|
1
|
A Bad Omen
|
16
|
84%
|
0
|
0%
|
|
2
|
A Bad Omen
|
19
|
100%
|
0
|
0%
|
|
3
|
A Death-Parting
|
12
|
63%
|
0
|
0%
|
|
4
|
A Death-Parting
|
12
|
63%
|
0
|
0%
|
|
5
|
A Foretaste
|
1
|
5%
|
0
|
0%
|
|
6
|
A Foretaste
|
3
|
15%
|
0
|
0%
|
|
7
|
A Foretaste
|
1
|
5%
|
0
|
0%
|
|
8
|
A Foretaste
|
1
|
5%
|
0
|
0%
|
|
9
|
A Foretaste
|
4
|
21%
|
0
|
0%
|
|
10
|
A Foretaste
|
1
|
5%
|
0
|
0%
|
|
11
|
A Half-Way Pause
|
3
|
15%
|
0
|
0%
|
|
12
|
A Half-Way Pause
|
3
|
15%
|
0
|
0%
|
|
13
|
A Last Confession
|
5
|
26%
|
0
|
0%
|
|
14
|
A Last Confession
|
10
|
52%
|
0
|
0%
|
|
15
|
A Little While
|
12
|
63%
|
0
|
0%
|
|
16
|
A Little While
|
2
|
10%
|
0
|
0%
|
|
17
|
A Little While
|
2
|
10%
|
0
|
0%
|
|
18
|
A Little While
|
2
|
10%
|
0
|
0%
|
|
19
|
A Little While
|
2
|
10%
|
0
|
0%
|
|
20
|
A Little While
|
11
|
57%
|
0
|
0%
|
|
21
|
A Match With The Moon
|
2
|
10%
|
0
|
0%
|
|
22
|
A Match With The Moon
|
6
|
31%
|
0
|
0%
|
|
23
|
A New-Year’s Burden
|
4
|
21%
|
0
|
0%
|
|
24
|
A New-Year’s Burden
|
2
|
10%
|
0
|
0%
|
|
25
|
A Prayer
|
4
|
21%
|
0
|
0%
|
|
26
|
A Prayer
|
8
|
42%
|
0
|
0%
|
|
27
|
A Sea-Spell
|
1
|
5%
|
0
|
0%
|
|
28
|
A Sea-Spell
|
1
|
5%
|
0
|
0%
|
|
29
|
A Sea-Spell
|
1
|
5%
|
0
|
0%
|
|
30
|
A Sea-Spell
|
1
|
5%
|
0
|
0%
|
|
31
|
A Sea-Spell
|
7
|
36%
|
0
|
0%
|
|
32
|
A Sea-Spell
|
13
|
68%
|
0
|
0%
|
|
33
|
A Superscription
|
2
|
10%
|
0
|
0%
|
|
34
|
A Superscription
|
6
|
31%
|
0
|
0%
|
|
35
|
A young Fir-Wood
|
1
|
5%
|
0
|
0%
|
|
36
|
Address To The Dalziel Brothers
|
1
|
5%
|
0
|
0%
|
|
37
|
Adieu
|
9
|
47%
|
0
|
0%
|
|
38
|
Adieu
|
3
|
15%
|
0
|
0%
|
|
39
|
After The French Liberation Of Italy
|
2
|
10%
|
0
|
0%
|
|
40
|
After The French Liberation Of Italy
|
1
|
5%
|
0
|
0%
|
|
41
|
After The German Subjugation Of France, 1871
|
2
|
10%
|
0
|
0%
|
|
42
|
After The German Subjugation Of France, 1871
|
1
|
5%
|
0
|
0%
|
|
43
|
Afterwards
|
2
|
10%
|
0
|
0%
|
|
44
|
Afterwards
|
2
|
10%
|
0
|
0%
|
|
45
|
Afterwards
|
2
|
10%
|
0
|
0%
|
|
46
|
Afterwards
|
2
|
10%
|
0
|
0%
|
|
47
|
Afterwards
|
6
|
31%
|
0
|
0%
|
|
48
|
Afterwards
|
2
|
10%
|
0
|
0%
|
|
49
|
Alas, So Long!
|
2
|
10%
|
0
|
0%
|
|
50
|
Alas, So Long!
