|
1
|
A Bad Omen
|
9
|
25%
|
0
|
0%
|
|
2
|
A Death-Parting
|
8
|
22%
|
0
|
0%
|
|
3
|
A Foretaste
|
5
|
13%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
6
|
16%
|
0
|
0%
|
|
5
|
A Last Confession
|
5
|
13%
|
0
|
0%
|
|
6
|
A Little While
|
4
|
11%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
1
|
2%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
1
|
2%
|
0
|
0%
|
|
9
|
A Prayer
|
1
|
2%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
3
|
8%
|
0
|
0%
|
|
11
|
A Superscription
|
3
|
8%
|
0
|
0%
|
|
12
|
A young Fir-Wood
|
2
|
5%
|
0
|
0%
|
|
13
|
Address To The Dalziel Brothers
|
1
|
2%
|
0
|
0%
|
|
14
|
Adieu
|
12
|
33%
|
0
|
0%
|
|
15
|
After The French Liberation Of Italy
|
1
|
2%
|
0
|
0%
|
|
16
|
After The German Subjugation Of France, 1871
|
1
|
2%
|
0
|
0%
|
|
17
|
Afterwards
|
1
|
2%
|
0
|
0%
|
|
18
|
Alas, So Long!
|
3
|
8%
|
0
|
0%
|
|
19
|
Almost Over
|
1
|
2%
|
0
|
0%
|
|
20
|
An Epitaph For Keats
|
2
|
5%
|
0
|
0%
|
|
21
|
An Old Song Ended
|
1
|
2%
|
0
|
0%
|
|
22
|
Another Love
|
1
|
2%
|
0
|
0%
|
|
23
|
Autumn Song
|
3
|
8%
|
0
|
0%
|
|
24
|
Ave
|
1
|
2%
|
0
|
0%
|
|
25
|
Beauty And The Bird
|
1
|
2%
|
0
|
0%
|
|
26
|
Cassandra
|
1
|
2%
|
0
|
0%
|
|
27
|
Dream-Love
|
2
|
5%
|
0
|
0%
|
|
28
|
During Music
|
1
|
2%
|
0
|
0%
|
|
29
|
Eden bower
|
1
|
2%
|
0
|
0%
|
|
30
|
English May
|
1
|
2%
|
0
|
0%
|
|
31
|
Even So
|
2
|
5%
|
0
|
0%
|
|
32
|
Fiammetta
|
1
|
2%
|
0
|
0%
|
|
33
|
Fior Di Maggio
|
1
|
2%
|
0
|
0%
|
|
34
|
First Love Remembered
|
2
|
5%
|
0
|
0%
|
|
35
|
For
|
1
|
2%
|
0
|
0%
|
|
36
|
For “The Wine Of Circle” By Edward Burne Jones
|
1
|
2%
|
0
|
0%
|
|
37
|
For A Marriage Of St. Catherine By Hans Memmelinck
|
1
|
2%
|
0
|
0%
|
|
38
|
For A Venetian Pastoral By Giorgione (In the Louvre)
|
1
|
2%
|
0
|
0%
|
|
39
|
For A Virgin And Child By Hans Memmelinck
|
1
|
2%
|
0
|
0%
|
|
40
|
For An Allegorical Dance Of Women By Andrea Mantegna
|
1
|
2%
|
0
|
0%
|
|
41
|
For An Annunciation, Early German
|
1
|
2%
|
0
|
0%
|
|
42
|
For Our Lady Of The Rocks By Leonardo Da Vinci
|
1
|
2%
|
0
|
0%
|
|
43
|
For Spring By Sandro Botticelli
|
1
|
2%
|
0
|
0%
|
|
44
|
For The Holy Family By Michelangelo
|
1
|
2%
|
0
|
0%
|
|
45
|
Found
|
1
|
2%
|
0
|
0%
|
|
46
|
Fragments
|
1
|
2%
|
0
|
0%
|
|
47
|
From Paris To Brussels (11 P.M. 15 October To Half-Past 1 P.M. 16) Proem At The Paris Station
|
1
|
2%
|
0
|
0%
|
|
48
|
From The House Of Life The Sonnet
|
3
|
8%
|
0
|
0%
|
|
49
|
Genius in Beauty
|
1
|
2%
|
0
|
0%
|
|
50
|
Gioventu E Signoria
|
1
|
2%
|
0
|
0%
|
|
51
|
God's Graal
|
1
|
2%
|
0
|
0%
|
|
52
|
Height In Depth
|
1
|
2%
|
0
|
0%
|
|
53
|
Hidden Harmony
|
1
|
2%
|
0
|
0%
|
|
54
|
Idle Blessedness
|
2
|
5%
|
0
|
0%
|
|
55
|
In The Train, And At Versailles
|
1
|
2%
|
0
|
0%
|
|
56
|
Insomnia
|
16
|
44%
|
0
|
0%
|
|
57
|
Jenny
|
2
|
5%
|
0
|
0%
|
|
58
|
Joan of Arc
|
3
|
8%
|
0
|
0%
|
|
59
|
John Keats
|
1
|
2%
|
0
|
0%
|
|
60
|
L’Envoi: Brussels, Hotel Du Midi
|
1
|
2%
|
0
|
0%
|
|
61
|
La Bella Mano
|
1
|
2%
|
0
|
0%
|
|
62
|
La Ricordanza
|
1
|
2%
