|
1
|
A Bad Omen
|
9
|
32%
|
0
|
0%
|
|
2
|
A Death-Parting
|
13
|
46%
|
0
|
0%
|
|
3
|
A Foretaste
|
3
|
10%
|
0
|
0%
|
|
4
|
A Half-Way Pause
|
3
|
10%
|
0
|
0%
|
|
5
|
A Last Confession
|
6
|
21%
|
0
|
0%
|
|
6
|
A Little While
|
4
|
14%
|
0
|
0%
|
|
7
|
A Match With The Moon
|
10
|
35%
|
0
|
0%
|
|
8
|
A New-Year’s Burden
|
5
|
17%
|
0
|
0%
|
|
9
|
A Prayer
|
6
|
21%
|
0
|
0%
|
|
10
|
A Sea-Spell
|
6
|
21%
|
0
|
0%
|
|
11
|
A Superscription
|
4
|
14%
|
0
|
0%
|
|
12
|
A young Fir-Wood
|
3
|
10%
|
0
|
0%
|
|
13
|
Address To The Dalziel Brothers
|
2
|
7%
|
0
|
0%
|
|
14
|
Adieu
|
10
|
35%
|
0
|
0%
|
|
15
|
After The French Liberation Of Italy
|
3
|
10%
|
0
|
0%
|
|
16
|
After The German Subjugation Of France, 1871
|
2
|
7%
|
0
|
0%
|
|
17
|
Afterwards
|
4
|
14%
|
0
|
0%
|
|
18
|
Alas, So Long!
|
4
|
14%
|
0
|
0%
|
|
19
|
Almost Over
|
6
|
21%
|
0
|
0%
|
|
20
|
An Altar-Flame
|
2
|
7%
|
0
|
0%
|
|
21
|
An Epitaph For Keats
|
1
|
3%
|
0
|
0%
|
|
22
|
An Old Song Ended
|
1
|
3%
|
0
|
0%
|
|
23
|
Another Love
|
6
|
21%
|
0
|
0%
|
|
24
|
Antwerp And Bruges
|
2
|
7%
|
0
|
0%
|
|
25
|
Antwerp To Ghent
|
2
|
7%
|
0
|
0%
|
|
26
|
Ashore At Dover
|
4
|
14%
|
0
|
0%
|
|
27
|
Aspecta Medusa ( For A Drawing)
|
3
|
10%
|
0
|
0%
|
|
28
|
Aspecta Medusa (for a Drawing)
|
1
|
3%
|
0
|
0%
|
|
29
|
Astarte Syriaca
|
1
|
3%
|
0
|
0%
|
|
30
|
At Issue
|
2
|
7%
|
0
|
0%
|
|
31
|
At The Station Of The Versailles Railway
|
1
|
3%
|
0
|
0%
|
|
32
|
At The Sun-Rise In 1848
|
1
|
3%
|
0
|
0%
|
|
33
|
Ave
|
2
|
7%
|
0
|
0%
|
|
34
|
Bambino Fasciato
|
2
|
7%
|
0
|
0%
|
|
35
|
Beauty And The Bird
|
5
|
17%
|
0
|
0%
|
|
36
|
Between Ghent And Bruges
|
1
|
3%
|
0
|
0%
|
|
37
|
Blake
|
1
|
3%
|
0
|
0%
|
|
38
|
Boulogne To Amiens And Paris (3 to 11 P.M.; 3rd Class)
|
2
|
7%
|
0
|
0%
|
|
39
|
Broken Music
|
1
|
3%
|
0
|
0%
|
|
40
|
Cassandra
|
3
|
10%
|
0
|
0%
|
|
41
|
Chimes
|
1
|
3%
|
0
|
0%
|
|
42
|
Dantis Tenebrae (In Memory of my Father)
|
1
|
3%
|
0
|
0%
|
|
43
|
Dawn On The Night-Journey
|
5
|
17%
|
0
|
0%
|
|
44
|
Dennis Shand
|
2
|
7%
|
0
|
0%
|
|
45
|
Down Stream
|
2
|
7%
|
0
|
0%
|
|
46
|
Dream-Land
|
3
|
10%
|
0
|
0%
|
|
47
|
Dream-Love
|
6
|
21%
|
0
|
0%
|
|
48
|
During Music
|
1
|
3%
|
0
|
0%
|
|
49
|
Eden bower
|
1
|
3%
|
0
|
0%
|
|
50
|
English May
|
3
|
10%
|
0
|
0%
|
|
51
|
Even So
|
3
|
10%
|
0
|
0%
|
|
52
|
Fior Di Maggio
|
2
|
7%
|
0
|
0%
|
|
53
|
First Love Remembered
|
3
|
10%
|
0
|
0%
|
|
54
|
For
|
2
|
7%
|
0
|
0%
|
|
55
|
For Our Lady Of The Rocks By Leonardo Da Vinci
|
2
|
7%
|
0
|
0%
|
|
56
|
For Spring By Sandro Botticelli
|
2
|
7%
|
0
|
0%
|
