|
1
|
A Bad Omen
|
6
|
25%
|
0
|
0%
|
|
2
|
A Death-Parting
|
2
|
8%
|
0
|
0%
|
|
3
|
A Foretaste
|
5
|
20%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
1
|
4%
|
0
|
0%
|
|
5
|
A Last Confession
|
4
|
16%
|
0
|
0%
|
|
6
|
A Little While
|
2
|
8%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
2
|
8%
|
0
|
0%
|
|
8
|
A Prayer
|
1
|
4%
|
0
|
0%
|
|
9
|
A Sea-Spell
|
8
|
33%
|
0
|
0%
|
|
10
|
A Superscription
|
5
|
20%
|
0
|
0%
|
|
11
|
Address To The Dalziel Brothers
|
3
|
12%
|
0
|
0%
|
|
12
|
Adieu
|
4
|
16%
|
0
|
0%
|
|
13
|
Alas, So Long!
|
1
|
4%
|
0
|
0%
|
|
14
|
Almost Over
|
1
|
4%
|
0
|
0%
|
|
15
|
An Altar-Flame
|
1
|
4%
|
0
|
0%
|
|
16
|
Another Love
|
1
|
4%
|
0
|
0%
|
|
17
|
Aspecta Medusa ( For A Drawing)
|
1
|
4%
|
0
|
0%
|
|
18
|
At The Sun-Rise In 1848
|
1
|
4%
|
0
|
0%
|
|
19
|
Autumn Song
|
7
|
29%
|
0
|
0%
|
|
20
|
Bambino Fasciato
|
1
|
4%
|
0
|
0%
|
|
21
|
Beauty And The Bird
|
2
|
8%
|
0
|
0%
|
|
22
|
Between Ghent And Bruges
|
1
|
4%
|
0
|
0%
|
|
23
|
Broken Music
|
1
|
4%
|
0
|
0%
|
|
24
|
Chimes
|
1
|
4%
|
0
|
0%
|
|
25
|
Dennis Shand
|
1
|
4%
|
0
|
0%
|
|
26
|
Dream-Land
|
2
|
8%
|
0
|
0%
|
|
27
|
Dream-Love
|
5
|
20%
|
0
|
0%
|
|
28
|
During Music
|
1
|
4%
|
0
|
0%
|
|
29
|
Eden bower
|
1
|
4%
|
0
|
0%
|
|
30
|
English May
|
1
|
4%
|
0
|
0%
|
|
31
|
Fiammetta
|
2
|
8%
|
0
|
0%
|
|
32
|
Fior Di Maggio
|
2
|
8%
|
0
|
0%
|
|
33
|
First Love Remembered
|
1
|
4%
|
0
|
0%
|
|
34
|
For A Marriage Of St. Catherine By Hans Memmelinck
|
1
|
4%
|
0
|
0%
|
|
35
|
For Our Lady Of The Rocks By Leonardo Da Vinci
|
1
|
4%
|
0
|
0%
|
|
36
|
For Spring By Sandro Botticelli
|
1
|
4%
|
0
|
0%
|
|
37
|
Found
|
1
|
4%
|
0
|
0%
|
|
38
|
Height In Depth
|
1
|
4%
|
0
|
0%
|
|
39
|
Idle Blessedness
|
1
|
4%
|
0
|
0%
|
|
40
|
Insomnia
|
3
|
12%
|
0
|
0%
|
|
41
|
Jenny
|
5
|
20%
|
0
|
0%
|
|
42
|
Joan of Arc
|
3
|
12%
|
0
|
0%
|
|
43
|
Johannes Ronge
|
1
|
4%
|
0
|
0%
|
|
44
|
John Keats
|
1
|
4%
|
0
|
0%
|
|
45
|
L’Envoi: Brussels, Hotel Du Midi
|
2
|
8%
|
0
|
0%
|
|
46
|
La Bella Mano
|
1
|
4%
|
0
|
0%
|
|
47
|
La Ricordanza
|
1
|
4%
|
0
|
0%
|
|
48
|
Last Love [Canzone]
|
2
|
8%
|
0
|
0%
|
|
49
|
Last Sonnets At Paris
|
1
|
4%
|
0
|
0%
|
|
50
|
Last Visit To The Louvre The Cry Of The P.R.B., After A Careful Examination Of The Canvases Of Ruben
|
1
|
4%
|
0
|
0%
|
|
51
|
