|
1
|
A Bad Omen
|
11
|
42%
|
0
|
0%
|
|
2
|
A Death-Parting
|
10
|
38%
|
0
|
0%
|
|
3
|
A Foretaste
|
9
|
34%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
5
|
19%
|
0
|
0%
|
|
5
|
A Last Confession
|
15
|
57%
|
0
|
0%
|
|
6
|
A Little While
|
7
|
26%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
5
|
19%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
3
|
11%
|
0
|
0%
|
|
9
|
A Prayer
|
4
|
15%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
4
|
15%
|
0
|
0%
|
|
11
|
A Superscription
|
2
|
7%
|
0
|
0%
|
|
12
|
A young Fir-Wood
|
2
|
7%
|
0
|
0%
|
|
13
|
Address To The Dalziel Brothers
|
1
|
3%
|
0
|
0%
|
|
14
|
Adieu
|
3
|
11%
|
0
|
0%
|
|
15
|
After The French Liberation Of Italy
|
1
|
3%
|
0
|
0%
|
|
16
|
After The German Subjugation Of France, 1871
|
1
|
3%
|
0
|
0%
|
|
17
|
Afterwards
|
2
|
7%
|
0
|
0%
|
|
18
|
Alas, So Long!
|
2
|
7%
|
0
|
0%
|
|
19
|
Almost Over
|
5
|
19%
|
0
|
0%
|
|
20
|
An Altar-Flame
|
2
|
7%
|
0
|
0%
|
|
21
|
An Epitaph For Keats
|
1
|
3%
|
0
|
0%
|
|
22
|
An Old Song Ended
|
1
|
3%
|
0
|
0%
|
|
23
|
Another Love
|
3
|
11%
|
0
|
0%
|
|
24
|
Antwerp And Bruges
|
1
|
3%
|
0
|
0%
|
|
25
|
Antwerp To Ghent
|
1
|
3%
|
0
|
0%
|
|
26
|
Ashore At Dover
|
1
|
3%
|
0
|
0%
|
|
27
|
Aspecta Medusa ( For A Drawing)
|
1
|
3%
|
0
|
0%
|
|
28
|
Aspecta Medusa (for a Drawing)
|
1
|
3%
|
0
|
0%
|
|
29
|
Astarte Syriaca
|
1
|
3%
|
0
|
0%
|
|
30
|
At Issue
|
2
|
7%
|
0
|
0%
|
|
31
|
At The Station Of The Versailles Railway
|
1
|
3%
|
0
|
0%
|
|
32
|
At The Sun-Rise In 1848
|
1
|
3%
|
0
|
0%
|
|
33
|
Autumn Song
|
3
|
11%
|
0
|
0%
|
|
34
|
Ave
|
1
|
3%
|
0
|
0%
|
|
35
|
Bambino Fasciato
|
1
|
3%
|
0
|
0%
|
|
36
|
Beauty And The Bird
|
2
|
7%
|
0
|
0%
|
|
37
|
Between Ghent And Bruges
|
1
|
3%
|
0
|
0%
|
|
38
|
Blake
|
2
|
7%
|
0
|
0%
|
|
39
|
Broken Music
|
1
|
3%
|
0
|
0%
|
|
40
|
Cassandra
|
3
|
11%
|
0
|
0%
|
|
41
|
Chimes
|
1
|
3%
|
0
|
0%
|
|
42
|
Dis Manibus
|
1
|
3%
|
0
|
0%
|
|
43
|
Dream-Love
|
11
|
42%
|
0
|
0%
|
|
44
|
During Music
|
3
|
11%
|
0
|
0%
|
|
45
|
Even So
|
8
|
30%
|
0
|
0%
|
|
46
|
Fiammetta
|
1
|
3%
|
0
|
0%
|
|
47
|
Fior Di Maggio
|
1
|
3%
|
0
|
0%
|
|
48
|
First Love Remembered
|
1
|
3%
|
0
|
0%
|
|
49
|
For
|
1
|
3%
|
0
|
0%
|
|
50
|
For “The Wine Of Circle” By Edward Burne Jones
|
1
|
3%
|
0
|
0%
|
|
51
|
