|
1
|
A Bad Omen
|
3
|
23%
|
0
|
0%
|
|
2
|
A Death-Parting
|
5
|
38%
|
0
|
0%
|
|
3
|
A Foretaste
|
3
|
23%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
3
|
23%
|
0
|
0%
|
|
5
|
A Last Confession
|
2
|
15%
|
0
|
0%
|
|
6
|
A Little While
|
6
|
46%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
5
|
38%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
1
|
7%
|
0
|
0%
|
|
9
|
A Prayer
|
3
|
23%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
2
|
15%
|
0
|
0%
|
|
11
|
A Superscription
|
2
|
15%
|
0
|
0%
|
|
12
|
A young Fir-Wood
|
2
|
15%
|
0
|
0%
|
|
13
|
Address To The Dalziel Brothers
|
2
|
15%
|
0
|
0%
|
|
14
|
Adieu
|
5
|
38%
|
0
|
0%
|
|
15
|
After The French Liberation Of Italy
|
3
|
23%
|
0
|
0%
|
|
16
|
After The German Subjugation Of France, 1871
|
1
|
7%
|
0
|
0%
|
|
17
|
Afterwards
|
1
|
7%
|
0
|
0%
|
|
18
|
Alas, So Long!
|
1
|
7%
|
0
|
0%
|
|
19
|
Almost Over
|
1
|
7%
|
0
|
0%
|
|
20
|
An Altar-Flame
|
1
|
7%
|
0
|
0%
|
|
21
|
An Epitaph For Keats
|
1
|
7%
|
0
|
0%
|
|
22
|
An Old Song Ended
|
2
|
15%
|
0
|
0%
|
|
23
|
Another Love
|
1
|
7%
|
0
|
0%
|
|
24
|
Antwerp And Bruges
|
1
|
7%
|
0
|
0%
|
|
25
|
Antwerp To Ghent
|
1
|
7%
|
0
|
0%
|
|
26
|
Ashore At Dover
|
1
|
7%
|
0
|
0%
|
|
27
|
Aspecta Medusa ( For A Drawing)
|
1
|
7%
|
0
|
0%
|
|
28
|
Astarte Syriaca
|
1
|
7%
|
0
|
0%
|
|
29
|
At Issue
|
1
|
7%
|
0
|
0%
|
|
30
|
At The Station Of The Versailles Railway
|
1
|
7%
|
0
|
0%
|
|
31
|
At The Sun-Rise In 1848
|
1
|
7%
|
0
|
0%
|
|
32
|
Autumn Song
|
3
|
23%
|
0
|
0%
|
|
33
|
Ave
|
1
|
7%
|
0
|
0%
|
|
34
|
Bambino Fasciato
|
3
|
23%
|
0
|
0%
|
|
35
|
Barcarola
|
1
|
7%
|
0
|
0%
|
|
36
|
Barcarola (#2)
|
1
|
7%
|
0
|
0%
|
|
37
|
Beauty And The Bird
|
2
|
15%
|
0
|
0%
|
|
38
|
Between Ghent And Bruges
|
1
|
7%
|
0
|
0%
|
|
39
|
Blake
|
1
|
7%
|
0
|
0%
|
|
40
|
Boulogne To Amiens And Paris (3 to 11 P.M.; 3rd Class)
|
2
|
15%
|
0
|
0%
|
|
41
|
Broken Music
|
2
|
15%
|
0
|
0%
|
|
42
|
Cassandra
|
2
|
15%
|
0
|
0%
|
|
43
|
Chimes
|
1
|
7%
|
0
|
0%
|
|
44
|
Czar Alexander The Second
|
1
|
7%
|
0
|
0%
|
|
45
|
Dante At Verona
|
2
|
15%
|
0
|
0%
|
|
46
|
Dantis Tenebrae (In Memory of my Father)
|
2
|
15%
|
0
|
0%
|
|
47
|
Dawn On The Night-Journey
|
1
|
7%
|
0
|
0%
|
|
48
|
Death Of A Wombat
|
1
|
7%
|
0
|
0%
|
|
49
|
Dennis Shand
|
1
|
7%
|
0
|
0%
|
|
50
|
Dis Manibus
|
1
|
7%
|
0
|
0%
|
|
51
|
Down Stream
|
1
|
7%
|
0
|
0%
|
|
52
|
Dream-Land
|
2
|
15%
|
0
|
0%
|
|
53
|
Dream-Love
|
7
|
53%
|
0
|
0%
|
|
54
|
Duns Scotus
|
1
|
7%
|
0
|
0%
|
|
55
|
During Music
|
1
|
7%
|
0
|
0%
|
|
56
|
Eden bower
|
1
|
7%
|
0
|
0%
|
|
57
|
English May
|
1
|
7%
|
0
|
0%
|
|
58
|
Even So
|
1
|
7%
|
0
|
0%
|
|
59
|
Fiammetta
|
1
|
7%
|
0
|
0%
|
|
60
|
Fior Di Maggio
|
2
|
15%
|
0
|
0%
|
|
61
|
First Love Remembered
|
1
|
7%
|
0
|
0%
|
|
62
|
For
|
1
|
7%
|
0
|
0%
|
|
63
|
For “The Wine Of Circle” By Edward Burne Jones
|
1
|
7%
|
0
|
0%
|
|
64
|
For A Marriage Of St. Catherine By Hans Memmelinck
|
1
|
7%
|
0
|
0%
|
|
65
|
For A Venetian Pastoral By Giorgione (In the Louvre)
|
1
|
7%
|
0
|
0%
|
|
66
|
For A Virgin And Child By Hans Memmelinck
|
1
|
7%
|
0
|
0%
|
|
67
|
For An Allegorical Dance Of Women By Andrea Mantegna
|
1
|
7%
|
0
|
0%
|
|
68
|
For An Annunciation, Early German
|
1
|
7%
|
0
|
0%
|
|
69
|
For Our Lady Of The Rocks By Leonardo Da Vinci
|
1
|
7%
|
0
|
0%
|
|
70
|
For Spring By Sandro Botticelli
|
1
|
7%
|
0
|
0%
|
|
71
|
For The Holy Family By Michelangelo
|
1
|
7%
|
0
|
0%
|
|
72
|
Found
|
1
|
7%
|
0
