|
1
|
[Greek]
|
5
|
9%
|
0
|
0%
|
|
2
|
‘Phasellus Ille’
|
4
|
7%
|
0
|
0%
|
|
3
|
A Ballad Of The Mulberry Road
|
15
|
28%
|
0
|
0%
|
|
4
|
A Girl
|
28
|
52%
|
0
|
0%
|
|
5
|
A Pact
|
33
|
62%
|
0
|
0%
|
|
6
|
A Song Of The Degrees
|
10
|
18%
|
0
|
0%
|
|
7
|
A Villonaud: Ballad Of The Gibbet
|
5
|
9%
|
0
|
0%
|
|
8
|
A Virginal
|
10
|
18%
|
0
|
0%
|
|
9
|
Alba
|
14
|
26%
|
0
|
0%
|
|
10
|
Albatre
|
6
|
11%
|
0
|
0%
|
|
11
|
Alf’s Eighth Bit
|
2
|
3%
|
0
|
0%
|
|
12
|
Alf’s Fourth Bit
|
1
|
1%
|
0
|
0%
|
|
13
|
Alf’s Ninth Bit
|
1
|
1%
|
0
|
0%
|
|
14
|
Amities
|
2
|
3%
|
0
|
0%
|
|
15
|
An Immorality
|
3
|
5%
|
0
|
0%
|
|
16
|
An Object
|
2
|
3%
|
0
|
0%
|
|
17
|
Ancient Music
|
3
|
5%
|
0
|
0%
|
|
18
|
Ancient Wisdom, Rather Cosmic
|
3
|
5%
|
0
|
0%
|
|
19
|
Ancora
|
2
|
3%
|
0
|
0%
|
|
20
|
And the days are not full enough
|
3
|
5%
|
0
|
0%
|
|
21
|
And Thus In Nineveh
|
2
|
3%
|
0
|
0%
|
|
22
|
Another Bit And An Offer
|
2
|
3%
|
0
|
0%
|
|
23
|
Apparuit
|
1
|
1%
|
0
|
0%
|
|
24
|
APRIL
|
2
|
3%
|
0
|
0%
|
|
25
|
Arides
|
2
|
3%
|
0
|
0%
|
|
26
|
Äþñßá (Greek title)
|
2
|
3%
|
0
|
0%
|
|
27
|
Au Jardin
|
2
|
3%
|
0
|
0%
|
|
28
|
Au Salon
|
4
|
7%
|
0
|
0%
|
|
29
|
Ballad for Gloom
|
5
|
9%
|
0
|
0%
|
|
30
|
Ballad of the Goodly Fere
|
2
|
3%
|
0
|
0%
|
|
31
|
Ballatetta
|
2
|
3%
|
0
|
0%
|
|
32
|
Before Sleep
|
6
|
11%
|
0
|
0%
|
|
33
|
Black Slippers: Bellotti
|
2
|
3%
|
0
|
0%
|
|
34
|
Brennbaum
|
1
|
1%
|
0
|
0%
|
|
35
|
Cantico del Sole
|
2
|
3%
|
0
|
0%
|
|
36
|
Canto 1
|
11
|
20%
|
0
|
0%
|
|
37
|
Canto 13
|
5
|
9%
|
0
|
0%
|
|
38
|
Canto I
|
1
|
1%
|
0
|
0%
|
|
39
|
Canto I: And Then Went Down to the Ship
|
2
|
3%
|
0
|
0%
|
|
40
|
Canto III
|
3
|
5%
|
0
|
0%
|
|
41
|
Canto XLIX: For the Seven Lakes
|
1
|
1%
|
0
|
0%
|
|
42
|
Cantus Planus
|
1
|
1%
|
0
|
0%
|
|
43
|
Causa
|
2
|
3%
|
0
|
0%
|
|
44
|
Cino
|
2
|
3%
|
0
|
0%
|
|
45
|
Coda
|
2
|
3%
|
0
|
0%
|
|
46
|
Coitus
|
2
|
3%
|
0
|
0%
|
|
47
|
Come To My Cantilations
|
1
|
1%
|
0
|
0%
|
|
48
|
Commission
|
1
|
1%
|
0
|
0%
|
|
49
|
Dance Figure
|
3
