|
1
|
A Fragment: When, To Their Airy Hall
|
3
|
23%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
13
|
100%
|
0
|
0%
|
|
3
|
A Sketch
|
10
|
76%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
3
|
23%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
6
|
46%
|
0
|
0%
|
|
6
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
2
|
15%
|
0
|
0%
|
|
7
|
Adieu, Adieu! My Native Shore
|
3
|
23%
|
0
|
0%
|
|
8
|
Adrian's Address To His Soul When Dying
|
2
|
15%
|
0
|
0%
|
|
9
|
All Is Vanity, Saieth the Preacher
|
6
|
46%
|
0
|
0%
|
|
10
|
All Is Vanity, Saieth the Preacher
|
2
|
15%
|
0
|
0%
|
|
11
|
An Occasional Prologue, Delivered Previous To The Performance Of 'The Wheel Of Fortune' At A Private Theatre
|
2
|
15%
|
0
|
0%
|
|
12
|
And Wilt Thou Weep When I Am Low?
|
7
|
53%
|
0
|
0%
|
|
13
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
5
|
38%
|
0
|
0%
|
|
14
|
Answer To Some Elegant Verses Sent By A Friend To The Author, Complaining That One Of His Descriptions Was Rather Too Warmly Drawn
|
4
|
30%
|
0
|
0%
|
|
15
|
Away, Away, Ye Notes Of Woe!
|
3
|
23%
|
0
|
0%
|
|
16
|
Beppo, A Venetian Story
|
3
|
23%
|
0
|
0%
|
|
17
|
Bowles And Campbell
|
3
|
23%
|
0
|
0%
|
|
18
|
Bright Be The Place Of Thy Soul!
|
4
|
30%
|
0
|
0%
|
|
19
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
7
|
53%
|
0
|
0%
|
|
20
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
7
|
53%
|
0
|
0%
|
|
21
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
3
|
23%
|
0
|
0%
|
|
22
|
Childe Harold's Pilgrimage: A Romaunt. Canto III.
|
3
|
23%
|
0
|
0%
|
|
23
|
Childish Recollections
|
2
|
15%
|
0
|
0%
|
|
24
|
Churchill's Grave: A Fact Literally Rendered
|
2
|
15%
|
0
|
0%
|
|
25
|
Condolatory Address To Sarah, Countess Of Jersey, On The Prince Regent's Returning Her Picture To Mrs. Mee
|
2
|
15%
|
0
|
0%
|
|
26
|
Damætas
|
1
|
7%
|
0
|
0%
|
|
27
|
Darkness
|
1
|
7%
|
0
|
0%
|
|
28
|
Dear Doctor, I have Read your Play
|
3
|
23%
|
0
|
0%
|
|
29
|
Don Juan: Canto the Eighth
|
2
|
15%
|
0
|
0%
|
|
30
|
Don Juan: Canto the Eleventh
|
1
|
7%
|
0
|
0%
|
|
31
|
Don Juan: Canto The Fifteenth
|
1
|
7%
|
0
|
0%
|
|
32
|
Don Juan: Canto The Fifth
|
1
|
7%
|
0
|
0%
|
|
33
|
Don Juan: Canto the First
|
3
|
23%
|
0
|
0%
|
|
34
|
Don Juan: Canto The Fourteenth
|
1
|
7%
|
0
|
0%
|
|
35
|
Farewell To Malta
|
1
|
7%
|
0
|
0%
|
|
36
|
Francisca
|
1
|
7%
|
0
|
0%
|
|
37
|
I Saw Thee Weep
|
1
|
7%
|
0
|
0%
|
|
38
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
3
|
23%
|
0
|
0%
|
|
39
|
Jeptha's Daughter
|
1
|
7%
|
0
|
0%
|
|
40
|
John Keats
|
1
|
7%
|
0
|
0%
|
|
41
|
L'Amitté Est L'Amour
|
1
|
7%
|
0
|
0%
|
|
42
|
Lara
|
5
|
38%
|
0
|
0%
|
|
43
|
Love's Last Adieu
|
1
|
7%
|
0
|
0%
|
|
44
|
Maid Of Athens, Ere We Part
|
1
|
7%
|
0
|
0%
|
|
45
|
Mazeppa
|
1
|
7%
|
0
|
0%
|
|
46
|
Ode On Venice
|
3
|
23%
|
0
|
0%
|
|
47
|
On Being Asked What Was The 'Origin Of Love'
|
1
|
7%
|
0
|
0%
|
|
48
|
On My Thirty-Third Birthday, January 22, 1821
|
1
|
7%
|
0
|
0%
|
|
49
|
On Parting
|
2
|
15%
|
0
|
0%
|
|
50
|
One Struggle More, And I Am Free
|
2
|
15%
|
0
|
0%
|
|
51
|
Parisina
|
1
|
7%
|
0
|
0%
|
|
52
|
Remember Him, Whom Passion's Power
|
1
|
7%
|
0
|
0%
|
|
53
|
Remember Thee! Remember Thee!
