|
1
|
A Fragment: When, To Their Airy Hall
|
5
|
12%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
39
|
100%
|
0
|
0%
|
|
3
|
A Sketch
|
10
|
25%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
6
|
15%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
3
|
7%
|
0
|
0%
|
|
6
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
2
|
5%
|
0
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0%
|
|
7
|
Adieu, Adieu! My Native Shore
|
1
|
2%
|
0
|
0%
|
|
8
|
Adrian's Address To His Soul When Dying
|
1
|
2%
|
0
|
0%
|
|
9
|
All Is Vanity, Saieth the Preacher
|
1
|
2%
|
0
|
0%
|
|
10
|
All Is Vanity, Saieth the Preacher
|
1
|
2%
|
0
|
0%
|
|
11
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
1
|
2%
|
0
|
0%
|
|
12
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
2
|
5%
|
0
|
0%
|
|
13
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
1
|
2%
|
0
|
0%
|
|
14
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
7
|
17%
|
0
|
0%
|
|
15
|
Childe Harold's Pilgrimage: A Romaunt. Canto III.
|
1
|
2%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: Canto the Fourth
|
4
|
10%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: Canto the Third
|
5
|
12%
|
0
|
0%
|
|
18
|
Childish Recollections
|
1
|
2%
|
0
|
0%
|
|
19
|
Damætas
|
3
|
7%
|
0
|
0%
|
|
20
|
Darkness
|
5
|
12%
|
0
|
0%
|
|
21
|
Don Juan: Canto the First
|
9
|
23%
|
0
|
0%
|
|
22
|
Don Juan: Canto The Third
|
1
|
2%
|
0
|
0%
|
|
23
|
Elegiac Stanzas On The Death Of Sir Peter Parker, Bart.
|
1
|
2%
|
0
|
0%
|
|
24
|
Epigram: The World Is A Bundle Of Hay
|
2
|
5%
|
0
|
0%
|
|
25
|
Fare Thee Well
|
1
|
2%
|
0
|
0%
|
|
26
|
Farewell! If Ever Fondest Prayer
|
2
|
5%
|
0
|
0%
|
|
27
|
I Would I Were a Careless Child
|
1
|
2%
|
0
|
0%
|
|
28
|
I would to heaven that I were so much clay
|
1
|
2%
|
0
|
0%
|
|
29
|
It Is the Hour
|
1
|
2%
|
0
|
0%
|
|
30
|
Jeptha's Daughter
|
1
|
2%
|
0
|
0%
|
|
31
|
L'Amitté Est L'Amour
|
1
|
2%
|
0
|
0%
|
|
32
|
Lara
|
4
|
10%
|
0
|
0%
|
|
33
|
Lines Addressed To A Young Lady
|
1
|
2%
|
0
|
0%
|
|
34
|
Lines On Hearing That Lady Byron Was Ill
|
1
|
2%
|
0
|
0%
|
|
35
|
Lines To A Lady Weeping
|
1
|
2%
|
0
|
0%
|
|
36
|
Lines Written In An Album, At Malta
|
1
|
2%
|
0
|
0%
|
|
37
|
Manfred (excerpt: Incantation)
|
3
|
7%
|
0
|
0%
|
|
38
|
Martial, Lib. I, Epig. I.