|
0%
|
|
73
|
Fragments
|
1
|
7%
|
0
|
0%
|
|
74
|
From Paris To Brussels (11 P.M. 15 October To Half-Past 1 P.M. 16) Proem At The Paris Station
|
1
|
7%
|
0
|
0%
|
|
75
|
From The House Of Life The Sonnet
|
1
|
7%
|
0
|
0%
|
|
76
|
Genius in Beauty
|
1
|
7%
|
0
|
0%
|
|
77
|
Gioventu E Signoria
|
1
|
7%
|
0
|
0%
|
|
78
|
God's Graal
|
1
|
7%
|
0
|
0%
|
|
79
|
Height In Depth
|
1
|
7%
|
0
|
0%
|
|
80
|
Hidden Harmony
|
1
|
7%
|
0
|
0%
|
|
81
|
Idle Blessedness
|
1
|
7%
|
0
|
0%
|
|
82
|
In The Train, And At Versailles
|
1
|
7%
|
0
|
0%
|
|
83
|
Insomnia
|
6
|
46%
|
0
|
0%
|
|
84
|
Jenny
|
1
|
7%
|
0
|
0%
|
|
85
|
Joan of Arc
|
1
|
7%
|
0
|
0%
|
|
86
|
Johannes Ronge
|
1
|
7%
|
0
|
0%
|
|
87
|
John Keats
|
1
|
7%
|
0
|
0%
|
|
88
|
L’Envoi: Brussels, Hotel Du Midi
|
1
|
7%
|
0
|
0%
|
|
89
|
La Bella Mano
|
1
|
7%
|
0
|
0%
|
|
90
|
La Ricordanza
|
2
|
15%
|
0
|
0%
|
|
91
|
Last Love [Canzone]
|
1
|
7%
|
0
|
0%
|
|
92
|
Last Sonnets At Paris
|
1
|
7%
|
0
|
0%
|
|
93
|
Last Visit To The Louvre The Cry Of The P.R.B., After A Careful Examination Of The Canvases Of Ruben
|
1
|
7%
|
0
|
0%
|
|
94
|
Limericks
|
1
|
7%
|
0
|
0%
|
|
95
|
London To Folkestone (Half-Past One To Half-Past Five)
|
2
|
15%
|
0
|
0%
|
|
96
|
Lost on Both Sides
|
1
|
7%
|
0
|
0%
|
|
97
|
Love-Lily
|
2
|
15%
|
0
|
0%
|
|
98
|
Love's Nocturn
|
2
|
15%
|
0
|
0%
|
|
99
|
Love's Nocturne
|
1
|
7%
|
0
|
0%
|
|
100
|
LXVI The Heart Of The Night
|
1
|
7%
|
0
|
0%
|
|
101
|
LXXI The Choice, I
|
2
|
15%
|
0
|
0%
|
|
102
|
LXXII The Choice, II
|
1
|
7%
|
0
|
0%
|
|
103
|
LXXIII The Choice, III
|
1
|
7%
|
0
|
0%
|
|
104
|
MacCracken
|
1
|
7%
|
0
|
0%
|
|
105
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
1
|
7%
|
0
|
0%
|
|
106
|
Mary's Girlhood (for a Picture)
|
1
|
7%
|
0
|
0%
|
|
107
|
Memory
|
1
|
7%
|
0
|
0%
|
|
108
|
Messer Dante A Messer Bruno
|
1
|
7%
|
0
|
0%
|
|
109
|
Michael Scott’s Wooing
|
1
|
7%
|
0
|
0%
|
|
110
|
Mnemosyne
|
1
|
7%
|
0
|
0%
|
|
111
|
Motto To The Card Dealer
|
1
|
7%
|
0
|
0%
|
|
112
|
My Sister's Sleep
|
1
|
7%
|
0
|
0%
|
|
113
|
On A Handful Of French Money
|
1
|
7%
|
0
|
0%
|
|
114
|
On Browning’s Sordello
|
1
|
7%
|
0
|
0%
|
|
115
|
On Burns
|
1
|
7%
|
0
|
0%
|
|
116
|
On Certain Elizabethan revivals
|
1
|
7%
|
0
|
0%
|
|
117
|
On Christina Rossetti
|
1
|
7%
|
0
|
0%
|
|
118
|
On Leaving Bruges
|
1
|
7%
|
0
|
0%
|
|
119
|
On Refusal Of Aid Between Nations
|
1
|
7%
|
0
|
0%
|
|
120
|
On The Field Of Waterloo
|
1
|
7%
|
0
|
0%
|
|
121
|
On The Road
|
2
|
15%
|
0
|
0%
|
|
122
|
On The Road To Waterloo: 17 October (En Vigilante, 2 Hours)
|
1
|
7%
|
0
|
0%
|
|
123
|
On The Site Of A Mulberry-Tree; Planted by Wm. Shakspeare; felled by the Rev. F. Gastrell
|
2
|
15%
|
0
|
0%
|
|
124
|
On The Two Bridal-Biers
|
1
|
7%
|
0
|
0%
|
|
125
|
On The Vita Nuova Of Dante
|
1
|
7%
|
0
|
0%
|
|
126
|
On William Morris
|
1
|
7%
|
0
|
0%
|
|
127
|
One Of Time’s Riddles
|
1
|
7%
|
0
|
0%
|
|
128
|
Pandora (For a Picture)
|
1
|
7%
|
0
|
0%
|
|
129
|
Parody Of “Uncle Ned”
|
1
|
7%
|
0
|
0%
|
|
130
|
Parted Presence
|
1
|
7%
|
0
|
0%
|
|
131
|
Penumbra
|
1
|
7%
|
0
|
0%
|
|
132
|
Percy Bysshe Shelley
|
1
|
7%
|
0
|
0%
|
|
133
|
Place De La Bastille, Paris
|
2
|
15%
|
0
|
0%
|
|
134
|
Plighted Promise
|
1
|
7%
|
0
|
0%
|
|
135
|
Possession
|
2
|
15%
|
0
|
0%
|
|
136
|
Praise And Prayer
|
1
|
7%
|
0
|
0%
|
|
137
|
Pride of Youth
|
2
|
15%
|
0
|
0%
|
|
138
|
Proserpina
|
3
|
23%
|
0
|
0%
|
|
139
|
Raleigh’s Cell In The Tower
|
1
|
7%
|
0
|
0%
|
|
140
|
