|
1
|
A Bad Omen
|
6
|
12%
|
0
|
0%
|
|
2
|
A Death-Parting
|
6
|
12%
|
0
|
0%
|
|
3
|
A Foretaste
|
4
|
8%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
1
|
2%
|
0
|
0%
|
|
5
|
A Last Confession
|
6
|
12%
|
0
|
0%
|
|
6
|
A Little While
|
7
|
14%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
3
|
6%
|
0
|
0%
|
|
8
|
A Prayer
|
6
|
12%
|
0
|
0%
|
|
9
|
A Sea-Spell
|
8
|
16%
|
0
|
0%
|
|
10
|
A Superscription
|
1
|
2%
|
0
|
0%
|
|
11
|
A young Fir-Wood
|
2
|
4%
|
0
|
0%
|
|
12
|
Adieu
|
7
|
14%
|
0
|
0%
|
|
13
|
Afterwards
|
1
|
2%
|
0
|
0%
|
|
14
|
Alas, So Long!
|
2
|
4%
|
0
|
0%
|
|
15
|
An Altar-Flame
|
2
|
4%
|
0
|
0%
|
|
16
|
An Epitaph For Keats
|
5
|
10%
|
0
|
0%
|
|
17
|
An Old Song Ended
|
2
|
4%
|
0
|
0%
|
|
18
|
Another Love
|
4
|
8%
|
0
|
0%
|
|
19
|
Antwerp And Bruges
|
2
|
4%
|
0
|
0%
|
|
20
|
Antwerp To Ghent
|
1
|
2%
|
0
|
0%
|
|
21
|
Aspecta Medusa ( For A Drawing)
|
2
|
4%
|
0
|
0%
|
|
22
|
Astarte Syriaca
|
2
|
4%
|
0
|
0%
|
|
23
|
At The Sun-Rise In 1848
|
1
|
2%
|
0
|
0%
|
|
24
|
Autumn Song
|
12
|
24%
|
0
|
0%
|
|
25
|
Ave
|
4
|
8%
|
0
|
0%
|
|
26
|
Bambino Fasciato
|
2
|
4%
|
0
|
0%
|
|
27
|
Barcarola
|
2
|
4%
|
0
|
0%
|
|
28
|
Barcarola (#2)
|
2
|
4%
|
0
|
0%
|
|
29
|
Beauty And The Bird
|
4
|
8%
|
0
|
0%
|
|
30
|
Between Ghent And Bruges
|
2
|
4%
|
0
|
0%
|
|
31
|
Blake
|
1
|
2%
|
0
|
0%
|
|
32
|
Boulogne To Amiens And Paris (3 to 11 P.M.; 3rd Class)
|
1
|
2%
|
0
|
0%
|
|
33
|
Broken Music
|
5
|
10%
|
0
|
0%
|
|
34
|
Cassandra
|
1
|
2%
|
0
|
0%
|
|
35
|
Chimes
|
3
|
6%
|
0
|
0%
|
|
36
|
Czar Alexander The Second
|
1
|
2%
|
0
|
0%
|
|
37
|
Dante At Verona
|
2
|
4%
|
0
|
0%
|
|
38
|
Dantis Tenebrae (In Memory of my Father)
|
1
|
2%
|
0
|
0%
|
|
39
|
Dawn On The Night-Journey
|
2
|
4%
|
0
|
0%
|
|
40
|
Dennis Shand
|
1
|
2%
|
0
|
0%
|
|
41
|
Dis Manibus
|
2
|
4%
|
0
|
0%
|
|
42
|
Down Stream
|
1
|
2%
|
0
|
0%
|
|
43
|
Dream-Land
|
3
|
6%
|
0
|
0%
|
|
44
|
Dream-Love
|
5
|
10%
|
0
|
0%
|
|
45
|
Duns Scotus
|
2
|
4%
|
0
|
0%
|
|
46
|
During Music
|
1
|
2%
|
0
|
0%
|
|
47
|
Eden bower
|
1
|
2%
|
0
|
0%
|
|
48
|
Even So
|
2
|
4%
|
0
|
0%
|
|
49
|
Fiammetta
|
2
|
4%
|
0
|
0%
|
|
50
|
Fior Di Maggio
|
1
|
2%
|
0
|
0%
|
|
51
|
First Love Remembered
|
1
|
2%
|
0
|
0%
|
|
52
|
For
|
3
|
6%
|
0
|
0%
|
|
53
|
For A Venetian Pastoral By Giorgione (In the Louvre)
|
2
|
4%
|
0
|
0%
|
|
54
|
For A Virgin And Child By Hans Memmelinck
|
1
|
2%
|
0
|
0%
|
|
55
|
