|
1
|
A Fragment: When, To Their Airy Hall
|
6
|
54%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
9
|
81%
|
0
|
0%
|
|
3
|
A Sketch
|
6
|
54%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
4
|
36%
|
0
|
0%
|
|
5
|
Adieu, Adieu! My Native Shore
|
3
|
27%
|
0
|
0%
|
|
6
|
Adrian's Address To His Soul When Dying
|
3
|
27%
|
0
|
0%
|
|
7
|
All Is Vanity, Saieth the Preacher
|
1
|
9%
|
0
|
0%
|
|
8
|
All Is Vanity, Saieth the Preacher
|
2
|
18%
|
0
|
0%
|
|
9
|
And Wilt Thou Weep When I Am Low?
|
4
|
36%
|
0
|
0%
|
|
10
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
1
|
9%
|
0
|
0%
|
|
11
|
Away, Away, Ye Notes Of Woe!
|
4
|
36%
|
0
|
0%
|
|
12
|
Bright Be The Place Of Thy Soul!
|
5
|
45%
|
0
|
0%
|
|
13
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
1
|
9%
|
0
|
0%
|
|
14
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
2
|
18%
|
0
|
0%
|
|
15
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
2
|
18%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: Canto the Fourth
|
1
|
9%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: Canto the Third
|
3
|
27%
|
0
|
0%
|
|
18
|
Childish Recollections
|
5
|
45%
|
0
|
0%
|
|
19
|
Damætas
|
1
|
9%
|
0
|
0%
|
|
20
|
Darkness
|
4
|
36%
|
0
|
0%
|
|
21
|
Don Juan: Canto the First
|
11
|
100%
|
0
|
0%
|
|
22
|
Don Juan: Dedication
|
1
|
9%
|
0
|
0%
|
|
23
|
Epistle To Augusta
|
2
|
18%
|
0
|
0%
|
|
24
|
Epitaph
|
2
|
18%
|
0
|
0%
|
|
25
|
Fare Thee Well
|
7
|
63%
|
0
|
0%
|
|
26
|
Farewell To The Muse
|
1
|
9%
|
0
|
0%
|
|
27
|
Farewell! If Ever Fondest Prayer
|
1
|
9%
|
0
|
0%
|
|
28
|
Fill The Goblet Again: A Song
|
1
|
9%
|
0
|
0%
|
|
29
|
Francisca
|
1
|
9%
|
0
|
0%
|
|
30
|
From Anacreon
|
1
|
9%
|
0
|
0%
|
|
31
|
From Anacreon: 'Twas Now The Hour When Night Had Driven
|
1
|
9%
|
0
|
0%
|
|
32
|
From The French
|
1
|
9%
|
0
|
0%
|
|
33
|
From The Prometheus Vinctus Of Aeschylus
|
1
|
9%
|
0
|
0%
|
|
34
|
I Saw Thee Weep
|
3
|
27%
|
0
|
0%
|
|
35
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
2
|
18%
|
0
|
0%
|
|
36
|
I would to heaven that I were so much clay
|
6
|
54%
|
0
|
0%
|
|
37
|
If Sometimes In The Haunts Of Men
|
1
|
9%
|
0
|
0%
|
|
38
|
In The Valley Of The Waters
|
2
|
18%
|
0
|
0%
|
|
39
|
It Is the Hour
|
3
|
27%
|
0
|
0%
|
|
40
|
Jeptha's Daughter
|
1
|
9%
|
0
|
0%
|
|
41
|
John Keats
|
3
|
27%
|
0
|
0%
|
|
42
|
Lara
|
4
|
36%
|
0
|
0%
|
|
43
|
Lines Addressed To A Young Lady
|
1
|
9%
|
0
|
0%
|
|
44
|
Lines Inscribed Upon A Cup Formed From A Skull
|
1
|
9%
|
0
|
0%
|
|
45
|
Lines To A Lady Weeping
|
3
|
27%
|
0
|
0%
|
|
46
|
Lines Written In An Album, At Malta
