Caroline Elizabeth Sarah Norton
Biography of Caroline Elizabeth Sarah Norton
Caroline Elizabeth Sarah Norton was a famous British society beauty, feminist, social reformer, and author of the early and mid nineteenth century.
Youth and Marriage
Caroline was born in London, England to Thomas Sheridan and Caroline Henrietta Callander. Her father was an actor, soldier, and colonial administrator, and the son of the prominent Irish playwright and Whig statesman Richard Brinsley Sheridan. Her mother was Scottish, the daughter of a landed gentleman, Col. Sir James Callander of Craigforth and Lady Elizabeth MacDonnell, the sister of an Irish peer, Lord Antrim. Mrs. Sheridan authored three short novels described by one her daughter's biographers as "rather stiff with the style of the eighteenth century, but none without a certain charm and wit..."
In 1817, her father died in South Africa, where he was serving as the colonial secretary at the Cape of Good Hope.His family was left virtually penniless. The Duke of York, an old friend of her grandfather's, arranged for Caroline's family to live at Hampton Court Palace in a "grace and favour" apartment, where they remained for several years.
The combined beauty and accomplishments of the Sheridan sisters led to them being collectively referred to as the Three "Graces". The eldest sister, Helen, was a song-writer who married the 4th Baron Dufferin and Claneboye. Through her, Caroline became the aunt of the 1st Marquess of Dufferin and Ava, who later served as the third Governor General of Canada and eighth Viceroy of India. Her younger sister, Georgiana, considered the prettiest of the three, later became the Duchess of Somerset.
In 1827, Caroline married the Hon. George Chapple Norton, barrister, M.P. for Guildford, and the younger brother of Lord Grantley. Norton was a jealous and possessive husband, given to violent fits of drunkenness, and the union quickly proved unhappy due to his mental and physical abuse of Caroline. To make matters worse, Norton was unsuccessful in his chosen career as a barrister, and the couple fought bitterly over money.
During the early years of her marriage, Caroline used her beauty, wit, and political connections, to establish herself as a major society hostess.Caroline's unorthodox behaviour and candid conversation raised more than a few eyebrows among 19th-century British high society; she made enemies and admirers in almost equal measure. Among her friends she counted such literary and political luminaries as Samuel Rogers, Edward Bulwer-Lytton, Edward Trelawney, Mary Shelley, Fanny Kemble, Benjamin Disraeli, the future King Leopold I of Belgium and William Cavendish, 6th Duke of Devonshire.
In spite of his jealousy and pride, Norton encouraged his wife to use her connections to advance his career. It was entirely due to her influence that in 1831 he was made a Metropolitan Police Magistrate.
During these years, Caroline turned to prose and poetry as a means of releasing her inner emotions. Her first book, The Sorrows of Rosalie (1829), was well received.The Undying One (1830), a romance founded upon the legend of the Wandering Jew soon followed.
Separation and Melbourne scandal
In 1836, Caroline left her husband. Caroline managed to subsist on her earnings as an author, but Norton claimed these as his own, arguing successfully in court that, as her husband, Caroline's earnings were legally his. Paid nothing by her husband, her earnings confiscated, Caroline used the law to her own advantage. Running up bills in her husband's name, Caroline told the creditors when they came to collect, that if they wished to be paid, they could sue her husband.
Not long after their separation, Norton abducted their sons, hiding them with relatives in Scotland and later in Yorkshire, refusing to tell Caroline anything of their whereabouts. Norton accused Caroline of being involved in an ongoing affair with her close friend, Lord Melbourne, the then Whig Prime Minister. Initially, Norton demanded £10,000 from Melbourne, but Melbourne refused to be blackmailed, and Norton instead took the Prime Minister to court.
Lord Melbourne wrote in a letter to Lord Holland that, "The fact is he (Norton) is a stupid brute, and she had not temper nor dissimulation enough to enable her to manage him." Despite this admission, hoping to avert an even worse scandal, he pleaded with Caroline to return to Norton, insisting that "a woman should never part from her husband whilst she can remain with him."Lord Melbourne relented a few days later, stating that he understood her decision to leave:
"This conduct upon his part seems perfectly unaccountable...You know that I have always counselled you to bear everything and remain to the last. I thought it for the best. I am afraid it is no longer possible. Open breaches of this kind are always to be lamented, but you have the consolation that you have done your utmost to stave this extremity off as long as possible."
