|
1
|
A Bad Omen
|
9
|
33%
|
0
|
0%
|
|
2
|
A Death-Parting
|
12
|
44%
|
0
|
0%
|
|
3
|
A Foretaste
|
9
|
33%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
6
|
22%
|
0
|
0%
|
|
5
|
A Last Confession
|
12
|
44%
|
0
|
0%
|
|
6
|
A Little While
|
7
|
25%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
6
|
22%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
2
|
7%
|
0
|
0%
|
|
9
|
A Prayer
|
2
|
7%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
5
|
18%
|
0
|
0%
|
|
11
|
A Superscription
|
1
|
3%
|
0
|
0%
|
|
12
|
A young Fir-Wood
|
2
|
7%
|
0
|
0%
|
|
13
|
Address To The Dalziel Brothers
|
1
|
3%
|
0
|
0%
|
|
14
|
Adieu
|
3
|
11%
|
0
|
0%
|
|
15
|
After The French Liberation Of Italy
|
2
|
7%
|
0
|
0%
|
|
16
|
After The German Subjugation Of France, 1871
|
2
|
7%
|
0
|
0%
|
|
17
|
Afterwards
|
2
|
7%
|
0
|
0%
|
|
18
|
Alas, So Long!
|
3
|
11%
|
0
|
0%
|
|
19
|
Almost Over
|
7
|
25%
|
0
|
0%
|
|
20
|
An Altar-Flame
|
2
|
7%
|
0
|
0%
|
|
21
|
An Epitaph For Keats
|
1
|
3%
|
0
|
0%
|
|
22
|
An Old Song Ended
|
2
|
7%
|
0
|
0%
|
|
23
|
Another Love
|
5
|
18%
|
0
|
0%
|
|
24
|
Antwerp And Bruges
|
1
|
3%
|
0
|
0%
|
|
25
|
Antwerp To Ghent
|
1
|
3%
|
0
|
0%
|
|
26
|
Ashore At Dover
|
1
|
3%
|
0
|
0%
|
|
27
|
Aspecta Medusa ( For A Drawing)
|
1
|
3%
|
0
|
0%
|
|
28
|
Aspecta Medusa (for a Drawing)
|
1
|
3%
|
0
|
0%
|
|
29
|
Astarte Syriaca
|
2
|
7%
|
0
|
0%
|
|
30
|
At Issue
|
1
|
3%
|
0
|
0%
|
|
31
|
At The Station Of The Versailles Railway
|
1
|
3%
|
0
|
0%
|
|
32
|
At The Sun-Rise In 1848
|
2
|
7%
|
0
|
0%
|
|
33
|
Autumn Song
|
5
|
18%
|
0
|
0%
|
|
34
|
Ave
|
4
|
14%
|
0
|
0%
|
|
35
|
Bambino Fasciato
|
3
|
11%
|
0
|
0%
|
|
36
|
Barcarola
|
1
|
3%
|
0
|
0%
|
|
37
|
Barcarola (#2)
|
2
|
7%
|
0
|
0%
|
|
38
|
Beauty And The Bird
|
1
|
3%
|
0
|
0%
|
|
39
|
Between Ghent And Bruges
|
1
|
3%
|
0
|
0%
|
|
40
|
Blake
|
2
|
7%
|
0
|
0%
|
|
41
|
Boulogne To Amiens And Paris (3 to 11 P.M.; 3rd Class)
|
1
|
3%
|
0
|
0%
|
|
42
|
Broken Music
|
2
|
7%
|
0
|
0%
|
|
43
|
Cassandra
|
2
|
7%
|
0
|
0%
|
|
44
|
Dante At Verona
|
1
|
3%
|
0
|
0%
|
|
45
|
Down Stream
|
1
|
3%
|
0
|
0%
|
|
46
|
Dream-Love
|
17
|
62%
|
0
|
0%
|
|
47
|
Eden bower
|
1
|
3%
|
0
|
0%
|
|
48
|
Even So
|
3
|
11%
|
0
|
0%
|
|
49
|
Fiammetta
|
2
|
7%
|
0
|
0%
|
|
50
|
First Love Remembered
|
1
|
3%
|
0
|
0%
|
|
51
|
For “The Wine Of Circle” By Edward Burne Jones
|
1
|
3%
|
0
|
0%
|
|
52
|
For The Holy Family By Michelangelo
|
1
|
3%
|
0
|
0%
|
|
53
|
From Paris To Brussels (11 P.M. 15 October To Half-Past 1 P.M. 16) Proem At The Paris Station
|
1
|
3%
|
0
|
0%
|
|
54
|
From The House Of Life The Sonnet
|
5
|
18%
|
0
|
0%
|
|
55
|
Genius in Beauty
|
3
|
11%
|
0
|
0%
|
|
56
|
Gioventu E Signoria
|
1
|
3%
|
0
|
0%
|
|
57
|
Idle Blessedness
|
2
|
7%
|
0
|
0%
|
|
58
|
Insomnia
|
13
|
48%
|
0
|
0%
|
|
59
|
Jenny
|
2
|
7%
|
0
|
0%
|
|
60
|
John Keats
|
1
|
3%
|
0
|
0%
|
|
61
|
La Ricordanza
|
1
|
3%
|
0
|
0%
|
|
62
|
Last Love [Canzone]
|
2
|
7%
|
0
|
0%
|
|
63
|
Limericks
|
2
|
7%
|
0
|
0%
|
|
64
|
