
|
0
|
0%
|
|
59
|
Do You Think
|
1
|
20%
|
0
|
0%
|
|
60
|
Dreaming Big
|
1
|
20%
|
0
|
0%
|
|
61
|
Eileen’s First Talk
|
1
|
20%
|
0
|
0%
|
|
62
|
Eileen’s Game
|
1
|
20%
|
0
|
0%
|
|
63
|
Eileen’s Third Law: The Law Of Entropy
|
1
|
20%
|
0
|
0%
|
|
64
|
Eileen's Language
|
1
|
20%
|
0
|
0%
|
|
65
|
Eileen's Ozone Layer
|
1
|
20%
|
0
|
0%
|
|
66
|
Elle
|
2
|
40%
|
0
|
0%
|
|
67
|
Enigma of My Emotions
|
1
|
20%
|
0
|
0%
|
|
68
|
Ethics Of Roses' Dew
|
1
|
20%
|
0
|
0%
|
|
69
|
Ethics Of Roses: Satanic Divulged Satra
|
1
|
20%
|
0
|
0%
|
|
70
|
Extreme Surrealism: A La Plage
|
1
|
20%
|
0
|
0%
|
|
71
|
Extreme Surrealism: Devinity
|
3
|
60%
|
0
|
0%
|
|
72
|
Extreme Surrealism: Eternity
|
1
|
20%
|
0
|
0%
|
|
73
|
Extreme Surrealism: Eve and Adem
|
1
|
20%
|
0
|
0%
|
|
74
|
Extreme Surrealism: Me And Metaphors
|
3
|
60%
|
0
|
0%
|
|
75
|
Extreme Surrealism: Mosaic
|
1
|
20%
|
0
|
0%
|
|
76
|
Face It
|
1
|
20%
|
0
|
0%
|
|
77
|
Face Of A Face
|
1
|
20%
|
0
|
0%
|
|
78
|
Falling Down
|
1
|
20%
|
0
|
0%
|
|
79
|
Falling -The Fourth Second- The True 'I'.
|
1
|
20%
|
0
|
0%
|
|
80
|
Feeling: the warmth of her presence
|
1
|
20%
|
0
|
0%
|
|
81
|
Feelings Laundering
|
1
|
20%
|
0
|
0%
|
|
82
|
Feelings: Happiness, Mine And Yours
|
1
|
20%
|
0
|
0%
|
|
83
|
Feelings: The Fun-you name it-
|
1
|
20%
|
0
|
0%
|
|
84
|
Feelings: The Moon
|
1
|
20%
|
0
|
0%
|
|
85
|
Feelings: The Rain
|
1
|
20%
|
0
|
0%
|
|
86
|
Focus: 102
|
1
|
20%
|
0
|
0%
|
|
87
|
Formations: Sweat's Lahar And Feelings' Lava
|
1
|
20%
|
0
|
0%
|
|
88
|
Formations: Between The Eyes And The Skin
|
1
|
20%
|
0
|
0%
|
|
89
|
Forty Letters To A Woman - Eighth Letter-
|
1
|
20%
|
0
|
0%
|
|
90
|
Forty Letters To A Woman – Eleventh Letter –
|
1
|
20%
|
0
|
0%
|
|
91
|
Forty Letters To A Woman – Fifteenth Letter -
|
1
|
20%
|
0
|
0%
|
|
92
|
Forty Letters To A Woman – Fourteenth Letter –
|
1
|
20%
|
0
|
0%
|
|
93
|
Forty Letters To A Woman – Fourth Letter –
|
1
|
20%
|
0
|
0%
|
|
94
|
Forty Letters To A Woman – Nineteenth Letter –
|
3
|
60%
|
0
|
0%
|
|
95
|
Forty Letters To A Woman – Seventeenth Letter -
|
1
|
20%
|
0
|
0%
|
|
96
|
Forty Letters To A Woman – Seventh Letter –
|
1
|
20%
|
0
|
0%
|
|
97
|
Forty Letters To A Woman – Sixth Letter –
|
1
|
20%
|
0
|
0%
|
|
98
|
Forty Letters To A Woman - Tenth Letter -
|
1
|
20%
|
0
|
0%
|
|
99
|
Forty Letters to a Woman–Sixteenth Letter
|
1
|
20%
|
0
|
0%
|
|
100
|
Four Types Of Woman's Orgasm
|
2
|
40%
|
0
|
0%
|
|
101
|
Fraud
|
1
|
20%
|
0
|
0%
|
|
102
|
From Distance: The Moon
|
1
|
20%
|
0
|
0%
|
|
103
|
From Scratch
|
1
|
20%
|
0
|
0%
|
|
104
|
From The Lake
|
1
|
20%
|
0
|
0%
|
|
105
|
Graceful Hands
|
1
|
20%
|
0
|
0%
|
|
106
|
Happy New Year
|
1
|
20%
|
0
|
0%
|
|
107
|
Happy Thanksgiving
|
2
|
40%
|
0
|
0%
|
|
108
|
Headache
|
3
|
60%
|
0
|
0%
|
|
109
|
Her Pie
|
3
|
60%
|
0
|
0%
|
|
110
|
How To Make You Funny?
