|
1
|
A Bad Omen
|
10
|
43%
|
0
|
0%
|
|
2
|
A Death-Parting
|
5
|
21%
|
0
|
0%
|
|
3
|
A Foretaste
|
3
|
13%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
1
|
4%
|
0
|
0%
|
|
5
|
A Last Confession
|
5
|
21%
|
0
|
0%
|
|
6
|
A Little While
|
4
|
17%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
17
|
73%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
3
|
13%
|
0
|
0%
|
|
9
|
A Prayer
|
5
|
21%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
11
|
47%
|
0
|
0%
|
|
11
|
A Superscription
|
2
|
8%
|
0
|
0%
|
|
12
|
Address To The Dalziel Brothers
|
1
|
4%
|
0
|
0%
|
|
13
|
Adieu
|
5
|
21%
|
0
|
0%
|
|
14
|
After The French Liberation Of Italy
|
2
|
8%
|
0
|
0%
|
|
15
|
After The German Subjugation Of France, 1871
|
2
|
8%
|
0
|
0%
|
|
16
|
Afterwards
|
4
|
17%
|
0
|
0%
|
|
17
|
Alas, So Long!
|
7
|
30%
|
0
|
0%
|
|
18
|
Almost Over
|
6
|
26%
|
0
|
0%
|
|
19
|
An Altar-Flame
|
5
|
21%
|
0
|
0%
|
|
20
|
An Epitaph For Keats
|
1
|
4%
|
0
|
0%
|
|
21
|
Another Love
|
2
|
8%
|
0
|
0%
|
|
22
|
Aspecta Medusa ( For A Drawing)
|
1
|
4%
|
0
|
0%
|
|
23
|
Aspecta Medusa (for a Drawing)
|
1
|
4%
|
0
|
0%
|
|
24
|
Astarte Syriaca
|
1
|
4%
|
0
|
0%
|
|
25
|
Autumn Song
|
3
|
13%
|
0
|
0%
|
|
26
|
Ave
|
2
|
8%
|
0
|
0%
|
|
27
|
Broken Music
|
2
|
8%
|
0
|
0%
|
|
28
|
Cassandra
|
1
|
4%
|
0
|
0%
|
|
29
|
Dream-Land
|
1
|
4%
|
0
|
0%
|
|
30
|
Dream-Love
|
3
|
13%
|
0
|
0%
|
|
31
|
English May
|
1
|
4%
|
0
|
0%
|
|
32
|
First Love Remembered
|
1
|
4%
|
0
|
0%
|
|
33
|
For Spring By Sandro Botticelli
|
1
|
4%
|
0
|
0%
|
|
34
|
Found
|
2
|
8%
|
0
|
0%
|
|
35
|
From The House Of Life The Sonnet
|
11
|
47%
|
0
|
0%
|
|
36
|
Genius in Beauty
|
3
|
13%
|
0
|
0%
|
|
37
|
God's Graal
|
1
|
4%
|
0
|
0%
|
|
38
|
Insomnia
|
13
|
56%
|
0
|
0%
|
|
39
|
Jenny
|
2
|
8%
|
0
|
0%
|
|
40
|
Joan of Arc
|
2
|
8%
|
0
|
0%
|
|
41
|
John Keats
|
1
|
4%
|
0
|
0%
|
|
42
|
L’Envoi: Brussels, Hotel Du Midi
|
1
|
4%
|
0
|
0%
|
|
43
|
Last Love [Canzone]
|
1
|
4%
|
0
|
0%
|
|
44
|
Last Visit To The Louvre The Cry Of The P.R.B., After A Careful Examination Of The Canvases Of Ruben
|
1
|
4%
|
0
|
0%
|
|
45
|
Limericks
|
1
|
4%
|
0
|
0%
|
|
46
|
London To Folkestone (Half-Past One To Half-Past Five)
|
1
|
4%
|
0
|
0%
|
|
47
|
Lost on Both Sides
|
1
|
4%
|
0
|
0%
|
|
48
|
Love-Lily
|
1
|
4%
|
0
|
0%
|
|
49
|
Love's Nocturn
|
1
|
4%
|
0
|
0%
|
|
50
|
Love's Nocturne
|
1
|
4%
|
0
|
0%
|
|
51
|
LXXI The Choice, I
|
1
|
4%
|
0
|
0%
|
|
52
|
Mary's Girlhood (for a Picture)
|
2
|
8%
|
0
|
0%
|
|
53
|
Memory
|
2
|
8%
|
0
|
0%
|
|
54
|
Messer Dante A Messer Bruno
|
1
|
4%
|
0
|
0%
|
|
55
|
Michael Scott’s Wooing
|
1
|
4%
|
0
|
0%
|
|
56
|
Mnemosyne
|
2
|
8%
|
0
|
0%
|
|
57
|
My Sister's Sleep
|
2
|
8%
|
0
|
0%
|
|
58
|
On Burns
|
2
|
8%
|
0
|
0%
|
|
59
|
On Christina Rossetti
|
1
|
4%
|
0
|
0%
|
|
60
|
On Refusal Of Aid Between Nations
|
1
|
4%
|
0
|
0%
|
|
61
|
On The Road To Waterloo: 17 October (En Vigilante, 2 Hours)
|
1
|
4%
|
0
|
0%
|
|
62
|