|
5%
|
0
|
0%
|
|
50
|
Donna Mi Prega
|
1
|
1%
|
0
|
0%
|
|
51
|
E.P. Ode Pour L'election De Son Sepulchre
|
3
|
5%
|
0
|
0%
|
|
52
|
Epilogue
|
3
|
5%
|
0
|
0%
|
|
53
|
Epitaphs
|
3
|
5%
|
0
|
0%
|
|
54
|
Erat Hora
|
1
|
1%
|
0
|
0%
|
|
55
|
Exile’s Letter
|
1
|
1%
|
0
|
0%
|
|
56
|
Fish And Shadow
|
3
|
5%
|
0
|
0%
|
|
57
|
Francesca
|
2
|
3%
|
0
|
0%
|
|
58
|
from "Hugh Selwyn Mauberly"
|
1
|
1%
|
0
|
0%
|
|
59
|
Further Instructions
|
1
|
1%
|
0
|
0%
|
|
60
|
Gentildonna
|
2
|
3%
|
0
|
0%
|
|
61
|
Grace Before Song
|
1
|
1%
|
0
|
0%
|
|
62
|
Her Monument, The Image Cut Thereon
|
1
|
1%
|
0
|
0%
|
|
63
|
Homage To Sextus Propertius - I
|
3
|
5%
|
0
|
0%
|
|
64
|
Homage To Sextus Propertius - II
|
2
|
3%
|
0
|
0%
|
|
65
|
Homage To Sextus Propertius - III
|
2
|
3%
|
0
|
0%
|
|
66
|
Homage To Sextus Propertius - IV
|
2
|
3%
|
0
|
0%
|
|
67
|
Homage To Sextus Propertius - IX
|
2
|
3%
|
0
|
0%
|
|
68
|
Homage To Sextus Propertius - V
|
2
|
3%
|
0
|
0%
|
|
69
|
Homage To Sextus Propertius - VI
|
1
|
1%
|
0
|
0%
|
|
70
|
Homage To Sextus Propertius - VII
|
1
|
1%
|
0
|
0%
|
|
71
|
Homage To Sextus Propertius - VIII
|
1
|
1%
|
0
|
0%
|
|
72
|
Homage To Sextus Propertius - X
|
1
|
1%
|
0
|
0%
|
|
73
|
Homage To Sextus Propertius - XI
|
1
|
1%
|
0
|
0%
|
|
74
|
Homage To Sextus Propertius - XII
|
1
|
1%
|
0
|
0%
|
|
75
|
Hugh Selwyn Mauberly (Part I)
|
5
|
9%
|
0
|
0%
|
|
76
|
In a Station of the Metro
|
53
|
100%
|
0
|
0%
|
|
77
|
In the Old Age of the Soul
|
1
|
1%
|
0
|
0%
|
|
78
|
Invern
|
1
|
1%
|
0
|
0%
|
|
79
|
Ladies
|
1
|
1%
|
0
|
0%
|
|
80
|
Lament of the Frontier Guard
|
1
|
1%
|
0
|
0%
|
|
81
|
L'Art
|
3
|
5%
|
0
|
0%
|
|
82
|
Leave-Taking Near Shoku
|
1
|
1%
|
0
|
0%
|
|
83
|
L'Homme Moyen Sensuel
|
1
|
1%
|
0
|
0%
|
|
84
|
Liu Ch'e
|
1
|
1%
|
0
|
0%
|
|
85
|
Masks
|
5
|
9%
|
0
|
0%
|
|
86
|
Moeurs Contemporaines
|
1
|
1%
|
0
|
0%
|
|
87
|
Mr. Nixon
|
3
|
5%
|
0
|
0%
|
|
88
|
Near Perigord
|
2
|
3%
|
0
|
0%
|
|
89
|
Nicotine
|
1
|
1%
|
0
|
0%
|
|
90
|
Night Litany
|
4
|
7%
|
0
|
0%
|
|
91
|
Ole Kate
|