Returning To Brussels
|
1
|
7%
|
0
|
0%
|
|
141
|
Rose Mary
|
3
|
23%
|
0
|
0%
|
|
142
|
Sacrament Hymn
|
1
|
7%
|
0
|
0%
|
|
143
|
Sacred To the Memory of Algernon R. G. Stanhope
|
1
|
7%
|
0
|
0%
|
|
144
|
Samuel Taylor Coleridge
|
1
|
7%
|
0
|
0%
|
|
145
|
Shakespear
|
1
|
7%
|
0
|
0%
|
|
146
|
Silent Noon
|
13
|
100%
|
0
|
0%
|
|
147
|
Sir Peter Paul Rubens (Antwerp)
|
1
|
7%
|
0
|
0%
|
|
148
|
Sister Helen
|
1
|
7%
|
0
|
0%
|
|
149
|
Smithereens
|
1
|
7%
|
0
|
0%
|
|
150
|
Song and Music
|
1
|
7%
|
0
|
0%
|
|
151
|
Sonnet LXXIX: The Monochord
|
1
|
7%
|
0
|
0%
|
|
152
|
Sonnet LXXXI: Memorial Thresholds
|
1
|
7%
|
0
|
0%
|
|
153
|
Sonnet LXXXIX: The Trees of the Garden
|
1
|
7%
|
0
|
0%
|
|
154
|
Sonnet IV: Lovesight
|
1
|
7%
|
0
|
0%
|
|
155
|
Sonnet LXII: The Soul's Sphere
|
1
|
7%
|
0
|
0%
|
|
156
|
Sonnet LXIII: Inclusiveness
|
1
|
7%
|
0
|
0%
|
|
157
|
Sonnet LXXVII: Soul's Beauty
|
1
|
7%
|
0
|
0%
|
|
158
|
Sonnet LXXVIII: Body's Beauty
|
1
|
7%
|
0
|
0%
|
|
159
|
Sonnet VI: The Kiss
|
1
|
7%
|
0
|
0%
|
|
160
|
Sonnet XC: “Retro Me, Sathana!”
|
1
|
7%
|
0
|
0%
|
|
161
|
Sonnet XCVIII: He and I
|
1
|
7%
|
0
|
0%
|
|
162
|
Sonnet XI: The Love-Letter
|
1
|
7%
|
0
|
0%
|
|
163
|
Sonnet XII: The Lovers' Walk
|
1
|
7%
|
0
|
0%
|
|
164
|
Sonnet XIV: Youth's Spring-Tribute
|
1
|
7%
|
0
|
0%
|
|
165
|
Sonnet XXI: Love Sweetness
|
1
|
7%
|
0
|
0%
|
|
166
|
Sonnet XXIX: The Moonstar
|
1
|
7%
|
0
|
0%
|
|
167
|
Sonnet XXXIX: Sleepless Dreams
|
1
|
7%
|
0
|
0%
|
|
168
|
Sonnett VI: A Nuptial Sleep
|
1
|
7%
|
0
|
0%
|
|
169
|
Soothsay
|
1
|
7%
|
0
|
0%
|
|
170
|
Soul's Beauty
|
2
|
15%
|
0
|
0%
|
|
171
|
Spheral Change
|
1
|
7%
|
0
|
0%
|
|
172
|
Spring
|
2
|
15%
|
0
|
0%
|
|
173
|
St. Wagner’s Eve
|
1
|
7%
|
0
|
0%
|
|
174
|
Stratton Water
|
1
|
7%
|
0
|
0%
|
|
175
|
Sudden Light
|
3
|
23%
|
0
|
0%
|
|
176
|
Sunset Wings
|
1
|
7%
|
0
|
0%
|
|
177
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The Ballad of Dead Ladies
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1
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178
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The Blessed Damozel
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2
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179
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The Bride's Prelude
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180
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The Burden of Nineveh
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181
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The Card-Dealer
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182
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The Choice
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183
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The Church-Porches
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184
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The Cloud Confines
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185
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The Day-Dream
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186
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The English Revolution Of 1848
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187
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The Gloom that Breathes Upon Me
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188
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The gloom that breathes upon me with these airs