For A Marriage Of St. Catherine By Hans Memmelinck
|
1
|
3%
|
0
|
0%
|
|
52
|
For A Venetian Pastoral By Giorgione (In the Louvre)
|
1
|
3%
|
0
|
0%
|
|
53
|
For A Virgin And Child By Hans Memmelinck
|
3
|
11%
|
0
|
0%
|
|
54
|
For An Allegorical Dance Of Women By Andrea Mantegna
|
1
|
3%
|
0
|
0%
|
|
55
|
For An Annunciation, Early German
|
2
|
7%
|
0
|
0%
|
|
56
|
For Our Lady Of The Rocks By Leonardo Da Vinci
|
2
|
7%
|
0
|
0%
|
|
57
|
For Spring By Sandro Botticelli
|
1
|
3%
|
0
|
0%
|
|
58
|
For The Holy Family By Michelangelo
|
1
|
3%
|
0
|
0%
|
|
59
|
Found
|
2
|
7%
|
0
|
0%
|
|
60
|
Fragments
|
1
|
3%
|
0
|
0%
|
|
61
|
From Paris To Brussels (11 P.M. 15 October To Half-Past 1 P.M. 16) Proem At The Paris Station
|
1
|
3%
|
0
|
0%
|
|
62
|
From The House Of Life The Sonnet
|
4
|
15%
|
0
|
0%
|
|
63
|
Genius in Beauty
|
4
|
15%
|
0
|
0%
|
|
64
|
Gioventu E Signoria
|
1
|
3%
|
0
|
0%
|
|
65
|
God's Graal
|
1
|
3%
|
0
|
0%
|
|
66
|
Height In Depth
|
2
|
7%
|
0
|
0%
|
|
67
|
Hidden Harmony
|
6
|
23%
|
0
|
0%
|
|
68
|
Idle Blessedness
|
1
|
3%
|
0
|
0%
|
|
69
|
In The Train, And At Versailles
|
1
|
3%
|
0
|
0%
|
|
70
|
Insomnia
|
26
|
100%
|
0
|
0%
|
|
71
|
Jenny
|
3
|
11%
|
0
|
0%
|
|
72
|
Joan of Arc
|
1
|
3%
|
0
|
0%
|
|
73
|
John Keats
|
3
|
11%
|
0
|
0%
|
|
74
|
L’Envoi: Brussels, Hotel Du Midi
|
2
|
7%
|
0
|
0%
|
|
75
|
La Bella Mano
|
1
|
3%
|
0
|
0%
|
|
76
|
La Ricordanza
|
1
|
3%
|
0
|
0%
|
|
77
|
Last Love [Canzone]
|
1
|
3%
|
0
|
0%
|
|
78
|
Last Sonnets At Paris
|
1
|
3%
|
0
|
0%
|
|
79
|
Last Visit To The Louvre The Cry Of The P.R.B., After A Careful Examination Of The Canvases Of Ruben
|
1
|
3%
|
0
|
0%
|
|
80
|
Limericks
|
3
|
11%
|
0
|
0%
|
|
81
|
London To Folkestone (Half-Past One To Half-Past Five)
|
1
|
3%
|
0
|
0%
|
|
82
|
Lost on Both Sides
|
2
|
7%
|
0
|
0%
|
|
83
|
Love-Lily
|
6
|
23%
|
0
|
0%
|
|
84
|
Love's Nocturn
|
2
|
7%
|
0
|
0%
|
|
85
|
Love's Nocturne
|
3
|
11%
|
0
|
0%
|
|
86
|
LXVI The Heart Of The Night
|
2
|
7%
|
0
|
0%
|
|
87
|
LXXI The Choice, I
|
3
|
11%
|
0
|
0%
|
|
88
|
LXXII The Choice, II
|
2
|
7%
|
0
|
0%
|
|
89
|
LXXIII The Choice, III
|
2
|
7%
|
0
|
0%
|
|
90
|
MacCracken
|
2
|
7%
|
0
|
0%
|
|
91
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
2
|
7%
|
0
|
0%
|
|
92
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
2
|
7%
|
0
|
0%
|
|
93
