|
1
|
A Fragment: When, To Their Airy Hall
|
1
|
7%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
14
|
100%
|
0
|
0%
|
|
3
|
A Sketch
|
2
|
14%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
2
|
14%
|
0
|
0%
|
|
5
|
Adieu, Adieu! My Native Shore
|
2
|
14%
|
0
|
0%
|
|
6
|
Adrian's Address To His Soul When Dying
|
1
|
7%
|
0
|
0%
|
|
7
|
All Is Vanity, Saieth the Preacher
|
1
|
7%
|
0
|
0%
|
|
8
|
All Is Vanity, Saieth the Preacher
|
2
|
14%
|
0
|
0%
|
|
9
|
An Occasional Prologue, Delivered Previous To The Performance Of 'The Wheel Of Fortune' At A Private Theatre
|
1
|
7%
|
0
|
0%
|
|
10
|
And Wilt Thou Weep When I Am Low?
|
3
|
21%
|
0
|
0%
|
|
11
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
1
|
7%
|
0
|
0%
|
|
12
|
Answer To Some Elegant Verses Sent By A Friend To The Author, Complaining That One Of His Descriptions Was Rather Too Warmly Drawn
|
1
|
7%
|
0
|
0%
|
|
13
|
Away, Away, Ye Notes Of Woe!
|
3
|
21%
|
0
|
0%
|
|
14
|
Beppo, A Venetian Story
|
1
|
7%
|
0
|
0%
|
|
15
|
Bowles And Campbell
|
1
|
7%
|
0
|
0%
|
|
16
|
Bright Be The Place Of Thy Soul!
|
3
|
21%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
3
|
21%
|
0
|
0%
|
|
18
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
2
|
14%
|
0
|
0%
|
|
19
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
3
|
21%
|
0
|
0%
|
|
20
|
Childe Harold's Pilgrimage: A Romaunt. Canto III.
|
2
|
14%
|
0
|
0%
|
|
21
|
Childish Recollections
|
1
|
7%
|
0
|
0%
|
|
22
|
Churchill's Grave: A Fact Literally Rendered
|
1
|
7%
|
0
|
0%
|
|
23
|
Condolatory Address To Sarah, Countess Of Jersey, On The Prince Regent's Returning Her Picture To Mrs. Mee
|
1
|
7%
|
0
|
0%
|
|
24
|
Damætas
|
1
|
7%
|
0
|
0%
|
|
25
|
Darkness
|
4
|
28%
|
0
|
0%
|
|
26
|
Dear Doctor, I have Read your Play
|
1
|
7%
|
0
|
0%
|
|
27
|
Don Juan: Canto the Eighth
|
1
|
7%
|
0
|
0%
|
|
28
|
Don Juan: Canto the Eleventh
|
2
|
14%
|
0
|
0%
|
|
29
|
Don Juan: Canto The Fifteenth
|
1
|
7%
|
0
|
0%
|
|
30
|
Don Juan: Canto The Fifth
|
1
|
7%
|
0
|
0%
|
|
31
|
Don Juan: Canto the First
|
3
|
21%
|
0
|
0%
|
|
32
|
Don Juan: Canto The Fourteenth
|
1
|
7%
|
0
|
0%
|
|
33
|
Don Juan: Canto The Fourth
|
1
|
7%
|
0
|
0%
|
|
34
|
Don Juan: Canto The Ninth
|
1
|
7%
|
0
|
0%
|
|
35
|
Don Juan: Canto the Second
|
1
|
7%
|
0
|
0%
|
|
36
|
Don Juan: Canto The Seventeenth
|
1
|
7%
|
0
|
0%
|
|
37
|
Don Juan: Canto The Seventh
|
1
|
7%
|
0
|
0%
|
|
38
|
Don Juan: Canto The Sixteenth
|
1
|
7%
|
0
|
0%
|
|
39
|
Don Juan: Canto The Sixth
|
1
|
7%
|
0
|
0%
|
|
40
|
Don Juan: Canto The Tenth
|
1
|
7%
|
0
|
0%
|
|
41
|
Don Juan: Canto The Third
|
1
|
7%
|
0
|
0%
|
|
42
|
Don Juan: Canto The Thirteenth
|
1
|
7%
|
0
|
0%
|
|
43
|
Don Juan: Canto the Twelfth
|
1
|
7%
|
0
|
0%
|
|
44
|
Don Juan: Dedication
|
1
|
7%
|
0
|
0%
|
|
45
|
Elegiac Stanzas On The Death Of Sir Peter Parker, Bart.
