|
1
|
[Greek]
|
38
|
28%
|
0
|
0%
|
|
2
|
‘Phasellus Ille’
|
20
|
14%
|
0
|
0%
|
|
3
|
A Ballad Of The Mulberry Road
|
51
|
37%
|
0
|
0%
|
|
4
|
A Girl
|
135
|
100%
|
0
|
0%
|
|
5
|
A Pact
|
111
|
82%
|
0
|
0%
|
|
6
|
A Song Of The Degrees
|
28
|
20%
|
0
|
0%
|
|
7
|
A Villonaud: Ballad Of The Gibbet
|
11
|
8%
|
0
|
0%
|
|
8
|
A Virginal
|
26
|
19%
|
0
|
0%
|
|
9
|
Alba
|
21
|
15%
|
0
|
0%
|
|
10
|
Albatre
|
10
|
7%
|
0
|
0%
|
|
11
|
Alf’s Eighth Bit
|
7
|
5%
|
0
|
0%
|
|
12
|
Alf’s Fifth Bit
|
8
|
5%
|
0
|
0%
|
|
13
|
Alf’s Fourth Bit
|
8
|
5%
|
0
|
0%
|
|
14
|
Alf’s Ninth Bit
|
8
|
5%
|
0
|
0%
|
|
15
|
Alf’s Second Bit
|
7
|
5%
|
0
|
0%
|
|
16
|
Alf’s Seventh Bit
|
6
|
4%
|
0
|
0%
|
|
17
|
Alf’s Sixth Bit
|
5
|
3%
|
0
|
0%
|
|
18
|
Alf’s Tenth Bit
|
5
|
3%
|
0
|
0%
|
|
19
|
Alf’s Third Bit
|
6
|
4%
|
0
|
0%
|
|
20
|
Alf’s Twelfth Bit
|
6
|
4%
|
0
|
0%
|
|
21
|
Amities
|
6
|
4%
|
0
|
0%
|
|
22
|
An Immorality
|
11
|
8%
|
0
|
0%
|
|
23
|
An Object
|
14
|
10%
|
0
|
0%
|
|
24
|
Ancient Music
|
10
|
7%
|
0
|
0%
|
|
25
|
Ancient Wisdom, Rather Cosmic
|
6
|
4%
|
0
|
0%
|
|
26
|
Ancora
|
6
|
4%
|
0
|
0%
|
|
27
|
And the days are not full enough
|
14
|
10%
|
0
|
0%
|
|
28
|
And Thus In Nineveh
|
4
|
2%
|
0
|
0%
|
|
29
|
Another Bit And An Offer
|
4
|
2%
|
0
|
0%
|
|
30
|
Apparuit
|
10
|
7%
|
0
|
0%
|
|
31
|
APRIL
|
15
|
11%
|
0
|
0%
|
|
32
|
Arides
|
4
|
2%
|
0
|
0%
|
|
33
|
Äþñßá (Greek title)
|
3
|
2%
|
0
|
0%
|
|
34
|
Au Jardin
|
13
|
9%
|
0
|
0%
|
|
35
|
Au Salon
|
4
|
2%
|
0
|
0%
|
|
36
|
Ballad for Gloom
|
5
|
3%
|
0
|
0%
|
|
37
|
Ballad of the Goodly Fere
|
9
|
6%
|
0
|
0%
|
|
38
|
Ballatetta
|
3
|
2%
|
0
|
0%
|
|
39
|
Before Sleep
|
12
|
8%
|
0
|
0%
|
|
40
|
Black Slippers: Bellotti
|
4
|
2%
|
0
|
0%
|
|
41
|
Brennbaum
|
3
|
2%
|
0
|
0%
|
|
42
|
Cantico del Sole
|
5
|
3%
|
0
|
0%
|
|
43
|
Canto 1
|
16
|
11%
|
0
|
0%
|
|
44
|
Canto 13
|
7
|
5%
|
0
|
0%
|
|
45
|
Canto 49
|
4
|
2%
|
0
|
0%
|
|
46
|
Canto I
|
14
|
10%
|
0
|
0%
|
|
47
|
Canto I: And Then Went Down to the Ship
|
10
|
7%
|
0
|
0%
|
|
48
|
Canto III
|
7
|
5%
|
0
|
0%
|
|
49
|
Canto XIII: Kung Walked
|
2
|
1%
|
0
|
0%
|
|
50
|
Canto XLIX: For the Seven Lakes
|
6
|
4%
|
0
|
0%
|
|
51
|
Cantus Planus
|
3
|
2%
|
0
|
0%
|
|
52
|
Causa
|
3
|
2%
|
0
|
0%
|
|
53
|
Cino
|
5
|
3%
|
0
|
0%
|
|
54
|
Coda
