|
1
|
A Fragment: When, To Their Airy Hall
|
5
|
22%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
22
|
100%
|
0
|
0%
|
|
3
|
A Sketch
|
14
|
63%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
5
|
22%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
5
|
22%
|
0
|
0%
|
|
6
|
Adieu, Adieu! My Native Shore
|
3
|
13%
|
0
|
0%
|
|
7
|
All Is Vanity, Saieth the Preacher
|
7
|
31%
|
0
|
0%
|
|
8
|
All Is Vanity, Saieth the Preacher
|
1
|
4%
|
0
|
0%
|
|
9
|
And Wilt Thou Weep When I Am Low?
|
8
|
36%
|
0
|
0%
|
|
10
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
2
|
9%
|
0
|
0%
|
|
11
|
Answer To Some Elegant Verses Sent By A Friend To The Author, Complaining That One Of His Descriptions Was Rather Too Warmly Drawn
|
2
|
9%
|
0
|
0%
|
|
12
|
Away, Away, Ye Notes Of Woe!
|
4
|
18%
|
0
|
0%
|
|
13
|
Beppo, A Venetian Story
|
1
|
4%
|
0
|
0%
|
|
14
|
Bowles And Campbell
|
1
|
4%
|
0
|
0%
|
|
15
|
Bright Be The Place Of Thy Soul!
|
4
|
18%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
1
|
4%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
5
|
22%
|
0
|
0%
|
|
18
|
Childish Recollections
|
2
|
9%
|
0
|
0%
|
|
19
|
Darkness
|
5
|
22%
|
0
|
0%
|
|
20
|
Dear Doctor, I have Read your Play
|
1
|
4%
|
0
|
0%
|
|
21
|
Don Juan: Canto the First
|
3
|
13%
|
0
|
0%
|
|
22
|
English Bards and Scotch Reviewers: A Satire
|
1
|
4%
|
0
|
0%
|
|
23
|
Epigram, On The Braziers' Company Having Resolved To Present An Address To Queen Caroline
|
1
|
4%
|
0
|
0%
|
|
24
|
Epistle To Augusta
|
1
|
4%
|
0
|
0%
|
|
25
|
Epitaph On John Adams, Of Southwell - A Carrier, Who Died Of Drunkenness
|
1
|
4%
|
0
|
0%
|
|
26
|
Fare Thee Well
|
2
|
9%
|
0
|
0%
|
|
27
|
Farewell To Malta
|
1
|
4%
|
0
|
0%
|
|
28
|
Farewell To The Muse
|
2
|
9%
|
0
|
0%
|
|
29
|
Farewell! If Ever Fondest Prayer
|
3
|
13%
|
0
|
0%
|
|
30
|
I Saw Thee Weep
|
2
|
9%
|
0
|
0%
|
|
31
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
1
|
4%
|
0
|
0%
|
|
32
|
I Would I Were a Careless Child
|
1
|
4%
|
0
|
0%
|
|
33
|
I would to heaven that I were so much clay
|
1
|
4%
|
0
|
0%
|
|
34
|
If Sometimes In The Haunts Of Men
|
1
|
4%
|
0
|
0%
|
|
35
|
Imitated From Catullus: To Ellen
|
1
|
4%
|
0
|
0%
|
|
36
|
Impromptu
|
1
|
4%
|
0
|
0%
|
|
37
|
Impromptus
|
1
|
4%
|
0
|
0%
|
|
38
|
It Is the Hour
|
5
|
22%
|
0
|
0%
|
|
39
|
Jeptha's Daughter
|
1
|
4%
|
0
|
0%
|
|
40
|
John Keats
|
1
|
4%
|
0
|
0%
|
|
41
|
Lara
|
5
|
22%
|
0
|
0%
|
|
42
|
Lines Addressed To A Young Lady
|
3
|
13%
|
0
|
0%
|
|
43
|
Lines To A Lady Weeping
|
1
|
4%
|
0
|
0%
|
|
44
|
Lines Written In An Album, At Malta
|
1
|
4%
|
0
|
0%
|
|
45
|
Love's Last Adieu
|
3
|
13%
|
0
|
0%
|
|
46
|
Manfred (excerpt: Incantation)
|
1
|
4%
|
0
|
0%
|
|
47
|
My Epitaph
|
1
|
4%
|
0
|
0%
|
|
48
|
My Soul is Dark
|
3
|
13%
|
0
|
0%
|
|
49
|
Ode On Venice
|
3
|
13%
|
0
|
0%
|
|
50
|
Oh! snatched away in beauty's bloom
|
1
|
4%
|
0
|
0%
|
|
51
|
Oh! Weep For Those
|
3
|
13%
|
0
|
0%
|
|
52
|
On A Cornelian Heart Which Was Broken
|
1
|
4%
|
0
|
0%
|
|
53
|
On Being Asked What Was The 'Origin Of Love'
|
1
|
4%
|
0
|
0%
|
|
54
|
On My Thirty-Third Birthday, January 22, 1821
|
1
|
4%
|
0
|
0%
|
|
55
|
On Parting
|
2
|
9%
|
0
|
0%
|
|
56
|
On this Day I Complete my Thirty-Sixth Year
|
1
|
4%
|
0
|
0%
|
|
57
|
One Struggle More, And I Am Free
|
1
|
4%
|
0
|
0%
|
|
58
|
Prometheus
|
1
|
4%
|
0
|
0%
|
|
59
|
Remember Him, Whom Passion's Power
|
3
|
13%
|
0
|
0%
|
|
60
|
Remember Thee! Remember Thee!