London To Folkestone (Half-Past One To Half-Past Five)
|
1
|
4%
|
0
|
0%
|
|
52
|
Lost on Both Sides
|
1
|
4%
|
0
|
0%
|
|
53
|
Love-Lily
|
3
|
12%
|
0
|
0%
|
|
54
|
LXXI The Choice, I
|
2
|
8%
|
0
|
0%
|
|
55
|
LXXII The Choice, II
|
2
|
8%
|
0
|
0%
|
|
56
|
LXXIII The Choice, III
|
2
|
8%
|
0
|
0%
|
|
57
|
MacCracken
|
1
|
4%
|
0
|
0%
|
|
58
|
Mary's Girlhood (for a Picture)
|
2
|
8%
|
0
|
0%
|
|
59
|
Memory
|
1
|
4%
|
0
|
0%
|
|
60
|
Messer Dante A Messer Bruno
|
1
|
4%
|
0
|
0%
|
|
61
|
Mnemosyne
|
1
|
4%
|
0
|
0%
|
|
62
|
On Certain Elizabethan revivals
|
1
|
4%
|
0
|
0%
|
|
63
|
On The Road To Waterloo: 17 October (En Vigilante, 2 Hours)
|
1
|
4%
|
0
|
0%
|
|
64
|
On The Site Of A Mulberry-Tree; Planted by Wm. Shakspeare; felled by the Rev. F. Gastrell
|
1
|
4%
|
0
|
0%
|
|
65
|
On The Two Bridal-Biers
|
1
|
4%
|
0
|
0%
|
|
66
|
On William Morris
|
1
|
4%
|
0
|
0%
|
|
67
|
Pandora (For a Picture)
|
2
|
8%
|
0
|
0%
|
|
68
|
Parted Presence
|
2
|
8%
|
0
|
0%
|
|
69
|
Penumbra
|
1
|
4%
|
0
|
0%
|
|
70
|
Possession
|
1
|
4%
|
0
|
0%
|
|
71
|
Praise And Prayer
|
1
|
4%
|
0
|
0%
|
|
72
|
Pride of Youth
|
1
|
4%
|
0
|
0%
|
|
73
|
Proserpina
|
1
|
4%
|
0
|
0%
|
|
74
|
Raleigh’s Cell In The Tower
|
1
|
4%
|
0
|
0%
|
|
75
|
Returning To Brussels
|
1
|
4%
|
0
|
0%
|
|
76
|
Sacrament Hymn
|
1
|
4%
|
0
|
0%
|
|
77
|
Samuel Taylor Coleridge
|
1
|
4%
|
0
|
0%
|
|
78
|
Silent Noon
|
24
|
100%
|
0
|
0%
|
|
79
|
Song and Music
|
2
|
8%
|
0
|
0%
|
|
80
|
Sonnet LXXXIX: The Trees of the Garden
|
1
|
4%
|
0
|
0%
|
|
81
|
Sonnet XXXVI: Life-In-Love
|
1
|
4%
|
0
|
0%
|
|
82
|
Sonnet XXXVI: Life-In-Love
|
1
|
4%
|
0
|
0%
|
|
83
|
Sonnet CI: The One Hope
|
1
|
4%
|
0
|
0%
|
|
84
|
Sonnet I: Love Enthroned
|
1
|
4%
|
0
|
0%
|
|
85
|
Sonnet IV: Lovesight
|
1
|
4%
|
0
|
0%
|
|
86
|
Sonnet LV: Stillborn Love
|
1
|
4%
|
0
|
0%
|
|
87
|
Sonnet LX: Transfigured Life
|
1
|
4%
|
0
|
0%
|
|
88
|
Sonnet LXIII: Inclusiveness
|
1
|
4%
|
0
|
0%
|
|
89
|
Sonnet LXV: Known in Vain
|
1
|
4%
|
0
|
0%
|
|
90
|
Sonnet LXVI: The Heart of the Night
|
1
|
4%
|
0
|
0%
|
|
91
|
Sonnet LXVII : The Landmark
|
1
|
4%
|
0
|
0%
|
|
92
|
Sonnet LXXXIII: Barren Spring
|
1
|
4%
|
0
|
0%
|
|
93
|
Sonnet LXXXVI: Lost Days
|
1
|
4%
|
0
|
0%
|
|
94
|
Sonnet LXXXVII: Death's Songsters
|
1
|
4%
|
0
|
0%
|
|
95
|
Sonnet LXXXVIII: Hero's Lamp.