|
57
|
Found
|
2
|
7%
|
0
|
0%
|
|
58
|
Fragments
|
1
|
3%
|
0
|
0%
|
|
59
|
From Paris To Brussels (11 P.M. 15 October To Half-Past 1 P.M. 16) Proem At The Paris Station
|
1
|
3%
|
0
|
0%
|
|
60
|
From The House Of Life The Sonnet
|
6
|
21%
|
0
|
0%
|
|
61
|
Genius in Beauty
|
1
|
3%
|
0
|
0%
|
|
62
|
Gioventu E Signoria
|
1
|
3%
|
0
|
0%
|
|
63
|
God's Graal
|
1
|
3%
|
0
|
0%
|
|
64
|
Hidden Harmony
|
1
|
3%
|
0
|
0%
|
|
65
|
Insomnia
|
20
|
71%
|
0
|
0%
|
|
66
|
Jenny
|
5
|
17%
|
0
|
0%
|
|
67
|
La Bella Mano
|
1
|
3%
|
0
|
0%
|
|
68
|
Love-Lily
|
7
|
25%
|
0
|
0%
|
|
69
|
Love's Nocturn
|
2
|
7%
|
0
|
0%
|
|
70
|
Love's Nocturne
|
1
|
3%
|
0
|
0%
|
|
71
|
Mary Magdalene At The Door Of Simon The Pharisee.
|
1
|
3%
|
0
|
0%
|
|
72
|
Mary's Girlhood (for a Picture)
|
1
|
3%
|
0
|
0%
|
|
73
|
Memory
|
1
|
3%
|
0
|
0%
|
|
74
|
Mnemosyne
|
1
|
3%
|
0
|
0%
|
|
75
|
On Burns
|
1
|
3%
|
0
|
0%
|
|
76
|
Pandora (For a Picture)
|
1
|
3%
|
0
|
0%
|
|
77
|
Parody Of “Uncle Ned”
|
1
|
3%
|
0
|
0%
|
|
78
|
Percy Bysshe Shelley
|
3
|
10%
|
0
|
0%
|
|
79
|
Plighted Promise
|
1
|
3%
|
0
|
0%
|
|
80
|
Possession
|
1
|
3%
|
0
|
0%
|
|
81
|
Praise And Prayer
|
2
|
7%
|
0
|
0%
|
|
82
|
Proserpina
|
1
|
3%
|
0
|
0%
|
|
83
|
Raleigh’s Cell In The Tower
|
1
|
3%
|
0
|
0%
|
|
84
|
Rose Mary
|
3
|
10%
|
0
|
0%
|
|
85
|
Samuel Taylor Coleridge
|
2
|
7%
|
0
|
0%
|
|
86
|
Shakespear
|
1
|
3%
|
0
|
0%
|
|
87
|
Silent Noon
|
28
|
100%
|
0
|
0%
|
|
88
|
Sir Peter Paul Rubens (Antwerp)
|
1
|
3%
|
0
|
0%
|
|
89
|
Sister Helen
|
1
|
3%
|
0
|
0%
|
|
90
|
Song and Music
|
1
|
3%
|
0
|
0%
|
|
91
|
Sonnet LXXXI: Memorial Thresholds
|
1
|
3%
|
0
|
0%
|
|
92
|
Sonnet LXXXIX: The Trees of the Garden
|
1
|
3%
|
0
|
0%
|
|
93
|
Sonnet CI: The One Hope
|
1
|
3%
|
0
|
0%
|
|
94
|
Sonnet I: Love Enthroned
|
1
|
3%
|
0
|
0%
|
|
95
|
Sonnet III: Love's Testament
|
1
|
3%
|
0
|
0%
|
|
96
|
Sonnet LIII: Without Her
|
1
|
3%
|
0
|
0%
|
|
97
|
Sonnet LIV: Love's Fatality
|
1
|
3%
|
0
|
0%
|
|
98
|
Sonnet LV: Stillborn Love
|
1
|
3%
|
0
|
0%
|
|
99
|
Sonnet LX: Transfigured Life
|
1
|
3%
|
0
|
0%
|
|
100
|
Sonnet LXII: The Soul's Sphere
|
1
|
3%
|
0
|
0%
|
|
101
|
Sonnet LXIV: Ardour And Memory
|
3
|
10%
|
0
|
0%
|
|
102
|
Sonnet LXVIII: A Dark Day
|
1
|
3%
|
0
|
0%
|
|
103
|
Sonnet LXX: The Hill Summit
|
4
|
14%
|
0
|
0%
|
|
104
|
Sonnet LXXVII: Soul's Beauty
|
1
|
3%
|
0
|
0%
|
|
105
|
Sonnet LXXX: From Dawn to Noon
|
1
|
3%
|
0
|
0%
|
|
106
|
Sonnet LXXXIII: Barren Spring
|
3
|
10%
|
0
|
0%
|
|
107
|
Sonnet LXXXV: Vain Virtues
|
1
|
3%
|
0
|
0%
|
|
108
|
Sonnet XC: “Retro Me, Sathana!”