|
1
|
7%
|
0
|
0%
|
|
46
|
Elegy On Newstead Abbey
|
1
|
7%
|
0
|
0%
|
|
47
|
Endorsement To The Deed Of Separation In The April Of 1816
|
1
|
7%
|
0
|
0%
|
|
48
|
English Bards and Scotch Reviewers (excerpt)
|
1
|
7%
|
0
|
0%
|
|
49
|
English Bards and Scotch Reviewers: A Satire
|
1
|
7%
|
0
|
0%
|
|
50
|
Epigram
|
1
|
7%
|
0
|
0%
|
|
51
|
Epigram On My Wedding- Day To Penelope
|
1
|
7%
|
0
|
0%
|
|
52
|
Epigram, On The Braziers' Company Having Resolved To Present An Address To Queen Caroline
|
1
|
7%
|
0
|
0%
|
|
53
|
Epigram: From The French Of Rulhières
|
1
|
7%
|
0
|
0%
|
|
54
|
Epigram: The World Is A Bundle Of Hay
|
2
|
14%
|
0
|
0%
|
|
55
|
Epigrams
|
1
|
7%
|
0
|
0%
|
|
56
|
Epistle From Mr. Murray To Dr. Polidori
|
1
|
7%
|
0
|
0%
|
|
57
|
Epistle To A Friend, In Answer To Some Lines Exhorting The Author To Be Cheerful, And To Banish Care
|
1
|
7%
|
0
|
0%
|
|
58
|
Epistle To Augusta
|
1
|
7%
|
0
|
0%
|
|
59
|
Epistle To Mr. Murray
|
1
|
7%
|
0
|
0%
|
|
60
|
Epitaph
|
1
|
7%
|
0
|
0%
|
|
61
|
Epitaph For Joseph Blackett, Late Poet And Shoemaker
|
1
|
7%
|
0
|
0%
|
|
62
|
Epitaph For William Pitt
|
1
|
7%
|
0
|
0%
|
|
63
|
Epitaph On A Beloved Friend
|
1
|
7%
|
0
|
0%
|
|
64
|
Epitaph On John Adams, Of Southwell - A Carrier, Who Died Of Drunkenness
|
1
|
7%
|
0
|
0%
|
|
65
|
Euthanasia
|
1
|
7%
|
0
|
0%
|
|
66
|
Fare Thee Well
|
4
|
28%
|
0
|
0%
|
|
67
|
Farewell To Malta
|
3
|
21%
|
0
|
0%
|
|
68
|
Farewell To The Muse
|
2
|
14%
|
0
|
0%
|
|
69
|
Farewell! If Ever Fondest Prayer
|
2
|
14%
|
0
|
0%
|
|
70
|
Fill The Goblet Again: A Song
|
1
|
7%
|
0
|
0%
|
|
71
|
Fragment Of An Epistle To Thomas Moore
|
1
|
7%
|
0
|
0%
|
|
72
|
Francisca
|
2
|
14%
|
0
|
0%
|
|
73
|
From Anacreon
|
1
|
7%
|
0
|
0%
|
|
74
|
From Anacreon: 'Twas Now The Hour When Night Had Driven
|
1
|
7%
|
0
|
0%
|
|
75
|
From The French
|
1
|
7%
|
0
|
0%
|
|
76
|
From The Last Hill That Looks On Thy Once Holy Dome
|
1
|
7%
|
0
|
0%
|
|
77
|
From The Portuguese, 'Tu Mi Chamas'
|
1
|
7%
|
0
|
0%
|
|
78
|
From The Prometheus Vinctus Of Aeschylus
|
1
|
7%
|
0
|
0%
|
|
79
|
Granta: A Medley
|
2
|
14%
|
0
|
0%
|
|
80
|
Herod's Lament For Mariamne
|
1
|
7%
|
0
|
0%
|
|
81
|
I Saw Thee Weep
|
1
|
7%
|
0
|
0%
|
|
82
