|
1
|
A Fragment: When, To Their Airy Hall
|
1
|
11%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
6
|
66%
|
0
|
0%
|
|
3
|
A Sketch
|
3
|
33%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
4
|
44%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
2
|
22%
|
0
|
0%
|
|
6
|
Adieu, Adieu! My Native Shore
|
4
|
44%
|
0
|
0%
|
|
7
|
All Is Vanity, Saieth the Preacher
|
2
|
22%
|
0
|
0%
|
|
8
|
And Wilt Thou Weep When I Am Low?
|
2
|
22%
|
0
|
0%
|
|
9
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
1
|
11%
|
0
|
0%
|
|
10
|
Answer To Some Elegant Verses Sent By A Friend To The Author, Complaining That One Of His Descriptions Was Rather Too Warmly Drawn
|
2
|
22%
|
0
|
0%
|
|
11
|
Away, Away, Ye Notes Of Woe!
|
3
|
33%
|
0
|
0%
|
|
12
|
Beppo, A Venetian Story
|
2
|
22%
|
0
|
0%
|
|
13
|
Bowles And Campbell
|
1
|
11%
|
0
|
0%
|
|
14
|
Bright Be The Place Of Thy Soul!
|
2
|
22%
|
0
|
0%
|
|
15
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
2
|
22%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
1
|
11%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
1
|
11%
|
0
|
0%
|
|
18
|
Childe Harold's Pilgrimage: A Romaunt. Canto III.
|
1
|
11%
|
0
|
0%
|
|
19
|
Childish Recollections
|
1
|
11%
|
0
|
0%
|
|
20
|
Damætas
|
2
|
22%
|
0
|
0%
|
|
21
|
Darkness
|
5
|
55%
|
0
|
0%
|
|
22
|
Dear Doctor, I have Read your Play
|
1
|
11%
|
0
|
0%
|
|
23
|
Don Juan: Canto the First
|
2
|
22%
|
0
|
0%
|
|
24
|
Don Juan: Canto the Second
|
1
|
11%
|
0
|
0%
|
|
25
|
Don Juan: Canto The Thirteenth
|
1
|
11%
|
0
|
0%
|
|
26
|
Don Juan: Canto the Twelfth
|
1
|
11%
|
0
|
0%
|
|
27
|
Don Juan: Dedication
|
1
|
11%
|
0
|
0%
|
|
28
|
Epigram
|
1
|
11%
|
0
|
0%
|
|
29
|
Epigram: From The French Of Rulhières
|
1
|
11%
|
0
|
0%
|
|
30
|
Epigram: The World Is A Bundle Of Hay
|
1
|
11%
|
0
|
0%
|
|
31
|
Epistle To Augusta
|
1
|
11%
|
0
|
0%
|
|
32
|
Epitaph
|
1
|
11%
|
0
|
0%
|
|
33
|
Euthanasia
|
1
|
11%
|
0
|
0%
|
|
34
|
Fill The Goblet Again: A Song
|
1
|
11%
|
0
|
0%
|
|
35
|
Francisca
|
1
|
11%
|
0
|
0%
|
|
36
|
From The French
|
1
|
11%
|
0
|
0%
|
|
37
|
From The Last Hill That Looks On Thy Once Holy Dome
|
1
|
11%
|
0
|
0%
|
|
38
|
From The Portuguese, 'Tu Mi Chamas'
|
1
|
11%
|
0
|
0%
|
|
39
|
From The Prometheus Vinctus Of Aeschylus
|
1
|
11%
|
0
|
0%
|
|
40
|
Granta: A Medley
|
1
|
11%
|
0
|
0%
|
|
41
|
Herod's Lament For Mariamne
|
1
|
11%
|
0
|
0%
|
|
42
|
I Saw Thee Weep
|
5
|
55%
|
0
|
0%
|
|
43
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
2
|
22%
|
0
|
0%
|
|
44
|
I Would I Were a Careless Child
|
1
|
11%
|
0
|
0%
|
|
45
|
I would to heaven that I were so much clay