|
1
|
3%
|
0
|
0%
|
|
109
|
Sonnet XCIV: Michelangelo 's Kiss
|
2
|
7%
|
0
|
0%
|
|
110
|
Sonnet XCV: The Vase of Life
|
1
|
3%
|
0
|
0%
|
|
111
|
Sonnet XII: The Lovers' Walk
|
1
|
3%
|
0
|
0%
|
|
112
|
Sonnet XIX: Silent Noon
|
1
|
3%
|
0
|
0%
|
|
113
|
Sonnet XLIII: Love and Hope
|
1
|
3%
|
0
|
0%
|
|
114
|
Sonnet XLVII: Broken Music
|
1
|
3%
|
0
|
0%
|
|
115
|
Sonnet XVI: A Day of Love
|
1
|
3%
|
0
|
0%
|
|
116
|
Sonnet XX: Gracious Moonlight
|
1
|
3%
|
0
|
0%
|
|
117
|
Sonnet XXII: Heart's Haven
|
1
|
3%
|
0
|
0%
|
|
118
|
Sonnet XXIII: Love's Baubles
|
1
|
3%
|
0
|
0%
|
|
119
|
Sonnet XXIV: Pride of Youth
|
1
|
3%
|
0
|
0%
|
|
120
|
Sonnet XXX: Last Fire
|
1
|
3%
|
0
|
0%
|
|
121
|
Sonnet XXXI: Her Gifts
|
1
|
3%
|
0
|
0%
|
|
122
|
Sonnet XXXIX: Sleepless Dreams
|
1
|
3%
|
0
|
0%
|
|
123
|
Sonnets LVI:LVII: LVIII: True Woman
|
1
|
3%
|
0
|
0%
|
|
124
|
Sonnett VI: A Nuptial Sleep
|
2
|
7%
|
0
|
0%
|
|
125
|
Soul's Beauty
|
2
|
7%
|
0
|
0%
|
|
126
|
Spring
|
2
|
7%
|
0
|
0%
|
|
127
|
Sudden Light
|
4
|
14%
|
0
|
0%
|
|
128
|
Sunset Wings
|
2
|
7%
|
0
|
0%
|
|
129
|
The Ballad of Dead Ladies
|
2
|
7%
|
0
|
0%
|
|
130
|
The Blessed Damozel
|
18
|
64%
|
0
|
0%
|
|
131
|
The Bride's Prelude
|
1
|
3%
|
0
|
0%
|
|
132
|
The Choice
|
2
|
7%
|
0
|
0%
|
|
133
|
The English Revolution Of 1848
|
2
|
7%
|
0
|
0%
|
|
134
|
The gloom that breathes upon me with these airs
|
1
|
3%
|
0
|
0%
|
|
135
|
The Honeysuckle
|
2
|
7%
|
0
|
0%
|
|
136
|
The House of Life: 97. A Superscription
|
2
|
7%
|
0
|
0%
|
|
137
|
The House of the Life (19): Silent Noon
|
1
|
3%
|
0
|
0%
|
|
138
|
The Kiss
|
3
|
10%
|
0
|
0%
|
|
139
|
The Lady’s Lament
|
2
|
7%
|
0
|
0%
|
|
140
|
The Mirror
|
1
|
3%
|
0
|
0%
|
|
141
|
The Portrait
|
1
|
3%
|
0
|
0%
|
|
142
|
The Sea Limits
|
1
|
3%
|
0
|
0%
|
|
143
|
The Wombat
|
2
|
7%
|
0
|
0%
|
|
144
|
Three Shadows
|
4
|
14%
|
0
|
0%
|
|
145
|
Troy Town
|
1
|
3%
|
0
|
0%
|
|
146
|
Venus Verticordia (For a Picture)
|
1
|
3%
|
0
|
0%
|
|
147
|
William Blake
|
7
|
25%
|
0
|
0%
|
|
148
|
Words On The Window-Pane
|
1
|
3%
|
0
|
0%
|
|
149
|
World's Worth
|
1
|
3%
|
0
|
0%
|
|
150
|
XLI Through Death To Love
|
1
|
3%
|
0
|
0%
|
|
151
|
XXIX Heart's Heaven
|
1
|
3%
|
0
|
0%
|