|
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189
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The Honeysuckle
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190
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The House of Life: 22. Heart's Haven
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191
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The House of Life: 41. Through Death to Love
|
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192
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The House of Life: 66. The Heart of the Night
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193
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The House of Life: 71. The Choice, I
|
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194
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The King's Tragedy James I. Of Scots.—20th February 1437
|
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195
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The Kiss
|
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196
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The Lady’s Lament
|
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197
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The Last Three From Trafalgar At The Anniversary Banquet, st October -
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198
|
The Mirror
|
1
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199
|
The Orchard-Pit
|
1
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200
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The Passover In The Holy Family (For A Drawing)
|
1
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0
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201
|
The Portrait
|
1
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202
|
The Sea Limits
|
1
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203
|
The Seed of David (For a Picture)
|
1
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204
|
The Sin Of Detection
|
1
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205
|
The Song Of The Bower
|
1
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206
|
The Sonnet
|
1
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207
|
The Staff and Scrip
|
1
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208
|
The Staircase Of Notre Dame, Paris
|
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209
|
The Stream's Secret
|
1
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210
|
The Turning-Point
|
1
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0
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211
|
The White Ship Henry I. Of England.—25th November 1120
|
1
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|
0
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|
212
|
The Wombat
|
1
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213
|
The Woodspurge
|
1
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214
|
The World’s Doing
|
1
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0
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215
|
Thomae Fides
|
1
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0
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|
216
|
Thomas Chatterton
|
1
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|
0
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|
217
|
Three Shadows
|
1
|
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218