|
0
|
0%
|
|
63
|
Last Love [Canzone]
|
3
|
8%
|
0
|
0%
|
|
64
|
Last Sonnets At Paris
|
1
|
2%
|
0
|
0%
|
|
65
|
Last Visit To The Louvre The Cry Of The P.R.B., After A Careful Examination Of The Canvases Of Ruben
|
1
|
2%
|
0
|
0%
|
|
66
|
Limericks
|
3
|
8%
|
0
|
0%
|
|
67
|
London To Folkestone (Half-Past One To Half-Past Five)
|
2
|
5%
|
0
|
0%
|
|
68
|
Lost on Both Sides
|
1
|
2%
|
0
|
0%
|
|
69
|
Love-Lily
|
7
|
19%
|
0
|
0%
|
|
70
|
Love's Nocturn
|
1
|
2%
|
0
|
0%
|
|
71
|
Love's Nocturne
|
1
|
2%
|
0
|
0%
|
|
72
|
LXVI The Heart Of The Night
|
1
|
2%
|
0
|
0%
|
|
73
|
LXXI The Choice, I
|
2
|
5%
|
0
|
0%
|
|
74
|
LXXII The Choice, II
|
1
|
2%
|
0
|
0%
|
|
75
|
LXXIII The Choice, III
|
1
|
2%
|
0
|
0%
|
|
76
|
MacCracken
|
1
|
2%
|
0
|
0%
|
|
77
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
2
|
5%
|
0
|
0%
|
|
78
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
1
|
2%
|
0
|
0%
|
|
79
|
Mary's Girlhood (for a Picture)
|
1
|
2%
|
0
|
0%
|
|
80
|
Memory
|
2
|
5%
|
0
|
0%
|
|
81
|
Messer Dante A Messer Bruno
|
1
|
2%
|
0
|
0%
|
|
82
|
Michael Scott’s Wooing
|
1
|
2%
|
0
|
0%
|
|
83
|
Mnemosyne
|
2
|
5%
|
0
|
0%
|
|
84
|
Motto To The Card Dealer
|
1
|
2%
|
0
|
0%
|
|
85
|
My Sister's Sleep
|
1
|
2%
|
0
|
0%
|
|
86
|
On A Handful Of French Money
|
1
|
2%
|
0
|
0%
|
|
87
|
On Browning’s Sordello
|
1
|
2%
|
0
|
0%
|
|
88
|
On Burns
|
1
|
2%
|
0
|
0%
|
|
89
|
On Certain Elizabethan revivals
|
1
|
2%
|
0
|
0%
|
|
90
|
On Christina Rossetti
|
1
|
2%
|
0
|
0%
|
|
91
|
On Leaving Bruges
|
1
|
2%
|
0
|
0%
|
|
92
|
On Refusal Of Aid Between Nations
|
1
|
2%
|
0
|
0%
|
|
93
|
On The Field Of Waterloo
|
1
|
2%
|
0
|
0%
|
|
94
|
On The Vita Nuova Of Dante
|
1
|
2%
|
0
|
0%
|
|
95
|
One Of Time’s Riddles
|
1
|
2%
|
0
|
0%
|
|
96
|
Pandora (For a Picture)
|
1
|
2%
|
0
|
0%
|
|
97
|
Penumbra
|
1
|
2%
|
0
|
0%
|
|
98
|
Percy Bysshe Shelley
|
2
|
5%
|
0
|
0%
|
|
99
|
Possession
|
1
|
2%
|
0
|
0%
|
|
100
|
Proserpina
|
2
|
5%
|
0
|
0%
|
|
101
|
Shakespear
|
1
|
2%
|
0
|
0%
|
|
102
|
Silent Noon
|
36
|
100%
|
0
|
0%
|
|
103
|
Sister Helen
|
1
|
2%
|
0
|
0%
|
|
104
|
Sonnet II: Bridal Birth
|
1
|
2%
|
0
|
0%
|
|
105
|
Sonnet IV: Lovesight
|
1
|
2%
|
0
|
0%
|
|
106
|
Sonnet LXXVIII: Body's Beauty
|
1
|
2%
|
0
|
0%
|
|
107
|
Sonnet VI: The Kiss
|
1
|
2%
|
0
|
0%
|
|
108
|
Sonnet VII: Supreme Surrender
|
11
|
30%
|
0
|
0%
|
|
109
|
Sonnet VIII: Love's Lovers
|
1
|
2%
|
0
|
0%
|
|
110
|
Sonnet X: The Portrait
|
5
|
13%
|
0
|
0%
|
|
111
|
Sonnett VI: A Nuptial Sleep
|
1
|
2%
|
0
|
0%
|
|
112
|
Soul's Beauty
|
2
|
5%
|
0
|
0%
|
|
113
|
Spring
|
1
|
2%
|
0
|
0%
|
|
114
|
Sudden Light
|
2
|
5%
|
0
|
0%
|
|
115
|
The Blessed Damozel
|
4
|
11%
|
0
|
0%
|
|
116
|
The Burden of Nineveh
|
5
|
13%
|
0
|
0%
|
|
117
|
The Card-Dealer
|
1
|
2%
|
0
|
0%
|
|
118
|
The Choice
|
1
|
2%
|
0
|
0%
|
|
119
|
The Kiss
|
1
|
2%
|
0
|
0%
|
|
120
|
The Mirror
|
1
|
2%
|
0
|
0%
|
|
121
|
The Woodspurge
|
4
|
11%
|
0
|
0%
|
|
122
|
Venus Verticordia (For a Picture)
|
1
|
2%
|
0
|
0%
|
|
123
|
Woodspurge
|
1
|
2%
|
0
|
0%
|