|
3
|
60%
|
0
|
0%
|
|
111
|
Human Evolution
|
1
|
20%
|
0
|
0%
|
|
112
|
Hypothermia: The Cold
|
1
|
20%
|
0
|
0%
|
|
113
|
Hypothermia: The Threshold
|
1
|
20%
|
0
|
0%
|
|
114
|
I am Leaving You
|
2
|
40%
|
0
|
0%
|
|
115
|
I am Not
|
1
|
20%
|
0
|
0%
|
|
116
|
I died ever since
|
1
|
20%
|
0
|
0%
|
|
117
|
I Do Not Need To Promise
|
1
|
20%
|
0
|
0%
|
|
118
|
I Do Not Speak Spanish
|
3
|
60%
|
0
|
0%
|
|
119
|
I Listen To Her
|
1
|
20%
|
0
|
0%
|
|
120
|
If Am An Actor
|
1
|
20%
|
0
|
0%
|
|
121
|
If I Am A God
|
1
|
20%
|
0
|
0%
|
|
122
|
Illuminated pleasures
|
1
|
20%
|
0
|
0%
|
|
123
|
In Short: Great News Girls And Boys
|
1
|
20%
|
0
|
0%
|
|
124
|
In The Eyes Of The Beholder
|
1
|
20%
|
0
|
0%
|
|
125
|
Inspired
|
1
|
20%
|
0
|
0%
|
|
126
|
Intention
|
1
|
20%
|
0
|
0%
|
|
127
|
Irish Woman
|
4
|
80%
|
0
|
0%
|
|
128
|
It Is Exactly 4: 32 AM
|
1
|
20%
|
0
|
0%
|
|
129
|
Joke: Advertisement
|
1
|
20%
|
0
|
0%
|
|
130
|
Joke: For The Smoker
|
1
|
20%
|
0
|
0%
|
|
131
|
La Fleure De Chicago
|
5
|
100%
|
0
|
0%
|
|
132
|
La Maladie D'amour
|
1
|
20%
|
0
|
0%
|
|
133
|
La Vie
|
1
|
20%
|
0
|
0%
|
|
134
|
L'Amour Noir
|
2
|
40%
|
0
|
0%
|
|
135
|
Le Pouvoire: First Edition
|
3
|
60%
|
0
|
0%
|
|
136
|
Le Stereotype
|
1
|
20%
|
0
|
0%
|
|
137
|
Letherman
|
1
|
20%
|
0
|
0%
|
|
138
|
Light Exposure
|
1
|
20%
|
0
|
0%
|
|
139
|
Listen To Me
|
1
|
20%
|
0
|
0%
|
|
140
|
Loneliness
|
1
|
20%
|
0
|
0%
|
|
141
|
Loneliness In Retrospective.
