|
1
|
A Bad Omen
|
6
|
46%
|
0
|
0%
|
|
2
|
A Death-Parting
|
5
|
38%
|
0
|
0%
|
|
3
|
A Foretaste
|
7
|
53%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
4
|
30%
|
0
|
0%
|
|
5
|
A Last Confession
|
13
|
100%
|
0
|
0%
|
|
6
|
A Little While
|
6
|
46%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
5
|
38%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
5
|
38%
|
0
|
0%
|
|
9
|
A Prayer
|
4
|
30%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
9
|
69%
|
0
|
0%
|
|
11
|
A Superscription
|
2
|
15%
|
0
|
0%
|
|
12
|
A young Fir-Wood
|
3
|
23%
|
0
|
0%
|
|
13
|
Address To The Dalziel Brothers
|
3
|
23%
|
0
|
0%
|
|
14
|
Adieu
|
5
|
38%
|
0
|
0%
|
|
15
|
After The French Liberation Of Italy
|
1
|
7%
|
0
|
0%
|
|
16
|
After The German Subjugation Of France, 1871
|
1
|
7%
|
0
|
0%
|
|
17
|
Afterwards
|
3
|
23%
|
0
|
0%
|
|
18
|
Alas, So Long!
|
3
|
23%
|
0
|
0%
|
|
19
|
Almost Over
|
2
|
15%
|
0
|
0%
|
|
20
|
An Altar-Flame
|
3
|
23%
|
0
|
0%
|
|
21
|
An Epitaph For Keats
|
1
|
7%
|
0
|
0%
|
|
22
|
An Old Song Ended
|
1
|
7%
|
0
|
0%
|
|
23
|
Another Love
|
2
|
15%
|
0
|
0%
|
|
24
|
Antwerp And Bruges
|
1
|
7%
|
0
|
0%
|
|
25
|
Antwerp To Ghent
|
1
|
7%
|
0
|
0%
|
|
26
|
Ashore At Dover
|
1
|
7%
|
0
|
0%
|
|
27
|
Aspecta Medusa ( For A Drawing)
|
1
|
7%
|
0
|
0%
|
|
28
|
Aspecta Medusa (for a Drawing)
|
1
|
7%
|
0
|
0%
|
|
29
|
Astarte Syriaca
|
1
|
7%
|
0
|
0%
|
|
30
|
At Issue
|
1
|
7%
|
0
|
0%
|
|
31
|
At The Station Of The Versailles Railway
|
1
|
7%
|
0
|
0%
|
|
32
|
At The Sun-Rise In 1848
|
2
|
15%
|
0
|
0%
|
|
33
|
Autumn Song
|
2
|
15%
|
0
|
0%
|
|
34
|
Ave
|
2
|
15%
|
0
|
0%
|
|
35
|
Bambino Fasciato
|
1
|
7%
|
0
|
0%
|
|
36
|
Barcarola
|
1
|
7%
|
0
|
0%
|
|
37
|
Barcarola (#2)
|
1
|
7%
|
0
|
0%
|
|
38
|
Beauty And The Bird
|
1
|
7%
|
0
|
0%
|
|
39
|
Between Ghent And Bruges
|
1
|
7%
|
0
|
0%
|
|
40
|
Blake
|
1
|
7%
|
0
|
0%
|
|
41
|
Boulogne To Amiens And Paris (3 to 11 P.M.; 3rd Class)
|
1
|
7%
|
0
|
0%
|
|
42
|
Broken Music
|
1
|
7%
|
0
|
0%
|
|
43
|
Cassandra
|
1
|
7%
|
0
|
0%
|
|
44
|
Chimes
|
2
|
15%
|
0
|
0%
|
|
45
|
Czar Alexander The Second
|
1
|
7%
|
0
|
0%
|
|
46
|
Dante At Verona
|
1
|
7%
|
0
|
0%
|
|
47
|
Dantis Tenebrae (In Memory of my Father)
|
3
|
23%
|
0
|
0%
|
|
48
|
Dawn On The Night-Journey
|
2
|
15%
|
0
|
0%
|
|
49
|
Death Of A Wombat
|
1
|
7%
|
0
|
0%
|
|
50
|
Dennis Shand
|
1
|
7%
|
0
|
0%
|
|
51
|
Dis Manibus
|
1
|
7%
|
0
|
0%
|
|
52
|
Down Stream
|
1
|
7%
|
0
|
