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1
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A Fragment: When, To Their Airy Hall
|
1
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8%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
2
|
16%
|
0
|
0%
|
|
3
|
A Sketch
|
4
|
33%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
4
|
33%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
3
|
25%
|
0
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0%
|
|
6
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
2
|
16%
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0
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0%
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|
7
|
Adieu, Adieu! My Native Shore
|
1
|
8%
|
0
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0%
|
|
8
|
All Is Vanity, Saieth the Preacher
|
1
|
8%
|
0
|
0%
|
|
9
|
And Wilt Thou Weep When I Am Low?
|
1
|
8%
|
0
|
0%
|
|
10
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
2
|
16%
|
0
|
0%
|
|
11
|
Bowles And Campbell
|
2
|
16%
|
0
|
0%
|
|
12
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
2
|
16%
|
0
|
0%
|
|
13
|
Childe Harold's Pilgrimage: Canto the Fourth
|
4
|
33%
|
0
|
0%
|
|
14
|
Childe Harold's Pilgrimage: Canto the Third
|
9
|
75%
|
0
|
0%
|
|
15
|
Condolatory Address To Sarah, Countess Of Jersey, On The Prince Regent's Returning Her Picture To Mrs. Mee
|
2
|
16%
|
0
|
0%
|
|
16
|
Damætas
|
1
|
8%
|
0
|
0%
|
|
17
|
Darkness
|
3
|
25%
|
0
|
0%
|
|
18
|
Don Juan: Canto the First
|
12
|
100%
|
0
|
0%
|
|
19
|
Don Juan: Canto the Twelfth
|
1
|
8%
|
0
|
0%
|
|
20
|
Epigram
|
3
|
25%
|
0
|
0%
|
|
21
|
Epigram On My Wedding- Day To Penelope
|
1
|
8%
|
0
|
0%
|
|
22
|
Epigram, On The Braziers' Company Having Resolved To Present An Address To Queen Caroline
|
1
|
8%
|
0
|
0%
|
|
23
|
Epigram: From The French Of Rulhières
|
1
|
8%
|
0
|
0%
|
|
24
|
Epigrams
|
1
|
8%
|
0
|
0%
|
|
25
|
Epistle From Mr. Murray To Dr. Polidori
|
2
|
16%
|
0
|
0%
|
|
26
|
Epitaph
|
1
|
8%
|
0
|
0%
|
|
27
|
Fare Thee Well
|
2
|
16%
|
0
|
0%
|
|
28
|
Fill The Goblet Again: A Song
|
3
|
25%
|
0
|
0%
|
|
29
|
Francisca
|
1
|
8%
|
0
|
0%
|
|
30
|
From The French
|
3
|
25%
|
0
|
0%
|
|
31
|
From The Portuguese, 'Tu Mi Chamas'
|
4
|
33%
|
0
|
0%
|
|
32
|
From The Prometheus Vinctus Of Aeschylus
|
1
|
8%
|
0
|
0%
|
|
33
|
I Saw Thee Weep
|
1
|
8%
|
0
|
0%
|
|
34
|
I would to heaven that I were so much clay
|
1
|
8%
|
0
|
0%
|
|
35
|
Imitated From Catullus: To Ellen
|
1
|
8%
|
0
|
0%
|
|
36
|
It Is the Hour
|
1
|
8%
|
0
|
0%
|
|
37
|
John Keats
|
2
|
16%
|
0
|
0%
|
|
38
|
Lara
|
1
|
8%
|
0
|
0%
|
|
39
|
Lines To A Lady Weeping
|
1
|
8%
|
0
|
0%
|
|
40
|
Lines Written Beneath A Picture
|
1
|
8%
|
0
|
0%
|
|
41
|
Lines Written Beneath An Elm In The Churchyard Of Harrow On The Hill, Sept. 2, 1807
|
2
|
16%
|
0
|
0%
|
|
42
|
Lines Written In An Album, At Malta
|
7
|
58%
|
0
|
0%
|
|
43
|
Lines Written On A Blank Leaf Of 'The Pleasures Of Memory'
|
2
|
16%
|
0
|
0%
|
|
44
|
Manfred (excerpt: Incantation)
|
1
|
8%
|
0
|
0%
|
|
45
|
Monody On The Death Of The Right Hon. R. B. Sheridan
|
3
|
25%
|
0
|
0%
|
|
46
|
My Soul Is Dark
|
1
|
8%
|
0
|
0%
|
|
47
|
My Soul is Dark
|
1
|
8%
|
0
|
0%
|
|
48
|
Napoleon's Farewell (From The French)
|
1
|
8%
|
0
|
0%
|
|
49
|
Ode On Venice
|
12
|
100%
|
0
|
0%
|
|
50
|
Ode To Napoleon Buonaparte
|
2
|
16%
|
0
|
0%
|
|
51
|
On Being Asked What Was The 'Origin Of Love'
|
3
|
25%
|
0
|
0%
|
|
52
|
Remind Me Not, Remind Me Not
|
1
|
8%
|
0
|
0%
|
|
53
|
She Walks In Beauty
|
4
|
33%
|
0
|
0%
|
|
54
|
Stanzas For Music: There's Not A Joy The World Can Give
|
2
|
16%
|
0
|
0%
|
|
55
|
Stanzas: When A Man Hath No Freedom
|
2
|
16%
|
0
|
0%
|
|
56
|
Sun of the Sleepless!
|
1
|
8%
|
0
|
0%
|
|
57
|
The Cornelian
|
1
|
8%
|
0
|
0%
|
|
58
|
The Corsair
|
1
|
8%
|
0
|
0%
|
|
59
|
The Dark, Blue Sea
|
2
|
16%
|
0
|
0%
|
|
60
|
The Dream
|
1
|
8%
|
0
|
0%
|
|
61
|
The First Kiss Of Love
|
3
|
25%
|
0
|
0%
|
|
62
|
The Island: Canto IV.
|
2
|
16%
|
0
|
0%
|
|
63
|
There Be None of Beauty's Daughters
|
1
|
8%
|
0
|
0%
|
|
64
|
There Is Pleasure In The Pathless Woods
|
8
|
66%
|
0
|
0%
|
|
65
|
Thou Art Not False, But Thou Art Fickle
|
2
|
16%
|
0
|
0%
|
|
66
|
To A Beautiful Quaker
|
1
|
8%
|
0
|
0%
|
|
67
|
To Mary, On Receiving Her Picture
|
3
|
25%
|
0
|
0%
|