|
1
|
A Bad Omen
|
15
|
53%
|
0
|
0%
|
|
2
|
A Death-Parting
|
22
|
78%
|
0
|
0%
|
|
3
|
A Foretaste
|
6
|
21%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
5
|
17%
|
0
|
0%
|
|
5
|
A Last Confession
|
7
|
25%
|
0
|
0%
|
|
6
|
A Little While
|
5
|
17%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
9
|
32%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
3
|
10%
|
0
|
0%
|
|
9
|
A Prayer
|
6
|
21%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
7
|
25%
|
0
|
0%
|
|
11
|
A Superscription
|
3
|
10%
|
0
|
0%
|
|
12
|
A young Fir-Wood
|
5
|
17%
|
0
|
0%
|
|
13
|
Address To The Dalziel Brothers
|
2
|
7%
|
0
|
0%
|
|
14
|
Adieu
|
6
|
21%
|
0
|
0%
|
|
15
|
After The French Liberation Of Italy
|
1
|
3%
|
0
|
0%
|
|
16
|
After The German Subjugation Of France, 1871
|
4
|
14%
|
0
|
0%
|
|
17
|
Alas, So Long!
|
2
|
7%
|
0
|
0%
|
|
18
|
An Epitaph For Keats
|
1
|
3%
|
0
|
0%
|
|
19
|
An Old Song Ended
|
1
|
3%
|
0
|
0%
|
|
20
|
Another Love
|
2
|
7%
|
0
|
0%
|
|
21
|
Astarte Syriaca
|
2
|
7%
|
0
|
0%
|
|
22
|
At The Sun-Rise In 1848
|
1
|
3%
|
0
|
0%
|
|
23
|
Autumn Song
|
5
|
17%
|
0
|
0%
|
|
24
|
Bambino Fasciato
|
1
|
3%
|
0
|
0%
|
|
25
|
Beauty And The Bird
|
2
|
7%
|
0
|
0%
|
|
26
|
Blake
|
1
|
3%
|
0
|
0%
|
|
27
|
Broken Music
|
2
|
7%
|
0
|
0%
|
|
28
|
Cassandra
|
1
|
3%
|
0
|
0%
|
|
29
|
Dawn On The Night-Journey
|
1
|
3%
|
0
|
0%
|
|
30
|
Dream-Land
|
1
|
3%
|
0
|
0%
|
|
31
|
Dream-Love
|
2
|
7%
|
0
|
0%
|
|
32
|
English May
|
1
|
3%
|
0
|
0%
|
|
33
|
Even So
|
1
|
3%
|
0
|
0%
|
|
34
|
For A Marriage Of St. Catherine By Hans Memmelinck
|
1
|
3%
|
0
|
0%
|
|
35
|
For An Allegorical Dance Of Women By Andrea Mantegna
|
1
|
3%
|
0
|
0%
|
|
36
|
For Spring By Sandro Botticelli
|
1
|
3%
|
0
|
0%
|
|
37
|
For The Holy Family By Michelangelo
|
1
|
3%
|
0
|
0%
|
|
38
|
Found
|
1
|
3%
|
0
|
0%
|
|
39
|
From The House Of Life The Sonnet
|
1
|
3%
|
0
|
0%
|
|
40
|
Genius in Beauty
|
1
|
3%
|
0
|
0%
|
|
41
|
Height In Depth
|
1
|
3%
|
0
|
0%
|
|
42
|
In The Train, And At Versailles
|
1
|
3%
|
0
|
0%
|
|
43
|
Insomnia
|
4
|
14%
|
0
|
0%
|
|
44
|
Jenny
|
1
|
3%
|
0
|
0%
|
|
45
|
La Bella Mano
|
1
|
3%
|
0
|
0%
|
|
46
|
Limericks
|
1
|
3%
|
0
|
0%
|
|
47
|
Lost on Both Sides
|
1
|
3%
|
0
|
0%
|
|
48
|
My Sister's Sleep
|
1
|
3%
|
0
|
0%
|
|
49
|