|
Mary's Girlhood (for a Picture)
|
2
|
7%
|
0
|
0%
|
|
94
|
Memory
|
4
|
15%
|
0
|
0%
|
|
95
|
Messer Dante A Messer Bruno
|
3
|
11%
|
0
|
0%
|
|
96
|
Michael Scott’s Wooing
|
3
|
11%
|
0
|
0%
|
|
97
|
Mnemosyne
|
3
|
11%
|
0
|
0%
|
|
98
|
Motto To The Card Dealer
|
2
|
7%
|
0
|
0%
|
|
99
|
My Sister's Sleep
|
3
|
11%
|
0
|
0%
|
|
100
|
On A Handful Of French Money
|
2
|
7%
|
0
|
0%
|
|
101
|
On Browning’s Sordello
|
2
|
7%
|
0
|
0%
|
|
102
|
On Burns
|
2
|
7%
|
0
|
0%
|
|
103
|
On Certain Elizabethan revivals
|
2
|
7%
|
0
|
0%
|
|
104
|
On Christina Rossetti
|
2
|
7%
|
0
|
0%
|
|
105
|
On Leaving Bruges
|
2
|
7%
|
0
|
0%
|
|
106
|
On Refusal Of Aid Between Nations
|
2
|
7%
|
0
|
0%
|
|
107
|
On The Field Of Waterloo
|
1
|
3%
|
0
|
0%
|
|
108
|
On The Road
|
2
|
7%
|
0
|
0%
|
|
109
|
On The Road To Waterloo: 17 October (En Vigilante, 2 Hours)
|
1
|
3%
|
0
|
0%
|
|
110
|
On The Site Of A Mulberry-Tree; Planted by Wm. Shakspeare; felled by the Rev. F. Gastrell
|
1
|
3%
|
0
|
0%
|
|
111
|
On The Two Bridal-Biers
|
1
|
3%
|
0
|
0%
|
|
112
|
On The Vita Nuova Of Dante
|
1
|
3%
|
0
|
0%
|
|
113
|
On William Morris
|
1
|
3%
|
0
|
0%
|
|
114
|
One Of Time’s Riddles
|
1
|
3%
|
0
|
0%
|
|
115
|
Pandora (For a Picture)
|
2
|
7%
|
0
|
0%
|
|
116
|
Parody Of “Uncle Ned”
|
1
|
3%
|
0
|
0%
|
|
117
|
Parted Presence
|
3
|
11%
|
0
|
0%
|
|
118
|
Penumbra
|
1
|
3%
|
0
|
0%
|
|
119
|
Percy Bysshe Shelley
|
2
|
7%
|
0
|
0%
|
|
120
|
Place De La Bastille, Paris
|
1
|
3%
|
0
|
0%
|
|
121
|
Plighted Promise
|
1
|
3%
|
0
|
0%
|
|
122
|
Possession
|
2
|
7%
|
0
|
0%
|
|
123
|
Praise And Prayer
|
2
|
7%
|
0
|
0%
|
|
124
|
Proserpina
|
1
|
3%
|
0
|
0%
|
|
125
|
Raleigh’s Cell In The Tower
|
1
|
3%
|
0
|
0%
|
|
126
|
Returning To Brussels
|
1
|
3%
|
0
|
0%
|
|
127
|
Rose Mary
|
1
|
3%
|
0
|
0%
|
|
128
|
Sacrament Hymn
|
1
|
3%
|
0
|
0%
|
|
129
|
Sacred To the Memory of Algernon R. G. Stanhope
|
1
|
3%
|
0
|
0%
|
|
130
|
Samuel Taylor Coleridge
|
1
|
3%
|
0
|
0%
|
|
131
|
Shakespear
|
1
|
3%
|
0
|
0%
|
|
132
|
Silent Noon
|
19
|
73%
|
0
|
0%
|
|
133
|
Sir Peter Paul Rubens (Antwerp)
|
1
|
3%
|
0
|
0%
|
|
134
|
Sister Helen
|
1
|
3%
|
0
|
0%
|
|
135
|
Smithereens
|
1
|
3%
|
0
|
0%
|
|
136
|
Song and Music
|
3
|
11%
|
0
|
0%
|
|
137
|
Sonnet LXXIX: The Monochord
|
2
|
7%
|
0
|
0%
|
|
138
|
Sonnet LXXXI: Memorial Thresholds