|
Tiber, Nile, And Thames
|
1
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0
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219
|
To Mary In Summer
|
1
|
7%
|
0
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0%
|
|
220
|
To Philip Bourke Marston, Inciting Me To Poetic Work
|
1
|
7%
|
0
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|
|
221
|
To The P.R.B.
|
1
|
7%
|
0
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222
|
To Thomas Woolner
|
1
|
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223
|
Troy Town
|
1
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|
224
|
Twas Thus
|
1
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0
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225
|
Untimely Lost Oliver Madox Brown Born 1855; Died 1874
|
1
|
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|
0
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|
|
226
|
Untitled #1
|
1
|
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0
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227
|
Untitled #2
|
1
|
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0
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228
|
Valentine--To Lizzie Siddal
|
1
|
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0
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|
|
229
|
Venus Verticordia (For a Picture)
|
1
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0
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|
|
230
|
Verses To John Tupper
|
1
|
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|
0
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|
231
|
Vox Ecclesiae, Vox Christi
|
1
|
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232
|
Wellington's Funeral
|
1
|
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233
|
William Blake
|
1
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234
|
Winter
|
1
|
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|
|
235
|
Woodspurge
|
1
|
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|
0
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|
|
236
|
Words On The Window-Pane
|
1
|
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|
0
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|
|
237
|
World's Worth
|
1
|
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|
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|
|
238
|
XCVII A Superscription
|
2
|
15%
|
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|
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|
|
239
|
XIX Lilent Noon
|
1
|
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|
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|
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240
|
XLI Through Death To Love
|
1
|
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|
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|
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|
|
241
|
XXIX Heart's Heaven
|
1
|
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|
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|
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|
|
242
|
XXXVI Life-In-Love
|
1
|
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|
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|
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243
|
Youth And Lordship
|
1
|
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0
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|