On A Handful Of French Money
|
1
|
3%
|
0
|
0%
|
|
50
|
On Browning’s Sordello
|
1
|
3%
|
0
|
0%
|
|
51
|
On Burns
|
1
|
3%
|
0
|
0%
|
|
52
|
On Certain Elizabethan revivals
|
1
|
3%
|
0
|
0%
|
|
53
|
On Christina Rossetti
|
1
|
3%
|
0
|
0%
|
|
54
|
On Leaving Bruges
|
1
|
3%
|
0
|
0%
|
|
55
|
On Refusal Of Aid Between Nations
|
1
|
3%
|
0
|
0%
|
|
56
|
On The Field Of Waterloo
|
1
|
3%
|
0
|
0%
|
|
57
|
On The Road
|
1
|
3%
|
0
|
0%
|
|
58
|
On The Road To Waterloo: 17 October (En Vigilante, 2 Hours)
|
1
|
3%
|
0
|
0%
|
|
59
|
On The Site Of A Mulberry-Tree; Planted by Wm. Shakspeare; felled by the Rev. F. Gastrell
|
1
|
3%
|
0
|
0%
|
|
60
|
On The Two Bridal-Biers
|
1
|
3%
|
0
|
0%
|
|
61
|
On The Vita Nuova Of Dante
|
2
|
7%
|
0
|
0%
|
|
62
|
On William Morris
|
1
|
3%
|
0
|
0%
|
|
63
|
One Of Time’s Riddles
|
1
|
3%
|
0
|
0%
|
|
64
|
Pandora (For a Picture)
|
1
|
3%
|
0
|
0%
|
|
65
|
Parody Of “Uncle Ned”
|
1
|
3%
|
0
|
0%
|
|
66
|
Parted Presence
|
1
|
3%
|
0
|
0%
|
|
67
|
Penumbra
|
1
|
3%
|
0
|
0%
|
|
68
|
Percy Bysshe Shelley
|
1
|
3%
|
0
|
0%
|
|
69
|
Place De La Bastille, Paris
|
1
|
3%
|
0
|
0%
|
|
70
|
Plighted Promise
|
1
|
3%
|
0
|
0%
|
|
71
|
Possession
|
1
|
3%
|
0
|
0%
|
|
72
|
Praise And Prayer
|
1
|
3%
|
0
|
0%
|
|
73
|
Pride of Youth
|
2
|
7%
|
0
|
0%
|
|
74
|
Proserpina
|
1
|
3%
|
0
|
0%
|
|
75
|
Raleigh’s Cell In The Tower
|
1
|
3%
|
0
|
0%
|
|
76
|
Returning To Brussels
|
1
|
3%
|
0
|
0%
|
|
77
|
Rose Mary
|
1
|
3%
|
0
|
0%
|
|
78
|
Sacrament Hymn
|
1
|
3%
|
0
|
0%
|
|
79
|
Sacred To the Memory of Algernon R. G. Stanhope
|
1
|
3%
|
0
|
0%
|
|
80
|
Samuel Taylor Coleridge
|
1
|
3%
|
0
|
0%
|
|
81
|
Shakespear
|
1
|
3%
|
0
|
0%
|
|
82
|
Silent Noon
|
28
|
100%
|
0
|
0%
|
|
83
|
Sir Peter Paul Rubens (Antwerp)
|
1
|
3%
|
0
|
0%
|
|
84
|
Sister Helen
|
1
|
3%
|
0
|
0%
|
|
85
|
Smithereens
|
1
|
3%
|
0
|
0%
|
|
86
|
Song and Music
|
2
|
7%
|
0
|
0%
|
|
87
|
Sonnet LXXIX: The Monochord
|
2
|
7%
|
0
|
0%
|
|
88
|
Sonnet LXXXI: Memorial Thresholds
|
1
|
3%
|
0
|
0%
|
|
89
|
Sonnet LXXXII: Hoarded Joy
|
1
|
3%
|
0
|
0%
|
|
90
|
Sonnet XXXVI: Life-In-Love
|
2
|
7%
|
0
|
0%
|
|
91
|
Sonnet I: Love Enthroned
|
1
|
3%
|
0
|
0%
|
|
92
|
Sonnet LIV: Love's Fatality
|
1
|
3%
|
0
|
0%
|
|
93
|
Sonnet LIX: Love's Last Gift
|
1
|
3%
|
0
|
0%
|
|
