|
1
|
A Fragment: When, To Their Airy Hall
|
3
|
16%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
9
|
50%
|
0
|
0%
|
|
3
|
A Sketch
|
7
|
38%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
4
|
22%
|
0
|
0%
|
|
5
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
1
|
5%
|
0
|
0%
|
|
6
|
Adieu, Adieu! My Native Shore
|
6
|
33%
|
0
|
0%
|
|
7
|
An Occasional Prologue, Delivered Previous To The Performance Of 'The Wheel Of Fortune' At A Private Theatre
|
1
|
5%
|
0
|
0%
|
|
8
|
And Wilt Thou Weep When I Am Low?
|
4
|
22%
|
0
|
0%
|
|
9
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
2
|
11%
|
0
|
0%
|
|
10
|
Answer To Some Elegant Verses Sent By A Friend To The Author, Complaining That One Of His Descriptions Was Rather Too Warmly Drawn
|
2
|
11%
|
0
|
0%
|
|
11
|
Away, Away, Ye Notes Of Woe!
|
5
|
27%
|
0
|
0%
|
|
12
|
Bright Be The Place Of Thy Soul!
|
6
|
33%
|
0
|
0%
|
|
13
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
5
|
27%
|
0
|
0%
|
|
14
|
Childe Harold's Pilgrimage: Canto the Third
|
2
|
11%
|
0
|
0%
|
|
15
|
Childish Recollections
|
2
|
11%
|
0
|
0%
|
|
16
|
Churchill's Grave: A Fact Literally Rendered
|
3
|
16%
|
0
|
0%
|
|
17
|
Damætas
|
2
|
11%
|
0
|
0%
|
|
18
|
Darkness
|
4
|
22%
|
0
|
0%
|
|
19
|
Dear Doctor, I have Read your Play
|
1
|
5%
|
0
|
0%
|
|
20
|
Don Juan: Canto the Eighth
|
1
|
5%
|
0
|
0%
|
|
21
|
Don Juan: Canto the Eleventh
|
3
|
16%
|
0
|
0%
|
|
22
|
Don Juan: Canto The Fifteenth
|
1
|
5%
|
0
|
0%
|
|
23
|
Don Juan: Canto The Fifth
|
1
|
5%
|
0
|
0%
|
|
24
|
Don Juan: Canto the First
|
7
|
38%
|
0
|
0%
|
|
25
|
Don Juan: Canto The Seventeenth
|
2
|
11%
|
0
|
0%
|
|
26
|
Elegiac Stanzas On The Death Of Sir Peter Parker, Bart.
|
2
|
11%
|
0
|
0%
|
|
27
|
Elegy On Newstead Abbey
|
2
|
11%
|
0
|
0%
|
|
28
|
Endorsement To The Deed Of Separation In The April Of 1816
|
1
|
5%
|
0
|
0%
|
|
29
|
English Bards and Scotch Reviewers (excerpt)
|
1
|
5%
|
0
|
0%
|
|
30
|
Epigram
|
2
|
11%
|
0
|
0%
|
|
31
|
Epigram On My Wedding- Day To Penelope
|
4
|
22%
|
0
|
0%
|
|
32
|
Epigram: From The French Of Rulhières
|
1
|
5%
|
0
|
0%
|
|
33
|
Epitaph On A Beloved Friend
|
1
|
5%
|
0
|
0%
|
|
34
|
Euthanasia
|
2
|
11%
|
0
|
0%
|
|
35
|
Fare Thee Well
|
1
|
5%
|
0
|
0%
|
|
36
|
Farewell To Malta
|
3
|
16%
|
0
|
0%
|
|
37
|
Farewell To The Muse
|
4
|
22%
|
0
|
0%
|
|
38
|
Farewell! If Ever Fondest Prayer
|
5
|
27%
|
0
|
0%
|
|
39
|
Fill The Goblet Again: A Song
|
2
|
11%
|
0
|
0%
|
|
40
|
Francisca
|
1
|
5%
|
0
|
0%
|
|
41
|
From The French
|
1
|
5%
|
0
|
0%
|
|
42
|
I Saw Thee Weep
|
5
|
27%
|
0
|
0%
|
|
43
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
9
|
50%
|
0
|
0%
|
|
44
|
I would to heaven that I were so much clay
|
2
|
11%
|
0
|
0%
|
|
45
|
If That High World
|
2
|
11%
|
0
|
0%
|
|
46
|
Impromptu, In Reply To A Friend
|
2
|
11%
|
0
|
0%
|
|
47
|
Impromptus
|
2
|
11%
|
0
|
0%
|
|
48
|
It Is the Hour
|
3
|
16%
|
0
|
0%
|
|
49
|
Lachin Y Gair
|
1
|
5%
|
0
|
0%
|
|
50
|
Lara
|
11
|
61%
|
0
|
0%
|
|
51
|