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
2
|
14%
|
0
|
0%
|
|
83
|
I Would I Were a Careless Child
|
1
|
7%
|
0
|
0%
|
|
84
|
I would to heaven that I were so much clay
|
1
|
7%
|
0
|
0%
|
|
85
|
If Sometimes In The Haunts Of Men
|
1
|
7%
|
0
|
0%
|
|
86
|
If That High World
|
1
|
7%
|
0
|
0%
|
|
87
|
Imitated From Catullus: To Ellen
|
1
|
7%
|
0
|
0%
|
|
88
|
Imitation Of Tibullus
|
1
|
7%
|
0
|
0%
|
|
89
|
Impromptu
|
1
|
7%
|
0
|
0%
|
|
90
|
Impromptu, In Reply To A Friend
|
1
|
7%
|
0
|
0%
|
|
91
|
Impromptus
|
1
|
7%
|
0
|
0%
|
|
92
|
In The Valley Of The Waters
|
1
|
7%
|
0
|
0%
|
|
93
|
In the valley of the waters we wept o'er the day
|
1
|
7%
|
0
|
0%
|
|
94
|
Inscription On The Monument Of A Newfoundland Dog
|
1
|
7%
|
0
|
0%
|
|
95
|
It Is the Hour
|
1
|
7%
|
0
|
0%
|
|
96
|
Jeptha's Daughter
|
1
|
7%
|
0
|
0%
|
|
97
|
John Keats
|
3
|
21%
|
0
|
0%
|
|
98
|
Lachin Y Gair
|
1
|
7%
|
0
|
0%
|
|
99
|
L'Amitté Est L'Amour
|
2
|
14%
|
0
|
0%
|
|
100
|
Lara
|
4
|
28%
|
0
|
0%
|
|
101
|
Lara. A Tale
|
1
|
7%
|
0
|
0%
|
|
102
|
Lines Addressed To A Young Lady
|
1
|
7%
|
0
|
0%
|
|
103
|
Lines Addressed To The Rev. J. T. Becher, On His Advising The Author To Mix More With Society
|
1
|
7%
|
0
|
0%
|
|
104
|
Lines In The Travellers' Book At Orchomenus
|
1
|
7%
|
0
|
0%
|
|
105
|
Lines Inscribed Upon A Cup Formed From A Skull
|
1
|
7%
|
0
|
0%
|
|
106
|
Lines On Hearing That Lady Byron Was Ill
|
1
|
7%
|
0
|
0%
|
|
107
|
Lines on Mr. Hodgson Written on Board the Lisbon Packet
|
1
|
7%
|
0
|
0%
|
|
108
|
Lines To A Lady Weeping
|
1
|
7%
|
0
|
0%
|
|
109
|
Lines Written Beneath A Picture
|
1
|
7%
|
0
|
0%
|
|
110
|
Lines Written Beneath An Elm In The Churchyard Of Harrow On The Hill, Sept. 2, 1807
|
1
|
7%
|
0
|
0%
|
|
111
|
Lines Written In An Album, At Malta
|
1
|
7%
|
0
|
0%
|
|
112
|
Lines Written On A Blank Leaf Of 'The Pleasures Of Memory'
|
1
|
7%
|
0
|
0%
|
|
113
|
Lines, On Hearing That Lady Byron Was Ill
|
1
|
7%
|
0
|
0%
|
|
114
|
Lines: Written In 'Letters Of An Italian Nun And An English Gentleman'
|
1
|
7%
|
0
|
0%
|
|
115
|
Love's Last Adieu
|
2
|
14%
|
0
|
0%
|
|
116
|
Maid Of Athens, Ere We Part
|
1
|
7%
|
0
|
0%
|
|
117
|
Manfred (excerpt: Incantation)
|
1
|
7%
|
0
|
0%
|
|
118
|
Martial, Lib. I, Epig. I.