2
|
3%
|
0
|
0%
|
|
92
|
On His Own Face In A Glass
|
1
|
1%
|
0
|
0%
|
|
93
|
Pagani’s, November 8
|
2
|
3%
|
0
|
0%
|
|
94
|
Poem By The Bridge At Ten-Shin
|
1
|
1%
|
0
|
0%
|
|
95
|
Poetic Eggs
|
1
|
1%
|
0
|
0%
|
|
96
|
Post Mortem Conspectu
|
1
|
1%
|
0
|
0%
|
|
97
|
Prayer For His Lady’s Life
|
2
|
3%
|
0
|
0%
|
|
98
|
Rome
|
1
|
1%
|
0
|
0%
|
|
99
|
Salutation The Third
|
1
|
1%
|
0
|
0%
|
|
100
|
Separation On The River Kiang
|
1
|
1%
|
0
|
0%
|
|
101
|
Silet
|
1
|
1%
|
0
|
0%
|
|
102
|
Simulacra
|
1
|
1%
|
0
|
0%
|
|
103
|
Society
|
2
|
3%
|
0
|
0%
|
|
104
|
Song
|
1
|
1%
|
0
|
0%
|
|
105
|
Song of the Bowmen of Shu
|
1
|
1%
|
0
|
0%
|
|
106
|
South-Folk In Cold Country
|
1
|
1%
|
0
|
0%
|
|
107
|
ßìÝñññù (Greek title)
|
1
|
1%
|
0
|
0%
|
|
108
|
Statement of Being
|
2
|
3%
|
0
|
0%
|
|
109
|
Tame Cat
|
2
|
3%
|
0
|
0%
|
|
110
|
Tenzone
|
1
|
1%
|
0
|
0%
|
|
111
|
The Alchemist
|
2
|
3%
|
0
|
0%
|
|
112
|
The Altar
|
1
|
1%
|
0
|
0%
|
|
113
|
The Baby
|
1
|
1%
|
0
|
0%
|
|
114
|
The Beautiful Toilet
|
2
|
3%
|
0
|
0%
|
|
115
|
The Bellaires
|
1
|
1%
|
0
|
0%
|
|
116
|
The City Of Choan
|
1
|
1%
|
0
|
0%
|
|
117
|
The Coming Of War: Actaeon
|
1
|
1%
|
0
|
0%
|
|
118
|
The Game Of Chess
|
1
|
1%
|
0
|
0%
|
|
119
|
The Garrett
|
4
|
7%
|
0
|
0%
|
|
120
|
The Gypsy
|
6
|
11%
|
0
|
0%
|
|
121
|
The Jewel Stairs' Grievance
|
1
|
1%
|
0
|
0%
|
|
122
|
The Needle
|
1
|
1%
|
0
|
0%
|
|
123
|
The Plunge
|
1
|
1%
|
0
|
0%
|
|
124
|
The Rest
|
8
|
15%
|
0
|
0%
|
|
125
|
The Return
|
1
|
1%
|
0
|
0%
|
|
126
|
The River Song
|
3
|
5%
|
0
|
0%
|
|
127
|
The River-Merchant's Wife: A Letter
|
2
|
3%
|
0
|
0%
|
|
128
|
The Seafarer
|
1
|
1%
|
0
|
0%
|
|
129
|
The Seeing Eye
|
1
|
1%
|
0
|
0%
|
|
130
|
The Spring
|
1
|
1%
|
0
|
0%
|
|
131
|
The Study In Aesthetics
|
1
|
1%
|
0
|
0%
|
|
132
|
The Tea Shop
|
3
|
5%
|
0
|
0%
|
|
133
|
The Temperaments
|
2
|
3%
|
0
|
0%
|
|
134
|
The White Stag
|
1
|
1%
|
0
|
0%
|
|
135
|
To Whistler, American
|
2
|
3%
|
0
|
0%
|
|
136
|
Villanelle: The Psychological Hour
|
5
|
9%
|
0
|
0%
|