Lines Inscribed Upon A Cup Formed From A Skull
|
2
|
11%
|
0
|
0%
|
|
52
|
Lines To A Lady Weeping
|
2
|
11%
|
0
|
0%
|
|
53
|
Lines Written Beneath A Picture
|
1
|
5%
|
0
|
0%
|
|
54
|
Lines Written Beneath An Elm In The Churchyard Of Harrow On The Hill, Sept. 2, 1807
|
2
|
11%
|
0
|
0%
|
|
55
|
Lines Written On A Blank Leaf Of 'The Pleasures Of Memory'
|
2
|
11%
|
0
|
0%
|
|
56
|
Lines, On Hearing That Lady Byron Was Ill
|
1
|
5%
|
0
|
0%
|
|
57
|
Love's Last Adieu
|
3
|
16%
|
0
|
0%
|
|
58
|
Maid Of Athens, Ere We Part
|
1
|
5%
|
0
|
0%
|
|
59
|
Manfred (excerpt: Incantation)
|
1
|
5%
|
0
|
0%
|
|
60
|
Mazeppa
|
1
|
5%
|
0
|
0%
|
|
61
|
My Soul is Dark
|
1
|
5%
|
0
|
0%
|
|
62
|
My Soul Is Dark
|
6
|
33%
|
0
|
0%
|
|
63
|
Napoleon's Farewell (From The French)
|
4
|
22%
|
0
|
0%
|
|
64
|
Ode To Napoleon Buonaparte
|
3
|
16%
|
0
|
0%
|
|
65
|
On A Distant View Of Harrow
|
2
|
11%
|
0
|
0%
|
|
66
|
On A Nun
|
3
|
16%
|
0
|
0%
|
|
67
|
On Being Asked What Was The 'Origin Of Love'
|
2
|
11%
|
0
|
0%
|
|
68
|
On Finding A Fan
|
2
|
11%
|
0
|
0%
|
|
69
|
On Leaving Newstead Abbey
|
3
|
16%
|
0
|
0%
|
|
70
|
On Lord Thurlow's Poems
|
4
|
22%
|
0
|
0%
|
|
71
|
On My Wedding-Day
|
3
|
16%
|
0
|
0%
|
|
72
|
On Napoleon's Escape From Elba
|
1
|
5%
|
0
|
0%
|
|
73
|
On Parting
|
3
|
16%
|
0
|
0%
|
|
74
|
On The Death Of A Young Lady
|
1
|
5%
|
0
|
0%
|
|
75
|
On The Star Of 'The Legion Of Honour' (From The French)
|
1
|
5%
|
0
|
0%
|
|
76
|
On this Day I Complete my Thirty-Sixth Year
|
1
|
5%
|
0
|
0%
|
|
77
|
One Struggle More, And I Am Free
|
2
|
11%
|
0
|
0%
|
|
78
|
Oscar Of Alva: A Tale
|
2
|
11%
|
0
|
0%
|
|
79
|
Prometheus
|
2
|
11%
|
0
|
0%
|
|
80
|
Remember Him, Whom Passion's Power
|
1
|
5%
|
0
|
0%
|
|
81
|
Remember Thee! Remember Thee!
|
1
|
5%
|
0
|
0%
|
|
82
|
Remembrance
|
1
|
5%
|
0
|
0%
|
|
83
|
Remind Me Not, Remind Me Not
|
3
|
16%
|
0
|
0%
|
|
84
|
Reply to Some Verses of J.M.B. Pigot, Esq.
|
1
|
5%
|
0
|
0%
|
|
85
|
Saul
|
2
|
11%
|
0
|
0%
|
|
86
|
She Walks In Beauty
|
12
|
66%
|
0
|
0%
|
|
87
|
Solitude
|
5
|
27%
|
0
|
0%
|
|
88
|
Song For The Luddites
|
2
|
11%
|
0
|
0%
|
|
89
|
Song of Saul Before His Last Battle
|
1
|
5%
|
0
|
0%
|
|
90
|
Song Of Saul, Before His Last Battle
|
2
|
11%
|
0
|
0%
|
|
91
|
Sonnet - to Genevra
|
3
|
16%
|
0
|
0%
|
|
92
|
Sonnet, To Genevra
|
1
|
5%
|
0
|
0%
|
|
93
|
Stanzas
|
2
|
11%
|
0
|
0%
|
|
94
|
Stanzas Composed During A Thunderstorm
|
1
|
5%
|
0
|
0%
|
|
95
|
Stanzas For Music: There's Not A Joy The World Can Give
|
1
|
5%
|
0
|
0%
|
|
96
|
Stanzas For Music: They Say That Hope Is Happiness
|
2
|
11%
|
0
|
0%
|
|
97
|
Stanzas To A Hindoo Air
|
2
|
11%
|
0
|
0%
|
|
98
|
Stanzas To A Lady, On Leaving England
|
2
|
11%
|
0
|
0%
|
|
99
|
Stanzas To Jessy
|
1
|
5%
|
0
|
0%
|
|
100
|
Stanzas Written On The Road Between Florence And Pisa
|
5
|
27%
|
0
|
0%
|
|
101
|
Stanzas: When A Man Hath No Freedom
|
18
|
100%
|
0
|
0%
|
|
102
|
Substitute For An Epitaph
|
2
|
11%
|
0
|
0%
|
|
103
|
Sun of the Sleepless!