For An Allegorical Dance Of Women By Andrea Mantegna
|
1
|
2%
|
0
|
0%
|
|
56
|
For An Annunciation, Early German
|
1
|
2%
|
0
|
0%
|
|
57
|
For Our Lady Of The Rocks By Leonardo Da Vinci
|
1
|
2%
|
0
|
0%
|
|
58
|
For Spring By Sandro Botticelli
|
1
|
2%
|
0
|
0%
|
|
59
|
For The Holy Family By Michelangelo
|
2
|
4%
|
0
|
0%
|
|
60
|
Found
|
3
|
6%
|
0
|
0%
|
|
61
|
Fragments
|
3
|
6%
|
0
|
0%
|
|
62
|
From Paris To Brussels (11 P.M. 15 October To Half-Past 1 P.M. 16) Proem At The Paris Station
|
1
|
2%
|
0
|
0%
|
|
63
|
From The House Of Life The Sonnet
|
3
|
6%
|
0
|
0%
|
|
64
|
Genius in Beauty
|
3
|
6%
|
0
|
0%
|
|
65
|
Gioventu E Signoria
|
1
|
2%
|
0
|
0%
|
|
66
|
God's Graal
|
1
|
2%
|
0
|
0%
|
|
67
|
Height In Depth
|
5
|
10%
|
0
|
0%
|
|
68
|
Hidden Harmony
|
4
|
8%
|
0
|
0%
|
|
69
|
Idle Blessedness
|
1
|
2%
|
0
|
0%
|
|
70
|
In The Train, And At Versailles
|
2
|
4%
|
0
|
0%
|
|
71
|
Insomnia
|
20
|
40%
|
0
|
0%
|
|
72
|
Jenny
|
3
|
6%
|
0
|
0%
|
|
73
|
Joan of Arc
|
2
|
4%
|
0
|
0%
|
|
74
|
La Bella Mano
|
1
|
2%
|
0
|
0%
|
|
75
|
Last Sonnets At Paris
|
2
|
4%
|
0
|
0%
|
|
76
|
Lost on Both Sides
|
2
|
4%
|
0
|
0%
|
|
77
|
Love-Lily
|
7
|
14%
|
0
|
0%
|
|
78
|
Love's Nocturne
|
3
|
6%
|
0
|
0%
|
|
79
|
LXVI The Heart Of The Night
|
1
|
2%
|
0
|
0%
|
|
80
|
LXXI The Choice, I
|
1
|
2%
|
0
|
0%
|
|
81
|
Memory
|
2
|
4%
|
0
|
0%
|
|
82
|
On A Handful Of French Money
|
1
|
2%
|
0
|
0%
|
|
83
|
On Leaving Bruges
|
2
|
4%
|
0
|
0%
|
|
84
|
On The Road
|
2
|
4%
|
0
|
0%
|
|
85
|
On The Vita Nuova Of Dante
|
1
|
2%
|
0
|
0%
|
|
86
|
One Of Time’s Riddles
|
1
|
2%
|
0
|
0%
|
|
87
|
Pandora (For a Picture)
|
1
|
2%
|
0
|
0%
|
|
88
|
Penumbra
|
1
|
2%
|
0
|
0%
|
|
89
|
Percy Bysshe Shelley
|
1
|
2%
|
0
|
0%
|
|
90
|
Possession
|
2
|
4%
|
0
|
0%
|
|
91
|
Samuel Taylor Coleridge
|
2
|
4%
|
0
|
0%
|
|
92
|
Silent Noon
|
50
|
100%
|
0
|
0%
|
|
93
|
Sonnet LX: Transfigured Life
|
1
|
2%
|
0
|
0%
|
|
94
|
Sonnet LXIX: Autumn Idleness
|
1
|
2%
|
0
|
0%
|
|
95
|
Sonnet LXV: Known in Vain
|
2
|
4%
|
0
|
0%
|
|
96
|
Sonnet LXXVII: Soul's Beauty
|
1
|
2%
|
0
|
0%
|
|
97
|
Sonnet LXXXV: Vain Virtues
|
1
|
2%
|
0
|
0%
|
|
98
|
Sonnet LXXXVII: Death's Songsters
|
1
|
2%
|
0
|
0%
|
|
99
|
Sonnet VI: The Kiss
|
1
|
2%
|
0
|
0%
|
|
100
|
Sonnet VII: Supreme Surrender
|
1
|
2%
|
0
|
0%
|
|
101
|
Sonnet VIII: Love's Lovers
|
1
|
2%
|
0
|
0%
|
|
102
|
Sonnet X: The Portrait
|
5
|
10%
|
0
|
0%
|
|
103
|
Sonnet XC: “Retro Me, Sathana!”