|
1
|
11%
|
0
|
0%
|
|
46
|
If Sometimes In The Haunts Of Men
|
2
|
22%
|
0
|
0%
|
|
47
|
If That High World
|
3
|
33%
|
0
|
0%
|
|
48
|
Imitated From Catullus: To Ellen
|
1
|
11%
|
0
|
0%
|
|
49
|
Imitation Of Tibullus
|
2
|
22%
|
0
|
0%
|
|
50
|
Impromptu
|
2
|
22%
|
0
|
0%
|
|
51
|
Impromptu, In Reply To A Friend
|
2
|
22%
|
0
|
0%
|
|
52
|
Impromptus
|
2
|
22%
|
0
|
0%
|
|
53
|
In The Valley Of The Waters
|
2
|
22%
|
0
|
0%
|
|
54
|
In the valley of the waters we wept o'er the day
|
1
|
11%
|
0
|
0%
|
|
55
|
Inscription On The Monument Of A Newfoundland Dog
|
2
|
22%
|
0
|
0%
|
|
56
|
It Is the Hour
|
4
|
44%
|
0
|
0%
|
|
57
|
Jeptha's Daughter
|
2
|
22%
|
0
|
0%
|
|
58
|
John Keats
|
2
|
22%
|
0
|
0%
|
|
59
|
Lachin Y Gair
|
1
|
11%
|
0
|
0%
|
|
60
|
L'Amitté Est L'Amour
|
1
|
11%
|
0
|
0%
|
|
61
|
Lara
|
2
|
22%
|
0
|
0%
|
|
62
|
Lara. A Tale
|
1
|
11%
|
0
|
0%
|
|
63
|
Lines Addressed To A Young Lady
|
2
|
22%
|
0
|
0%
|
|
64
|
Lines Addressed To The Rev. J. T. Becher, On His Advising The Author To Mix More With Society
|
1
|
11%
|
0
|
0%
|
|
65
|
Lines In The Travellers' Book At Orchomenus
|
1
|
11%
|
0
|
0%
|
|
66
|
Lines Inscribed Upon A Cup Formed From A Skull
|
1
|
11%
|
0
|
0%
|
|
67
|
Lines On Hearing That Lady Byron Was Ill
|
1
|
11%
|
0
|
0%
|
|
68
|
Lines on Mr. Hodgson Written on Board the Lisbon Packet
|
1
|
11%
|
0
|
0%
|
|
69
|
Lines To A Lady Weeping
|
2
|
22%
|
0
|
0%
|
|
70
|
Lines Written Beneath A Picture
|
1
|
11%
|
0
|
0%
|
|
71
|
Lines Written Beneath An Elm In The Churchyard Of Harrow On The Hill, Sept. 2, 1807
|
1
|
11%
|
0
|
0%
|
|
72
|
Lines Written In An Album, At Malta
|
1
|
11%
|
0
|
0%
|
|
73
|
Lines Written On A Blank Leaf Of 'The Pleasures Of Memory'
|
1
|
11%
|
0
|
0%
|
|
74
|
Lines, On Hearing That Lady Byron Was Ill
|
1
|
11%
|
0
|
0%
|
|
75
|
Lines: Written In 'Letters Of An Italian Nun And An English Gentleman'
|
1
|
11%
|
0
|
0%
|
|
76
|
Love's Last Adieu
|
2
|
22%
|
0
|
0%
|
|
77
|
My Soul is Dark
|
1
|
11%
|
0
|
0%
|
|
78
|
Ode On Venice
|
1
|
11%
|
0
|
0%
|
|
79
|
Ode To Napoleon Buonaparte
|
1
|
11%
|
0
|
0%
|
|
80
|
Oh! Weep For Those
|
1
|
11%
|
0
|
0%
|
|
81
|
On Being Asked What Was The 'Origin Of Love'
|
1
|
11%
|
0
|
0%
|
|
82
|
On Moore's Last Operatic Farce, Or Farcical Opera
|
1
|
11%
|
0
|
0%
|
|
83
|
On My Thirty-Third Birthday, January 22, 1821
|
1
|
11%
|
0
|
0%
|
|
84
|
On My Wedding-Day
|
1
|
11%
|
0
|
0%
|
|
85
|
On Parting
|
1
|
11%
|
0
|
0%
|
|
86
|
On The Death Of A Young Lady
|
1
|
11%
|
0
|
0%
|
|
87
|
Parisina
|
4
|
44%
|
0
|
0%
|
|
88
|
Prometheus
|
2
|
22%
|
0
|
0%
|
|
89
|
Remember Thee! Remember Thee!