|
1
|
4%
|
0
|
0%
|
|
96
|
Sonnet XCVI: Life the Beloved
|
1
|
4%
|
0
|
0%
|
|
97
|
Sonnet XCVIII: He and I
|
2
|
8%
|
0
|
0%
|
|
98
|
Sonnet XLIII: Love and Hope
|
1
|
4%
|
0
|
0%
|
|
99
|
Sonnet XXIV: Pride of Youth
|
1
|
4%
|
0
|
0%
|
|
100
|
Sonnet XXIX: The Moonstar
|
1
|
4%
|
0
|
0%
|
|
101
|
Sonnet XXVIII: Soul-Light
|
1
|
4%
|
0
|
0%
|
|
102
|
Sonnet XXXI: Her Gifts
|
1
|
4%
|
0
|
0%
|
|
103
|
Sonnet XXXIII: Venus Victrix
|
1
|
4%
|
0
|
0%
|
|
104
|
Sonnets LVI:LVII: LVIII: True Woman
|
1
|
4%
|
0
|
0%
|
|
105
|
Sonnets LXXIV: LXXV:LXXVI: Old and New Art
|
1
|
4%
|
0
|
0%
|
|
106
|
Sonnett VI: A Nuptial Sleep
|
2
|
8%
|
0
|
0%
|
|
107
|
Soul's Beauty
|
3
|
12%
|
0
|
0%
|
|
108
|
Spring
|
2
|
8%
|
0
|
0%
|
|
109
|
The Ballad of Dead Ladies
|
1
|
4%
|
0
|
0%
|
|
110
|
The Blessed Damozel
|
9
|
37%
|
0
|
0%
|
|
111
|
The Bride's Prelude
|
2
|
8%
|
0
|
0%
|
|
112
|
The English Revolution Of 1848
|
1
|
4%
|
0
|
0%
|
|
113
|
The gloom that breathes upon me with these airs
|
1
|
4%
|
0
|
0%
|
|
114
|
The House of Life: 66. The Heart of the Night
|
1
|
4%
|
0
|
0%
|
|
115
|
The House of Life: The Sonnet
|
1
|
4%
|
0
|
0%
|
|
116
|
The House of the Life (66): The Heart of the Night
|
1
|
4%
|
0
|
0%
|
|
117
|
The House of the Life: 19. Silent Noon
|
1
|
4%
|
0
|
0%
|
|
118
|
The Kiss
|
1
|
4%
|
0
|
0%
|
|
119
|
The Lady’s Lament
|
1
|
4%
|
0
|
0%
|
|
120
|
The Passover In The Holy Family (For A Drawing)
|
1
|
4%
|
0
|
0%
|
|
121
|
The Portrait
|
1
|
4%
|
0
|
0%
|
|
122
|
The Seed of David (For a Picture)
|
1
|
4%
|
0
|
0%
|
|
123
|
The Sin Of Detection
|
1
|
4%
|
0
|
0%
|
|
124
|
The Song Of The Bower
|
2
|
8%
|
0
|
0%
|
|
125
|
The Sonnet
|
2
|
8%
|
0
|
0%
|
|
126
|
The Staff and Scrip
|
2
|
8%
|
0
|
0%
|
|
127
|
The Turning-Point
|
2
|
8%
|
0
|
0%
|
|
128
|
The White Ship Henry I. Of England.—25th November 1120
|
1
|
4%
|
0
|
0%
|
|
129
|
The Wombat
|
1
|
4%
|
0
|
0%
|
|
130
|
The Woodspurge
|
1
|
4%
|
0
|
0%
|
|
131
|
Three Shadows
|
2
|
8%
|
0
|
0%
|
|
132
|
To The P.R.B.
|
1
|
4%
|
0
|
0%
|
|
133
|
Untitled #1
|
2
|
8%
|
0
|
0%
|
|
134
|
Untitled #2
|
1
|
4%
|
0
|
0%
|
|
135
|
Valentine--To Lizzie Siddal
|
1
|
4%
|
0
|
0%
|
|
136
|
Woodspurge
|
8
|
33%
|
0
|
0%
|