|
1
|
A Bad Omen
|
10
|
29%
|
0
|
0%
|
|
2
|
A Death-Parting
|
9
|
26%
|
0
|
0%
|
|
3
|
A Foretaste
|
5
|
14%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
6
|
17%
|
0
|
0%
|
|
5
|
A Last Confession
|
6
|
17%
|
0
|
0%
|
|
6
|
A Little While
|
2
|
5%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
2
|
5%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
1
|
2%
|
0
|
0%
|
|
9
|
A Prayer
|
2
|
5%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
3
|
8%
|
0
|
0%
|
|
11
|
A Superscription
|
1
|
2%
|
0
|
0%
|
|
12
|
A young Fir-Wood
|
1
|
2%
|
0
|
0%
|
|
13
|
Address To The Dalziel Brothers
|
1
|
2%
|
0
|
0%
|
|
14
|
Adieu
|
2
|
5%
|
0
|
0%
|
|
15
|
After The French Liberation Of Italy
|
2
|
5%
|
0
|
0%
|
|
16
|
After The German Subjugation Of France, 1871
|
2
|
5%
|
0
|
0%
|
|
17
|
Afterwards
|
2
|
5%
|
0
|
0%
|
|
18
|
Alas, So Long!
|
2
|
5%
|
0
|
0%
|
|
19
|
Almost Over
|
2
|
5%
|
0
|
0%
|
|
20
|
An Altar-Flame
|
2
|
5%
|
0
|
0%
|
|
21
|
An Epitaph For Keats
|
2
|
5%
|
0
|
0%
|
|
22
|
An Old Song Ended
|
3
|
8%
|
0
|
0%
|
|
23
|
Another Love
|
3
|
8%
|
0
|
0%
|
|
24
|
Antwerp And Bruges
|
2
|
5%
|
0
|
0%
|
|
25
|
Antwerp To Ghent
|
2
|
5%
|
0
|
0%
|
|
26
|
Ashore At Dover
|
2
|
5%
|
0
|
0%
|
|
27
|
Aspecta Medusa ( For A Drawing)
|
2
|
5%
|
0
|
0%
|
|
28
|
Aspecta Medusa (for a Drawing)
|
2
|
5%
|
0
|
0%
|
|
29
|
Astarte Syriaca
|
3
|
8%
|
0
|
0%
|
|
30
|
At Issue
|
2
|
5%
|
0
|
0%
|
|
31
|
At The Station Of The Versailles Railway
|
2
|
5%
|
0
|
0%
|
|
32
|
At The Sun-Rise In 1848
|
2
|
5%
|
0
|
0%
|
|
33
|
Autumn Song
|
4
|
11%
|
0
|
0%
|
|
34
|
Ave
|
2
|
5%
|
0
|
0%
|
|
35
|
Bambino Fasciato
|
2
|
5%
|
0
|
0%
|
|
36
|
Barcarola
|
3
|
8%
|
0
|
0%
|
|
37
|
Barcarola (#2)
|
2
|
5%
|
0
|
0%
|
|
38
|
Beauty And The Bird
|
3
|
8%
|
0
|
0%
|
|
39
|
Between Ghent And Bruges
|
2
|
5%
|
0
|
0%
|
|
40
|
Blake
|
2
|
5%
|
0
|
0%
|
|
41
|
Boulogne To Amiens And Paris (3 to 11 P.M.; 3rd Class)
|
1
|
2%
|
0
|
0%
|
|
42
|
Broken Music
|
1
|
2%
|
0
|
0%
|
|
43
|
Cassandra
|
1
|
2%
|
0
|
0%
|
|
44
|
Chimes
|
1
|
2%
|
0
|
0%
|
|
45
|
Czar Alexander The Second
|
1
|
2%
|
0
|
0%
|
|
46
|
Dante At Verona
|
1
|
2%
|
0
|
0%
|
|
47
|
Dantis Tenebrae (In Memory of my Father)
|
1
|
2%
|
0
|
0%
|
|
48
|
Dawn On The Night-Journey
|
1
|
2%
|
0
|
0%
|
|
49
|
Dennis Shand
|
1
|
2%
|
0
|
0%
|
|
50
|
Dis Manibus
|
1
|
2%
|
0
|
0%
|
|
51
|
Down Stream
|
2
|
5%
|
0
|
0%
|
|
52
|
Dream-Land
|
2
|
5%
|
0
|
0%
|
|
53
|
Dream-Love
|
4
|
11%
|
0
|
0%
|
|
54
|