|
8
|
5%
|
0
|
0%
|
|
55
|
Coitus
|
7
|
5%
|
0
|
0%
|
|
56
|
Come To My Cantilations
|
2
|
1%
|
0
|
0%
|
|
57
|
Commission
|
3
|
2%
|
0
|
0%
|
|
58
|
Dance Figure
|
10
|
7%
|
0
|
0%
|
|
59
|
Dans Un Omnibus De Londres
|
3
|
2%
|
0
|
0%
|
|
60
|
De Ægypto
|
4
|
2%
|
0
|
0%
|
|
61
|
Dieu! Qu'il La Fait
|
4
|
2%
|
0
|
0%
|
|
62
|
Dompna Pois De Me No'us Cal
|
4
|
2%
|
0
|
0%
|
|
63
|
Donna Mi Prega
|
4
|
2%
|
0
|
0%
|
|
64
|
Dum Capitolium Scandet
|
4
|
2%
|
0
|
0%
|
|
65
|
E.P. Ode Pour L'election De Son Sepulchre
|
3
|
2%
|
0
|
0%
|
|
66
|
Envoi
|
4
|
2%
|
0
|
0%
|
|
67
|
Epilogue
|
4
|
2%
|
0
|
0%
|
|
68
|
Epitaph
|
2
|
1%
|
0
|
0%
|
|
69
|
Epitaphs
|
3
|
2%
|
0
|
0%
|
|
70
|
Erat Hora
|
7
|
5%
|
0
|
0%
|
|
71
|
Exile’s Letter
|
3
|
2%
|
0
|
0%
|
|
72
|
Ezra on the Strike
|
2
|
1%
|
0
|
0%
|
|
73
|
Famam Librosque Cano
|
2
|
1%
|
0
|
0%
|
|
74
|
Fan-Piece, For Her Imperial Lord
|
2
|
1%
|
0
|
0%
|
|
75
|
Fish And Shadow
|
4
|
2%
|
0
|
0%
|
|
76
|
For E. McC
|
2
|
1%
|
0
|
0%
|
|
77
|
Francesca
|
17
|
12%
|
0
|
0%
|
|
78
|
Fratres Minores
|
4
|
2%
|
0
|
0%
|
|
79
|
from "Hugh Selwyn Mauberly"
|
3
|
2%
|
0
|
0%
|
|
80
|
Further Instructions
|
4
|
2%
|
0
|
0%
|
|
81
|
Gentildonna
|
2
|
1%
|
0
|
0%
|
|
82
|
Grace Before Song
|
3
|
2%
|
0
|
0%
|
|
83
|
Guido Invites You Thus
|
2
|
1%
|
0
|
0%
|
|
84
|
Heather
|
4
|
2%
|
0
|
0%
|
|
85
|
Her Monument, The Image Cut Thereon
|
1
|
0%
|
0
|
0%
|
|
86
|
Homage To Sextus Propertius - I
|
7
|
5%
|
0
|
0%
|
|
87
|
Homage To Sextus Propertius - II
|
1
|
0%
|
0
|
0%
|
|
88
|
Homage To Sextus Propertius - III
|
1
|
0%
|
0
|
0%
|
|
89
|
Homage To Sextus Propertius - IV
|
1
|
0%
|
0
|
0%
|
|
90
|
Homage To Sextus Propertius - IX
|
1
|
0%
|
0
|
0%
|
|
91
|
Homage To Sextus Propertius - V
|
1
|
0%
|
0
|
0%
|
|
92
|
Homage To Sextus Propertius - VI
|
1
|
0%
|
0
|
0%
|
|
93
|
Homage To Sextus Propertius - VII
|
1
|
0%
|
0
|
0%
|
|
94
|
Homage To Sextus Propertius - VIII
|
1
|
0%
|
0
|
0%
|
|
95
|
Homage To Sextus Propertius - X
|
1
|
0%
|
0
|
0%
|
|
96
|
Hugh Selwyn Mauberly (Part I)
|
16
|
11%
|
0
|
0%
|
|
97
|
Impressions Of Francois-Marie Arouet (De Voltaire)
|
2
|
1%
|
0
|
0%
|
|
98
|
In a Station of the Metro
|
130
|
96%
|
0
|
0%
|
|
99
|
IN DURANCE
|
4
|
2%
|
0
|
0%
|
|
100
|
In Exitum Cuiusdam
|
2
|
1%
|
0
|
0%
|