|
1
|
20%
|
0
|
0%
|
|
142
|
Love 225
|
1
|
20%
|
0
|
0%
|
|
143
|
Love 399
|
1
|
20%
|
0
|
0%
|
|
144
|
Love's Scale
|
1
|
20%
|
0
|
0%
|
|
145
|
Magic Mirror VI
|
1
|
20%
|
0
|
0%
|
|
146
|
Magic Mirror VII
|
1
|
20%
|
0
|
0%
|
|
147
|
Map And Compass
|
1
|
20%
|
0
|
0%
|
|
148
|
Maroon Monster
|
1
|
20%
|
0
|
0%
|
|
149
|
Merry Christmas
|
1
|
20%
|
0
|
0%
|
|
150
|
Mexico stop: 350
|
1
|
20%
|
0
|
0%
|
|
151
|
Mexico Stop: 554
|
1
|
20%
|
0
|
0%
|
|
152
|
Microwave
|
1
|
20%
|
0
|
0%
|
|
153
|
Mint Bite
|
1
|
20%
|
0
|
0%
|
|
154
|
Mon Coeur
|
1
|
20%
|
0
|
0%
|
|
155
|
Mon Étoile
|
1
|
20%
|
0
|
0%
|
|
156
|
Mona Lisa
|
1
|
20%
|
0
|
0%
|
|
157
|
Mosaic I
|
1
|
20%
|
0
|
0%
|
|
158
|
My Axis
|
1
|
20%
|
0
|
0%
|
|
159
|
My Darling Soul
|
1
|
20%
|
0
|
0%
|
|
160
|
my furthest dream from close
|
3
|
60%
|
0
|
0%
|
|
161
|
My Future
|
1
|
20%
|
0
|
0%
|
|
162
|
My Niece
|
3
|
60%
|
0
|
0%
|
|
163
|
My TV
|
1
|
20%
|
0
|
0%
|
|
164
|
No Big Differences
|
1
|
20%
|
0
|
0%
|
|
165
|
One Light Year Distance
|
1
|
20%
|
0
|
0%
|
|
166
|
One Mile Distance
|
1
|
20%
|
0
|
0%
|
|
167
|
One of Eileen’s Difficulties
|
1
|
20%
|
0
|
0%
|
|
168
|
Orange Poem
|
1
|
20%
|
0
|
0%
|
|
169
|
Order And Chaos
|
1
|
20%
|
0
|
0%
|
|
170
|
Peace And Pieces
|
1
|
20%
|
0
|
0%
|
|
171
|
Perfect Island
|
1
|
20%
|
0
|
0%
|
|
172
|
Perhaps
|
2
|
40%
|
0
|
0%
|
|
173
|
Phases
|
2
|
40%
|
0
|
0%
|
|
174
|
Poem From An Eye
|
1
|
20%
|
0
|
0%
|
|
175
|
Poets’ Meeting
|
2
|
40%
|
0
|
0%
|
|
176
|
Politics
|
2
|
40%
|
0
|
0%
|
|
177
|
Portrait
|
1
|
20%
|
0
|
0%
|
|
178
|
Predestination I
|
1
|
20%
|
0
|
0%
|
|
179
|
Prestige
|
2
|
40%
|
0
|
0%
|
|
180
|
Pretender
|
1
|
20%
|
0
|
0%
|
|
181
|
Private Question's Marks
|
1
|
20%
|
0
|
0%
|
|
182
|
Radio Station: Chico
|
1
|
20%
|
0
|
0%
|
|
183
|
Radio Station: Chico, Are You Twenty years old? over!
|
1
|
20%
|
0
|
0%
|
|
184
|
Radio Station: Chico, Slow bluez
|
1
|
20%
|
0
|
0%
|
|
185
|
Radio Station: Cicero
|
1
|
20%
|
0
|
0%
|
|
186
|
Radio Station: Good Morning Chico
|
1
|
20%
|
0
|
0%
|
|
187
|
Rap With Me Too
|
1
|
20%
|
0
|
0%
|
|
188
|
Rap With Me: On The Lake
|
1
|
20%
|
0
|
0%
|
|
189
|
Rape: Case 102
|
1
|
20%
|
0
|
0%
|
|
190
|
Rape: Case 229
|
1
|
20%
|
0
|
0%
|
|
191
|
Resemblance
|
1
|
20%
|
0
|
0%
|
|
192
|
Retaliation
|
1
|
20%
|
0
|
0%
|
|
193
|
Revelations II
|
1
|
20%
|
0
|
0%
|
|
194
|
Revelations III
|
1
|
20%
|
0
|
0%
|
|
195
|
Revelations IV
|
1
|
20%
|
0
|
0%
|
|
196
|
Ringing The Bell: The Butterfly
|
1
|
20%
|
0
|
0%
|
|
197
|
She Is Always In My Mind
|
1
|
20%
|
0
|
0%
|
|
198
|
She Is Unconfused
|
1
|
20%
|
0
|
0%
|
|
199
|
Sky And Water
|
2
|
40%
|
0
|
0%
|
|
200
|
Slow Desire
|
1
|
20%
|
0
|
0%
|
|
201
|
Something To The Little Teen
|
1
|
20%
|
0
|
0%
|
|
202
|
Stay With Me
|
3
|
60%
|
0
|
0%
|
|
203
|
Staying In The Middle
|
1
|
20%
|
0
|
0%
|
|
204
|
Stealing A burden
|
1
|
20%
|
0
|
0%