Duns Scotus
|
1
|
2%
|
0
|
0%
|
|
55
|
During Music
|
1
|
2%
|
0
|
0%
|
|
56
|
Eden bower
|
1
|
2%
|
0
|
0%
|
|
57
|
English May
|
3
|
8%
|
0
|
0%
|
|
58
|
Even So
|
1
|
2%
|
0
|
0%
|
|
59
|
Fiammetta
|
1
|
2%
|
0
|
0%
|
|
60
|
Fior Di Maggio
|
1
|
2%
|
0
|
0%
|
|
61
|
First Love Remembered
|
2
|
5%
|
0
|
0%
|
|
62
|
For
|
1
|
2%
|
0
|
0%
|
|
63
|
For “The Wine Of Circle” By Edward Burne Jones
|
1
|
2%
|
0
|
0%
|
|
64
|
For A Marriage Of St. Catherine By Hans Memmelinck
|
1
|
2%
|
0
|
0%
|
|
65
|
For A Venetian Pastoral By Giorgione (In the Louvre)
|
1
|
2%
|
0
|
0%
|
|
66
|
For A Virgin And Child By Hans Memmelinck
|
1
|
2%
|
0
|
0%
|
|
67
|
For An Allegorical Dance Of Women By Andrea Mantegna
|
1
|
2%
|
0
|
0%
|
|
68
|
For An Annunciation, Early German
|
1
|
2%
|
0
|
0%
|
|
69
|
For Spring By Sandro Botticelli
|
1
|
2%
|
0
|
0%
|
|
70
|
For The Holy Family By Michelangelo
|
1
|
2%
|
0
|
0%
|
|
71
|
Found
|
1
|
2%
|
0
|
0%
|
|
72
|
Fragments
|
1
|
2%
|
0
|
0%
|
|
73
|
From Paris To Brussels (11 P.M. 15 October To Half-Past 1 P.M. 16) Proem At The Paris Station
|
1
|
2%
|
0
|
0%
|
|
74
|
From The House Of Life The Sonnet
|
2
|
5%
|
0
|
0%
|
|
75
|
Genius in Beauty
|
2
|
5%
|
0
|
0%
|
|
76
|
Gioventu E Signoria
|
1
|
2%
|
0
|
0%
|
|
77
|
Height In Depth
|
1
|
2%
|
0
|
0%
|
|
78
|
Hidden Harmony
|
1
|
2%
|
0
|
0%
|
|
79
|
Idle Blessedness
|
1
|
2%
|
0
|
0%
|
|
80
|
In The Train, And At Versailles
|
1
|
2%
|
0
|
0%
|
|
81
|
Insomnia
|
21
|
61%
|
0
|
0%
|
|
82
|
Jenny
|
2
|
5%
|
0
|
0%
|
|
83
|
Last Love [Canzone]
|
1
|
2%
|
0
|
0%
|
|
84
|
Limericks
|
1
|
2%
|
0
|
0%
|
|
85
|
Lost on Both Sides
|
1
|
2%
|
0
|
0%
|
|
86
|
Love-Lily
|
4
|
11%
|
0
|
0%
|
|
87
|
Love's Nocturn
|
1
|
2%
|
0
|
0%
|
|
88
|
Love's Nocturne
|
1
|
2%
|
0
|
0%
|
|
89
|
LXVI The Heart Of The Night
|
1
|
2%
|
0
|
0%
|
|
90
|
LXXI The Choice, I
|
1
|
2%
|
0
|
0%
|
|
91
|
Mnemosyne
|
1
|
2%
|
0
|
0%
|
|
92
|
On Browning’s Sordello
|
1
|
2%
|
0
|
0%
|
|
93
|
On Christina Rossetti
|
1
|
2%
|
0
|
0%
|
|
94
|
On Leaving Bruges
|
1
|
2%
|
0
|
0%
|
|
95
|
On The Site Of A Mulberry-Tree; Planted by Wm. Shakspeare; felled by the Rev. F. Gastrell
|
1
|
2%
|
0
|
0%
|
|
96
|
Parted Presence
|
1
|
2%
|
0
|
0%
|
|
97
|
Percy Bysshe Shelley
|
1
|
2%
|
0
|
0%
|
|
98
|
Proserpina
|
1
|
2%
|
0
|
0%
|
|
99
|
Rose Mary
|
4
|
11%
|
0
|
0%
|
|
100
|
Sacrament Hymn
|
1
|
2%
|
0
|
0%
|
|
101
|
Silent Noon
|
34
|
100%
|
0
|
0%
|
|
102
|
Sister Helen
|
5
|
14%
|
0
|
0%
|
|
103
|
Smithereens
|
1
|
2%