94
|
Sonnet LXI: The Song-Throe
|
1
|
3%
|
0
|
0%
|
|
95
|
Sonnet LXIII: Inclusiveness
|
1
|
3%
|
0
|
0%
|
|
96
|
Sonnet LXVII : The Landmark
|
1
|
3%
|
0
|
0%
|
|
97
|
Sonnet LXXVII: Soul's Beauty
|
1
|
3%
|
0
|
0%
|
|
98
|
Sonnet LXXVIII: Body's Beauty
|
1
|
3%
|
0
|
0%
|
|
99
|
Sonnet LXXXIII: Barren Spring
|
1
|
3%
|
0
|
0%
|
|
100
|
Sonnet LXXXVI: Lost Days
|
4
|
14%
|
0
|
0%
|
|
101
|
Sonnet VI: The Kiss
|
2
|
7%
|
0
|
0%
|
|
102
|
Sonnet VIII: Love's Lovers
|
1
|
3%
|
0
|
0%
|
|
103
|
Sonnet X: The Portrait
|
6
|
21%
|
0
|
0%
|
|
104
|
Sonnet XCI: Lost On Both Sides
|
1
|
3%
|
0
|
0%
|
|
105
|
Sonnet XI: The Love-Letter
|
1
|
3%
|
0
|
0%
|
|
106
|
Sonnet XII: The Lovers' Walk
|
1
|
3%
|
0
|
0%
|
|
107
|
Sonnet XV: The Birth-Bond
|
1
|
3%
|
0
|
0%
|
|
108
|
Sonnet XXVI: Mid-Rapture
|
1
|
3%
|
0
|
0%
|
|
109
|
Sonnets LVI:LVII: LVIII: True Woman
|
1
|
3%
|
0
|
0%
|
|
110
|
Sonnets XCII: XCIII: The Sun's Shame
|
1
|
3%
|
0
|
0%
|
|
111
|
Sonnets XLIX: L: LI: LII: Willowwood
|
1
|
3%
|
0
|
0%
|
|
112
|
Sonnett VI: A Nuptial Sleep
|
3
|
10%
|
0
|
0%
|
|
113
|
Soul's Beauty
|
6
|
21%
|
0
|
0%
|
|
114
|
Sudden Light
|
3
|
10%
|
0
|
0%
|
|
115
|
The Blessed Damozel
|
9
|
32%
|
0
|
0%
|
|
116
|
The Bride's Prelude
|
2
|
7%
|
0
|
0%
|
|
117
|
The House of Life: 71. The Choice, I
|
1
|
3%
|
0
|
0%
|
|
118
|
The House of Life: The Sonnet
|
1
|
3%
|
0
|
0%
|
|
119
|
The House of the Life: 36. Life-in-Love
|
1
|
3%
|
0
|
0%
|
|
120
|
The House of the Life: The Kiss
|
1
|
3%
|
0
|
0%
|
|
121
|
The Kiss
|
1
|
3%
|
0
|
0%
|
|
122
|
The Mirror
|
1
|
3%
|
0
|
0%
|
|
123
|
The Passover In The Holy Family (For A Drawing)
|
1
|
3%
|
0
|
0%
|
|
124
|
The Sea Limits
|
1
|
3%
|
0
|
0%
|
|
125
|
The Sonnet
|
1
|
3%
|
0
|
0%
|
|
126
|
The Turning-Point
|
1
|
3%
|
0
|
0%
|
|
127
|
The Wombat
|
3
|
10%
|
0
|
0%
|
|
128
|
The Woodspurge
|
3
|
10%
|
0
|
0%
|
|
129
|
Three Shadows
|
1
|
3%
|
0
|
0%
|
|
130
|
Untitled #2
|
1
|
3%
|
0
|
0%
|
|
131
|
Valentine--To Lizzie Siddal
|
1
|
3%
|
0
|
0%
|
|
132
|
Venus Verticordia (For a Picture)
|
2
|
7%
|
0
|
0%
|
|
133
|
Winter
|
1
|
3%
|
0
|
0%
|
|
134
|
Woodspurge
|
13
|
46%
|
0
|
0%
|
|
135
|
World's Worth
|
1
|
3%
|
0
|
0%
|
|
136
|
XCVII A Superscription
|
1
|
3%
|
0
|
0%
|
|
137
|
XLI Through Death To Love
|
1
|
3%
|
0
|
0%
|