|
1
|
A Bad Omen
|
6
|
54%
|
0
|
0%
|
|
2
|
A Death-Parting
|
7
|
63%
|
0
|
0%
|
|
3
|
A Foretaste
|
7
|
63%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
6
|
54%
|
0
|
0%
|
|
5
|
A Last Confession
|
10
|
90%
|
0
|
0%
|
|
6
|
A Little While
|
10
|
90%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
3
|
27%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
3
|
27%
|
0
|
0%
|
|
9
|
A Prayer
|
2
|
18%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
5
|
45%
|
0
|
0%
|
|
11
|
A Superscription
|
3
|
27%
|
0
|
0%
|
|
12
|
A young Fir-Wood
|
2
|
18%
|
0
|
0%
|
|
13
|
Address To The Dalziel Brothers
|
2
|
18%
|
0
|
0%
|
|
14
|
Adieu
|
3
|
27%
|
0
|
0%
|
|
15
|
After The French Liberation Of Italy
|
3
|
27%
|
0
|
0%
|
|
16
|
After The German Subjugation Of France, 1871
|
3
|
27%
|
0
|
0%
|
|
17
|
Afterwards
|
2
|
18%
|
0
|
0%
|
|
18
|
Alas, So Long!
|
3
|
27%
|
0
|
0%
|
|
19
|
Almost Over
|
2
|
18%
|
0
|
0%
|
|
20
|
An Altar-Flame
|
2
|
18%
|
0
|
0%
|
|
21
|
An Epitaph For Keats
|
1
|
9%
|
0
|
0%
|
|
22
|
An Old Song Ended
|
1
|
9%
|
0
|
0%
|
|
23
|
Another Love
|
1
|
9%
|
0
|
0%
|
|
24
|
Ashore At Dover
|
1
|
9%
|
0
|
0%
|
|
25
|
Aspecta Medusa ( For A Drawing)
|
1
|
9%
|
0
|
0%
|
|
26
|
Astarte Syriaca
|
2
|
18%
|
0
|
0%
|
|
27
|
Autumn Song
|
6
|
54%
|
0
|
0%
|
|
28
|
Dante At Verona
|
1
|
9%
|
0
|
0%
|
|
29
|
First Love Remembered
|
2
|
18%
|
0
|
0%
|
|
30
|
For An Allegorical Dance Of Women By Andrea Mantegna
|
1
|
9%
|
0
|
0%
|
|
31
|
From The House Of Life The Sonnet
|
1
|
9%
|
0
|
0%
|
|
32
|
Genius in Beauty
|
1
|
9%
|
0
|
0%
|
|
33
|
Insomnia
|
2
|
18%
|
0
|
0%
|
|
34
|
Last Love [Canzone]
|
1
|
9%
|
0
|
0%
|
|
35
|
Last Visit To The Louvre The Cry Of The P.R.B., After A Careful Examination Of The Canvases Of Ruben
|
1
|
9%
|
0
|
0%
|
|
36
|
Limericks
|
1
|
9%
|
0
|
0%
|
|
37
|
Lost on Both Sides
|
1
|
9%
|
0
|
0%
|
|
38
|
Love-Lily
|
5
|
45%
|
0
|
0%
|
|
39
|
LXVI The Heart Of The Night
|
1
|
9%
|
0
|
0%
|
|
40
|
LXXI The Choice, I
|
1
|
9%
|
0
|
0%
|
|
41
|
LXXII The Choice, II
|
1
|
9%
|
0
|
0%
|
|
42
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
1
|
9%
|
0
|
0%
|
|
43
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
1
|
9%
|
0
|
0%
|
|
44
|
Michael Scott’s Wooing
|
1
|
9%
|
0
|
0%
|
|
45
|
On Refusal Of Aid Between Nations
|
1
|
9%
|
0
|
0%
|
|
46
|
On The Site Of A Mulberry-Tree; Planted by Wm. Shakspeare; felled by the Rev. F. Gastrell
|
1
|
9%
|
0
|
0%
|
|
47
|
On William Morris
|
1
|
9%
|
0
|
0%
|
|
48
|
Penumbra
|
1
|
9%
|
0
|
0%
|
|
49
|
Percy Bysshe Shelley
|
2
|
18%
|
0