London To Folkestone (Half-Past One To Half-Past Five)
|
2
|
7%
|
0
|
0%
|
|
65
|
Lost on Both Sides
|
2
|
7%
|
0
|
0%
|
|
66
|
Love-Lily
|
11
|
40%
|
0
|
0%
|
|
67
|
Love's Nocturn
|
5
|
18%
|
0
|
0%
|
|
68
|
Love's Nocturne
|
3
|
11%
|
0
|
0%
|
|
69
|
My Sister's Sleep
|
2
|
7%
|
0
|
0%
|
|
70
|
On Christina Rossetti
|
1
|
3%
|
0
|
0%
|
|
71
|
Percy Bysshe Shelley
|
1
|
3%
|
0
|
0%
|
|
72
|
Samuel Taylor Coleridge
|
1
|
3%
|
0
|
0%
|
|
73
|
Silent Noon
|
27
|
100%
|
0
|
0%
|
|
74
|
Smithereens
|
1
|
3%
|
0
|
0%
|
|
75
|
Sonnet XXXVI: Life-In-Love
|
3
|
11%
|
0
|
0%
|
|
76
|
Sonnet I: Love Enthroned
|
3
|
11%
|
0
|
0%
|
|
77
|
Sonnet III: Love's Testament
|
4
|
14%
|
0
|
0%
|
|
78
|
Sonnet IV: Lovesight
|
6
|
22%
|
0
|
0%
|
|
79
|
Sonnet IX: Passion And Worship
|
1
|
3%
|
0
|
0%
|
|
80
|
Sonnet LIII: Without Her
|
2
|
7%
|
0
|
0%
|
|
81
|
Sonnet LIV: Love's Fatality
|
1
|
3%
|
0
|
0%
|
|
82
|
Sonnet LXXVII: Soul's Beauty
|
2
|
7%
|
0
|
0%
|
|
83
|
Sonnet LXXVIII: Body's Beauty
|
2
|
7%
|
0
|
0%
|
|
84
|
Sonnet LXXXVI: Lost Days
|
1
|
3%
|
0
|
0%
|
|
85
|
Sonnet LXXXVII: Death's Songsters
|
1
|
3%
|
0
|
0%
|
|
86
|
Sonnet LXXXVIII: Hero's Lamp.
|
1
|
3%
|
0
|
0%
|
|
87
|
Sonnet VI: The Kiss
|
4
|
14%
|
0
|
0%
|
|
88
|
Sonnet VIII: Love's Lovers
|
2
|
7%
|
0
|
0%
|
|
89
|
Sonnet XCVII: A Superscription
|
1
|
3%
|
0
|
0%
|
|
90
|
Sonnet XI: The Love-Letter
|
2
|
7%
|
0
|
0%
|
|
91
|
Sonnet XII: The Lovers' Walk
|
1
|
3%
|
0
|
0%
|
|
92
|
Sonnet XIX: Silent Noon
|
2
|
7%
|
0
|
0%
|
|
93
|
Sonnet XLIII: Love and Hope
|
1
|
3%
|
0
|
0%
|
|
94
|
Sonnet XVIII: Genius in Beauty
|
1
|
3%
|
0
|
0%
|
|
95
|
Sonnet XXI: Love Sweetness
|
2
|
7%
|
0
|
0%
|
|
96
|
Sonnet XXII: Heart's Haven
|
1
|
3%
|
0
|
0%
|
|
97
|
Sonnet XXIII: Love's Baubles
|
1
|
3%
|
0
|
0%
|
|
98
|
Sonnet XXVII: Heart's Compass
|
2
|
7%
|
0
|
0%
|
|
99
|
Sonnet XXXVII: The Love-Moon
|
1
|
3%
|
0
|
0%
|
|
100
|
Sonnets LVI:LVII: LVIII: True Woman
|
1
|
3%
|
0
|
0%
|
|
101
|
Sonnett VI: A Nuptial Sleep
|
2
|
7%
|
0
|
0%
|
|
102
|
Soul's Beauty
|
1
|
3%
|
0
|
0%
|
|
103
|
Sudden Light
|
2
|
7%
|
0
|
0%
|
|
104
|
The Blessed Damozel
|
1
|
3%
|
0
|
0%
|
|
105
|
The Bride's Prelude
|
2
|
7%
|
0
|
0%
|
|
106
|
The English Revolution Of 1848
|
2
|
7%
|
0
|
0%
|
|
107
|
The House of the Life: The Kiss
|
3
|
11%
|
0
|
0%
|
|
108
|
The King's Tragedy James I. Of Scots.—20th February 1437
|
1
|
3%
|
0
|
0%
|
|
109
|
The Kiss
|
1
|
3%
|
0
|
0%
|
|
110
|
The Mirror
|
3
|
11%
|
0
|
0%
|
|
111
|
The Sea Limits
|
2
|
7%
|
0
|
0%
|
|
112
|
The Sonnet
|
1
|
3%
|
0
|
0%
|
|
113
|
The Woodspurge
|
1
|
3%
|
0
|
0%
|
|
114
|
Twas Thus
|
1
|
3%
|
0
|
0%
|
|
115
|
Valentine--To Lizzie Siddal
|
2
|
7%
|
0
|
0%
|
|
116
|
Venus Verticordia (For a Picture)
|
1
|
3%
|
0
|
0%
|
|
117
|
Winter
|
1
|
3%
|
0
|
0%
|
|
118
|
Woodspurge
|
1
|
3%
|
0
|
0%
|
|
119
|
XCVII A Superscription
|
1
|
3%
|
0
|
0%
|
|
120
|
XLI Through Death To Love
|
1
|
3%
|
0
|
0%
|
|
121
|
XXIX Heart's Heaven
|
1
|
3%
|
0
|
0%
|
|
122
|
XXXVI Life-In-Love
|
3
|
11%
|
0
|
0%
|