|
1
|
A Fragment: When, To Their Airy Hall
|
1
|
11%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
4
|
44%
|
0
|
0%
|
|
3
|
A Sketch
|
1
|
11%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
6
|
66%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
2
|
22%
|
0
|
0%
|
|
6
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
1
|
11%
|
0
|
0%
|
|
7
|
Adieu, Adieu! My Native Shore
|
8
|
88%
|
0
|
0%
|
|
8
|
Adrian's Address To His Soul When Dying
|
2
|
22%
|
0
|
0%
|
|
9
|
All Is Vanity, Saieth the Preacher
|
2
|
22%
|
0
|
0%
|
|
10
|
All Is Vanity, Saieth the Preacher
|
2
|
22%
|
0
|
0%
|
|
11
|
And Wilt Thou Weep When I Am Low?
|
2
|
22%
|
0
|
0%
|
|
12
|
Away, Away, Ye Notes Of Woe!
|
4
|
44%
|
0
|
0%
|
|
13
|
Bowles And Campbell
|
1
|
11%
|
0
|
0%
|
|
14
|
Bright Be The Place Of Thy Soul!
|
6
|
66%
|
0
|
0%
|
|
15
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
5
|
55%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
1
|
11%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
3
|
33%
|
0
|
0%
|
|
18
|
Childe Harold's Pilgrimage: A Romaunt. Canto III.
|
2
|
22%
|
0
|
0%
|
|
19
|
Childe Harold's Pilgrimage: Canto the Fourth
|
5
|
55%
|
0
|
0%
|
|
20
|
Childe Harold's Pilgrimage: Canto the Third
|
2
|
22%
|
0
|
0%
|
|
21
|
Damætas
|
1
|
11%
|
0
|
0%
|
|
22
|
Darkness
|
8
|
88%
|
0
|
0%
|
|
23
|
Dear Doctor, I have Read your Play
|
1
|
11%
|
0
|
0%
|
|
24
|
Don Juan: Canto the Eighth
|
1
|
11%
|
0
|
0%
|
|
25
|
Don Juan: Canto the First
|
9
|
100%
|
0
|
0%
|
|
26
|
Don Juan: Canto The Seventh
|
1
|
11%
|
0
|
0%
|
|
27
|
English Bards and Scotch Reviewers: A Satire
|
1
|
11%
|
0
|
0%
|
|
28
|
Epigram On My Wedding- Day To Penelope
|
1
|
11%
|
0
|
0%
|
|
29
|
Epigrams
|
1
|
11%
|
0
|
0%
|
|
30
|
Epistle To Augusta
|
2
|
22%
|
0
|
0%
|
|
31
|
Epitaph On A Beloved Friend
|
3
|
33%
|
0
|
0%
|
|
32
|
Euthanasia
|
1
|
11%
|
0
|
0%
|
|
33
|
Fare Thee Well
|
1
|
11%
|
0
|
0%
|
|
34
|
Farewell To Malta
|
2
|
22%
|
0
|
0%
|
|
35
|
Fill The Goblet Again: A Song
|
1
|
11%
|
0
|
0%
|
|
36
|
Fragment Of An Epistle To Thomas Moore
|
1
|
11%
|
0
|
0%
|
|
37
|
From Anacreon
|
1
|
11%
|
0
|
0%
|
|
38
|
I Saw Thee Weep
|
5
|
55%
|
0
|
0%
|
|
39
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
3
|
33%
|
0
|
0%
|
|
40
|
Imitation Of Tibullus
|
1
|
11%
|
0
|
0%
|
|
41
|
It Is the Hour
|
2
|
22%
|
0
|
0%
|
|
42
|
Jeptha's Daughter
|
2
|
22%
|
0
|
0%
|
|
43
|
John Keats
|
3
|
33%
|
0
|
0%
|
|
44
|
Lara
|
2
|
22%
|
0
|
0%
|
|
45
|
Lara. A Tale
|
4
|
44%
|
0
|
0%
|
|
46
|
Lines Inscribed Upon A Cup Formed From A Skull
|
2
|
22%
|
0
|
0%
|
|
47
|
Lines To A Lady Weeping
|
3
|
33%
|
0
|
0%
|
|
48
|
Love's Last Adieu
|
3
|
33%
|
0
|
0%
|
|
49
|
Maid Of Athens, Ere We Part
|
1
|
11%
|
0
|
0%
|
|
50
|
Manfred (excerpt: Incantation)
|
1
|
11%
|
0
|
0%
|
|
51
|
My Soul Is Dark
|
5
|
55%
|
0
|
0%
|
|
52
|
My Soul is Dark
|
2
|
22%
|
0
|
0%
|
|
53
|
Napoleon's Farewell (From The French)
|
4
|
44%
|
0
|
0%
|
|
54
|
