|
1
|
A Fragment: When, To Their Airy Hall
|
3
|
33%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
8
|
88%
|
0
|
0%
|
|
3
|
A Sketch
|
7
|
77%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
1
|
11%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
1
|
11%
|
0
|
0%
|
|
6
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
1
|
11%
|
0
|
0%
|
|
7
|
Adieu, Adieu! My Native Shore
|
5
|
55%
|
0
|
0%
|
|
8
|
Adrian's Address To His Soul When Dying
|
1
|
11%
|
0
|
0%
|
|
9
|
All Is Vanity, Saieth the Preacher
|
2
|
22%
|
0
|
0%
|
|
10
|
All Is Vanity, Saieth the Preacher
|
2
|
22%
|
0
|
0%
|
|
11
|
And Wilt Thou Weep When I Am Low?
|
4
|
44%
|
0
|
0%
|
|
12
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
1
|
11%
|
0
|
0%
|
|
13
|
Away, Away, Ye Notes Of Woe!
|
3
|
33%
|
0
|
0%
|
|
14
|
Bright Be The Place Of Thy Soul!
|
1
|
11%
|
0
|
0%
|
|
15
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
3
|
33%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
1
|
11%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
3
|
33%
|
0
|
0%
|
|
18
|
Childish Recollections
|
1
|
11%
|
0
|
0%
|
|
19
|
Condolatory Address To Sarah, Countess Of Jersey, On The Prince Regent's Returning Her Picture To Mrs. Mee
|
1
|
11%
|
0
|
0%
|
|
20
|
Damætas
|
1
|
11%
|
0
|
0%
|
|
21
|
Darkness
|
4
|
44%
|
0
|
0%
|
|
22
|
Dear Doctor, I have Read your Play
|
2
|
22%
|
0
|
0%
|
|
23
|
Don Juan: Canto the Eighth
|
1
|
11%
|
0
|
0%
|
|
24
|
Don Juan: Canto the Eleventh
|
1
|
11%
|
0
|
0%
|
|
25
|
Don Juan: Canto The Fifteenth
|
1
|
11%
|
0
|
0%
|
|
26
|
Don Juan: Canto The Fifth
|
1
|
11%
|
0
|
0%
|
|
27
|
Don Juan: Canto the First
|
3
|
33%
|
0
|
0%
|
|
28
|
Don Juan: Canto The Fourteenth
|
1
|
11%
|
0
|
0%
|
|
29
|
Don Juan: Canto The Fourth
|
1
|
11%
|
0
|
0%
|
|
30
|
Don Juan: Canto The Ninth
|
1
|
11%
|
0
|
0%
|
|
31
|
Don Juan: Canto the Second
|
1
|
11%
|
0
|
0%
|
|
32
|
Don Juan: Canto The Seventeenth
|
3
|
33%
|
0
|
0%
|
|
33
|
Don Juan: Canto The Seventh
|
1
|
11%
|
0
|
0%
|
|
34
|
Don Juan: Canto The Sixteenth
|
1
|
11%
|
0
|
0%
|
|
35
|
Don Juan: Canto The Sixth
|
1
|
11%
|
0
|
0%
|
|
36
|
Don Juan: Canto The Tenth
|
1
|
11%
|
0
|
0%
|
|
37
|
Don Juan: Canto The Third
|
1
|
11%
|
0
|
0%
|
|
38
|
Don Juan: Canto The Thirteenth
|
1
|
11%
|
0
|
0%
|
|
39
|
Don Juan: Canto the Twelfth
|
1
|
11%
|
0
|
0%
|
|
40
|
Don Juan: Dedication
|
1
|
11%
|
0
|
0%
|
|
41
|
Elegiac Stanzas On The Death Of Sir Peter Parker, Bart.