|
101
|
Invern
|
2
|
1%
|
0
|
0%
|
|
102
|
Ione, Dead the Long Year
|
3
|
2%
|
0
|
0%
|
|
103
|
Ité
|
2
|
1%
|
0
|
0%
|
|
104
|
La Fraisne
|
1
|
0%
|
0
|
0%
|
|
105
|
La Regina Avrillouse
|
1
|
0%
|
0
|
0%
|
|
106
|
Ladies
|
6
|
4%
|
0
|
0%
|
|
107
|
Lament of the Frontier Guard
|
3
|
2%
|
0
|
0%
|
|
108
|
L'Art
|
4
|
2%
|
0
|
0%
|
|
109
|
Les Millwin
|
1
|
0%
|
0
|
0%
|
|
110
|
L'Homme Moyen Sensuel
|
2
|
1%
|
0
|
0%
|
|
111
|
Liu Ch'e
|
1
|
0%
|
0
|
0%
|
|
112
|
M. Pom-Pom
|
1
|
0%
|
0
|
0%
|
|
113
|
Masks
|
4
|
2%
|
0
|
0%
|
|
114
|
Mauberley
|
2
|
1%
|
0
|
0%
|
|
115
|
Medallion
|
1
|
0%
|
0
|
0%
|
|
116
|
Mesmerism
|
4
|
2%
|
0
|
0%
|
|
117
|
Middle-Aged
|
1
|
0%
|
0
|
0%
|
|
118
|
Moeurs Contemporaines
|
1
|
0%
|
0
|
0%
|
|
119
|
Mr. Nixon
|
4
|
2%
|
0
|
0%
|
|
120
|
N. Y.
|
3
|
2%
|
0
|
0%
|
|
121
|
Na Audiart
|
1
|
0%
|
0
|
0%
|
|
122
|
National Song (E.C.)
|
1
|
0%
|
0
|
0%
|
|
123
|
Near Perigord
|
2
|
1%
|
0
|
0%
|
|
124
|
Nicotine
|
9
|
6%
|
0
|
0%
|
|
125
|
Night Litany
|
3
|
2%
|
0
|
0%
|
|
126
|
Notes for Canto CXX
|
1
|
0%
|
0
|
0%
|
|
127
|
On His Own Face In A Glass
|
1
|
0%
|
0
|
0%
|
|
128
|
Pan Is Dead
|
1
|
0%
|
0
|
0%
|
|
129
|
Piere Vidal Old
|
2
|
1%
|
0
|
0%
|
|
130
|
Poem
|
1
|
0%
|
0
|
0%
|
|
131
|
Poem By The Bridge At Ten-Shin
|
3
|
2%
|
0
|
0%
|
|
132
|
Poetic Eggs
|
3
|
2%
|
0
|
0%
|
|
133
|
Portrait d'une Femme
|
2
|
1%
|
0
|
0%
|
|
134
|
Prayer For His Lady’s Life
|
1
|
0%
|
0
|
0%
|
|
135
|
Quies
|
1
|
0%
|
0
|
0%
|
|
136
|
Rome
|
4
|
2%
|
0
|
0%
|
|
137
|
Safe And Sound
|
2
|
1%
|
0
|
0%
|
|
138
|
Salutation
|
2
|
1%
|
0
|
0%
|
|
139
|
Salutation The Second
|
1
|
0%
|
0
|
0%
|
|
140
|
Salutation The Third
|
4
|
2%
|
0
|
0%
|
|
141
|
Salvationists
|
1
|
0%
|
0
|
0%
|
|
142
|
Sennin Poem By Kakuhaku
|
1
|
0%
|
0
|
0%
|
|
143
|
Separation On The River Kiang
|
1
|
0%
|
0
|
0%
|
|
144
|
Sestina: Altaforte
|
1
|
0%
|
0
|
0%
|
|
145
|
Shop Girl
|
6
|
4%
|
0
|
0%
|
|
146
|
Silet
|
4
|
2%
|
0
|
0%
|
|
147
|
Simulacra
|
7
|
5%
|
0
|
0%
|
|
148
|
Society
|
5
|
3%
|
0
|
0%
|
|
149
|
Song
|
9
|
6%
|
0
|
0%
|
|
150
|
Song in the Manner of Housman
|
1
|
0%
|
0
|
0%
|
|
151
|
Song of the Bowmen of Shu
|
1
|
0%
|
0
|
0%
|
|
152
|
Song Of The Six Hundred M.P.'S
|
1
|
0%
|
0
|
0%
|
|
153
|
South-Folk In Cold Country
|
1
|
0%
|
0
|
0%