Ode On Venice
|
3
|
33%
|
0
|
0%
|
|
55
|
Ode To Napoleon Buonaparte
|
1
|
11%
|
0
|
0%
|
|
56
|
Oh! snatched away in beauty's bloom
|
2
|
22%
|
0
|
0%
|
|
57
|
On A Nun
|
5
|
55%
|
0
|
0%
|
|
58
|
On Being Asked What Was The 'Origin Of Love'
|
1
|
11%
|
0
|
0%
|
|
59
|
On Finding A Fan
|
1
|
11%
|
0
|
0%
|
|
60
|
On My Thirty-Third Birthday, January 22, 1821
|
2
|
22%
|
0
|
0%
|
|
61
|
On My Wedding-Day
|
1
|
11%
|
0
|
0%
|
|
62
|
On Parting
|
2
|
22%
|
0
|
0%
|
|
63
|
On The Castle Of Chillon
|
1
|
11%
|
0
|
0%
|
|
64
|
On The Day Of The Destruction Of Jerusalem By Titus
|
1
|
11%
|
0
|
0%
|
|
65
|
On The Death Of A Young Lady
|
1
|
11%
|
0
|
0%
|
|
66
|
On this Day I Complete my Thirty-Sixth Year
|
2
|
22%
|
0
|
0%
|
|
67
|
Remember Him, Whom Passion's Power
|
2
|
22%
|
0
|
0%
|
|
68
|
Remembrance
|
3
|
33%
|
0
|
0%
|
|
69
|
She Walks In Beauty
|
7
|
77%
|
0
|
0%
|
|
70
|
So We'll Go No More a-Roving
|
2
|
22%
|
0
|
0%
|
|
71
|
Solitude
|
1
|
11%
|
0
|
0%
|
|
72
|
Song For The Luddites
|
1
|
11%
|
0
|
0%
|
|
73
|
Sonnet To George The Fourth, On The Repeal Of Lord Edward Fitzgerald's Forfeiture
|
2
|
22%
|
0
|
0%
|
|
74
|
Stanzas
|
1
|
11%
|
0
|
0%
|
|
75
|
Stanzas For Music: There Be None Of Beauty's Daughters
|
1
|
11%
|
0
|
0%
|
|
76
|
Stanzas For Music: There's Not A Joy The World Can Give
|
2
|
22%
|
0
|
0%
|
|
77
|
Stanzas For Music: They Say That Hope Is Happiness
|
2
|
22%
|
0
|
0%
|
|
78
|
Stanzas To A Lady, On Leaving England
|
1
|
11%
|
0
|
0%
|
|
79
|
Stanzas To Augusta
|
1
|
11%
|
0
|
0%
|
|
80
|
Stanzas To Augusta (II.)
|
1
|
11%
|
0
|
0%
|
|
81
|
The Charity Ball
|
2
|
22%
|
0
|
0%
|
|
82
|
The Corsair
|
4
|
44%
|
0
|
0%
|
|
83
|
The Dark, Blue Sea
|
2
|
22%
|
0
|
0%
|
|
84
|
The Dream
|
2
|
22%
|
0
|
0%
|
|
85
|
The Eve Of Waterloo
|
3
|
33%
|
0
|
0%
|
|
86
|
The First Kiss Of Love
|
6
|
66%
|
0
|
0%
|
|
87
|
The Island: Canto II.
|
1
|
11%
|
0
|
0%
|
|
88
|
The Prayer Of Nature
|
1
|
11%
|
0
|
0%
|
|
89
|
The Prisoner of Chillon
|
2
|
22%
|
0
|
0%
|
|
90
|
The Siege of Corinth
|
2
|
22%
|
0
|
0%
|
|
91
|
There Be None of Beauty's Daughters
|
1
|
11%
|
0
|
0%
|
|
92
|
There Is Pleasure In The Pathless Woods
|
8
|
88%
|
0
|
0%
|
|
93
|
To A Lady
|
1
|
11%
|
0
|
0%
|
|
94
|
To A Youthful Friend
|
2
|
22%
|
0
|
0%
|
|
95
|
To An Oak At Newstead
|
2
|
22%
|
0
|
0%
|
|
96
|
To Emma
|
1
|
11%
|
0
|
0%
|
|
97
|
To Lesbia
|
2
|
22%
|
0
|
0%
|
|
98
|
To The Sighing Strephon
|
2
|
22%
|
0
|
0%
|
|
99
|
To Woman
|
1
|
11%
|
0
|
0%
|
|
100
|
Translation Of The Epitaph On Virgil And Tibullus By Domitius Marsus
|
1
|
11%
|
0
|
0%
|
|
101
|
Versicles
|
2
|
22%
|
0
|
0%
|
|
102
|
We Sate Down And Wept By The Waters
|
3
|
33%
|
0
|
0%
|
|
103
|
Were My Bosom As False as Thou Deem'st It To Be
|
1
|
11%
|
0
|
0%
|
|
104
|
When We Two Parted
|
5
|
55%
|
0
|
0%
|
|
105
|
Written After Swimming from Sestos to Abydos
|
1
|
11%
|
0
|
0%
|
|
106
|
Written Shortly After The Marriage Of Miss Chaworth
|
1
|
11%
|
0
|
0%
|