|
3
|
15%
|
0
|
0%
|
|
51
|
Almost Over
|
2
|
10%
|
0
|
0%
|
|
52
|
Almost Over
|
9
|
47%
|
0
|
0%
|
|
53
|
Almost Over
|
2
|
10%
|
0
|
0%
|
|
54
|
Almost Over
|
2
|
10%
|
0
|
0%
|
|
55
|
Almost Over
|
9
|
47%
|
0
|
0%
|
|
56
|
Almost Over
|
2
|
10%
|
0
|
0%
|
|
57
|
An Altar-Flame
|
3
|
15%
|
0
|
0%
|
|
58
|
An Epitaph For Keats
|
3
|
15%
|
0
|
0%
|
|
59
|
An Old Song Ended
|
2
|
10%
|
0
|
0%
|
|
60
|
Another Love
|
6
|
31%
|
0
|
0%
|
|
61
|
Another Love
|
1
|
5%
|
0
|
0%
|
|
62
|
Antwerp And Bruges
|
2
|
10%
|
0
|
0%
|
|
63
|
Antwerp To Ghent
|
1
|
5%
|
0
|
0%
|
|
64
|
Ashore At Dover
|
1
|
5%
|
0
|
0%
|
|
65
|
Aspecta Medusa ( For A Drawing)
|
2
|
10%
|
0
|
0%
|
|
66
|
Aspecta Medusa (for a Drawing)
|
3
|
15%
|
0
|
0%
|
|
67
|
Astarte Syriaca
|
1
|
5%
|
0
|
0%
|
|
68
|
At Issue
|
2
|
10%
|
0
|
0%
|
|
69
|
At The Station Of The Versailles Railway
|
2
|
10%
|
0
|
0%
|
|
70
|
At The Sun-Rise In 1848
|
2
|
10%
|
0
|
0%
|
|
71
|
Ave
|
3
|
15%
|
0
|
0%
|
|
72
|
Bambino Fasciato
|
1
|
5%
|
0
|
0%
|
|
73
|
Barcarola
|
1
|
5%
|
0
|
0%
|
|
74
|
Barcarola (#2)
|
1
|
5%
|
0
|
0%
|
|
75
|
Beauty And The Bird
|
2
|
10%
|
0
|
0%
|
|
76
|
Beauty And The Bird
|
7
|
36%
|
0
|
0%
|
|
77
|
Between Ghent And Bruges
|
1
|
5%
|
0
|
0%
|
|
78
|
Blake
|
2
|
10%
|
0
|
0%
|
|
79
|
Blake
|
1
|
5%
|
0
|
0%
|
|
80
|
Boulogne To Amiens And Paris (3 to 11 P.M.; 3rd Class)
|
3
|
15%
|
0
|
0%
|
|
81
|
Boulogne To Amiens And Paris (3 to 11 P.M.; 3rd Class)
|
2
|
10%
|
0
|
0%
|
|
82
|
Broken Music
|
8
|
42%
|
0
|
0%
|
|
83
|
Broken Music
|
3
|
15%
|
0
|
0%
|
|
84
|
Cassandra
|
2
|
10%
|
0
|
0%
|
|
85
|
Chimes
|
3
|
15%
|
0
|
0%
|
|
86
|
Czar Alexander The Second
|
1
|
5%
|
0
|
0%
|
|
87
|
Dante At Verona
|
1
|
5%
|
0
|
0%
|
|
88
|
Dantis Tenebrae (In Memory of my Father)
|
2
|
10%
|
0
|
0%
|
|
89
|
Dantis Tenebrae (In Memory of my Father)
|
1
|
5%
|
0
|
0%
|
|
90
|
Dawn On The Night-Journey
|
8
|
42%
|
0
|
0%
|
|
91
|
Dennis Shand
|
1
|
5%
|
0
|
0%
|
|
92
|
Dis Manibus
|
2
|
10%
|
0
|
0%
|
|
93
|
Down Stream
|
2
|
10%
|
0
|
0%
|
|
94
|
Dream-Land
|
5
|
26%
|
0
|
0%
|
|
95
|
Dream-Love
|
1
|
5%
|
0
|
0%
|
|
96
|
Dream-Love
|
1
|
5%
|
0
|
0%
|
|
97
|
Dream-Love
|
1
|
5%
|
0
|
0%
|
|
98
|
Dream-Love
|
1
|
5%
|
0
|
0%
|
|
99
|
Dream-Love
|
3
|
15%
|
0
|
0%
|
|
100
|
Dream-Love
|
2
|
10%
|
0
|
0%
|
|
101
|
English May
|
2
|
10%
|
0
|
0%
|
|
102
|
Even So
|
1
|
5%
|
0
|
0%
|
|
103
|
Even So
|
3
|
15%
|
0
|
0%
|
|
104
|
First Love Remembered
|
2
|
10%
|
0
|
0%
|
|
105
|
First Love Remembered
|
2
|
10%
|
0
|
0%
|
|
106
|
For Our Lady Of The Rocks By Leonardo Da Vinci