|
2
|
15%
|
0
|
0%
|
|
54
|
She Walks In Beauty
|
3
|
23%
|
0
|
0%
|
|
55
|
So We'll Go No More a-Roving
|
2
|
15%
|
0
|
0%
|
|
56
|
Solitude
|
1
|
7%
|
0
|
0%
|
|
57
|
The Adieu
|
1
|
7%
|
0
|
0%
|
|
58
|
The Corsair
|
5
|
38%
|
0
|
0%
|
|
59
|
The Island: Canto I.
|
1
|
7%
|
0
|
0%
|
|
60
|
The Spell Is Broke, The Charm Is Flown!
|
1
|
7%
|
0
|
0%
|
|
61
|
The Vision of Judgment
|
2
|
15%
|
0
|
0%
|
|
62
|
The Wild Gazelle
|
1
|
7%
|
0
|
0%
|
|
63
|
There Be None of Beauty's Daughters
|
1
|
7%
|
0
|
0%
|
|
64
|
There Is Pleasure In The Pathless Woods
|
5
|
38%
|
0
|
0%
|
|
65
|
There Was A Time, I Need Not Name
|
1
|
7%
|
0
|
0%
|
|
66
|
Thou Art Not False, But Thou Art Fickle
|
1
|
7%
|
0
|
0%
|
|
67
|
Thoughts Suggested By A College Examination
|
1
|
7%
|
0
|
0%
|
|
68
|
Thy Days Are Done
|
1
|
7%
|
0
|
0%
|
|
69
|
To-- : From The French
|
1
|
7%
|
0
|
0%
|
|
70
|
To A Beautiful Quaker
|
1
|
7%
|
0
|
0%
|
|
71
|
To A Lady
|
2
|
15%
|
0
|
0%
|
|
72
|
To A Lady, On Being Asked My Reasons For Quitting England In The Spring
|
1
|
7%
|
0
|
0%
|
|
73
|
To A Lady, Who Presented The Author With The Velvet Band Which Bound Her Tresses
|
1
|
7%
|
0
|
0%
|
|
74
|
To A Lady, Who Presented To The Author A Lock Of Hair Braided With His Own, And Appointed A Night In December To Meet Him In The Garden
|
1
|
7%
|
0
|
0%
|
|
75
|
To A Vain Lady
|
1
|
7%
|
0
|
0%
|
|
76
|
To A Youthful Friend
|
1
|
7%
|
0
|
0%
|
|
77
|
To An Oak At Newstead
|
1
|
7%
|
0
|
0%
|
|
78
|
To Anne
|
1
|
7%
|
0
|
0%
|
|
79
|
To Anne: Oh, Say Not, Sweet Anne
|
2
|
15%
|
0
|
0%
|
|
80
|
To Belshazzar
|
1
|
7%
|
0
|
0%
|
|
81
|
To Caroline
|
1
|
7%
|
0
|
0%
|
|
82
|
To Caroline: Oh When Shall The Grave Hide
|
1
|
7%
|
0
|
0%
|
|
83
|
To Caroline: When I Hear That You Express An Affection So Warm
|
1
|
7%
|
0
|
0%
|
|
84
|
To D--
|
1
|
7%
|
0
|
0%
|
|
85
|
To Dives. A Fragment
|
1
|
7%
|
0
|
0%
|
|
86
|
To E---
|
1
|
7%
|
0
|
0%
|
|
87
|
To Edward Noel Long, Esq.
|
1
|
7%
|
0
|
0%
|
|
88
|
To Eliza
|
1
|
7%
|
0
|
0%
|
|
89
|
To Emma
|
1
|
7%
|
0
|
0%
|
|
90
|
To Florence
|
1
|
7%
|
0
|
0%
|
|
91
|
To George, Earl Delwarr
|
1
|
7%
|
0
|
0%
|
|
92
|
To Lesbia
|
1
|
7%
|
0
|
0%
|
|
93
|
To Lord Thurlow
|
1
|
7%
|
0
|
0%
|
|
94
|
To M
|
1
|
7%
|
0
|
0%
|
|
95
|
To M. S. G.