|
2
|
14%
|
0
|
0%
|
|
119
|
Mazeppa
|
1
|
7%
|
0
|
0%
|
|
120
|
Monody On The Death Of The Right Hon. R. B. Sheridan
|
2
|
14%
|
0
|
0%
|
|
121
|
My Epitaph
|
1
|
7%
|
0
|
0%
|
|
122
|
My Soul is Dark
|
1
|
7%
|
0
|
0%
|
|
123
|
Napoleon's Farewell (From The French)
|
2
|
14%
|
0
|
0%
|
|
124
|
Ode (From The French)
|
1
|
7%
|
0
|
0%
|
|
125
|
Ode On Venice
|
7
|
50%
|
0
|
0%
|
|
126
|
Ode To Napoleon Buonaparte
|
1
|
7%
|
0
|
0%
|
|
127
|
Oh! snatched away in beauty's bloom
|
1
|
7%
|
0
|
0%
|
|
128
|
Oh! Weep For Those
|
1
|
7%
|
0
|
0%
|
|
129
|
On A Change Of Masters At A Great Public School
|
1
|
7%
|
0
|
0%
|
|
130
|
On A Cornelian Heart Which Was Broken
|
1
|
7%
|
0
|
0%
|
|
131
|
On A Distant View Of The Village And School Of The Harrow Hill
|
1
|
7%
|
0
|
0%
|
|
132
|
On A Nun
|
1
|
7%
|
0
|
0%
|
|
133
|
On Being Asked What Was The 'Origin Of Love'
|
1
|
7%
|
0
|
0%
|
|
134
|
On Chillon
|
1
|
7%
|
0
|
0%
|
|
135
|
On Finding A Fan
|
1
|
7%
|
0
|
0%
|
|
136
|
On Jordan's Banks
|
1
|
7%
|
0
|
0%
|
|
137
|
On Leaving Newstead Abbey
|
1
|
7%
|
0
|
0%
|
|
138
|
On Lord Thurlow's Poems
|
1
|
7%
|
0
|
0%
|
|
139
|
On Moore's Last Operatic Farce, Or Farcical Opera
|
1
|
7%
|
0
|
0%
|
|
140
|
On My Thirty-Third Birthday, January 22, 1821
|
2
|
14%
|
0
|
0%
|
|
141
|
On My Wedding-Day
|
2
|
14%
|
0
|
0%
|
|
142
|
On Napoleon's Escape From Elba
|
1
|
7%
|
0
|
0%
|
|
143
|
On Parting
|
3
|
21%
|
0
|
0%
|
|
144
|
On Revisiting Harrow
|
1
|
7%
|
0
|
0%
|
|
145
|
On The Birth Of John William Rizzo Hoppner
|
1
|
7%
|
0
|
0%
|
|
146
|
On The Bust Of Helen By Canova
|
1
|
7%
|
0
|
0%
|
|
147
|
On The Castle Of Chillon
|
1
|
7%
|
0
|
0%
|
|
148
|
On The Day Of The Destruction Of Jerusalem By Titus
|
1
|
7%
|
0
|
0%
|
|
149
|
On The Death Of A Young Lady
|
1
|
7%
|
0
|
0%
|
|
150
|
On The Death Of Mr. Fox
|
1
|
7%
|
0
|
0%
|
|
151
|
On The Star Of 'The Legion Of Honour' (From The French)
|
1
|
7%
|
0
|
0%
|
|
152
|
On this Day I Complete my Thirty-Sixth Year
|
1
|
7%
|
0
|
0%
|
|
153
|
One Struggle More, And I Am Free
|
2
|
14%
|
0
|
0%
|
|
154
|
Oscar Of Alva: A Tale
|
1
|
7%
|
0
|
0%
|
|
155
|
Parisina
|
1
|
7%
|
0
|
0%
|
|
156
|
Prometheus
|
1
|
7%
|
0
|
0%
|
|
157
|
Remember Him, Whom Passion's Power
|
1
|
7%
|
0
|
0%
|
|
158
|
Remember Thee! Remember Thee!