|
1
|
2%
|
0
|
0%
|
|
104
|
Sonnet XCI: Lost On Both Sides
|
1
|
2%
|
0
|
0%
|
|
105
|
Sonnet XCIV: Michelangelo 's Kiss
|
1
|
2%
|
0
|
0%
|
|
106
|
Sonnet XCVIII: He and I
|
1
|
2%
|
0
|
0%
|
|
107
|
Sonnet XI: The Love-Letter
|
2
|
4%
|
0
|
0%
|
|
108
|
Sonnet XL: Severed Selves
|
1
|
2%
|
0
|
0%
|
|
109
|
Sonnet XLI : Through Death to Love
|
2
|
4%
|
0
|
0%
|
|
110
|
Sonnet XLVII: Broken Music
|
2
|
4%
|
0
|
0%
|
|
111
|
Sonnet XXV: Winged Hours
|
1
|
2%
|
0
|
0%
|
|
112
|
Sonnet XXXIII: Venus Victrix
|
1
|
2%
|
0
|
0%
|
|
113
|
Sonnet XXXIX: Sleepless Dreams
|
1
|
2%
|
0
|
0%
|
|
114
|
Sonnet XXXVII: The Love-Moon
|
1
|
2%
|
0
|
0%
|
|
115
|
Sonnets XCII: XCIII: The Sun's Shame
|
1
|
2%
|
0
|
0%
|
|
116
|
Sonnets XCIX: C: Newborn Death
|
1
|
2%
|
0
|
0%
|
|
117
|
Sonnets XLIX: L: LI: LII: Willowwood
|
1
|
2%
|
0
|
0%
|
|
118
|
Soothsay
|
1
|
2%
|
0
|
0%
|
|
119
|
Soul's Beauty
|
2
|
4%
|
0
|
0%
|
|
120
|
Sudden Light
|
1
|
2%
|
0
|
0%
|
|
121
|
The Ballad of Dead Ladies
|
3
|
6%
|
0
|
0%
|
|
122
|
The Blessed Damozel
|
4
|
8%
|
0
|
0%
|
|
123
|
The Card-Dealer
|
1
|
2%
|
0
|
0%
|
|
124
|
The Cloud Confines
|
1
|
2%
|
0
|
0%
|
|
125
|
The Day-Dream
|
2
|
4%
|
0
|
0%
|
|
126
|
The Honeysuckle
|
1
|
2%
|
0
|
0%
|
|
127
|
The House of Life: The Sonnet
|
1
|
2%
|
0
|
0%
|
|
128
|
The House of the Life: The Kiss
|
3
|
6%
|
0
|
0%
|
|
129
|
The Kiss
|
3
|
6%
|
0
|
0%
|
|
130
|
The Lady’s Lament
|
1
|
2%
|
0
|
0%
|
|
131
|
The Mirror
|
3
|
6%
|
0
|
0%
|
|
132
|
The Orchard-Pit
|
1
|
2%
|
0
|
0%
|
|
133
|
The Portrait
|
2
|
4%
|
0
|
0%
|
|
134
|
The Sin Of Detection
|
1
|
2%
|
0
|
0%
|
|
135
|
The Stream's Secret
|
1
|
2%
|
0
|
0%
|
|
136
|
The White Ship Henry I. Of England.—25th November 1120
|
2
|
4%
|
0
|
0%
|
|
137
|
The Woodspurge
|
1
|
2%
|
0
|
0%
|
|
138
|
The World’s Doing
|
1
|
2%
|
0
|
0%
|
|
139
|
Three Shadows
|
1
|
2%
|
0
|
0%
|
|
140
|
Troy Town
|
5
|
10%
|
0
|
0%
|
|
141
|
Valentine--To Lizzie Siddal
|
1
|
2%
|
0
|
0%
|
|
142
|
Wellington's Funeral
|
1
|
2%
|
0
|
0%
|
|
143
|
William Blake
|
7
|
14%
|
0
|
0%
|
|
144
|
Words On The Window-Pane
|
2
|
4%
|
0
|
0%
|
|
145
|
World's Worth
|
1
|
2%
|
0
|
0%
|