Biography of Francis Ledwidge
Francis Edward Ledwidge was an Irish war poet from County Meath. Sometimes known as the "poet of the blackbirds", he was killed in action at the Battle of Passchendaele during World War I.
Ledwidge was born at Janeville, Slane, in Ireland, the eighth of nine children in a poverty-stricken family. His parents, Patrick Ledwidge (the Ledwidge family, from Shropshire, was granted land in Meath after the Norman invasion) and wife Anne Lynch (1853–1926), believed in giving their children the best education they could afford. But when Francis was only five his father Patrick died prematurely, which forced his wife and the children out to work at an early age. Francis left the local national school aged thirteen, and while he continued to self-educate himself, he worked at what work he could find, as farm hand, road mender and supervisor of roads, as copper miner (sacked for organising a strike having been a trade union activist since 1906) and shop assistant. Appointed secretary of the Slane branch of the Meath Labour Union (1913–14) he had aspirations of permanent white-collar work. His politics were nationalist as well as left-wing.
Strongly built, with striking brown eyes and a sensuous face, Ledwidge was a keen poet writing where ever he could – sometimes even on gates or fence posts. From the age of fourteen his works were published in his local newspaper, the Drogheda Independent reflecting his passion for the Boyne Valley. While working as a road labourer he won the patronage of the writer, Lord Dunsany, after he wrote to him in 1912, enclosing copybooks of his early work. Dunsany, a man of letters already well-known in Dublin and London literary and dramatic circles, and whose own start in publishing had been with a few poems, promoted him in Dublin and introduced him to W.B. Yeats with whom he became acquainted.
Dunsany supported Ledwidge with money and literary advice for some years, providing him with access to and a workspace in Dunsany Castle's Library where he met the Irish writer Katharine Tynan, corresponding with her regularly. Dunsany later prepared his first collection of poetry Songs of the Fields, which successfully appealed to the expectations of the Irish Literary Revival and its social taste for rural poetry.
Home Rule and World War I
Ledwidge was a keen patriot and nationalist. His efforts to found a branch of the Gaelic League in Slane were thwarted by members of the local council. The area organiser encouraged him to continue his struggle, but Francis gave up. He did manage to act as a founding member with his brother Joseph of the Slane Branch of the Irish Volunteers (1914), a nationalist force sworn to defend the introduction of Home Rule for Ireland, by force if need be.
On the outbreak of World War I in August 1914, and on account of Ireland's involvement in the war, the Irish Volunteers split into two factions, the National Volunteers who supported John Redmond’s appeal to join Irish regiments in support of the Allied war cause and those who did not. Francis was originally of the latter party. Nevertheless, having defended this position strongly at a local authority meeting, he enlisted (24 October 1914) in Lord Dunsany’s regiment, joining 5th battalion Royal Inniskilling Fusiliers, part of the 10th (Irish) Division. This was against the urgings of Dunsany who opposed his enlistment and had offered him a stipend to support him if he stayed away from the war. Some have speculated that he went to war because his sweetheart Ellie Vaughey had found a new lover, John O'Neill, whom she later married, but Ledwidge himself wrote, and forcefully, that he could not stand aside while others sought to defend Ireland's freedom.
Poetry and War
Ledwidge seems to have fitted into Army life well, and rapidly achieved promotion to lance corporal. In 1915, he saw action at Suvla Bay in the Dardanelles, where he suffered severe rheumatism. Having survived huge losses sustained by his company in the Battle of Gallipoli, he became ill after a back injury on a tough mountain journey in Serbia (December 1915), a locale which inspired a number of poems.
Ledwidge was dismayed by the news of the Easter Rising, and was court-martialled and demoted for overstaying his home leave and being drunk in uniform (May 1916). He gained and lost stripes over a period in Derry (he was a corporal when the introduction to his first book was written), and then, returned to the front, received back his lance corporal's stripe one last time in January 1917 when posted to the Western Front, joining 1st Battalion, Royal Inniskilling Fusiliers, part of 29th Division.
Ledwidge continued to write when feasible throughout the war years, though he lost much work, for example, in atrocious weather in Serbia. He sent much of his output to Lord Dunsany, himself moving on war assignments, as well as to readers among family, friends and literary contacts.
On 31 July 1917, a group from Ledwidge's battalion of the Royal Inniskilling Fusiliers were road-laying in preparation for an assault during the Third Battle of Ypres, near the village of Boezinge, northwest of Ieper (Ypres). While Ledwidge was drinking tea in a mud hole with his comrades, a shell exploded alongside, killing the poet and five others. A chaplain who knew him, Father Devas, arrived soon after, and recorded "Ledwidge killed, blown to bits."
The poems Ledwidge wrote on active service revealed his pride at being a soldier, as he believed, in the service of Ireland. He wondered whether he would find a soldier's death. The dead were buried at Carrefour de Rose, and later re-interred in the nearby Artillery Wood Military Cemetery, Boezinge, (where the Welsh poet Hedd Wyn, killed on the same day, is also buried). A stone tablet commemorates him in the Island of Ireland Peace Park, Messines, Belgium. His work as “peasant poet” and “soldier poet”, once a standard part of the Irish school curriculum, faded from view for many decades of the 20th century. Its intensity, coupled with a revived interest in his period, has restored it to life.
