|
1
|
A Fragment: When, To Their Airy Hall
|
3
|
21%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
7
|
50%
|
0
|
0%
|
|
3
|
A Sketch
|
2
|
14%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
2
|
14%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
2
|
14%
|
0
|
0%
|
|
6
|
Adieu, Adieu! My Native Shore
|
3
|
21%
|
0
|
0%
|
|
7
|
Adrian's Address To His Soul When Dying
|
9
|
64%
|
0
|
0%
|
|
8
|
And Wilt Thou Weep When I Am Low?
|
1
|
7%
|
0
|
0%
|
|
9
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
1
|
7%
|
0
|
0%
|
|
10
|
Away, Away, Ye Notes Of Woe!
|
1
|
7%
|
0
|
0%
|
|
11
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
1
|
7%
|
0
|
0%
|
|
12
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
1
|
7%
|
0
|
0%
|
|
13
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
2
|
14%
|
0
|
0%
|
|
14
|
Childe Harold's Pilgrimage: Canto the Fourth
|
1
|
7%
|
0
|
0%
|
|
15
|
Childe Harold's Pilgrimage: Canto the Third
|
1
|
7%
|
0
|
0%
|
|
16
|
Churchill's Grave: A Fact Literally Rendered
|
1
|
7%
|
0
|
0%
|
|
17
|
Damætas
|
6
|
42%
|
0
|
0%
|
|
18
|
Darkness
|
13
|
92%
|
0
|
0%
|
|
19
|
Dear Doctor, I have Read your Play
|
1
|
7%
|
0
|
0%
|
|
20
|
Don Juan: Canto the Eighth
|
1
|
7%
|
0
|
0%
|
|
21
|
Don Juan: Canto The Fifth
|
2
|
14%
|
0
|
0%
|
|
22
|
Don Juan: Canto the First
|
13
|
92%
|
0
|
0%
|
|
23
|
Don Juan: Canto The Seventeenth
|
1
|
7%
|
0
|
0%
|
|
24
|
Don Juan: Canto The Third
|
1
|
7%
|
0
|
0%
|
|
25
|
Don Juan: Canto the Twelfth
|
2
|
14%
|
0
|
0%
|
|
26
|
Don Juan: Dedication
|
1
|
7%
|
0
|
0%
|
|
27
|
Elegiac Stanzas On The Death Of Sir Peter Parker, Bart.
|
2
|
14%
|
0
|
0%
|
|
28
|
Elegy On Newstead Abbey
|
1
|
7%
|
0
|
0%
|
|
29
|
Endorsement To The Deed Of Separation In The April Of 1816
|
1
|
7%
|
0
|
0%
|
|
30
|
English Bards and Scotch Reviewers (excerpt)
|
2
|
14%
|
0
|
0%
|
|
31
|
Epigram
|
1
|
7%
|
0
|
0%
|
|
32
|
Epigram On My Wedding- Day To Penelope
|
2
|
14%
|
0
|
0%
|
|
33
|
Epigram, On The Braziers' Company Having Resolved To Present An Address To Queen Caroline
|
1
|
7%
|
0
|
0%
|
|
34
|
Epigram: From The French Of Rulhières
|
1
|
7%
|
0
|
0%
|
|
35
|
Epigram: The World Is A Bundle Of Hay
|
2
|
14%
|
0
|
0%
|
|
36
|
Epigrams
|
1
|
7%
|
0
|
0%
|
|
37
|
Epitaph For William Pitt
|
2
|
14%
|
0
|
0%
|
|
38
|
Epitaph On A Beloved Friend
|
1
|
7%
|
0
|
0%
|
|
39
|
Euthanasia
|
2
|
14%
|
0
|
0%
|
|
40
|
Fare Thee Well
|
3
|
21%
|
0
|
0%
|
|
41
|
Farewell To Malta
|
3
|
21%
|
0
|
0%
|
|
42
|
Farewell To The Muse
|
1
|
7%
|
0
|
0%
|
|
43
|
Farewell! If Ever Fondest Prayer
|
3
|
21%
|
0
|
0%
|
|
44
|
Fill The Goblet Again: A Song
|
1
|
7%
|
0
|
0%
|
|
45
|
Francisca
|
2
|
14%
|
0
|
0%
|
|
46
|
I Saw Thee Weep
|
2
|
14%
|
0
|
0%
|
|
47
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
6
|
42%
|
0
|
0%
|
|
48
|
I Would I Were a Careless Child
|
6
|
42%
|
0
|
0%
|
|
49
|
I would to heaven that I were so much clay
|
3
|
21%
|
0
|
0%
|
|
50
|
If Sometimes In The Haunts Of Men
|
2
|
14%
|
0
|
0%
|
|
51
|
If That High World
|
2
|
14%
|
0
|
0%
|
|
52
|
In The Valley Of The Waters
|
2
|
14%
|
0
|
0%
|
|
53
|
Inscription On The Monument Of A Newfoundland Dog
|
1
|
7%
|
0
|
0%
|
|
54
|
It Is the Hour
|
7
|
50%
|
0
|
0%
|
|
55
|
John Keats
|
2
|
14%
|
0
|
0%
|
|
56
|
Lara