|
1
|
3%
|
0
|
0%
|
|
139
|
Sonnet LXXXII: Hoarded Joy
|
1
|
3%
|
0
|
0%
|
|
140
|
Sonnet LXXXIV: Farewell to the Glen
|
1
|
3%
|
0
|
0%
|
|
141
|
Sonnet LXXXIX: The Trees of the Garden
|
1
|
3%
|
0
|
0%
|
|
142
|
Sonnet XLII: Hope Overtaken
|
1
|
3%
|
0
|
0%
|
|
143
|
Sonnet XXXVI: Life-In-Love
|
2
|
7%
|
0
|
0%
|
|
144
|
Sonnet XXXVI: Life-In-Love
|
1
|
3%
|
0
|
0%
|
|
145
|
Sonnet CI: The One Hope
|
1
|
3%
|
0
|
0%
|
|
146
|
Sonnet I: Love Enthroned
|
2
|
7%
|
0
|
0%
|
|
147
|
Sonnet II: Bridal Birth
|
1
|
3%
|
0
|
0%
|
|
148
|
Sonnet III: Love's Testament
|
3
|
11%
|
0
|
0%
|
|
149
|
Sonnet IV: Lovesight
|
7
|
26%
|
0
|
0%
|
|
150
|
Sonnet IX: Passion And Worship
|
2
|
7%
|
0
|
0%
|
|
151
|
Sonnet LIII: Without Her
|
1
|
3%
|
0
|
0%
|
|
152
|
Sonnet LIV: Love's Fatality
|
2
|
7%
|
0
|
0%
|
|
153
|
Sonnet LIX: Love's Last Gift
|
1
|
3%
|
0
|
0%
|
|
154
|
Sonnet LV: Stillborn Love
|
1
|
3%
|
0
|
0%
|
|
155
|
Sonnet LX: Transfigured Life
|
2
|
7%
|
0
|
0%
|
|
156
|
Sonnet LXI: The Song-Throe
|
2
|
7%
|
0
|
0%
|
|
157
|
Sonnet LXII: The Soul's Sphere
|
2
|
7%
|
0
|
0%
|
|
158
|
Sonnet LXIII: Inclusiveness
|
1
|
3%
|
0
|
0%
|
|
159
|
Sonnet LXIV: Ardour And Memory
|
2
|
7%
|
0
|
0%
|
|
160
|
Sonnet LXIX: Autumn Idleness
|
1
|
3%
|
0
|
0%
|
|
161
|
Sonnet LXV: Known in Vain
|
2
|
7%
|
0
|
0%
|
|
162
|
Sonnet LXVI: The Heart of the Night
|
1
|
3%
|
0
|
0%
|
|
163
|
Sonnet LXVII : The Landmark
|
1
|
3%
|
0
|
0%
|
|
164
|
Sonnet LXVIII: A Dark Day
|
1
|
3%
|
0
|
0%
|
|
165
|
Sonnet LXX: The Hill Summit
|
1
|
3%
|
0
|
0%
|
|
166
|
Sonnet LXXVII: Soul's Beauty
|
2
|
7%
|
0
|
0%
|
|
167
|
Sonnet LXXVIII: Body's Beauty
|
1
|
3%
|
0
|
0%
|
|
168
|
Sonnet LXXX: From Dawn to Noon
|
2
|
7%
|
0
|
0%
|
|
169
|
Sonnet LXXXIII: Barren Spring
|
1
|
3%
|
0
|
0%
|
|
170
|
Sonnet LXXXV: Vain Virtues
|
1
|
3%
|
0
|
0%
|
|
171
|
Sonnet LXXXVI: Lost Days
|
1
|
3%
|
0
|
0%
|
|
172
|
Sonnet LXXXVII: Death's Songsters
|
1
|
3%
|
0
|
0%
|
|
173
|
Sonnet LXXXVIII: Hero's Lamp.
|
1
|
3%
|
0
|
0%
|
|
174
|
Sonnet V: Heart's Hope
|
1
|
3%
|
0
|
0%
|
|
175
|
Sonnet VI: The Kiss
|
3
|
11%
|
0
|
0%
|
|
176
|
Sonnet VII: Supreme Surrender
|
3
|
11%
|
0
|
0%
|
|
177
|
Sonnet VIII: Love's Lovers
|
2
|
7%
|
0
|
0%
|
|
178
|
Sonnet X: The Portrait
|
1
|
3%
|
0
|
0%
|
|
179
|
Sonnet XC: “Retro Me, Sathana!”
