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Christopher Pearse Cranch

(1815-1892 / the USA)

Biography of Christopher Pearse Cranch

Christopher Pearse Cranch poet

Christopher Pearse Cranch (March 8, 1815 – January 20, 1892) was an American writer and artist.

Cranch was born in the District of Columbia. He attended Columbian College and Harvard Divinity School. He briefly held a position as a Unitarian minister. Later, he pursued various occupations: a magazine editor, caricaturist, children's fantasy writer (the Huggermugger books), poet (The Bird and the Bell with Other Poems in 1875), translator, and landscape painter. He lived most of his life in Cambridge, Massachusetts.

Though not one of its founding members, Cranch became associated with the Transcendental Club; his connection with the Transcendentalists ultimately diminished his demand as a minister. Cranch's caricatures of Ralph Waldo Emerson were later collected as Illustrations of the New Philosophy: Guide. His poetry was published in The Harbinger and The Dial among other publications.

As a painter, Cranch painted landscapes along the lines of Thomas Cole, the Hudson River school, and the Barbizon school in France. In one foray into historical painting, Cranch depicted the burning of P. T. Barnum's American Museum in New York City. Later in life, Cranch painted scenes from Venice and Italy.

Christopher Pearse Cranch's Works:

* Poems (1844)
* The Last of the Huggermuggers, A Giant Story (1855)
* Kobboltozo (1857)
* The Aeneid of Virgil (translation, 1872}
* The Bird and the Bell with Other Poems (1875)
* Ariel and Caliban with Other Poems (1886)

This page is based on the copyrighted Wikipedia Christopher Pearse Cranch; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA.

PoemHunter.com Updates

A Word To Philosophers

COLD philosophers, so apt
With your formulas exacting,
In your problems so enwrapt,
And your theories distracting;
Webs of metaphysic doubt
On your wheels forever spinning,
Turning Nature inside out
From its end to its beginning;
Drawing forth from matter raw

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