|
14
|
100%
|
0
|
0%
|
|
57
|
Lara. A Tale
|
2
|
14%
|
0
|
0%
|
|
58
|
Lines Addressed To A Young Lady
|
3
|
21%
|
0
|
0%
|
|
59
|
Lines Addressed To The Rev. J. T. Becher, On His Advising The Author To Mix More With Society
|
1
|
7%
|
0
|
0%
|
|
60
|
Lines In The Travellers' Book At Orchomenus
|
1
|
7%
|
0
|
0%
|
|
61
|
Lines Inscribed Upon A Cup Formed From A Skull
|
1
|
7%
|
0
|
0%
|
|
62
|
Lines on Mr. Hodgson Written on Board the Lisbon Packet
|
1
|
7%
|
0
|
0%
|
|
63
|
Lines To A Lady Weeping
|
1
|
7%
|
0
|
0%
|
|
64
|
Lines Written Beneath A Picture
|
3
|
21%
|
0
|
0%
|
|
65
|
Lines Written Beneath An Elm In The Churchyard Of Harrow On The Hill, Sept. 2, 1807
|
1
|
7%
|
0
|
0%
|
|
66
|
Lines Written In An Album, At Malta
|
1
|
7%
|
0
|
0%
|
|
67
|
Lines Written On A Blank Leaf Of 'The Pleasures Of Memory'
|
1
|
7%
|
0
|
0%
|
|
68
|
Lines, On Hearing That Lady Byron Was Ill
|
1
|
7%
|
0
|
0%
|
|
69
|
Love's Last Adieu
|
1
|
7%
|
0
|
0%
|
|
70
|
My Epitaph
|
1
|
7%
|
0
|
0%
|
|
71
|
My Soul Is Dark
|
4
|
28%
|
0
|
0%
|
|
72
|
Ode On Venice
|
2
|
14%
|
0
|
0%
|
|
73
|
Oh! Weep For Those
|
2
|
14%
|
0
|
0%
|
|
74
|
On Being Asked What Was The 'Origin Of Love'
|
2
|
14%
|
0
|
0%
|
|
75
|
On My Wedding-Day
|
2
|
14%
|
0
|
0%
|
|
76
|
On The Castle Of Chillon
|
2
|
14%
|
0
|
0%
|
|
77
|
On The Death Of A Young Lady
|
1
|
7%
|
0
|
0%
|
|
78
|
Prometheus
|
1
|
7%
|
0
|
0%
|
|
79
|
Remember Thee! Remember Thee!
|
1
|
7%
|
0
|
0%
|
|
80
|
Remind Me Not, Remind Me Not
|
2
|
14%
|
0
|
0%
|
|
81
|
She Walks In Beauty
|
4
|
28%
|
0
|
0%
|
|
82
|
So We'll Go No More a-Roving
|
1
|
7%
|
0
|
0%
|
|
83
|
Stanzas Composed During A Thunderstorm
|
1
|
7%
|
0
|
0%
|
|
84
|
Stanzas For Music: There Be None Of Beauty's Daughters
|
2
|
14%
|
0
|
0%
|
|
85
|
Stanzas For Music: There's Not A Joy The World Can Give
|
1
|
7%
|
0
|
0%
|
|
86
|
Stanzas For Music: They Say That Hope Is Happiness
|
3
|
21%
|
0
|
0%
|
|
87
|
Stanzas Written On The Road Between Florence And Pisa
|
2
|
14%
|
0
|
0%
|
|
88
|
Stanzas: When A Man Hath No Freedom
|
1
|
7%
|
0
|
0%
|
|
89
|
Sun of the Sleepless!
|
1
|
7%
|
0
|
0%
|
|
90
|
The Corsair
|
7
|
50%
|
0
|
0%
|
|
91
|
The Destruction of Sennacherib
|
2
|
14%
|
0
|
0%
|
|
92
|
The Giaour: A Fragment Of A Turkish Tale
|
2
|
14%
|
0
|
0%
|
|
93
|
The Prayer Of Nature
|
1
|
7%
|
0
|
0%
|
|
94
|
The Prisoner of Chillon
|
3
|
21%
|
0
|
0%
|
|
95
|
There Is Pleasure In The Pathless Woods
|
1
|
7%
|
0
|
0%
|
|
96
|
Thou Art Not False, But Thou Art Fickle
|
2
|
14%
|
0
|
0%
|
|
97
|
To Anne: Oh, Say Not, Sweet Anne
|
2
|
14%
|
0
|
0%
|
|
98
|
To Caroline
|
2
|
14%
|
0
|
0%
|
|
99
|
To Caroline: Oh When Shall The Grave Hide
|
2
|
14%
|
0
|
0%
|
|
100
|
To D--
|
1
|
7%
|
0
|
0%
|
|
101
|
To Emma
|
2
|
14%
|
0
|
0%
|
|
102
|
To Florence
|
1
|
7%
|
0
|
0%
|
|
103
|
To Lesbia
|
1
|
7%
|
0
|
0%
|
|
104
|
To Mary, On Receiving Her Picture
|
1
|
7%
|
0
|
0%
|
|
105
|
To My Son
|
2
|
14%
|
0
|
0%
|
|
106
|
To The Sighing Strephon
|
1
|
7%
|
0
|
0%
|
|
107
|
To Thomas Moore (My Boat Is On The Shore)
|
1
|
7%
|
0
|
0%
|
|
108
|
To Time
|
2
|
14%
|
0
|
0%
|
|
109
|
Well! Thou Art Happy
|
1
|
7%
|
0
|
0%
|
|
110
|
When Coldness Wraps This Suffering Clay
|
2
|
14%
|
0
|
0%
|
|
111
|
When We Two Parted
|
4
|
28%
|
0
|
0%
|