|
1
|
3%
|
0
|
0%
|
|
180
|
Sonnet XCI: Lost On Both Sides
|
1
|
3%
|
0
|
0%
|
|
181
|
Sonnet XCIV: Michelangelo 's Kiss
|
1
|
3%
|
0
|
0%
|
|
182
|
Sonnet XCV: The Vase of Life
|
1
|
3%
|
0
|
0%
|
|
183
|
Sonnet XCVI: Life the Beloved
|
2
|
7%
|
0
|
0%
|
|
184
|
Sonnet XCVIII: He and I
|
1
|
3%
|
0
|
0%
|
|
185
|
Sonnet XI: The Love-Letter
|
2
|
7%
|
0
|
0%
|
|
186
|
Sonnet XII: The Lovers' Walk
|
2
|
7%
|
0
|
0%
|
|
187
|
Sonnet XL: Severed Selves
|
1
|
3%
|
0
|
0%
|
|
188
|
Sonnet XLIV: Cloud and Wind
|
1
|
3%
|
0
|
0%
|
|
189
|
Sonnet XLV: Secret Parting
|
1
|
3%
|
0
|
0%
|
|
190
|
Sonnet XVI: A Day of Love
|
1
|
3%
|
0
|
0%
|
|
191
|
Sonnet XXI: Love Sweetness
|
1
|
3%
|
0
|
0%
|
|
192
|
Sonnet XXII: Heart's Haven
|
2
|
7%
|
0
|
0%
|
|
193
|
Sonnet XXIV: Pride of Youth
|
1
|
3%
|
0
|
0%
|
|
194
|
Sonnet XXIX: The Moonstar
|
1
|
3%
|
0
|
0%
|
|
195
|
Sonnet XXV: Winged Hours
|
1
|
3%
|
0
|
0%
|
|
196
|
Sonnet XXVI: Mid-Rapture
|
1
|
3%
|
0
|
0%
|
|
197
|
Sonnet XXVII: Heart's Compass
|
2
|
7%
|
0
|
0%
|
|
198
|
Sonnet XXVIII: Soul-Light
|
1
|
3%
|
0
|
0%
|
|
199
|
Sonnet XXX: Last Fire
|
1
|
3%
|
0
|
0%
|
|
200
|
Sonnet XXXI: Her Gifts
|
1
|
3%
|
0
|
0%
|
|
201
|
Sonnet XXXII: Equal Troth
|
1
|
3%
|
0
|
0%
|
|
202
|
Sonnet XXXIII: Venus Victrix
|
1
|
3%
|
0
|
0%
|
|
203
|
Sonnet XXXIV: The Dark Glass
|
1
|
3%
|
0
|
0%
|
|
204
|
Sonnet XXXIX: Sleepless Dreams
|
1
|
3%
|
0
|
0%
|
|
205
|
Sonnet XXXV: The Lamp's Shrine
|
1
|
3%
|
0
|
0%
|
|
206
|
Sonnet XXXVII: The Love-Moon
|
1
|
3%
|
0
|
0%
|
|
207
|
Sonnets XLIX: L: LI: LII: Willowwood
|
1
|
3%
|
0
|
0%
|
|
208
|
Sonnett VI: A Nuptial Sleep
|
2
|
7%
|
0
|
0%
|
|
209
|
Soul's Beauty
|
3
|
11%
|
0
|
0%
|
|
210
|
Spheral Change
|
1
|
3%
|
0
|
0%
|
|
211
|
Sudden Light
|
2
|
7%
|
0
|
0%
|
|
212
|
Sunset Wings
|
1
|
3%
|
0
|
0%
|
|
213
|
The Blessed Damozel
|
3
|
11%
|
0
|
0%
|
|
214
|
The Bride's Prelude
|
1
|
3%
|
0
|
0%
|
|
215
|
The Choice
|
2
|
7%
|
0
|
0%
|
|
216
|
The Day-Dream
|
2
|
7%
|
0
|
0%
|
|
217
|
The English Revolution Of 1848
|
2
|
7%
|
0
|
0%
|
|
218
|
The Honeysuckle
|
2
|
7%
|
0
|
0%
|
|
219
|
The House of Life: 66. The Heart of the Night
|
1
|
3%
|
0
|
0%
|
|
220
|
The House of the Life: 36. Life-in-Love
|
1
|
3%
|
0
|
0%
|
|
221
|
The Kiss
|
3
|
11%
|
0
|
0%
|
|
222
|
The Lady’s Lament
|
1
|
3%
|
0
|
0%
|
|
223
|
The Mirror
|
3
|
11%
|
0
|
0%
|
|
224
|
The Sea Limits
|
1
|
3%
|
0
|
0%
|
|
225
|
The Sonnet
|
1
|
3%
|
0
|
0%
|
|
226
|
The Stream's Secret
|
1
|
3%
|
0
|
0%
|
|
227
|
The Turning-Point
|
1
|
3%
|
0
|
0%
|
|
228
|
The Wombat
|
2
|
7%
|
0
|
0%
|
|
229
|
The Woodspurge
|
3
|
11%
|
0
|
0%
|
|
230
|
Three Shadows
|
4
|
15%
|
0
|
0%
|
|
231
|
Troy Town
|
1
|
3%
|
0
|
0%
|
|
232
|
Untitled #1
|
1
|
3%
|
0
|
0%
|
|
233
|
Valentine--To Lizzie Siddal
|
3
|
11%
|
0
|
0%
|
|
234
|
Venus Verticordia (For a Picture)
|
3
|
11%
|
0
|
0%
|
|
235
|
William Blake
|
3
|
11%
|
0
|
0%
|
|
236
|
Winter
|
1
|
3%
|
0
|
0%
|
|
237
|
Woodspurge
|
1
|
3%
|
0
|
0%
|
|
238
|
XLI Through Death To Love
|
2
|
7%
|
0
|
0%
|
|
239
|
Youth And Lordship
|
1
|
3%
|
0
|
0%
|