|
1
|
5%
|
0
|
0%
|
|
104
|
The Adieu
|
1
|
5%
|
0
|
0%
|
|
105
|
The Bride of Abydos
|
2
|
11%
|
0
|
0%
|
|
106
|
The Cornelian
|
1
|
5%
|
0
|
0%
|
|
107
|
The Dark, Blue Sea
|
4
|
22%
|
0
|
0%
|
|
108
|
The Destruction of Sennacherib
|
3
|
16%
|
0
|
0%
|
|
109
|
The Dream
|
1
|
5%
|
0
|
0%
|
|
110
|
The Episode Of Nisus And Euryalus
|
3
|
16%
|
0
|
0%
|
|
111
|
The Eve Of Waterloo
|
2
|
11%
|
0
|
0%
|
|
112
|
The First Kiss Of Love
|
3
|
16%
|
0
|
0%
|
|
113
|
The Harp The Monarch Minstrel Swept
|
2
|
11%
|
0
|
0%
|
|
114
|
The Isles of Greece
|
1
|
5%
|
0
|
0%
|
|
115
|
The Lament Of Tasso
|
2
|
11%
|
0
|
0%
|
|
116
|
The Prayer Of Nature
|
1
|
5%
|
0
|
0%
|
|
117
|
The Siege of Corinth
|
1
|
5%
|
0
|
0%
|
|
118
|
The Spell Is Broke, The Charm Is Flown!
|
1
|
5%
|
0
|
0%
|
|
119
|
The Tear
|
4
|
22%
|
0
|
0%
|
|
120
|
The Vision of Judgment
|
1
|
5%
|
0
|
0%
|
|
121
|
The Wild Gazelle
|
1
|
5%
|
0
|
0%
|
|
122
|
There Be None of Beauty's Daughters
|
3
|
16%
|
0
|
0%
|
|
123
|
There Is Pleasure In The Pathless Woods
|
4
|
22%
|
0
|
0%
|
|
124
|
Thou Art Not False, But Thou Art Fickle
|
3
|
16%
|
0
|
0%
|
|
125
|
Thoughts Suggested By A College Examination
|
2
|
11%
|
0
|
0%
|
|
126
|
Thy Days Are Done
|
5
|
27%
|
0
|
0%
|
|
127
|
Thy Day's are Done
|
1
|
5%
|
0
|
0%
|
|
128
|
To-- : From The French
|
1
|
5%
|
0
|
0%
|
|
129
|
To A Lady
|
2
|
11%
|
0
|
0%
|
|
130
|
To Caroline
|
2
|
11%
|
0
|
0%
|
|
131
|
To Caroline: Oh When Shall The Grave Hide
|
2
|
11%
|
0
|
0%
|
|
132
|
To Caroline: When I Hear That You Express An Affection So Warm
|
2
|
11%
|
0
|
0%
|
|
133
|
To D--
|
3
|
16%
|
0
|
0%
|
|
134
|
To E---
|
3
|
16%
|
0
|
0%
|
|
135
|
To Eliza
|
1
|
5%
|
0
|
0%
|
|
136
|
To Emma
|
1
|
5%
|
0
|
0%
|
|
137
|
To Florence
|
1
|
5%
|
0
|
0%
|
|
138
|
To Lesbia
|
1
|
5%
|
0
|
0%
|
|
139
|
To M
|
1
|
5%
|
0
|
0%
|
|
140
|
To M--
|
1
|
5%
|
0
|
0%
|
|
141
|
To M. S. G. : When I Dream That You Love Me
|
1
|
5%
|
0
|
0%
|
|
142
|
To Thomas Moore
|
2
|
11%
|
0
|
0%
|
|
143
|
To Woman
|
2
|
11%
|
0
|
0%
|
|
144
|
Translation Of The Famous Greek War Song
|
2
|
11%
|
0
|
0%
|
|
145
|
Translation Of The Nurse's Dole In The Medea Of Euripides
|
2
|
11%
|
0
|
0%
|
|
146
|
We Sate Down And Wept By The Waters
|
2
|
11%
|
0
|
0%
|
|
147
|
Well! Thou Art Happy
|
3
|
16%
|
0
|
0%
|
|
148
|
Were My Bosom As False as Thou Deem'st It To Be
|
1
|
5%
|
0
|
0%
|
|
149
|
When We Two Parted
|
9
|
50%
|
0
|
0%
|
|
150
|
Windsor Poetics : Lines Composed On The Occasion Of His Royal Highness The Prince Regent Being Seen Standing Between The Coffins Of Henry VIII And Charles I, In The Royal Vault At Windsor
|
2
|
11%
|
0
|
0%
|
|
151
|
Written After Swimming from Sestos to Abydos
|
1
|
5%
|
0
|
0%
|
|
152
|
Written Shortly After The Marriage Of Miss Chaworth
|
2
|
11%
|
0
|
0%
|