Publications and Reception
Much of Ledwidge's work was published in newspapers and journals in Ireland and the UK. The only work published in book form during Ledwidge's lifetime was the original Songs of the Fields (1915), which was very well received. The critic Edward Marsh printed three of the poems in the Georgian Poetry series, and remained a correspondent for the remainder of Ledwidge's life. A second volume, Songs of Peace was in preparation when Ledwidge died; patron and friend Lord Dunsany wrote the introduction while both were in Derry in September 1916.
Following the war, Dunsany arranged for more of Ledwidge's work to be published, first in a third and final new volume, Last Songs, and then later in an anthology in 1919; he commented on the work with words such as:
"[I was] astonished by the brilliance of that eye and that had looked at the fields of Meath and seen there all the simple birds and flowers, with a vividness which made those pages like a magnifying glass, through which one looked at familiar things for the first time."
Some of Ledwidge's poetry was put to music by the British Composer and song-writer Michael Head, most notably in the very well received song cycle published in 1920, "Over the rim of the moon". This includes the well-known song, "The Ships of Arcady".
Oh what a pleasant world 'twould be,
How easy we'd step thro' it,
If all the fools who meant no harm,
Could manage not to do it!
- From a personal letter.
He shall not hear the bittern cry
in the wild sky, where he is lain,
Nor voices of the sweeter birds
Above the wailing of the rain
Nor shall he know when the loud March blows
Thro' slanting snows her fanfare shrill,
Blowing to flame the golden cup
Of many an upset daffodil.
But when the dark cow leaves the moor
And pastures poor with greedy weeds
Perhaps he'll hear her low at morn
Lifting her horn in pleasant meads.
- Lament for Thomas MacDonagh
Ledwidge was the subject of an RTÉ documentary entitled Behind the Closed Eye, first broadcast on January 18, 1973. It won awards for Best Story and Best Implementation Documentary at the Golden Prague International Television Festival.
Francis Ledwidge's Works:
Songs of the Fields (1915)
Songs of Peace (1917)
Last Songs (1918)
The complete poems of Francis Ledwidge; with introductions by Lord Dunsany (1919)
Alice Curtayne: ‘’The complete poems of Francis Ledwidge’’ (1974) who also wrote a comprehensive biography of the poet, including some previously unpublished work
Liam O'Meara: ‘’The poems of Francis Ledwidge’’ (1997), including some previously unpublished work
Ulick O’Connor (introduction by): ‘’The best of Francis Ledwidge’’, The Inchicore Ledwidge Society, Risposte Books (2004)
Hubert Dunn:‘’The Minstrel Boy’’, (2006) some more poems released in a commemorative volume
Dermot Bolger: In 1992 long-time Ledwidge admirer, Dublin poet Dermot Bolger, published a Selected Poems of Francis Ledwidge. This was re-issued by New Island Books in 2007 under the title "A Ledwidge Treasury", with an introduction by Seamus Heaney and an afterword by Dermot Bolger. In 2007 Bolger's play about the life of Ledwidge, "Walking the Road", (New Island Books, 2007) was staged in Dublin and in the Town Hall Theatre, Ieper, close where Ledwidge died. It was commissioned to mark the 90th anniversary of his death. In 1998 Bolger and the poet's nephew, Joseph Ledwidge, were invited by the 'In Flanders Fields Museum' to unveil a monument on the spot where Ledwidge was killed.
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Francis Ledwidge Poems
Maiden-poet, come with me To the heaped up cairn of Maeve, And there we'll dance a fairy dance Upon a fairy's grave.
Behind the Closed Eye
I walk the old frequented ways That wind around the tangled braes, I live again the sunny days Ere I the city knew.
When I was young I had a care Lest I should cheat me of my share Of that which makes it sweet to strive For life, and dying still survive,
God made my mother on an April day, From sorrow and the mist along the sea, Lost birds' and wanderers' songs and ocean spray, And the moon loved her wandering jealously.
Lament for the Poets: 1916
I heard the Poor Old Woman say: "At break of day the fowler came, And took my blackbirds from their songs Who loved me well thro' shame and blame
A Little Boy in the Morning
He will not come, and still I wait. He whistles at another gate Where angels listen. Ah I know He will not come, yet if I go
A Rainy Day in April
When the clouds shake their hyssops, and the rain Like holy water falls upon the plain, 'Tis sweet to gaze upon the springing grain And see your harvest born.
A Soldier's Grave
Then in the lull of midnight, gentle arms Lifted him slowly down the slopes of death Lest he should hear again the mad alarms
The Shadow People
Old lame Bridget doesn't hear Fairy music in the grass When the gloaming's on the mere And the shadow people pass:
Lament for Thomas McDonagh
He shall not hear the bittern cry In the wild sky, where he is lain, Nor voices of the sweeter birds, Above the wailing of the rain.
To One Dead
A blackbird singing On a moss-upholstered stone, Bluebells swinging, Shadows wildly blown,
Spring and Autumn
Green ripples singing down the corn, With blossoms dumb the path I tread, And in the music of the morn One with wild roses on her head.
The Lost Ones
Somewhere is music from the linnets' bills, And thro' the sunny flowers the bee-wings drone, And white bells of convolvulus on hills Of quiet May make silent ringing, blown
A Fairy Hunt
Who would hear the fairy horn Calling all the hounds of Finn Must be in a lark's nest born When the moon is very thin.
The Shadow People
Old lame Bridget doesn't hear
Fairy music in the grass
When the gloaming's on the mere
And the shadow people pass:
Never hears their slow grey feet
Coming from the village street
Just beyond the parson's wall,
Where the clover globes are sweet
And the mushroom's parasol