|
|
154
|
Speech For Psyche In The Golden Book Of Apuleius
|
1
|
0%
|
0
|
0%
|
|
155
|
ßìÝñññù (Greek title)
|
1
|
0%
|
0
|
0%
|
|
156
|
Statement of Being
|
1
|
0%
|
0
|
0%
|
|
157
|
Taking Leave of a Friend
|
1
|
0%
|
0
|
0%
|
|
158
|
Tame Cat
|
4
|
2%
|
0
|
0%
|
|
159
|
The Alchemist
|
1
|
0%
|
0
|
0%
|
|
160
|
The Altar
|
1
|
0%
|
0
|
0%
|
|
161
|
The Baby
|
1
|
0%
|
0
|
0%
|
|
162
|
The Bath-Tub
|
3
|
2%
|
0
|
0%
|
|
163
|
The Beautiful Toilet
|
4
|
2%
|
0
|
0%
|
|
164
|
The Bellaires
|
2
|
1%
|
0
|
0%
|
|
165
|
The City Of Choan
|
1
|
0%
|
0
|
0%
|
|
166
|
The Cloak
|
1
|
0%
|
0
|
0%
|
|
167
|
The Coming Of War: Actaeon
|
1
|
0%
|
0
|
0%
|
|
168
|
The Condolence
|
1
|
0%
|
0
|
0%
|
|
169
|
The Encounter
|
2
|
1%
|
0
|
0%
|
|
170
|
The Eyes
|
4
|
2%
|
0
|
0%
|
|
171
|
The Fault of It
|
1
|
0%
|
0
|
0%
|
|
172
|
The Faun
|
2
|
1%
|
0
|
0%
|
|
173
|
The Flame
|
1
|
0%
|
0
|
0%
|
|
174
|
The Game Of Chess
|
2
|
1%
|
0
|
0%
|
|
175
|
The Garden
|
6
|
4%
|
0
|
0%
|
|
176
|
The Garrett
|
9
|
6%
|
0
|
0%
|
|
177
|
The Gypsy
|
10
|
7%
|
0
|
0%
|
|
178
|
The House Of Splendour
|
1
|
0%
|
0
|
0%
|
|
179
|
The Jewel Stairs' Grievance
|
1
|
0%
|
0
|
0%
|
|
180
|
The Lake Isle
|
4
|
2%
|
0
|
0%
|
|
181
|
The Logical Conclusion
|
2
|
1%
|
0
|
0%
|
|
182
|
The Needle
|
2
|
1%
|
0
|
0%
|
|
183
|
The New Cake Of Soap
|
4
|
2%
|
0
|
0%
|
|
184
|
The Patterns
|
2
|
1%
|
0
|
0%
|
|
185
|
The Picture
|
6
|
4%
|
0
|
0%
|
|
186
|
The Plunge
|
2
|
1%
|
0
|
0%
|
|
187
|
The Rest
|
4
|
2%
|
0
|
0%
|
|
188
|
The Return
|
3
|
2%
|
0
|
0%
|
|
189
|
The River Song
|
1
|
0%
|
0
|
0%
|
|
190
|
The River-Merchant's Wife: A Letter
|
3
|
2%
|
0
|
0%
|
|
191
|
The Seafarer
|
3
|
2%
|
0
|
0%
|
|
192
|
The Seeing Eye
|
1
|
0%
|
0
|
0%
|
|
193
|
The Social Order
|
2
|
1%
|
0
|
0%
|
|
194
|
The Spring
|
2
|
1%
|
0
|
0%
|
|
195
|
The Tea Shop
|
3
|
2%
|
0
|
0%
|
|
196
|
The Three Poets
|
2
|
1%
|
0
|
0%
|
|
197
|
The Tree
|
5
|
3%
|
0
|
0%
|
|
198
|
The White Stag
|
1
|
0%
|
0
|
0%
|
|
199
|
These Fought in Any Case
|
1
|
0%
|
0
|
0%
|
|
200
|
Threnos
|
2
|
1%
|
0
|
0%
|
|
201
|
Translations And Adaptations From Heine
|
1
|
0%
|
0
|
0%
|
|
202
|
Ts'ai Chi'h
|
2
|
1%
|
0
|
0%
|
|
203
|
Villanelle: The Psychological Hour
|
10
|
7%
|
0
|
0%
|
|
204
|
Women Before A Shop
|
2
|
1%
|
0
|
0%
|