|
1
|
5%
|
0
|
0%
|
|
107
|
Found
|
1
|
5%
|
0
|
0%
|
|
108
|
Fragments
|
1
|
5%
|
0
|
0%
|
|
109
|
From The House Of Life The Sonnet
|
3
|
15%
|
0
|
0%
|
|
110
|
From The House Of Life The Sonnet
|
10
|
52%
|
0
|
0%
|
|
111
|
Genius in Beauty
|
1
|
5%
|
0
|
0%
|
|
112
|
Hidden Harmony
|
3
|
15%
|
0
|
0%
|
|
113
|
Insomnia
|
7
|
36%
|
0
|
0%
|
|
114
|
Insomnia
|
9
|
47%
|
0
|
0%
|
|
115
|
Jenny
|
4
|
21%
|
0
|
0%
|
|
116
|
Jenny
|
5
|
26%
|
0
|
0%
|
|
117
|
Joan of Arc
|
4
|
21%
|
0
|
0%
|
|
118
|
John Keats
|
1
|
5%
|
0
|
0%
|
|
119
|
La Bella Mano
|
1
|
5%
|
0
|
0%
|
|
120
|
Last Love [Canzone]
|
3
|
15%
|
0
|
0%
|
|
121
|
Last Sonnets At Paris
|
1
|
5%
|
0
|
0%
|
|
122
|
Last Visit To The Louvre The Cry Of The P.R.B., After A Careful Examination Of The Canvases Of Ruben
|
1
|
5%
|
0
|
0%
|
|
123
|
Limericks
|
4
|
21%
|
0
|
0%
|
|
124
|
Limericks
|
3
|
15%
|
0
|
0%
|
|
125
|
Love-Lily
|
3
|
15%
|
0
|
0%
|
|
126
|
Love-Lily
|
6
|
31%
|
0
|
0%
|
|
127
|
Love's Nocturne
|
2
|
10%
|
0
|
0%
|
|
128
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
1
|
5%
|
0
|
0%
|
|
129
|
Mary's Girlhood (for a Picture)
|
1
|
5%
|
0
|
0%
|
|
130
|
Mary's Girlhood (for a Picture)
|
2
|
10%
|
0
|
0%
|
|
131
|
My Sister's Sleep
|
3
|
15%
|
0
|
0%
|
|
132
|
My Sister's Sleep
|
1
|
5%
|
0
|
0%
|
|
133
|
Pandora (For a Picture)
|
2
|
10%
|
0
|
0%
|
|
134
|
Percy Bysshe Shelley
|
2
|
10%
|
0
|
0%
|
|
135
|
Percy Bysshe Shelley
|
1
|
5%
|
0
|
0%
|
|
136
|
Plighted Promise
|
2
|
10%
|
0
|
0%
|
|
137
|
Proserpina
|
2
|
10%
|
0
|
0%
|
|
138
|
Samuel Taylor Coleridge
|
2
|
10%
|
0
|
0%
|
|
139
|
Samuel Taylor Coleridge
|
1
|
5%
|
0
|
0%
|
|
140
|
Silent Noon
|
17
|
89%
|
0
|
0%
|
|
141
|
Silent Noon
|
12
|
63%
|
0
|
0%
|
|
142
|
Sister Helen
|
1
|
5%
|
0
|
0%
|
|
143
|
Sister Helen
|
1
|
5%
|
0
|
0%
|
|
144
|
Sister Helen
|
1
|
5%
|
0
|
0%
|
|
145
|
Sister Helen
|
1
|
5%
|
0
|
0%
|
|
146
|
Sister Helen
|
2
|
10%
|
0
|
0%
|
|
147
|
Sonnet II: Bridal Birth
|
2
|
10%
|
0
|
0%
|
|
148
|
Sonnet III: Love's Testament
|
1
|
5%
|
0
|
0%
|
|
149
|
Sonnet LV: Stillborn Love
|
1
|
5%
|
0
|
0%
|
|
150
|
Sonnet LV: Stillborn Love
|
1
|
5%
|
0
|
0%
|
|
151
|
Sonnet LV: Stillborn Love
|
1
|
5%
|
0
|
0%
|
|
152
|
Sonnet LV: Stillborn Love
|
1
|
5%
|
0
|
0%
|
|
153
|
Sonnet LV: Stillborn Love
|
1
|
5%
|
0
|
0%
|
|
154
|
Sonnet LX: Transfigured Life
|
3
|
15%
|
0
|
0%
|
|
155
|
Sonnet LXXXIII: Barren Spring
|
3
|
15%
|
0
|
0%
|
|
156
|
Sonnet LXXXVI: Lost Days
|
1
|
5%
|
0
|
0%
|
|
157
|
Sonnet VII: Supreme Surrender
|
2
|
10%
|
0
|
0%
|
|