|
6
|
27%
|
0
|
0%
|
|
61
|
Remembrance
|
1
|
4%
|
0
|
0%
|
|
62
|
Remind Me Not, Remind Me Not
|
3
|
13%
|
0
|
0%
|
|
63
|
She Walks In Beauty
|
8
|
36%
|
0
|
0%
|
|
64
|
So We'll Go No More a-Roving
|
3
|
13%
|
0
|
0%
|
|
65
|
Solitude
|
2
|
9%
|
0
|
0%
|
|
66
|
Sonnet, To Genevra
|
1
|
4%
|
0
|
0%
|
|
67
|
Sonnet, To The Same (Genevra)
|
2
|
9%
|
0
|
0%
|
|
68
|
Stanzas
|
4
|
18%
|
0
|
0%
|
|
69
|
Stanzas Composed During A Thunderstorm
|
3
|
13%
|
0
|
0%
|
|
70
|
Stanzas For Music: There Be None Of Beauty's Daughters
|
1
|
4%
|
0
|
0%
|
|
71
|
Stanzas For Music: They Say That Hope Is Happiness
|
3
|
13%
|
0
|
0%
|
|
72
|
Stanzas To Augusta
|
4
|
18%
|
0
|
0%
|
|
73
|
Stanzas To Augusta (II.)
|
1
|
4%
|
0
|
0%
|
|
74
|
Stanzas: When A Man Hath No Freedom
|
7
|
31%
|
0
|
0%
|
|
75
|
The Adieu
|
2
|
9%
|
0
|
0%
|
|
76
|
The Conquest
|
3
|
13%
|
0
|
0%
|
|
77
|
The Cornelian
|
1
|
4%
|
0
|
0%
|
|
78
|
The Corsair
|
18
|
81%
|
0
|
0%
|
|
79
|
The Dark, Blue Sea
|
2
|
9%
|
0
|
0%
|
|
80
|
The Dream
|
2
|
9%
|
0
|
0%
|
|
81
|
The Eve Of Waterloo
|
4
|
18%
|
0
|
0%
|
|
82
|
The First Kiss Of Love
|
1
|
4%
|
0
|
0%
|
|
83
|
The Island: Canto I.
|
2
|
9%
|
0
|
0%
|
|
84
|
The Island: Canto II.
|
1
|
4%
|
0
|
0%
|
|
85
|
The Prisoner of Chillon
|
1
|
4%
|
0
|
0%
|
|
86
|
The Tear
|
1
|
4%
|
0
|
0%
|
|
87
|
The Vision of Judgment
|
3
|
13%
|
0
|
0%
|
|
88
|
There Is Pleasure In The Pathless Woods
|
11
|
50%
|
0
|
0%
|
|
89
|
There Was A Time, I Need Not Name
|
1
|
4%
|
0
|
0%
|
|
90
|
Thy Days Are Done
|
2
|
9%
|
0
|
0%
|
|
91
|
To A Lady
|
1
|
4%
|
0
|
0%
|
|
92
|
To A Youthful Friend
|
1
|
4%
|
0
|
0%
|
|
93
|
To Anne
|
1
|
4%
|
0
|
0%
|
|
94
|
To Anne: Oh, Say Not, Sweet Anne
|
1
|
4%
|
0
|
0%
|
|
95
|
To Caroline
|
1
|
4%
|
0
|
0%
|
|
96
|
To Caroline: When I Hear That You Express An Affection So Warm
|
1
|
4%
|
0
|
0%
|
|
97
|
To M. S. G. : When I Dream That You Love Me
|
1
|
4%
|
0
|
0%
|
|
98
|
To My Son
|
1
|
4%
|
0
|
0%
|
|
99
|
To Romance
|
1
|
4%
|
0
|
0%
|
|
100
|
To The Countess Of Blessington
|
1
|
4%
|
0
|
0%
|
|
101
|
To Thyrza: And Thou Art Dead, As Young And Fair
|
1
|
4%
|
0
|
0%
|
|
102
|
To Woman
|
1
|
4%
|
0
|
0%
|
|
103
|
Well! Thou Art Happy
|
1
|
4%
|
0
|
0%
|
|
104
|
When Coldness Wraps This Suffering Clay
|
2
|
9%
|
0
|
0%
|
|
105
|
When We Two Parted
|
6
|
27%
|
0
|
0%
|
|
106
|
Windsor Poetics : Lines Composed On The Occasion Of His Royal Highness The Prince Regent Being Seen Standing Between The Coffins Of Henry VIII And Charles I, In The Royal Vault At Windsor
|
1
|
4%
|
0
|
0%
|
|
107
|
Written Shortly After The Marriage Of Miss Chaworth
|
1
|
4%
|
0
|
0%
|