The trial lasted nine days, and in the end the jury threw out Norton's claim, siding with Lord Melbourne. However, the resulting publicity almost brought down the government. The scandal eventually died away, but not before Caroline's reputation was ruined and her friendship with Lord Melbourne destroyed.
Norton continued to prevent Caroline from seeing her three sons, and blocked her from receiving a divorce. According to British law in 1836, children were the legal property of their father, and there was little Caroline could do to regain custody.
Caroline was soon faced with an additional tragedy; the death of her youngest son, William, in 1842. The child, out riding alone, suffered a fall from his horse and was injured. According to Caroline, the child’s wounds were minor; however, they were not properly attended and blood-poisoning set in. Norton, realising that the child was near death, sent for Caroline. Unfortunately, William died before she arrived in Scotland.Caroline blamed Norton for the child's death, accusing him of neglect. After William's death, Norton allowed Caroline to visit their sons, but he retained full custody, and all of her visits were supervised.
Due to her dismal domestic situation, Caroline became passionately involved in the passage of laws promoting social justice, especially those granting rights to married and divorced women. Her poems "A Voice from the Factories" (1836) and "The Child of the Islands" (1845) centred around her political views.
When Parliament debated the subject of divorce reform in 1855, Caroline submitted to the members a detailed account of her own marriage, and described the difficulties faced by women as the result of existing laws: "An English wife may not leave her husband's house. Not only can he sue her for restitution of "conjugal rights," but he has a right to enter the house of any friend or relation with whom she may take refuge...and carry her away by force...
If her husband take proceedings for a divorce, she is not, in the first instance, allowed to defend herself...She is not represented by attorney, nor permitted to be considered a party to the suit between him and her supposed lover, for "damages."
If an English wife be guilty of infidelity, her husband can divorce her so as to marry again; but she cannot divorce the husband, a vinculo, however profligate he may be....
Those dear children, the loss of whose pattering steps and sweet occasional voices made the silence of [my] new home intolerable as the anguish of death...what I suffered respecting those children, God knows . . . under the evil law which suffered any man, for vengeance or for interest, to take baby children from the mother.
Primarily because of Caroline's intense campaigning, Parliament passed the Custody of Infants Act 1839 and the Matrimonial Causes Act 1857. The Matrimonial Causes Act allowed married women to inherit property and take court action on their own behalf, while the Custody of Children Act granted mothers limited custodial rights over minor children. Caroline Norton's efforts formed the basis of what Barbara Leigh Smith Bodichon campaigned for successfully years later.
Caroline's old friend, Lord Melbourne, opposed the reforms she fought for. He was scolded for his opposition by Queen Victoria; the Queen wrote that he defended his actions, stating: "I don't think you should give a woman too much right...there should not be two conflicting powers...a man ought to have the right in a family."
While Caroline fought to extend women's legal rights, she wasn't involved in further social activism, and had no interest in the 19th-century women's movement with regard to issues such as women's suffrage. In fact, in an article published in The Times in 1838, countering a claim that she was a "radical", Caroline stated: "The natural position of woman is inferiority to man. Amen! That is a thing of God's appointing, not of man's devising. I believe it sincerely, as part of my religion. I never pretended to the wild and ridiculous doctrine of equality."
Legally unable to divorce her husband, Caroline engaged in a five-year affair with prominent Conservative politician Sidney Herbert in the early 1840s. The affair ended with his marriage to another in 1846. In middle age she befriended the author George Meredith. She served as the inspiration for Diana Warwick, the intelligent, fiery-tempered heroine of Meredith's novel Diana of the Crossways, published in 1885.
Caroline finally became free with the death of George Norton in 1875. She married an old friend, Scottish historical writer and politician Sir W. Stirling Maxwell in March 1877. Caroline died three months later.
Family and descendants
Her eldest son, Fletcher Norton, died of tuberculosis in Paris at the age of thirty. Caroline was devastated by the loss.
In 1854, her remaining son, Thomas Brinsley Norton, married a young Italian, Maria Chiara Elisa Federigo, whom he met in Naples. Thomas also suffered from poor health, and spent much of his life as an invalid, reliant upon his mother for financial assistance. Despite his ill health, he lived long enough to succeed his uncle as 4th Baron Grantley of Markenfield. Lord Grantley also predeceased his mother, dying in 1877. His son, John, inherited the title and estates.