|
|
205
|
Sun Set, Sun Rise
|
1
|
20%
|
0
|
0%
|
|
206
|
Super Charged
|
1
|
20%
|
0
|
0%
|
|
207
|
Surrealism XIII
|
1
|
20%
|
0
|
0%
|
|
208
|
Tattoo: Hope - Marleen Monro-
|
1
|
20%
|
0
|
0%
|
|
209
|
Tattoo: Power Within
|
1
|
20%
|
0
|
0%
|
|
210
|
Tell Me Woman
|
1
|
20%
|
0
|
0%
|
|
211
|
The Arrow Of A Woman
|
1
|
20%
|
0
|
0%
|
|
212
|
The Atlantic Fisherman
|
1
|
20%
|
0
|
0%
|
|
213
|
The Catholic Woman
|
2
|
40%
|
0
|
0%
|
|
214
|
The City
|
1
|
20%
|
0
|
0%
|
|
215
|
The Cold War: Art Movement
|
1
|
20%
|
0
|
0%
|
|
216
|
The Cold War: Dictatorship
|
1
|
20%
|
0
|
0%
|
|
217
|
The Cold War: Foreigner Policy
|
1
|
20%
|
0
|
0%
|
|
218
|
The Cold War: The Price Of War
|
2
|
40%
|
0
|
0%
|
|
219
|
The Cold War: When The Peace Comes
|
1
|
20%
|
0
|
0%
|
|
220
|
The Deadly Comment
|
1
|
20%
|
0
|
0%
|
|
221
|
The First Universe’s Orgasm
|
2
|
40%
|
0
|
0%
|
|
222
|
The Fisherman
|
3
|
60%
|
0
|
0%
|
|
223
|
The Forbidden
|
1
|
20%
|
0
|
0%
|
|
224
|
The History Teacher
|
2
|
40%
|
0
|
0%
|
|
225
|
The Informational Era
|
2
|
40%
|
0
|
0%
|
|
226
|
The Last Emigrant
|
1
|
20%
|
0
|
0%
|
|
227
|
The Last Empire
|
1
|
20%
|
0
|
0%
|
|
228
|
The Last Supper
|
1
|
20%
|
0
|
0%
|
|
229
|
The Law Of Love
|
1
|
20%
|
0
|
0%
|
|
230
|
The Lost Pearl
|
2
|
40%
|
0
|
0%
|
|
231
|
The mine: The Survivor
|
1
|
20%
|
0
|
0%
|
|
232
|
The Moon's Cycle
|
1
|
20%
|
0
|
0%
|
|
233
|
the most important emphesis
|
1
|
20%
|
0
|
0%
|
|
234
|
The Mother of Wars
|
1
|
20%
|
0
|
0%
|
|
235
|
The Network
|
1
|
20%
|
0
|
0%
|
|
236
|
The Reader Is The King
|
1
|
20%
|
0
|
0%
|
|
237
|
The Seven Pillars
|
1
|
20%
|
0
|
0%
|
|
238
|
The Third World War: The roots
|
1
|
20%
|
0
|
0%
|
|
239
|
To A woman I Met
|
2
|
40%
|
0
|
0%
|
|
240
|
To Eve: Disarm Yourself
|
1
|
20%
|
0
|
0%
|
|
241
|
To Eve: I Have A Dream
|
1
|
20%
|
0
|
0%
|
|
242
|
To Eve: the game
|
1
|
20%
|
0
|
0%
|
|
243
|
To Eve: Words For Words' Seeker
|
1
|
20%
|
0
|
0%
|
|
244
|
To The Student's Mom
|
1
|
20%
|
0
|
0%
|
|
245
|
Treasure
|
1
|
20%
|
0
|
0%
|
|
246
|
Tropical Garden
|
1
|
20%
|
0
|
0%
|
|
247
|
Twin Poems
|
1
|
20%
|
0
|
0%
|
|
248
|
Two Ways Street
|
1
|
20%
|
0
|
0%
|
|
249
|
Une Femme Unique
|
3
|
60%
|
0
|
0%
|
|
250
|
Vagueness: The Intimate
|
1
|
20%
|
0
|
0%
|
|
251
|
Walking in an exotic forest
|
1
|
20%
|
0
|
0%
|
|
252
|
Watch Out
|
1
|
20%
|
0
|
0%
|
|
253
|
What I know about Woman!
|
2
|
40%
|
0
|
0%
|
|
254
|
What Is Love
|
1
|
20%
|
0
|
0%
|
|
255
|
What Is The Difference
|
1
|
20%
|
0
|
0%
|
|
256
|
Where do you come from?
|
1
|
20%
|
0
|
0%
|
|
257
|
White Rose From The Atlas
|
4
|
80%
|
0
|
0%
|
|
258
|
Why You
|
1
|
20%
|
0
|
0%
|
|
259
|
words i must say to a woman
|
1
|
20%
|
0
|
0%
|
|
260
|
Words That Describe Your Lips
|
2
|
40%
|
0
|
0%
|
|
261
|
You Are Romantic As The Surrealism
|
1
|
20%
|
0
|
0%
|
|
262
|
Zone V: The Dying Universe
|
1
|
20%
|
0
|
0%
|