|
0
|
0%
|
|
104
|
Song and Music
|
1
|
2%
|
0
|
0%
|
|
105
|
Sonnet LXXXIX: The Trees of the Garden
|
1
|
2%
|
0
|
0%
|
|
106
|
Sonnet I: Love Enthroned
|
2
|
5%
|
0
|
0%
|
|
107
|
Sonnet III: Love's Testament
|
1
|
2%
|
0
|
0%
|
|
108
|
Sonnet IV: Lovesight
|
3
|
8%
|
0
|
0%
|
|
109
|
Sonnet LIV: Love's Fatality
|
1
|
2%
|
0
|
0%
|
|
110
|
Sonnet LXI: The Song-Throe
|
1
|
2%
|
0
|
0%
|
|
111
|
Sonnet LXIV: Ardour And Memory
|
1
|
2%
|
0
|
0%
|
|
112
|
Sonnet LXVI: The Heart of the Night
|
1
|
2%
|
0
|
0%
|
|
113
|
Sonnet LXXVII: Soul's Beauty
|
2
|
5%
|
0
|
0%
|
|
114
|
Sonnet LXXVIII: Body's Beauty
|
1
|
2%
|
0
|
0%
|
|
115
|
Sonnet V: Heart's Hope
|
1
|
2%
|
0
|
0%
|
|
116
|
Sonnet XI: The Love-Letter
|
1
|
2%
|
0
|
0%
|
|
117
|
Sonnet XII: The Lovers' Walk
|
1
|
2%
|
0
|
0%
|
|
118
|
Sonnet XLV: Secret Parting
|
1
|
2%
|
0
|
0%
|
|
119
|
Sonnet XLVIII: Death-in-Love
|
2
|
5%
|
0
|
0%
|
|
120
|
Sonnet XXI: Love Sweetness
|
1
|
2%
|
0
|
0%
|
|
121
|
Sonnet XXIX: The Moonstar
|
2
|
5%
|
0
|
0%
|
|
122
|
Sonnets LVI:LVII: LVIII: True Woman
|
1
|
2%
|
0
|
0%
|
|
123
|
Sonnets XLIX: L: LI: LII: Willowwood
|
1
|
2%
|
0
|
0%
|
|
124
|
Sonnett VI: A Nuptial Sleep
|
2
|
5%
|
0
|
0%
|
|
125
|
Soul's Beauty
|
1
|
2%
|
0
|
0%
|
|
126
|
Spring
|
1
|
2%
|
0
|
0%
|
|
127
|
St. Wagner’s Eve
|
1
|
2%
|
0
|
0%
|
|
128
|
Sudden Light
|
4
|
11%
|
0
|
0%
|
|
129
|
The Blessed Damozel
|
9
|
26%
|
0
|
0%
|
|
130
|
The Card-Dealer
|
1
|
2%
|
0
|
0%
|
|
131
|
The Day-Dream
|
1
|
2%
|
0
|
0%
|
|
132
|
The House of Life: The Sonnet
|
1
|
2%
|
0
|
0%
|
|
133
|
The House of the Life (66): The Heart of the Night
|
1
|
2%
|
0
|
0%
|
|
134
|
The House of the Life: 36. Life-in-Love
|
1
|
2%
|
0
|
0%
|
|
135
|
The House of the Life: The Kiss
|
1
|
2%
|
0
|
0%
|
|
136
|
The Lady’s Lament
|
1
|
2%
|
0
|
0%
|
|
137
|
The Passover In The Holy Family (For A Drawing)
|
1
|
2%
|
0
|
0%
|
|
138
|
The Song Of The Bower
|
1
|
2%
|
0
|
0%
|
|
139
|
The White Ship Henry I. Of England.—25th November 1120
|
2
|
5%
|
0
|
0%
|
|
140
|
The Wombat
|
1
|
2%
|
0
|
0%
|
|
141
|
The Woodspurge
|
4
|
11%
|
0
|
0%
|
|
142
|
Valentine--To Lizzie Siddal
|
1
|
2%
|
0
|
0%
|
|
143
|
William Blake
|
2
|
5%
|
0
|
0%
|
|
144
|
Winter
|
1
|
2%
|
0
|
0%
|
|
145
|
Words On The Window-Pane
|
1
|
2%
|
0
|
0%
|
|
146
|
XCVII A Superscription
|
1
|
2%
|
0
|
0%
|
|
147
|
XIX Lilent Noon
|
1
|
2%
|
0
|
0%
|
|
148
|
XLI Through Death To Love
|
2
|
5%
|
0
|
0%
|
|
149
|
XXXVI Life-In-Love
|
1
|
2%
|
0
|
0%
|