|
1
|
11%
|
0
|
0%
|
|
42
|
Elegy On Newstead Abbey
|
1
|
11%
|
0
|
0%
|
|
43
|
Endorsement To The Deed Of Separation In The April Of 1816
|
1
|
11%
|
0
|
0%
|
|
44
|
English Bards and Scotch Reviewers (excerpt)
|
1
|
11%
|
0
|
0%
|
|
45
|
English Bards and Scotch Reviewers: A Satire
|
1
|
11%
|
0
|
0%
|
|
46
|
Epigram
|
2
|
22%
|
0
|
0%
|
|
47
|
Epigram On My Wedding- Day To Penelope
|
2
|
22%
|
0
|
0%
|
|
48
|
Epigram, On The Braziers' Company Having Resolved To Present An Address To Queen Caroline
|
1
|
11%
|
0
|
0%
|
|
49
|
Epigram: From The French Of Rulhières
|
2
|
22%
|
0
|
0%
|
|
50
|
Epigram: The World Is A Bundle Of Hay
|
1
|
11%
|
0
|
0%
|
|
51
|
Epigrams
|
1
|
11%
|
0
|
0%
|
|
52
|
Epistle From Mr. Murray To Dr. Polidori
|
1
|
11%
|
0
|
0%
|
|
53
|
Epistle To A Friend, In Answer To Some Lines Exhorting The Author To Be Cheerful, And To Banish Care
|
1
|
11%
|
0
|
0%
|
|
54
|
Epistle To Augusta
|
2
|
22%
|
0
|
0%
|
|
55
|
Epistle To Mr. Murray
|
1
|
11%
|
0
|
0%
|
|
56
|
Epitaph
|
1
|
11%
|
0
|
0%
|
|
57
|
Epitaph For Joseph Blackett, Late Poet And Shoemaker
|
1
|
11%
|
0
|
0%
|
|
58
|
Epitaph For William Pitt
|
1
|
11%
|
0
|
0%
|
|
59
|
Epitaph On A Beloved Friend
|
2
|
22%
|
0
|
0%
|
|
60
|
Epitaph On John Adams, Of Southwell - A Carrier, Who Died Of Drunkenness
|
1
|
11%
|
0
|
0%
|
|
61
|
Euthanasia
|
1
|
11%
|
0
|
0%
|
|
62
|
Fare Thee Well
|
2
|
22%
|
0
|
0%
|
|
63
|
Farewell To Malta
|
3
|
33%
|
0
|
0%
|
|
64
|
Farewell To The Muse
|
1
|
11%
|
0
|
0%
|
|
65
|
Farewell! If Ever Fondest Prayer
|
3
|
33%
|
0
|
0%
|
|
66
|
Fill The Goblet Again: A Song
|
1
|
11%
|
0
|
0%
|
|
67
|
Fragment Of An Epistle To Thomas Moore
|
1
|
11%
|
0
|
0%
|
|
68
|
Francisca
|
1
|
11%
|
0
|
0%
|
|
69
|
From Anacreon
|
1
|
11%
|
0
|
0%
|
|
70
|
From Anacreon: 'Twas Now The Hour When Night Had Driven
|
1
|
11%
|
0
|
0%
|
|
71
|
From The French
|
1
|
11%
|
0
|
0%
|
|
72
|
From The Last Hill That Looks On Thy Once Holy Dome
|
1
|
11%
|
0
|
0%
|
|
73
|
From The Portuguese, 'Tu Mi Chamas'
|
2
|
22%
|
0
|
0%
|
|
74
|
From The Prometheus Vinctus Of Aeschylus
|
1
|
11%
|
0
|
0%
|
|
75
|
Granta: A Medley
|
1
|
11%
|
0
|
0%
|
|
76
|
Herod's Lament For Mariamne
|
1
|
11%
|
0
|
0%
|
|
77
|
I Saw Thee Weep
|
1
|
11%
|
0
|
0%
|
|
78
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
8
|
88%
|
0
|
0%
|
|
79
|
If Sometimes In The Haunts Of Men
|
3
|
33%
|
0
|
0%
|
|
80
|
If That High World
|
2
|
22%
|
0
|
0%
|
|
81
|
L'Amitté Est L'Amour
|
1
|
11%
|
0
|
0%
|
|
82
|
Lara
|
2
|
22%
|
0
|
0%
|
|
83
|
Love's Last Adieu
|
1
|
11%
|
0
|
0%
|
|
84
|
Manfred (excerpt: Incantation)
|
3
|
33%
|
0
|
0%
|
|
85
|
My Soul is Dark
|
1
|
11%
|
0
|
0%
|
|
86
|
Ode On Venice
|
5
|
55%
|
0
|
0%
|
|
87
|
On Being Asked What Was The 'Origin Of Love'
|
1
|
11%
|
0
|
0%
|
|
88
|
On Parting
|
2
|
22%
|
0
|
0%
|
|
89
|
Remember Thee! Remember Thee!
|
1
|
11%
|
0
|
0%
|
|
90
|
She Walks In Beauty
|
5
|
55%
|
0
|
0%
|
|
91
|
Stanzas To A Lady, On Leaving England
|
1
|
11%
|
0
|
0%
|
|
92
|
The Corsair
|
9
|
100%
|
0
|
0%
|
|
93
|
The Eve Of Waterloo
|
3
|
33%
|
0
|
0%
|
|
94
|
The Giaour: A Fragment Of A Turkish Tale
|
2
|
22%
|
0
|
0%
|
|
95
|
The Island: Canto I.
|
3
|
33%
|
0
|
0%
|
|
96
|
The Prayer Of Nature
|
1
|
11%
|
0
|
0%
|
|
97
|
There Is Pleasure In The Pathless Woods
|
4
|
44%
|
0
|
0%
|
|
98
|
To M. S. G.
|
1
|
11%
|
0
|
0%
|
|
99
|
To M. S. G. : When I Dream That You Love Me
|
1
|
11%
|
0
|
0%
|
|
100
|
To Romance
|
1
|
11%
|
0
|
0%
|
|
101
|
To The Earl Of Clare
|
1
|
11%
|
0
|
0%
|
|
102
|
Translation Of The Famous Greek War Song
|
1
|
11%
|
0
|
0%
|
|
103
|
Translation Of The Nurse's Dole In The Medea Of Euripides
|
1
|
11%
|
0
|
0%
|
|
104
|
Well! Thou Art Happy
|
1
|
11%
|
0
|
0%
|
|
105
|
When We Two Parted
|
2
|
22%
|
0
|
0%
|
|
106
|
Windsor Poetics : Lines Composed On The Occasion Of His Royal Highness The Prince Regent Being Seen Standing Between The Coffins Of Henry VIII And Charles I, In The Royal Vault At Windsor
|
1
|
11%
|
0
|
0%
|