|
1
|
7%
|
0
|
0%
|
|
96
|
To M. S. G. : When I Dream That You Love Me
|
1
|
7%
|
0
|
0%
|
|
97
|
To Marion
|
1
|
7%
|
0
|
0%
|
|
98
|
To Mary, On Receiving Her Picture
|
1
|
7%
|
0
|
0%
|
|
99
|
To Mr. Murray
|
1
|
7%
|
0
|
0%
|
|
100
|
To Mr. Murray (For Oxford And For Waldegrave)
|
1
|
7%
|
0
|
0%
|
|
101
|
To Mr. Murray (Strahan, Tonson Lintot Of The Times)
|
1
|
7%
|
0
|
0%
|
|
102
|
To My Son
|
1
|
7%
|
0
|
0%
|
|
103
|
To Romance
|
1
|
7%
|
0
|
0%
|
|
104
|
To The Author Of A Sonnet, Beginning, '
|
1
|
7%
|
0
|
0%
|
|
105
|
To The Countess Of Blessington
|
1
|
7%
|
0
|
0%
|
|
106
|
To The Duke Of Dorset
|
2
|
15%
|
0
|
0%
|
|
107
|
To The Earl Of Clare
|
2
|
15%
|
0
|
0%
|
|
108
|
To The Sighing Strephon
|
1
|
7%
|
0
|
0%
|
|
109
|
To Thomas Moore
|
1
|
7%
|
0
|
0%
|
|
110
|
To Thomas Moore (My Boat Is On The Shore)
|
1
|
7%
|
0
|
0%
|
|
111
|
To Thomas Moore : Written The Evening Before His Visit To Mr. Leigh Hunt In Horsemonger Lane Gaol, May 19, 1813
|
1
|
7%
|
0
|
0%
|
|
112
|
To Thyrza
|
1
|
7%
|
0
|
0%
|
|
113
|
To Thyrza: And Thou Art Dead, As Young And Fair
|
2
|
15%
|
0
|
0%
|
|
114
|
To Time
|
1
|
7%
|
0
|
0%
|
|
115
|
To Woman
|
1
|
7%
|
0
|
0%
|
|
116
|
Translation From Catullus
|
1
|
7%
|
0
|
0%
|
|
117
|
Translation From Horace
|
1
|
7%
|
0
|
0%
|
|
118
|
Translation From The Medea Of Euripides
|
1
|
7%
|
0
|
0%
|
|
119
|
Translation Of A Romaic Love Song
|
1
|
7%
|
0
|
0%
|
|
120
|
Translation Of The Epitaph On Virgil And Tibullus By Domitius Marsus
|
1
|
7%
|
0
|
0%
|
|
121
|
Translation Of The Famous Greek War Song
|
1
|
7%
|
0
|
0%
|
|
122
|
Translation Of The Nurse's Dole In The Medea Of Euripides
|
1
|
7%
|
0
|
0%
|
|
123
|
Translation Of The Romaic Song
|
1
|
7%
|
0
|
0%
|
|
124
|
Verses Found In A Summerhouse At Hales-Owen
|
2
|
15%
|
0
|
0%
|
|
125
|
Versicles
|
1
|
7%
|
0
|
0%
|
|
126
|
Vision of Belshazzar
|
2
|
15%
|
0
|
0%
|
|
127
|
We Sate Down And Wept By The Waters
|
1
|
7%
|
0
|
0%
|
|
128
|
Well! Thou Art Happy
|
1
|
7%
|
0
|
0%
|
|
129
|
Were My Bosom As False as Thou Deem'st It To Be
|
1
|
7%
|
0
|
0%
|
|
130
|
When Coldness Wraps This Suffering Clay
|
1
|
7%
|
0
|
0%
|
|
131
|
When I Roved A Young Highlander
|
1
|
7%
|
0
|
0%
|
|
132
|
When We Two Parted
|
6
|
46%
|
0
|
0%
|
|
133
|
Windsor Poetics : Lines Composed On The Occasion Of His Royal Highness The Prince Regent Being Seen Standing Between The Coffins Of Henry VIII And Charles I, In The Royal Vault At Windsor
|
1
|
7%
|
0
|
0%
|
|
134
|
Written After Swimming from Sestos to Abydos
|
1
|
7%
|
0
|
0%
|
|
135
|
Written Shortly After The Marriage Of Miss Chaworth
|
1
|
7%
|
0
|
0%
|