|
1
|
2%
|
0
|
0%
|
|
39
|
Mazeppa
|
2
|
5%
|
0
|
0%
|
|
40
|
Monody On The Death Of The Right Hon. R. B. Sheridan
|
2
|
5%
|
0
|
0%
|
|
41
|
My Epitaph
|
1
|
2%
|
0
|
0%
|
|
42
|
My Soul Is Dark
|
4
|
10%
|
0
|
0%
|
|
43
|
My Soul is Dark
|
1
|
2%
|
0
|
0%
|
|
44
|
Napoleon's Farewell (From The French)
|
1
|
2%
|
0
|
0%
|
|
45
|
Ode On Venice
|
3
|
7%
|
0
|
0%
|
|
46
|
Ode To Napoleon Buonaparte
|
1
|
2%
|
0
|
0%
|
|
47
|
Oh! Weep For Those
|
1
|
2%
|
0
|
0%
|
|
48
|
On Jordan's Banks
|
2
|
5%
|
0
|
0%
|
|
49
|
On My Thirty-Third Birthday, January 22, 1821
|
3
|
7%
|
0
|
0%
|
|
50
|
On My Wedding-Day
|
4
|
10%
|
0
|
0%
|
|
51
|
On Parting
|
2
|
5%
|
0
|
0%
|
|
52
|
On Revisiting Harrow
|
1
|
2%
|
0
|
0%
|
|
53
|
On The Bust Of Helen By Canova
|
1
|
2%
|
0
|
0%
|
|
54
|
On The Death Of A Young Lady
|
1
|
2%
|
0
|
0%
|
|
55
|
Remember Him, Whom Passion's Power
|
2
|
5%
|
0
|
0%
|
|
56
|
Remembrance
|
1
|
2%
|
0
|
0%
|
|
57
|
Saul
|
1
|
2%
|
0
|
0%
|
|
58
|
She Walks In Beauty
|
5
|
12%
|
0
|
0%
|
|
59
|
So We'll Go No More a-Roving
|
1
|
2%
|
0
|
0%
|
|
60
|
Sonnet To George The Fourth, On The Repeal Of Lord Edward Fitzgerald's Forfeiture
|
1
|
2%
|
0
|
0%
|
|
61
|
Stanzas
|
1
|
2%
|
0
|
0%
|
|
62
|
Stanzas For Music: There Be None Of Beauty's Daughters
|
1
|
2%
|
0
|
0%
|
|
63
|
Stanzas For Music: They Say That Hope Is Happiness
|
3
|
7%
|
0
|
0%
|
|
64
|
Stanzas Written On The Road Between Florence And Pisa
|
1
|
2%
|
0
|
0%
|
|
65
|
Stanzas: When A Man Hath No Freedom
|
6
|
15%
|
0
|
0%
|
|
66
|
Sun of the Sleepless!
|
1
|
2%
|
0
|
0%
|
|
67
|
The Adieu
|
1
|
2%
|
0
|
0%
|
|
68
|
The Charity Ball
|
2
|
5%
|
0
|
0%
|
|
69
|
The Cornelian
|
1
|
2%
|
0
|
0%
|
|
70
|
The Corsair
|
15
|
38%
|
0
|
0%
|
|
71
|
The Dream
|
1
|
2%
|
0
|
0%
|
|
72
|
The Eve Of Waterloo
|
2
|
5%
|
0
|
0%
|
|
73
|
The First Kiss Of Love
|
5
|
12%
|
0
|
0%
|
|
74
|
The Island: Canto I.
|
1
|
2%
|
0
|
0%
|
|
75
|
The Island: Canto IV.
|
1
|
2%
|
0
|
0%
|
|
76
|
The Isles of Greece
|
1
|
2%
|
0
|
0%
|
|
77
|
The Lament Of Tasso
|
1
|
2%
|
0
|
0%
|
|
78
|
The Prayer Of Nature
|
1
|
2%
|
0
|
0%
|
|
79
|
The Prisoner of Chillon
|
1
|
2%
|
0
|
0%
|
|
80
|
The Siege and Conquest of Alhama
|
1
|
2%
|
0
|
0%
|
|
81
|
The Siege of Corinth
|
1
|
2%
|
0
|
0%
|
|
82
|
The Spell Is Broke, The Charm Is Flown!