0%
|
|
53
|
Dream-Land
|
2
|
15%
|
0
|
0%
|
|
54
|
Dream-Love
|
6
|
46%
|
0
|
0%
|
|
55
|
Duns Scotus
|
1
|
7%
|
0
|
0%
|
|
56
|
During Music
|
2
|
15%
|
0
|
0%
|
|
57
|
Eden bower
|
2
|
15%
|
0
|
0%
|
|
58
|
English May
|
2
|
15%
|
0
|
0%
|
|
59
|
Even So
|
2
|
15%
|
0
|
0%
|
|
60
|
Fiammetta
|
1
|
7%
|
0
|
0%
|
|
61
|
Fior Di Maggio
|
1
|
7%
|
0
|
0%
|
|
62
|
First Love Remembered
|
2
|
15%
|
0
|
0%
|
|
63
|
For
|
1
|
7%
|
0
|
0%
|
|
64
|
For “The Wine Of Circle” By Edward Burne Jones
|
1
|
7%
|
0
|
0%
|
|
65
|
For A Marriage Of St. Catherine By Hans Memmelinck
|
1
|
7%
|
0
|
0%
|
|
66
|
For A Venetian Pastoral By Giorgione (In the Louvre)
|
2
|
15%
|
0
|
0%
|
|
67
|
For A Virgin And Child By Hans Memmelinck
|
1
|
7%
|
0
|
0%
|
|
68
|
For An Allegorical Dance Of Women By Andrea Mantegna
|
1
|
7%
|
0
|
0%
|
|
69
|
For An Annunciation, Early German
|
2
|
15%
|
0
|
0%
|
|
70
|
For Our Lady Of The Rocks By Leonardo Da Vinci
|
3
|
23%
|
0
|
0%
|
|
71
|
For Spring By Sandro Botticelli
|
3
|
23%
|
0
|
0%
|
|
72
|
For The Holy Family By Michelangelo
|
2
|
15%
|
0
|
0%
|
|
73
|
Found
|
2
|
15%
|
0
|
0%
|
|
74
|
Fragments
|
2
|
15%
|
0
|
0%
|
|
75
|
From Paris To Brussels (11 P.M. 15 October To Half-Past 1 P.M. 16) Proem At The Paris Station
|
2
|
15%
|
0
|
0%
|
|
76
|
From The House Of Life The Sonnet
|
2
|
15%
|
0
|
0%
|
|
77
|
Genius in Beauty
|
1
|
7%
|
0
|
0%
|
|
78
|
Gioventu E Signoria
|
3
|
23%
|
0
|
0%
|
|
79
|
God's Graal
|
1
|
7%
|
0
|
0%
|
|
80
|
Height In Depth
|
1
|
7%
|
0
|
0%
|
|
81
|
Hidden Harmony
|
3
|
23%
|
0
|
0%
|
|
82
|
Idle Blessedness
|
1
|
7%
|
0
|
0%
|
|
83
|
In The Train, And At Versailles
|
1
|
7%
|
0
|
0%
|
|
84
|
Insomnia
|
2
|
15%
|
0
|
0%
|
|
85
|
Jenny
|
1
|
7%
|
0
|
0%
|
|
86
|
Joan of Arc
|
1
|
7%
|
0
|
0%
|
|
87
|
Johannes Ronge
|
1
|
7%
|
0
|
0%
|
|
88
|
John Keats
|
2
|
15%
|
0
|
0%
|
|
89
|
L’Envoi: Brussels, Hotel Du Midi
|
1
|
7%
|
0
|
0%
|
|
90
|
La Bella Mano
|
1
|
7%
|
0
|
0%
|
|
91
|
La Ricordanza
|
1
|
7%
|
0
|
0%
|
|
92
|
Last Love [Canzone]
|
1
|
7%
|
0
|
0%
|
|
93
|
Last Sonnets At Paris
|
1
|
7%
|
0
|
0%
|
|
94
|
Last Visit To The Louvre The Cry Of The P.R.B., After A Careful Examination Of The Canvases Of Ruben
|
1
|
7%
|
0
|
0%
|
|
95
|
Limericks
|
1
|
7%
|
0
|
0%
|
|
96
|
London To Folkestone (Half-Past One To Half-Past Five)
|
1
|
7%
|
0
|
0%
|
|
97
|
Lost on Both Sides
|
1
|
7%
|
0
|
0%
|
|
98
|
Love-Lily
|
3
|
23%
|
0
|
0%
|
|
99
|
Love's Nocturn
|
1
|
7%
|
0
|
