|
1
|
A Bad Omen
|
4
|
23%
|
0
|
0%
|
|
2
|
A Death-Parting
|
6
|
35%
|
0
|
0%
|
|
3
|
A Last Confession
|
1
|
5%
|
0
|
0%
|
|
4
|
A Little While
|
2
|
11%
|
0
|
0%
|
|
5
|
A Match With The Moon
|
2
|
11%
|
0
|
0%
|
|
6
|
A New-Year’s Burden
|
1
|
5%
|
0
|
0%
|
|
7
|
A Prayer
|
4
|
23%
|
0
|
0%
|
|
8
|
A Sea-Spell
|
11
|
64%
|
0
|
0%
|
|
9
|
A Superscription
|
4
|
23%
|
0
|
0%
|
|
10
|
After The French Liberation Of Italy
|
3
|
17%
|
0
|
0%
|
|
11
|
Alas, So Long!
|
4
|
23%
|
0
|
0%
|
|
12
|
Almost Over
|
4
|
23%
|
0
|
0%
|
|
13
|
An Altar-Flame
|
2
|
11%
|
0
|
0%
|
|
14
|
Another Love
|
3
|
17%
|
0
|
0%
|
|
15
|
Antwerp And Bruges
|
1
|
5%
|
0
|
0%
|
|
16
|
Aspecta Medusa ( For A Drawing)
|
1
|
5%
|
0
|
0%
|
|
17
|
Astarte Syriaca
|
4
|
23%
|
0
|
0%
|
|
18
|
At The Station Of The Versailles Railway
|
1
|
5%
|
0
|
0%
|
|
19
|
At The Sun-Rise In 1848
|
2
|
11%
|
0
|
0%
|
|
20
|
Ave
|
1
|
5%
|
0
|
0%
|
|
21
|
Bambino Fasciato
|
4
|
23%
|
0
|
0%
|
|
22
|
Barcarola
|
2
|
11%
|
0
|
0%
|
|
23
|
Barcarola (#2)
|
1
|
5%
|
0
|
0%
|
|
24
|
Beauty And The Bird
|
1
|
5%
|
0
|
0%
|
|
25
|
Blake
|
3
|
17%
|
0
|
0%
|
|
26
|
Broken Music
|
4
|
23%
|
0
|
0%
|
|
27
|
Chimes
|
2
|
11%
|
0
|
0%
|
|
28
|
Dawn On The Night-Journey
|
2
|
11%
|
0
|
0%
|
|
29
|
Dis Manibus
|
1
|
5%
|
0
|
0%
|
|
30
|
Dream-Land
|
2
|
11%
|
0
|
0%
|
|
31
|
Dream-Love
|
4
|
23%
|
0
|
0%
|
|
32
|
During Music
|
3
|
17%
|
0
|
0%
|
|
33
|
Fiammetta
|
1
|
5%
|
0
|
0%
|
|
34
|
Fior Di Maggio
|
1
|
5%
|
0
|
0%
|
|
35
|
First Love Remembered
|
4
|
23%
|
0
|
0%
|
|
36
|
For
|
1
|
5%
|
0
|
0%
|
|
37
|
For “The Wine Of Circle” By Edward Burne Jones
|
3
|
17%
|
0
|
0%
|
|
38
|
For A Marriage Of St. Catherine By Hans Memmelinck
|
2
|
11%
|
0
|
0%
|
|
39
|
For A Venetian Pastoral By Giorgione (In the Louvre)
|
2
|
11%
|
0
|
0%
|
|
40
|
For A Virgin And Child By Hans Memmelinck
|
4
|
23%
|
0
|
0%
|
|
41
|
For An Allegorical Dance Of Women By Andrea Mantegna
|
2
|
11%
|
0
|
0%
|
|
42
|
For An Annunciation, Early German
|
1
|
5%
|
0
|
0%
|
|
43
|
For Our Lady Of The Rocks By Leonardo Da Vinci
|
7
|
41%
|
0
|
0%
|
|
44
|
For Spring By Sandro Botticelli
|
5
|
29%
|
0
|
0%
|
|
45
|
For The Holy Family By Michelangelo
|
5
|
29%
|
0
|
0%
|
|
46
|
Found
|
6
|
35%
|
0
|
0%
|
|
47
|
Fragments
|
4
|
23%
|
0
|
0%
|
|
48
|
From Paris To Brussels (11 P.M. 15 October To Half-Past 1 P.M. 16) Proem At The Paris Station
|
1
|
5%
|
0
|
0%
|
|
49
|
From The House Of Life The Sonnet
|
17
|
100%
|
0
|
0%
|
|
50
|
Genius in Beauty
|
3
|
17%
|
0
|
0%
|
|
51
|
Gioventu E Signoria
|
2
|
11%
|
0
|
0%
|
|
52
|
Idle Blessedness
|
1
|
5%
|
0
|
0%
|
|
53
|
Insomnia
|
6
|
35%
|
0
|
0%
|
|
54
|
Jenny
|
4
|
23%
|
0
|
0%
|
|
55
|
La Bella Mano
|
2
|
11%
|
0
|
0%
|
|
56
|
La Ricordanza
|
1
|
5%
|
0
|
0%
|
|
57
|
Last Love [Canzone]
|
3