158
|
Sonnet X: The Portrait
|
1
|
5%
|
0
|
0%
|
|
159
|
Sonnet XLIV: Cloud and Wind
|
2
|
10%
|
0
|
0%
|
|
160
|
Sonnet XVII: Beauty's Pageant
|
3
|
15%
|
0
|
0%
|
|
161
|
Sonnet XXII: Heart's Haven
|
1
|
5%
|
0
|
0%
|
|
162
|
Sonnet XXX: Last Fire
|
3
|
15%
|
0
|
0%
|
|
163
|
Sonnet XXXV: The Lamp's Shrine
|
1
|
5%
|
0
|
0%
|
|
164
|
Soul's Beauty
|
7
|
36%
|
0
|
0%
|
|
165
|
Soul's Beauty
|
3
|
15%
|
0
|
0%
|
|
166
|
Spring
|
2
|
10%
|
0
|
0%
|
|
167
|
Sudden Light
|
3
|
15%
|
0
|
0%
|
|
168
|
Sudden Light
|
1
|
5%
|
0
|
0%
|
|
169
|
The Ballad of Dead Ladies
|
2
|
10%
|
0
|
0%
|
|
170
|
The Ballad of Dead Ladies
|
1
|
5%
|
0
|
0%
|
|
171
|
The Blessed Damozel
|
13
|
68%
|
0
|
0%
|
|
172
|
The Blessed Damozel
|
2
|
10%
|
0
|
0%
|
|
173
|
The Blessed Damozel
|
2
|
10%
|
0
|
0%
|
|
174
|
The Blessed Damozel
|
2
|
10%
|
0
|
0%
|
|
175
|
The Blessed Damozel
|
2
|
10%
|
0
|
0%
|
|
176
|
The Blessed Damozel
|
7
|
36%
|
0
|
0%
|
|
177
|
The Day-Dream
|
1
|
5%
|
0
|
0%
|
|
178
|
The gloom that breathes upon me with these airs
|
2
|
10%
|
0
|
0%
|
|
179
|
The Honeysuckle
|
1
|
5%
|
0
|
0%
|
|
180
|
The House of Life: 22. Heart's Haven
|
1
|
5%
|
0
|
0%
|
|
181
|
The House of Life: 41. Through Death to Love
|
1
|
5%
|
0
|
0%
|
|
182
|
The House of Life: The Sonnet
|
1
|
5%
|
0
|
0%
|
|
183
|
The House of the Life (66): The Heart of the Night
|
1
|
5%
|
0
|
0%
|
|
184
|
The House of the Life (66): The Heart of the Night
|
1
|
5%
|
0
|
0%
|
|
185
|
The Kiss
|
1
|
5%
|
0
|
0%
|
|
186
|
The Kiss
|
1
|
5%
|
0
|
0%
|
|
187
|
The Kiss
|
1
|
5%
|
0
|
0%
|
|
188
|
The Kiss
|
1
|
5%
|
0
|
0%
|
|
189
|
The Kiss
|
1
|
5%
|
0
|
0%
|
|
190
|
The Kiss
|
1
|
5%
|
0
|
0%
|
|
191
|
The Orchard-Pit
|
3
|
15%
|
0
|
0%
|
|
192
|
The Portrait
|
1
|
5%
|
0
|
0%
|
|
193
|
The Sonnet
|
1
|
5%
|
0
|
0%
|
|
194
|
The White Ship Henry I. Of England.—25th November 1120
|
1
|
5%
|
0
|
0%
|
|
195
|
The White Ship Henry I. Of England.—25th November 1120
|
1
|
5%
|
0
|
0%
|
|
196
|
The White Ship Henry I. Of England.—25th November 1120
|
1
|
5%
|
0
|
0%
|
|
197
|
The White Ship Henry I. Of England.—25th November 1120
|
1
|
5%
|
0
|
0%
|
|
198
|
The White Ship Henry I. Of England.—25th November 1120
|
1
|
5%
|
0
|
0%
|
|
199
|
Tiber, Nile, And Thames
|
1
|
5%
|
0
|
0%
|
|
200
|
Valentine--To Lizzie Siddal
|
2
|
10%
|
0
|
0%
|
|
201
|
Vox Ecclesiae, Vox Christi
|
1
|
5%
|
0
|
0%
|
|
202
|
William Blake
|
4
|
21%
|
0
|
0%
|
|
203
|
William Blake
|
2
|
10%
|
0
|
0%
|
|
204
|
Woodspurge
|
1
|
5%
|
0
|
0%
|
|
205
|
XLI Through Death To Love
|
1
|
5%
|
0
|
0%
|