On The Site Of A Mulberry-Tree; Planted by Wm. Shakspeare; felled by the Rev. F. Gastrell
|
1
|
4%
|
0
|
0%
|
|
63
|
On The Two Bridal-Biers
|
1
|
4%
|
0
|
0%
|
|
64
|
On The Vita Nuova Of Dante
|
1
|
4%
|
0
|
0%
|
|
65
|
On William Morris
|
1
|
4%
|
0
|
0%
|
|
66
|
One Of Time’s Riddles
|
1
|
4%
|
0
|
0%
|
|
67
|
Pandora (For a Picture)
|
2
|
8%
|
0
|
0%
|
|
68
|
Parody Of “Uncle Ned”
|
1
|
4%
|
0
|
0%
|
|
69
|
Parted Presence
|
1
|
4%
|
0
|
0%
|
|
70
|
Percy Bysshe Shelley
|
1
|
4%
|
0
|
0%
|
|
71
|
Plighted Promise
|
1
|
4%
|
0
|
0%
|
|
72
|
Possession
|
2
|
8%
|
0
|
0%
|
|
73
|
Praise And Prayer
|
1
|
4%
|
0
|
0%
|
|
74
|
Proserpina
|
1
|
4%
|
0
|
0%
|
|
75
|
Rose Mary
|
3
|
13%
|
0
|
0%
|
|
76
|
Sacrament Hymn
|
1
|
4%
|
0
|
0%
|
|
77
|
Samuel Taylor Coleridge
|
1
|
4%
|
0
|
0%
|
|
78
|
Shakespear
|
1
|
4%
|
0
|
0%
|
|
79
|
Silent Noon
|
23
|
100%
|
0
|
0%
|
|
80
|
Sister Helen
|
1
|
4%
|
0
|
0%
|
|
81
|
Sonnet XXXVI: Life-In-Love
|
2
|
8%
|
0
|
0%
|
|
82
|
Sonnet I: Love Enthroned
|
4
|
17%
|
0
|
0%
|
|
83
|
Sonnet II: Bridal Birth
|
1
|
4%
|
0
|
0%
|
|
84
|
Sonnet III: Love's Testament
|
3
|
13%
|
0
|
0%
|
|
85
|
Sonnet IV: Lovesight
|
2
|
8%
|
0
|
0%
|
|
86
|
Sonnet LXXVIII: Body's Beauty
|
1
|
4%
|
0
|
0%
|
|
87
|
Sonnet LXXXVI: Lost Days
|
1
|
4%
|
0
|
0%
|
|
88
|
Sonnet XI: The Love-Letter
|
2
|
8%
|
0
|
0%
|
|
89
|
Sonnet XII: The Lovers' Walk
|
2
|
8%
|
0
|
0%
|
|
90
|
Sonnet XIX: Silent Noon
|
1
|
4%
|
0
|
0%
|
|
91
|
Sonnet XXI: Love Sweetness
|
1
|
4%
|
0
|
0%
|
|
92
|
Sonnet XXIX: The Moonstar
|
1
|
4%
|
0
|
0%
|
|
93
|
Sonnets XLIX: L: LI: LII: Willowwood
|
1
|
4%
|
0
|
0%
|
|
94
|
Soul's Beauty
|
5
|
21%
|
0
|
0%
|
|
95
|
Sudden Light
|
1
|
4%
|
0
|
0%
|
|
96
|
Sunset Wings
|
2
|
8%
|
0
|
0%
|
|
97
|
The Blessed Damozel
|
10
|
43%
|
0
|
0%
|
|
98
|
The Bride's Prelude
|
1
|
4%
|
0
|
0%
|
|
99
|
The Card-Dealer
|
2
|
8%
|
0
|
0%
|
|
100
|
The Choice
|
1
|
4%
|
0
|
0%
|
|
101
|
The House of Life: 22. Heart's Haven
|
2
|
8%
|
0
|
0%
|
|
102
|
The House of Life: 72. The Choice, II
|
1
|
4%
|
0
|
0%
|
|
103
|
The House of Life: The Sonnet
|
1
|
4%
|
0
|
0%
|
|
104
|
The House of the Life (19): Silent Noon
|
2
|
8%
|
0
|
0%
|
|
105
|
The House of the Life: Silent Noon
|
2
|
8%
|
0
|
0%
|
|
106
|
The Orchard-Pit
|
4
|
17%
|
0
|
0%
|
|
107
|
The Wombat
|
1
|
4%
|
0
|
0%
|
|
108
|
The Woodspurge
|
3
|
13%
|
0
|
0%
|
|
109
|
Thomas Chatterton
|
2
|
8%
|
0
|
0%
|
|
110
|
Tiber, Nile, And Thames
|
1
|
4%
|
0
|
0%
|
|
111
|
To Philip Bourke Marston, Inciting Me To Poetic Work
|
1
|
4%
|
0
|
0%
|
|
112
|
Troy Town
|
3
|
13%
|
0
|
0%
|
|
113
|
Untimely Lost Oliver Madox Brown Born 1855; Died 1874
|
1
|
4%
|
0
|
0%
|
|
114
|
Valentine--To Lizzie Siddal
|
1
|
4%
|
0
|
0%
|
|
115
|
William Blake
|
1
|
4%
|
0
|
0%
|
|
116
|
Woodspurge
|
2
|
8%
|
0
|
0%
|
|
117
|
XLI Through Death To Love
|
1
|
4%
|
0
|
0%
|
|
118
|
XXIX Heart's Heaven
|
1
|
4%
|
0
|
0%
|
|
119
|
XXXVI Life-In-Love
|
3
|
13%
|
0
|
0%
|
|
120
|
Youth And Lordship
|
2
|
8%
|
0
|
0%
|