The 5th Lord Grantley was a numismatist, and a Fellow of the Society of Antiquaries of London, the Royal Numismatic Society and the British Numismatic Society. He assembled a large collection of coins and also grew orchids. He caused a scandal in 1879, when he ran off with another man's wife, the former Katharine McVickar, daughter of a wealthy American stockbroker.The jilted husband was the 5th Lord Grantley's older cousin, Major Charles Grantley Campbell Norton. Katharine's marriage to Charles was annulled, and they were married that November, five days before the birth of their first child. Despite her scandalous introduction to British society, Katharine went on to become a successful London hostess.
Caroline Elizabeth Sarah Norton's Works:
A Voice from the Factories (1836)
Separation of Mother and Child by the Laws of Custody of Infants Considered (1837)
A Plain Letter to the Lord Chancellor on the Infant Custody Bill (1839)
Letters to the Mob (1848)
English Laws for Women in the Nineteenth Century (1854)
A Letter to the Queen on Lord Chancellor Cranworth's Marriage & Divorce Bill (1855)
A Review of the Divorce Bill of 1856, with propositions for an amendment of the laws affecting married persons (1857)
The Sorrows of Rosalie: A Tale with Other Poems (1829)
I Do Not Love Thee (1829)
The Cold Change (1829)
The Undying One and Other Poems (1830)
The Faithless Knight (1830)
The Dream and Other Poems (1840)
The Child of the Islands (1845)
Aunt Carry's Ballads for Children (1847)
Bingen on the Rhine (undated) "Copyrighted 1883 by Porter & Coates, Philadelphia"
The Centenary Festival (1859)
The Lady of La Garaye (1862)
The Dandies Rout (1825)
The Wife, and Woman's Reward (1835)
Stuart of Dunleath (1851)
Lost and Saved (1863)
Old Sir Douglas (1866)
The Gypsy Father (1830)
Vathek (based on the novel by William Beckford, 1830)
This page is based on the copyrighted Wikipedia Caroline Elizabeth Sarah Norton; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA.
Caroline Elizabeth Sarah Norton Poems
My Heart Is Like A Withered Nut!
MY heart is like a withered nut, Rattling within its hollow shell; You cannot ope my breast, and put Any thing fresh with it to dwell.
I Do Not Love Thee
I DO not love thee! - no! I do not love thee! And yet when thou art absent I am sad; And envy even the bright blue sky above thee, Whose quiet stars may see thee and be glad.
YES, I know that you once were my lover, But that sort of thing has an end, And though love and its transports are over,
We Have Been Friends Together
WE have been friends together, In sunshine and in shade; Since first beneath the chestnut-trees In infancy we played.
The Arab's Farewell To His Horse
MY beautiful! my beautiful! that standest meekly by With thy proudly arched and glossy neck, and dark and fiery eye;
A Voice From The Factories
WHEN fallen man from Paradise was driven, Forth to a world of labour, death, and care; Still, of his native Eden, bounteous Heaven
SURELY I heard a voice-surely my name Was breathed in tones familiar to my heart! I listened-and the low wind stealing came,
As When From Dreams Awaking
AS when from dreams awaking The dim forms float away Whose visioned smiles were making Our darkness bright as day;
LOVE not, love not! ye hapless sons of clay! Hope’s gayest wreaths are made of earthly flowers— Things that are made to fade and fall away Ere they have blossom’d for a few short hours.
Escape From The Snares Of Love
YOUNG LOVE has chains of metal rare, Heavy as gold-yet light as air: It chanced he caught a heart one day
The Cold Change
In the cold change which time hath wrought on love (The snowy winter of his summer prime), Should a chance sigh or sudden tear-drop move
I Cannot Love Thee!
I CANNOT love thee, tho' thy soul Be one which all good thoughts control; Altho' thy eyes be starry bright,
I Was Not False To Thee
I WAS not false to thee, and yet My cheek alone looked pale; My weary eye was dim and wet,
ONCE more, my harp! once more, although I thought Never to wake thy silent strings again, A wandering dream thy gentle chords have wrought,
ONCE more, my harp! once more, although I thought
Never to wake thy silent strings again,
A wandering dream thy gentle chords have wrought,
And my sad heart, which long hath dwelt in pain,
Soars, like a wild bird from a cypress bough,
Into the poet's Heaven, and leaves dull grief below!
And unto Thee--the beautiful and pure--
Whose lot is cast amid that busy world