|
1
|
A Fragment: When, To Their Airy Hall
|
3
|
42%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
3
|
42%
|
0
|
0%
|
|
3
|
A Sketch
|
2
|
28%
|
0
|
0%
|
|
4
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
2
|
28%
|
0
|
0%
|
|
5
|
Adieu, Adieu! My Native Shore
|
1
|
14%
|
0
|
0%
|
|
6
|
All Is Vanity, Saieth the Preacher
|
2
|
28%
|
0
|
0%
|
|
7
|
And Wilt Thou Weep When I Am Low?
|
2
|
28%
|
0
|
0%
|
|
8
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
1
|
14%
|
0
|
0%
|
|
9
|
Away, Away, Ye Notes Of Woe!
|
1
|
14%
|
0
|
0%
|
|
10
|
Bright Be The Place Of Thy Soul!
|
4
|
57%
|
0
|
0%
|
|
11
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
2
|
28%
|
0
|
0%
|
|
12
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
4
|
57%
|
0
|
0%
|
|
13
|
Childe Harold's Pilgrimage: Canto the Fourth
|
2
|
28%
|
0
|
0%
|
|
14
|
Childe Harold's Pilgrimage: Canto the Third
|
1
|
14%
|
0
|
0%
|
|
15
|
Don Juan: Canto the Eighth
|
3
|
42%
|
0
|
0%
|
|
16
|
Don Juan: Canto the Eleventh
|
3
|
42%
|
0
|
0%
|
|
17
|
Don Juan: Canto the First
|
7
|
100%
|
0
|
0%
|
|
18
|
Don Juan: Dedication
|
2
|
28%
|
0
|
0%
|
|
19
|
Epigram: The World Is A Bundle Of Hay
|
1
|
14%
|
0
|
0%
|
|
20
|
Epigrams
|
1
|
14%
|
0
|
0%
|
|
21
|
Epitaph For William Pitt
|
2
|
28%
|
0
|
0%
|
|
22
|
Euthanasia
|
1
|
14%
|
0
|
0%
|
|
23
|
Fare Thee Well
|
1
|
14%
|
0
|
0%
|
|
24
|
Farewell To Malta
|
2
|
28%
|
0
|
0%
|
|
25
|
Farewell! If Ever Fondest Prayer
|
1
|
14%
|
0
|
0%
|
|
26
|
Herod's Lament For Mariamne
|
1
|
14%
|
0
|
0%
|
|
27
|
I Saw Thee Weep
|
1
|
14%
|
0
|
0%
|
|
28
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
2
|
28%
|
0
|
0%
|
|
29
|
I Would I Were a Careless Child
|
1
|
14%
|
0
|
0%
|
|
30
|
I would to heaven that I were so much clay
|
1
|
14%
|
0
|
0%
|
|
31
|
Impromptus
|
1
|
14%
|
0
|
0%
|
|
32
|
It Is the Hour
|
6
|
85%
|
0
|
0%
|
|
33
|
John Keats
|
5
|
71%
|
0
|
0%
|
|
34
|
Lara
|
5
|
71%
|
0
|
0%
|
|
35
|
Lines On Hearing That Lady Byron Was Ill
|
2
|
28%
|
0
|
0%
|
|
36
|
Mazeppa
|
2
|
28%
|
0
|
0%
|
|
37
|
On Jordan's Banks
|
1
|
14%
|
0
|
0%
|
|
38
|
On My Wedding-Day
|
1
|
14%
|
0
|
0%
|
|
39
|
One Struggle More, And I Am Free
|
1
|
14%
|
0
|
0%
|
|
40
|
Prometheus
|
1
|
14%
|
0
|
0%
|
|
41
|
Remember Him, Whom Passion's Power
|
1
|
14%
|
0
|
0%
|
|
42
|
Remembrance
|
2
|
28%
|
0
|
0%
|
|
43
|
Remind Me Not, Remind Me Not
|
1
|
14%
|
0
|
0%
|
|
44
|
She Walks In Beauty
|
4
|
57%
|
0
|
0%
|
|
45
|
Solitude
|
1
|
14%
|
0
|
0%
|
|
46
|
Sonnet, To Genevra
|
5
|
71%
|
0
|
0%
|
|
47
|
Sonnet, To The Same (Genevra)
|
1
|
14%
|
0
|
0%
|
|
48
|
Stanzas
|
2
|
28%
|
0
|
0%
|
|
49
|
Sun of the Sleepless!
|
1
|
14%
|
0
|
0%
|
|
50
|
The Corsair
|
1
|
14%
|
0
|
0%
|
|
51
|
The Dark, Blue Sea
|
1
|
14%
|
0
|
0%
|
|
52
|
There Is Pleasure In The Pathless Woods
|
5
|
71%
|
0
|
0%
|
|
53
|
Thou Art Not False, But Thou Art Fickle
|
2
|
28%
|
0
|
0%
|
|
54
|
To A Youthful Friend
|
1
|
14%
|
0
|
0%
|
|
55
|
To Thomas Moore (My Boat Is On The Shore)
|
1
|
14%
|
0
|
0%
|
|
56
|
When Coldness Wraps This Suffering Clay
|
2
|
28%
|
0
|
0%
|
|
57
|
When We Two Parted
|
2
|
28%
|
0
|
0%
|