|
17%
|
0
|
0%
|
|
58
|
Limericks
|
4
|
23%
|
0
|
0%
|
|
59
|
Love-Lily
|
5
|
29%
|
0
|
0%
|
|
60
|
Love's Nocturne
|
3
|
17%
|
0
|
0%
|
|
61
|
LXXI The Choice, I
|
1
|
5%
|
0
|
0%
|
|
62
|
Memory
|
4
|
23%
|
0
|
0%
|
|
63
|
Motto To The Card Dealer
|
1
|
5%
|
0
|
0%
|
|
64
|
My Sister's Sleep
|
1
|
5%
|
0
|
0%
|
|
65
|
On Christina Rossetti
|
3
|
17%
|
0
|
0%
|
|
66
|
On The Road
|
2
|
11%
|
0
|
0%
|
|
67
|
On The Two Bridal-Biers
|
1
|
5%
|
0
|
0%
|
|
68
|
On The Vita Nuova Of Dante
|
4
|
23%
|
0
|
0%
|
|
69
|
One Of Time’s Riddles
|
1
|
5%
|
0
|
0%
|
|
70
|
Parted Presence
|
1
|
5%
|
0
|
0%
|
|
71
|
Percy Bysshe Shelley
|
3
|
17%
|
0
|
0%
|
|
72
|
Sacrament Hymn
|
1
|
5%
|
0
|
0%
|
|
73
|
Silent Noon
|
16
|
94%
|
0
|
0%
|
|
74
|
Sir Peter Paul Rubens (Antwerp)
|
1
|
5%
|
0
|
0%
|
|
75
|
Sonnet LXXXIV: Farewell to the Glen
|
1
|
5%
|
0
|
0%
|
|
76
|
Sonnet LXXXIX: The Trees of the Garden
|
1
|
5%
|
0
|
0%
|
|
77
|
Sonnet XLII: Hope Overtaken
|
2
|
11%
|
0
|
0%
|
|
78
|
Sonnet XXXVI: Life-In-Love
|
5
|
29%
|
0
|
0%
|
|
79
|
Sonnet I: Love Enthroned
|
2
|
11%
|
0
|
0%
|
|
80
|
Sonnet III: Love's Testament
|
4
|
23%
|
0
|
0%
|
|
81
|
Sonnet IV: Lovesight
|
4
|
23%
|
0
|
0%
|
|
82
|
Sonnet LXIII: Inclusiveness
|
1
|
5%
|
0
|
0%
|
|
83
|
Sonnet LXXVIII: Body's Beauty
|
1
|
5%
|
0
|
0%
|
|
84
|
Sonnet VI: The Kiss
|
5
|
29%
|
0
|
0%
|
|
85
|
Sonnet VII: Supreme Surrender
|
2
|
11%
|
0
|
0%
|
|
86
|
Sonnet XCVII: A Superscription
|
1
|
5%
|
0
|
0%
|
|
87
|
Sonnet XLIII: Love and Hope
|
2
|
11%
|
0
|
0%
|
|
88
|
Sonnet XVI: A Day of Love
|
1
|
5%
|
0
|
0%
|
|
89
|
Sonnet XVII: Beauty's Pageant
|
1
|
5%
|
0
|
0%
|
|
90
|
Sonnet XXI: Love Sweetness
|
2
|
11%
|
0
|
0%
|
|
91
|
Sonnet XXIII: Love's Baubles
|
1
|
5%
|
0
|
0%
|
|
92
|
Sonnet XXX: Last Fire
|
3
|
17%
|
0
|
0%
|
|
93
|
Sonnet XXXIII: Venus Victrix
|
2
|
11%
|
0
|
0%
|
|
94
|
Soul's Beauty
|
7
|
41%
|
0
|
0%
|
|
95
|
Sudden Light
|
3
|
17%
|
0
|
0%
|
|
96
|
The Ballad of Dead Ladies
|
1
|
5%
|
0
|
0%
|
|
97
|
The Blessed Damozel
|
4
|
23%
|
0
|
0%
|
|
98
|
The Card-Dealer
|
1
|
5%
|
0
|
0%
|
|
99
|
The Day-Dream
|
2
|
11%
|
0
|
0%
|
|
100
|
The Honeysuckle
|
5
|
29%
|
0
|
0%
|
|
101
|
The Orchard-Pit
|
1
|
5%
|
0
|
0%
|
|
102
|
The Sea Limits
|
1
|
5%
|
0
|
0%
|
|
103
|
The Sonnet
|
1
|
5%
|
0
|
0%
|
|
104
|
The White Ship Henry I. Of England.—25th November 1120
|
5
|
29%
|
0
|
0%
|
|
105
|
The Woodspurge
|
2
|
11%
|
0
|
0%
|
|
106
|
Three Shadows
|
1
|
5%
|
0
|
0%
|
|
107
|
Woodspurge
|
1
|
5%
|
0
|
0%
|
|
108
|
XCVII A Superscription
|
3
|
17%
|
0
|
0%
|
|
109
|
XIX Lilent Noon
|
2
|
11%
|
0
|
0%
|
|
110
|
XLI Through Death To Love
|
1
|
5%
|
0
|
0%
|
|
111
|
XXIX Heart's Heaven
|
1
|
5%
|
0
|
0%
|
|
112
|
XXXVI Life-In-Love
|
1
|
5%
|
0
|
0%
|
|
113
|
Youth And Lordship
|
1
|
5%
|
0
|
0%
|