|
0%
|
|
50
|
Place De La Bastille, Paris
|
1
|
9%
|
0
|
0%
|
|
51
|
Praise And Prayer
|
1
|
9%
|
0
|
0%
|
|
52
|
Proserpina
|
1
|
9%
|
0
|
0%
|
|
53
|
Rose Mary
|
1
|
9%
|
0
|
0%
|
|
54
|
Sacred To the Memory of Algernon R. G. Stanhope
|
1
|
9%
|
0
|
0%
|
|
55
|
Samuel Taylor Coleridge
|
1
|
9%
|
0
|
0%
|
|
56
|
Silent Noon
|
11
|
100%
|
0
|
0%
|
|
57
|
Sister Helen
|
1
|
9%
|
0
|
0%
|
|
58
|
Sonnet XXXVI: Life-In-Love
|
1
|
9%
|
0
|
0%
|
|
59
|
Sonnet I: Love Enthroned
|
3
|
27%
|
0
|
0%
|
|
60
|
Sonnet III: Love's Testament
|
2
|
18%
|
0
|
0%
|
|
61
|
Sonnet IV: Lovesight
|
2
|
18%
|
0
|
0%
|
|
62
|
Sonnet IX: Passion And Worship
|
1
|
9%
|
0
|
0%
|
|
63
|
Sonnet LIII: Without Her
|
1
|
9%
|
0
|
0%
|
|
64
|
Sonnet LV: Stillborn Love
|
1
|
9%
|
0
|
0%
|
|
65
|
Sonnet LX: Transfigured Life
|
1
|
9%
|
0
|
0%
|
|
66
|
Sonnet LXXX: From Dawn to Noon
|
1
|
9%
|
0
|
0%
|
|
67
|
Sonnet LXXXV: Vain Virtues
|
1
|
9%
|
0
|
0%
|
|
68
|
Sonnet LXXXVIII: Hero's Lamp.
|
1
|
9%
|
0
|
0%
|
|
69
|
Sonnet V: Heart's Hope
|
1
|
9%
|
0
|
0%
|
|
70
|
Sonnet VI: The Kiss
|
2
|
18%
|
0
|
0%
|
|
71
|
Sonnet VII: Supreme Surrender
|
3
|
27%
|
0
|
0%
|
|
72
|
Sonnet XCVII: A Superscription
|
1
|
9%
|
0
|
0%
|
|
73
|
Sonnet XI: The Love-Letter
|
1
|
9%
|
0
|
0%
|
|
74
|
Sonnet XVI: A Day of Love
|
1
|
9%
|
0
|
0%
|
|
75
|
Sonnet XVIII: Genius in Beauty
|
1
|
9%
|
0
|
0%
|
|
76
|
Sonnet XX: Gracious Moonlight
|
1
|
9%
|
0
|
0%
|
|
77
|
Sonnet XXI: Love Sweetness
|
1
|
9%
|
0
|
0%
|
|
78
|
Sonnet XXV: Winged Hours
|
1
|
9%
|
0
|
0%
|
|
79
|
Sudden Light
|
2
|
18%
|
0
|
0%
|
|
80
|
The Blessed Damozel
|
2
|
18%
|
0
|
0%
|
|
81
|
The Bride's Prelude
|
1
|
9%
|
0
|
0%
|
|
82
|
The Burden of Nineveh
|
1
|
9%
|
0
|
0%
|
|
83
|
The Card-Dealer
|
1
|
9%
|
0
|
0%
|
|
84
|
The Gloom that Breathes Upon Me
|
1
|
9%
|
0
|
0%
|
|
85
|
The Honeysuckle
|
1
|
9%
|
0
|
0%
|
|
86
|
The King's Tragedy James I. Of Scots.—20th February 1437
|
1
|
9%
|
0
|
0%
|
|
87
|
The Kiss
|
1
|
9%
|
0
|
0%
|
|
88
|
The Lady’s Lament
|
1
|
9%
|
0
|
0%
|
|
89
|
The Sea Limits
|
1
|
9%
|
0
|
0%
|
|
90
|
The Stream's Secret
|
1
|
9%
|
0
|
0%
|
|
91
|
The White Ship Henry I. Of England.—25th November 1120
|
1
|
9%
|
0
|
0%
|
|
92
|
The Woodspurge
|
1
|
9%
|
0
|
0%
|
|
93
|
Three Shadows
|
1
|
9%
|
0
|
0%
|
|
94
|
To Philip Bourke Marston, Inciting Me To Poetic Work
|
1
|
9%
|
0
|
0%
|
|
95
|
To Thomas Woolner
|
1
|
9%
|
0
|
0%
|
|
96
|
Venus Verticordia (For a Picture)
|
1
|
9%
|
0
|
0%
|
|
97
|
William Blake
|
2
|
18%
|
0
|
0%
|
|
98
|
Words On The Window-Pane
|
1
|
9%
|
0
|
0%
|