|
1
|
7%
|
0
|
0%
|
|
159
|
Remembrance
|
2
|
14%
|
0
|
0%
|
|
160
|
Remind Me Not, Remind Me Not
|
1
|
7%
|
0
|
0%
|
|
161
|
Reply To Some Verses Of J.M.B. Pigot, Esq. On The Cruelty Of His Mistress
|
1
|
7%
|
0
|
0%
|
|
162
|
Saul
|
1
|
7%
|
0
|
0%
|
|
163
|
She Walks In Beauty
|
10
|
71%
|
0
|
0%
|
|
164
|
So We'll Go No More a-Roving
|
4
|
28%
|
0
|
0%
|
|
165
|
Solitude
|
1
|
7%
|
0
|
0%
|
|
166
|
Song For The Luddites
|
1
|
7%
|
0
|
0%
|
|
167
|
Song of Saul Before His Last Battle
|
1
|
7%
|
0
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0%
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168
|
Sonnet - to Genevra
|
1
|
7%
|
0
|
0%
|
|
169
|
Sonnet To George The Fourth, On The Repeal Of Lord Edward Fitzgerald's Forfeiture
|
1
|
7%
|
0
|
0%
|
|
170
|
Sonnet to Lake Leman
|
1
|
7%
|
0
|
0%
|
|
171
|
Sonnet, To Genevra
|
1
|
7%
|
0
|
0%
|
|
172
|
Sonnet, To The Same (Genevra)
|
1
|
7%
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0
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0%
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|
173
|
Stanzas
|
1
|
7%
|
0
|
0%
|
|
174
|
Stanzas Composed During A Thunderstorm
|
1
|
7%
|
0
|
0%
|
|
175
|
Stanzas For Music: There Be None Of Beauty's Daughters
|
2
|
14%
|
0
|
0%
|
|
176
|
Stanzas For Music: There's Not A Joy The World Can Give
|
2
|
14%
|
0
|
0%
|
|
177
|
Stanzas For Music: They Say That Hope Is Happiness
|
5
|
35%
|
0
|
0%
|
|
178
|
Stanzas To A Hindoo Air
|
1
|
7%
|
0
|
0%
|
|
179
|
Stanzas To A Lady, On Leaving England
|
1
|
7%
|
0
|
0%
|
|
180
|
Stanzas To A Lady, With The Poems Of Camoëns
|
1
|
7%
|
0
|
0%
|
|
181
|
Stanzas To Augusta
|
1
|
7%
|
0
|
0%
|
|
182
|
Stanzas To Augusta (II.)
|
1
|
7%
|
0
|
0%
|
|
183
|
Stanzas To Jessy
|
1
|
7%
|
0
|
0%
|
|
184
|
Stanzas To The Po
|
1
|
7%
|
0
|
0%
|
|
185
|
Stanzas Written In Passing The Ambracian Gulf
|
1
|
7%
|
0
|
0%
|
|
186
|
Stanzas Written On The Road Between Florence And Pisa
|
1
|
7%
|
0
|
0%
|
|
187
|
Stanzas: When A Man Hath No Freedom
|
6
|
42%
|
0
|
0%
|
|
188
|
Substitute For An Epitaph
|
1
|
7%
|
0
|
0%
|
|
189
|
Sun of the Sleepless!
|
1
|
7%
|
0
|
0%
|
|
190
|
The Adieu
|
1
|
7%
|
0
|
0%
|
|
191
|
The Bride of Abydos
|
1
|
7%
|
0
|
0%
|
|
192
|
The Chain I Gave: From The Turkish
|
1
|
7%
|
0
|
0%
|
|
193
|
The Charity Ball
|
1
|
7%
|
0
|
0%
|
|
194
|
The Conquest
|
1
|
7%
|
0
|
0%
|
|
195
|
The Cornelian
|
1
|
7%
|
0
|
0%
|
|
196
|
The Corsair
|
8
|
57%
|
0
|
0%
|
|
197
|
The Dark, Blue Sea
|
1
|
7%
|
0
|
0%
|
|
198
|
The Destruction of Sennacherib
|
1
|
7%
|
0
|
0%
|
|
199
|
The Devil's Drive: An Unfinished Rhapsody
|
1
|
7%
|
0
|
0%
|
|
200
|
The Dream
|
2
|
14%
|
0
|
0%
|
|
201
|
The Episode Of Nisus And Euryalus
|
1
|
7%
|
0
|
0%
|
|
202
|
The Eve Of Waterloo
|
1
|
7%
|
0
|
0%
|
|
203
|
The First Kiss Of Love
|
3
|
21%
|
0
|
0%
|
|
204
|
The Giaour
|
1
|
7%
|
0
|
0%
|
|
205
|
The Giaour: A Fragment Of A Turkish Tale
|
1
|
7%
|
0
|
0%
|
|
206
|
The Harp The Monarch Minstrel Swept
|
1
|
7%
|
0
|
0%
|
|
207
|
The Irish Avatar
|
2
|
14%
|
0
|
0%
|
|
208
|
The Island: Canto I.