|
1
|
9%
|
0
|
0%
|
|
47
|
Love's Last Adieu
|
2
|
18%
|
0
|
0%
|
|
48
|
Manfred (excerpt: Incantation)
|
1
|
9%
|
0
|
0%
|
|
49
|
My Soul Is Dark
|
1
|
9%
|
0
|
0%
|
|
50
|
Napoleon's Farewell (From The French)
|
1
|
9%
|
0
|
0%
|
|
51
|
Ode On Venice
|
4
|
36%
|
0
|
0%
|
|
52
|
On A Nun
|
1
|
9%
|
0
|
0%
|
|
53
|
On Being Asked What Was The 'Origin Of Love'
|
1
|
9%
|
0
|
0%
|
|
54
|
On Chillon
|
3
|
27%
|
0
|
0%
|
|
55
|
On Leaving Newstead Abbey
|
1
|
9%
|
0
|
0%
|
|
56
|
On My Thirty-Third Birthday, January 22, 1821
|
1
|
9%
|
0
|
0%
|
|
57
|
On My Wedding-Day
|
1
|
9%
|
0
|
0%
|
|
58
|
On Parting
|
1
|
9%
|
0
|
0%
|
|
59
|
On The Castle Of Chillon
|
2
|
18%
|
0
|
0%
|
|
60
|
On The Star Of 'The Legion Of Honour' (From The French)
|
1
|
9%
|
0
|
0%
|
|
61
|
On this Day I Complete my Thirty-Sixth Year
|
3
|
27%
|
0
|
0%
|
|
62
|
One Struggle More, And I Am Free
|
1
|
9%
|
0
|
0%
|
|
63
|
Remember Him, Whom Passion's Power
|
1
|
9%
|
0
|
0%
|
|
64
|
Remember Thee! Remember Thee!
|
1
|
9%
|
0
|
0%
|
|
65
|
She Walks In Beauty
|
3
|
27%
|
0
|
0%
|
|
66
|
Solitude
|
1
|
9%
|
0
|
0%
|
|
67
|
Sonnet - to Genevra
|
1
|
9%
|
0
|
0%
|
|
68
|
Stanzas For Music: There's Not A Joy The World Can Give
|
1
|
9%
|
0
|
0%
|
|
69
|
Stanzas For Music: They Say That Hope Is Happiness
|
2
|
18%
|
0
|
0%
|
|
70
|
Stanzas: When A Man Hath No Freedom
|
2
|
18%
|
0
|
0%
|
|
71
|
The Corsair
|
1
|
9%
|
0
|
0%
|
|
72
|
The Dark, Blue Sea
|
2
|
18%
|
0
|
0%
|
|
73
|
The First Kiss Of Love
|
6
|
54%
|
0
|
0%
|
|
74
|
The Prisoner of Chillon
|
2
|
18%
|
0
|
0%
|
|
75
|
The Spell Is Broke, The Charm Is Flown!
|
2
|
18%
|
0
|
0%
|
|
76
|
There Be None of Beauty's Daughters
|
3
|
27%
|
0
|
0%
|
|
77
|
There Is Pleasure In The Pathless Woods
|
2
|
18%
|
0
|
0%
|
|
78
|
There Was A Time, I Need Not Name
|
1
|
9%
|
0
|
0%
|
|
79
|
Thou Art Not False, But Thou Art Fickle
|
2
|
18%
|
0
|
0%
|
|
80
|
To A Lady
|
2
|
18%
|
0
|
0%
|
|
81
|
To Anne
|
1
|
9%
|
0
|
0%
|
|
82
|
To Caroline: When I Hear That You Express An Affection So Warm
|
2
|
18%
|
0
|
0%
|
|
83
|
To D--
|
3
|
27%
|
0
|
0%
|
|
84
|
To Eliza
|
1
|
9%
|
0
|
0%
|
|
85
|
To Emma
|
1
|
9%
|
0
|
0%
|
|
86
|
To M. S. G. : When I Dream That You Love Me
|
4
|
36%
|
0
|
0%
|
|
87
|
To Thomas Moore (My Boat Is On The Shore)
|
1
|
9%
|
0
|
0%
|
|
88
|
Translation Of The Nurse's Dole In The Medea Of Euripides
|
1
|
9%
|
0
|
0%
|
|
89
|
Verses Found In A Summerhouse At Hales-Owen
|
1
|
9%
|
0
|
0%
|
|
90
|
Versicles
|
1
|
9%
|
0
|
0%
|
|
91
|
Vision of Belshazzar
|
1
|
9%
|
0
|
0%
|
|
92
|
When We Two Parted
|
8
|
72%
|
0
|
0%
|