0%
|
|
100
|
Love's Nocturne
|
1
|
7%
|
0
|
0%
|
|
101
|
LXVI The Heart Of The Night
|
1
|
7%
|
0
|
0%
|
|
102
|
LXXI The Choice, I
|
1
|
7%
|
0
|
0%
|
|
103
|
LXXII The Choice, II
|
2
|
15%
|
0
|
0%
|
|
104
|
LXXIII The Choice, III
|
1
|
7%
|
0
|
0%
|
|
105
|
MacCracken
|
2
|
15%
|
0
|
0%
|
|
106
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
2
|
15%
|
0
|
0%
|
|
107
|
Mary's Girlhood (for a Picture)
|
2
|
15%
|
0
|
0%
|
|
108
|
Memory
|
2
|
15%
|
0
|
0%
|
|
109
|
Messer Dante A Messer Bruno
|
2
|
15%
|
0
|
0%
|
|
110
|
Michael Scott’s Wooing
|
2
|
15%
|
0
|
0%
|
|
111
|
Mnemosyne
|
2
|
15%
|
0
|
0%
|
|
112
|
Motto To The Card Dealer
|
3
|
23%
|
0
|
0%
|
|
113
|
My Sister's Sleep
|
3
|
23%
|
0
|
0%
|
|
114
|
On A Handful Of French Money
|
3
|
23%
|
0
|
0%
|
|
115
|
On Browning’s Sordello
|
1
|
7%
|
0
|
0%
|
|
116
|
On Burns
|
1
|
7%
|
0
|
0%
|
|
117
|
On Certain Elizabethan revivals
|
1
|
7%
|
0
|
0%
|
|
118
|
On Christina Rossetti
|
2
|
15%
|
0
|
0%
|
|
119
|
On Leaving Bruges
|
1
|
7%
|
0
|
0%
|
|
120
|
On Refusal Of Aid Between Nations
|
1
|
7%
|
0
|
0%
|
|
121
|
On The Field Of Waterloo
|
1
|
7%
|
0
|
0%
|
|
122
|
On The Road
|
1
|
7%
|
0
|
0%
|
|
123
|
On The Vita Nuova Of Dante
|
1
|
7%
|
0
|
0%
|
|
124
|
Penumbra
|
1
|
7%
|
0
|
0%
|
|
125
|
Percy Bysshe Shelley
|
1
|
7%
|
0
|
0%
|
|
126
|
Possession
|
1
|
7%
|
0
|
0%
|
|
127
|
Samuel Taylor Coleridge
|
2
|
15%
|
0
|
0%
|
|
128
|
Silent Noon
|
9
|
69%
|
0
|
0%
|
|
129
|
Sonnet XXXVI: Life-In-Love
|
1
|
7%
|
0
|
0%
|
|
130
|
Sonnet I: Love Enthroned
|
1
|
7%
|
0
|
0%
|
|
131
|
Sonnet LIII: Without Her
|
1
|
7%
|
0
|
0%
|
|
132
|
Sonnet LXVII : The Landmark
|
1
|
7%
|
0
|
0%
|
|
133
|
Sonnet XI: The Love-Letter
|
2
|
15%
|
0
|
0%
|
|
134
|
Sonnet XXIX: The Moonstar
|
1
|
7%
|
0
|
0%
|
|
135
|
Soul's Beauty
|
2
|
15%
|
0
|
0%
|
|
136
|
Sudden Light
|
1
|
7%
|
0
|
0%
|
|
137
|
The Blessed Damozel
|
6
|
46%
|
0
|
0%
|
|
138
|
The Kiss
|
1
|
7%
|
0
|
0%
|
|
139
|
The Turning-Point
|
1
|
7%
|
0
|
0%
|
|
140
|
The Woodspurge
|
1
|
7%
|
0
|
0%
|
|
141
|
Three Shadows
|
1
|
7%
|
0
|
0%
|
|
142
|
Woodspurge
|
1
|
7%
|
0
|
0%
|
|
143
|
Words On The Window-Pane
|
1
|
7%
|
0
|
0%
|
|
144
|
World's Worth
|
1
|
7%
|
0
|
0%
|
|
145
|
XCVII A Superscription
|
2
|
15%
|
0
|
0%
|
|
146
|
XIX Lilent Noon
|
1
|
7%
|
0
|
0%
|
|
147
|
XLI Through Death To Love
|
1
|
7%
|
0
|
0%
|
|
148
|
XXXVI Life-In-Love
|
1
|
7%
|
0
|
0%
|
|
149
|
Youth And Lordship
|
1
|
7%
|
0
|
0%
|