|
3
|
21%
|
0
|
0%
|
|
209
|
The Island: Canto II.
|
2
|
14%
|
0
|
0%
|
|
210
|
The Island: Canto III.
|
1
|
7%
|
0
|
0%
|
|
211
|
The Island: Canto IV.
|
1
|
7%
|
0
|
0%
|
|
212
|
The Isles of Greece
|
1
|
7%
|
0
|
0%
|
|
213
|
The Lament Of Tasso
|
1
|
7%
|
0
|
0%
|
|
214
|
The Prayer Of Nature
|
1
|
7%
|
0
|
0%
|
|
215
|
The Prisoner of Chillon
|
1
|
7%
|
0
|
0%
|
|
216
|
The Siege and Conquest of Alhama
|
1
|
7%
|
0
|
0%
|
|
217
|
The Siege of Corinth
|
1
|
7%
|
0
|
0%
|
|
218
|
The Spell Is Broke, The Charm Is Flown!
|
1
|
7%
|
0
|
0%
|
|
219
|
The Tear
|
1
|
7%
|
0
|
0%
|
|
220
|
The Vision of Judgment
|
7
|
50%
|
0
|
0%
|
|
221
|
The Wild Gazelle
|
1
|
7%
|
0
|
0%
|
|
222
|
There Be None of Beauty's Daughters
|
3
|
21%
|
0
|
0%
|
|
223
|
There Is Pleasure In The Pathless Woods
|
5
|
35%
|
0
|
0%
|
|
224
|
There Was A Time, I Need Not Name
|
1
|
7%
|
0
|
0%
|
|
225
|
Thou Art Not False, But Thou Art Fickle
|
1
|
7%
|
0
|
0%
|
|
226
|
Thoughts Suggested By A College Examination
|
2
|
14%
|
0
|
0%
|
|
227
|
Thy Days Are Done
|
2
|
14%
|
0
|
0%
|
|
228
|
To-- : From The French
|
1
|
7%
|
0
|
0%
|
|
229
|
To A Beautiful Quaker
|
2
|
14%
|
0
|
0%
|
|
230
|
To A Lady
|
1
|
7%
|
0
|
0%
|
|
231
|
To A Lady, On Being Asked My Reasons For Quitting England In The Spring
|
1
|
7%
|
0
|
0%
|
|
232
|
To A Lady, Who Presented The Author With The Velvet Band Which Bound Her Tresses
|
1
|
7%
|
0
|
0%
|
|
233
|
To A Lady, Who Presented To The Author A Lock Of Hair Braided With His Own, And Appointed A Night In December To Meet Him In The Garden
|
1
|
7%
|
0
|
0%
|
|
234
|
To A Vain Lady
|
2
|
14%
|
0
|
0%
|
|
235
|
To A Youthful Friend
|
1
|
7%
|
0
|
0%
|
|
236
|
To An Oak At Newstead
|
1
|
7%
|
0
|
0%
|
|
237
|
To Anne
|
1
|
7%
|
0
|
0%
|
|
238
|
To Anne: Oh, Say Not, Sweet Anne
|
5
|
35%
|
0
|
0%
|
|
239
|
To Belshazzar
|
1
|
7%
|
0
|
0%
|
|
240
|
To Caroline
|
1
|
7%
|
0
|
0%
|
|
241
|
To Caroline: Oh When Shall The Grave Hide
|
1
|
7%
|
0
|
0%
|
|
242
|
To Caroline: When I Hear That You Express An Affection So Warm
|
1
|
7%
|
0
|
0%
|
|
243
|
To Emma
|
1
|
7%
|
0
|
0%
|
|
244
|
To Florence
|
2
|
14%
|
0
|
0%
|
|
245
|
To Romance
|
1
|
7%
|
0
|
0%
|
|
246
|
To Thomas Moore (My Boat Is On The Shore)
|
2
|
14%
|
0
|
0%
|
|
247
|
To Time
|
1
|
7%
|
0
|
0%
|
|
248
|
To Woman
|
1
|
7%
|
0
|
0%
|
|
249
|
When We Two Parted
|
1
|
7%
|
0
|
0%
|