|
1
|
11%
|
0
|
0%
|
|
90
|
Remembrance
|
2
|
22%
|
0
|
0%
|
|
91
|
Saul
|
1
|
11%
|
0
|
0%
|
|
92
|
She Walks In Beauty
|
8
|
88%
|
0
|
0%
|
|
93
|
So We'll Go No More a-Roving
|
3
|
33%
|
0
|
0%
|
|
94
|
Solitude
|
1
|
11%
|
0
|
0%
|
|
95
|
Song For The Luddites
|
1
|
11%
|
0
|
0%
|
|
96
|
Stanzas For Music: There Be None Of Beauty's Daughters
|
1
|
11%
|
0
|
0%
|
|
97
|
Stanzas To The Po
|
2
|
22%
|
0
|
0%
|
|
98
|
Stanzas Written In Passing The Ambracian Gulf
|
2
|
22%
|
0
|
0%
|
|
99
|
Stanzas Written On The Road Between Florence And Pisa
|
1
|
11%
|
0
|
0%
|
|
100
|
Stanzas: When A Man Hath No Freedom
|
1
|
11%
|
0
|
0%
|
|
101
|
Sun of the Sleepless!
|
2
|
22%
|
0
|
0%
|
|
102
|
The Chain I Gave: From The Turkish
|
1
|
11%
|
0
|
0%
|
|
103
|
The Corsair
|
9
|
100%
|
0
|
0%
|
|
104
|
The Destruction of Sennacherib
|
1
|
11%
|
0
|
0%
|
|
105
|
The Devil's Drive: An Unfinished Rhapsody
|
1
|
11%
|
0
|
0%
|
|
106
|
The Dream
|
1
|
11%
|
0
|
0%
|
|
107
|
The Eve Of Waterloo
|
1
|
11%
|
0
|
0%
|
|
108
|
The First Kiss Of Love
|
3
|
33%
|
0
|
0%
|
|
109
|
The Irish Avatar
|
1
|
11%
|
0
|
0%
|
|
110
|
The Island: Canto I.
|
1
|
11%
|
0
|
0%
|
|
111
|
The Prayer Of Nature
|
1
|
11%
|
0
|
0%
|
|
112
|
The Tear
|
2
|
22%
|
0
|
0%
|
|
113
|
There Be None of Beauty's Daughters
|
1
|
11%
|
0
|
0%
|
|
114
|
There Is Pleasure In The Pathless Woods
|
6
|
66%
|
0
|
0%
|
|
115
|
Thy Days Are Done
|
1
|
11%
|
0
|
0%
|
|
116
|
To A Beautiful Quaker
|
2
|
22%
|
0
|
0%
|
|
117
|
To M. S. G. : When I Dream That You Love Me
|
1
|
11%
|
0
|
0%
|
|
118
|
To My Son
|
1
|
11%
|
0
|
0%
|
|
119
|
To Woman
|
1
|
11%
|
0
|
0%
|
|
120
|
Translation Of The Famous Greek War Song
|
3
|
33%
|
0
|
0%
|
|
121
|
Versicles
|
1
|
11%
|
0
|
0%
|
|
122
|
When Coldness Wraps This Suffering Clay
|
1
|
11%
|
0
|
0%
|
|
123
|
When We Two Parted
|
2
|
22%
|
0
|
0%
|