|
2
|
5%
|
0
|
0%
|
|
83
|
The Tear
|
4
|
10%
|
0
|
0%
|
|
84
|
The Vision of Judgment
|
2
|
5%
|
0
|
0%
|
|
85
|
The Wild Gazelle
|
2
|
5%
|
0
|
0%
|
|
86
|
There Be None of Beauty's Daughters
|
1
|
2%
|
0
|
0%
|
|
87
|
There Is Pleasure In The Pathless Woods
|
6
|
15%
|
0
|
0%
|
|
88
|
There Was A Time, I Need Not Name
|
2
|
5%
|
0
|
0%
|
|
89
|
Thou Art Not False, But Thou Art Fickle
|
2
|
5%
|
0
|
0%
|
|
90
|
Thoughts Suggested By A College Examination
|
1
|
2%
|
0
|
0%
|
|
91
|
Thy Days Are Done
|
2
|
5%
|
0
|
0%
|
|
92
|
To A Beautiful Quaker
|
1
|
2%
|
0
|
0%
|
|
93
|
To A Vain Lady
|
1
|
2%
|
0
|
0%
|
|
94
|
To Anne: Oh, Say Not, Sweet Anne
|
1
|
2%
|
0
|
0%
|
|
95
|
To Emma
|
1
|
2%
|
0
|
0%
|
|
96
|
To Florence
|
1
|
2%
|
0
|
0%
|
|
97
|
To Lesbia
|
1
|
2%
|
0
|
0%
|
|
98
|
To M
|
1
|
2%
|
0
|
0%
|
|
99
|
To M--
|
1
|
2%
|
0
|
0%
|
|
100
|
To M. S. G. : When I Dream That You Love Me
|
1
|
2%
|
0
|
0%
|
|
101
|
To My Son
|
2
|
5%
|
0
|
0%
|
|
102
|
To Romance
|
1
|
2%
|
0
|
0%
|
|
103
|
To The Countess Of Blessington
|
3
|
7%
|
0
|
0%
|
|
104
|
To The Duke Of Dorset
|
5
|
12%
|
0
|
0%
|
|
105
|
To The Earl Of Clare
|
2
|
5%
|
0
|
0%
|
|
106
|
To The Sighing Strephon
|
1
|
2%
|
0
|
0%
|
|
107
|
To Thomas Moore
|
1
|
2%
|
0
|
0%
|
|
108
|
To Thomas Moore (My Boat Is On The Shore)
|
1
|
2%
|
0
|
0%
|
|
109
|
To Thomas Moore : Written The Evening Before His Visit To Mr. Leigh Hunt In Horsemonger Lane Gaol, May 19, 1813
|
2
|
5%
|
0
|
0%
|
|
110
|
To Thyrza
|
1
|
2%
|
0
|
0%
|
|
111
|
To Thyrza: And Thou Art Dead
|
1
|
2%
|
0
|
0%
|
|
112
|
To Thyrza: And Thou Art Dead, As Young And Fair
|
1
|
2%
|
0
|
0%
|
|
113
|
To Time
|
3
|
7%
|
0
|
0%
|
|
114
|
To Woman
|
7
|
17%
|
0
|
0%
|
|
115
|
Translation From Catullus
|
1
|
2%
|
0
|
0%
|
|
116
|
Translation From Horace
|
1
|
2%
|
0
|
0%
|
|
117
|
Translation From The Medea Of Euripides
|
3
|
7%
|
0
|
0%
|
|
118
|
Translation Of A Romaic Love Song
|
3
|
7%
|
0
|
0%
|
|
119
|
Translation Of The Epitaph On Virgil And Tibullus By Domitius Marsus
|
1
|
2%
|
0
|
0%
|
|
120
|
Translation Of The Famous Greek War Song
|
3
|
7%
|
0
|
0%
|
|
121
|
Translation Of The Nurse's Dole In The Medea Of Euripides
|
1
|
2%
|
0
|
0%
|
|
122
|
Vision of Belshazzar
|
1
|
2%
|
0
|
0%
|
|
123
|
We Sate Down And Wept By The Waters
|
4
|
10%
|
0
|
0%
|
|
124
|
Well! Thou Art Happy
|
2
|
5%
|
0
|
0%
|
|
125
|
When Coldness Wraps This Suffering Clay
|
1
|
2%
|
0
|
0%
|
|
126
|
When I Roved A Young Highlander
|
1
|
2%
|
0
|
0%
|
|
127
|
When We Two Parted
|
9
|
23%
|
0
|
0%
|
|
128
|
Written After Swimming from Sestos to Abydos
|
1
|
2%
|
0
|
0%
|
|
129
|
Written Shortly After The Marriage Of Miss Chaworth
|
3
|
7%
|
0
|
0%
|