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Gaspara Stampa

(1523 - 1554 / Padua)

Biography of Gaspara Stampa

Gaspara Stampa poet

Gaspara Stampa was an Italian poet.

Biography

Born in Padua, Stampa's father, Bartolomeo, originally from Milan, was a jewel and gold merchant in Padua. When Stampa was eight, her father died and her mother, Cecilia, moved to Venice with her children Gaspara, Cassandra, and Baldassarre; whom she educated to literature, music, history, and painting. Gaspara and Cassandra excelled at singing and playing the lute, possibly due to training by Tuttovale Menon. Early on, the Stampa household became a literary club, visited by many well-known Venetian writers, painters and musicians.

When her brother died in 1544, Stampa suffered greatly and formed the intention of becoming a nun. However, after a long period of crisis, she came back to "la dolce vita" (the sweet life) in Venice, and was believed to have been involved in a love affair with Count Collaltino di Collalto. It was to him that she eventually dedicated most of the 311 poems she is known to have written. The relationship broke off in 1551, apparently resulting from a cooling of the count's interest, and perhaps in part due to his many voyages out of Venice. Stampa was devastated.

Stampa went into a physical prostation and depression, but the result of this period is a collection of beautiful, intelligent and assertive poems in which she triumphs over Collaltino, creating for herself a lasting reputation. It might be noted in passing that Collaltino is only remembered because of Stampa. She makes clear in her poems that she uses her pain to inspire the poetry, hence her survival and fame. After Collaltino, Stampa had another lover and may not have been a courtesan as some believe. There is evidence that she was a musician who performed madrigals of her own composition.

In 1550 Stampa became a member of the Accademia dei Dubbiosi under the name of “Anaxilla.” Toward the end of the year Collaltino returned to Venice, and Stampa spent time with him at his estate, but by the end of the year, deeply depressed, she returned to Venice, marking the end of her relationship with Collaltino and the beginning of a new relationship with Bartolomeo Zen.

Between 1551 and 1552, Stampa enjoyed a period of relative tranquillity. But the following year her health worsened, and she spent a few months in Florence hoping that the milder climate might cure her. She then returned to Venice, became ill with a high fever, and after fifteen days she died on April 23, 1554.

The register of her parish noted that she died of fever and colic, and of mal de mare (Venetian literally for disease of the matrix). In October 1554, Pietrasanta published the first edition of Stampa’s poetry, edited by her sister Cassandra. Her poems were published posthumously in the collection, Rime.

Literature

Stampa's collection of poems has a diary form: Gaspara expresses happiness and emotional distresses, and her 311 poems are one of the most important collections of female poetry of the 16th century. This collection was published after her death by her sister Cassandra, and dedicated to Giovanni Della Casa.

The German poet, Rilke, refers to Gaspara Stampa in the first of his Duino Elegies; which is often considered his greatest work.

Gaspara Stampa's Works:

Stampa, Gaspara (2010). The Complete Poems: The 1554 Edition of the "Rime," a Bilingual Edition. Chicago, Illinois: University of Chicago Press.

This page is based on the copyrighted Wikipedia Gaspara Stampa; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA.

PoemHunter.com Updates

Rime 28

When before those eyes, my life and light,
my beauty and fortune in the world, I stand,
the style, speech, passion, genius I command,
the thoughts, conceits, feelings I incite,
in all I'm overwhelmed, utterly spent,
like a deaf mute, virutally dazed, all reverence, nothing but amazed
in that lovely light, I'm fixed and rent.
Enough, not a word can I intone
for that divine incubus never quits

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