|
1
|
A Fragment: When, To Their Airy Hall
|
3
|
21%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
14
|
100%
|
0
|
0%
|
|
3
|
A Sketch
|
4
|
28%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
3
|
21%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
2
|
14%
|
0
|
0%
|
|
6
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
1
|
7%
|
0
|
0%
|
|
7
|
Adieu, Adieu! My Native Shore
|
2
|
14%
|
0
|
0%
|
|
8
|
Adrian's Address To His Soul When Dying
|
1
|
7%
|
0
|
0%
|
|
9
|
All Is Vanity, Saieth the Preacher
|
1
|
7%
|
0
|
0%
|
|
10
|
And Wilt Thou Weep When I Am Low?
|
1
|
7%
|
0
|
0%
|
|
11
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
1
|
7%
|
0
|
0%
|
|
12
|
Answer To Some Elegant Verses Sent By A Friend To The Author, Complaining That One Of His Descriptions Was Rather Too Warmly Drawn
|
1
|
7%
|
0
|
0%
|
|
13
|
Away, Away, Ye Notes Of Woe!
|
1
|
7%
|
0
|
0%
|
|
14
|
Bowles And Campbell
|
4
|
28%
|
0
|
0%
|
|
15
|
Bright Be The Place Of Thy Soul!
|
1
|
7%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
2
|
14%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
2
|
14%
|
0
|
0%
|
|
18
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
1
|
7%
|
0
|
0%
|
|
19
|
Childish Recollections
|
1
|
7%
|
0
|
0%
|
|
20
|
Darkness
|
4
|
28%
|
0
|
0%
|
|
21
|
Dear Doctor, I have Read your Play
|
1
|
7%
|
0
|
0%
|
|
22
|
Don Juan: Canto the Eighth
|
2
|
14%
|
0
|
0%
|
|
23
|
Don Juan: Canto the First
|
10
|
71%
|
0
|
0%
|
|
24
|
Don Juan: Dedication
|
1
|
7%
|
0
|
0%
|
|
25
|
Elegiac Stanzas On The Death Of Sir Peter Parker, Bart.
|
3
|
21%
|
0
|
0%
|
|
26
|
Elegy On Newstead Abbey
|
1
|
7%
|
0
|
0%
|
|
27
|
Endorsement To The Deed Of Separation In The April Of 1816
|
1
|
7%
|
0
|
0%
|
|
28
|
English Bards and Scotch Reviewers (excerpt)
|
1
|
7%
|
0
|
0%
|
|
29
|
English Bards and Scotch Reviewers: A Satire
|
1
|
7%
|
0
|
0%
|
|
30
|
Epigram
|
4
|
28%
|
0
|
0%
|
|
31
|
Epigram On My Wedding- Day To Penelope
|
1
|
7%
|
0
|
0%
|
|
32
|
Epigram, On The Braziers' Company Having Resolved To Present An Address To Queen Caroline
|
1
|
7%
|
0
|
0%
|
|
33
|
Epigram: The World Is A Bundle Of Hay
|
1
|
7%
|
0
|
0%
|
|
34
|
Epigrams
|
2
|
14%
|
0
|
0%
|
|
35
|
Epistle To A Friend, In Answer To Some Lines Exhorting The Author To Be Cheerful, And To Banish Care
|
1
|
7%
|
0
|
0%
|
|
36
|
Epistle To Augusta
|
1
|
7%
|
0
|
0%
|
|
37
|
Epistle To Mr. Murray
|
1
|
7%
|
0
|
0%
|
|
38
|
Epitaph
|
2
|
14%
|
0
|
0%
|
|
39
|
Epitaph For Joseph Blackett, Late Poet And Shoemaker
|
1
|
7%
|
0
|
0%
|
|
40
|
Epitaph For William Pitt
|
1
|
7%
|
0
|
0%
|
|
41
|
Epitaph On John Adams, Of Southwell - A Carrier, Who Died Of Drunkenness
|
1
|
7%
|
0
|
0%
|
|
42
|
Euthanasia
|
3
|
21%
|
0
|
0%
|
|
43
|
Fare Thee Well
|
1
|
7%
|
0
|
0%
|
|
44
|
Farewell To Malta
|
1
|
7%
|
0
|
0%
|
|
45
|
Farewell To The Muse
|
1
|
7%
|
0
|
0%
|
|
46
|
Farewell! If Ever Fondest Prayer
|
3
|
21%
|
0
|
0%
|
|
47
|
Fill The Goblet Again: A Song
|
1
|
7%
|
0
|
0%
|
|
48
|
Fragment Of An Epistle To Thomas Moore
|
1
|
7%
|
0
|
0%
|
|
49
|
From The French
|
1
|
7%
|
0
|
0%
|
|
50
|
From The Last Hill That Looks On Thy Once Holy Dome
|
1
|
7%
|
0
|
0%
|
|
51
|
I Saw Thee Weep
|
1
|
7%
|
0
|
0%
|
|
52
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
1
|
7%
|
0
|
0%
|
|
53
|
I Would I Were a Careless Child
|
1
|
7%
|
0
|
0%
|
|
54
|
I would to heaven that I were so much clay
|
1
|
7%
|
0
|
0%
|
|
55
|
If Sometimes In The Haunts Of Men
|
1
|
7%
|
0
|
0%
|
|
56
|
If That High World
|
2
|
14%
|
0
|
0%
|
|
57
|
Impromptus
|
1
|
7%
|
0
|
0%
|
|
58
|
In The Valley Of The Waters
|
1
|
7%
|
0
|
0%
|
|
59
|
It Is the Hour
|
6
|
42%
|
0
|
0%
|
|
60
|
Jeptha's Daughter
|
1
|
7%
|
0
|
0%
|
|
61
|
John Keats
|
2
|
14%
|
0
|
0%
|
|
62
|
Lara
|
2
|
14%
|
0
|
0%
|
|
63
|
Lines Addressed To A Young Lady
|
1
|
7%
|
0
|
0%
|
|
64
|
Lines On Hearing That Lady Byron Was Ill
|
1
|
7%
|
0
|
0%
|
|
65
|
Lines on Mr. Hodgson Written on Board the Lisbon Packet
|
1
|
7%
|
0
|
0%
|
|
66
|
Lines Written Beneath A Picture
|
1
|
7%
|
0
|
0%
|
|
67
|
Lines Written Beneath An Elm In The Churchyard Of Harrow On The Hill, Sept. 2, 1807
|
1
|
7%
|
0
|
0%
|
|
68
|
Love's Last Adieu
|
2
|
14%
|
0
|
0%
|
|
69
|
Manfred (excerpt: Incantation)
|
1
|
7%
|
0
|
0%
|
|
70
|
My Epitaph
|
1
|
7%
|
0
|
0%
|
|
71
|
My Soul Is Dark
|
1
|
7%
|
0
|
0%
|
|
72
|
My Soul is Dark
|
1
|
7%
|
0
|
0%
|
|
73
|
Napoleon's Farewell (From The French)
|
1
|
7%
|
0
|
0%
|
|
74
|
Ode (From The French)
|
1
|
7%
|
0
|
0%
|
|
75
|
Ode On Venice
|
2
|
14%
|
0
|
0%
|
|
76
|
Oh! snatched away in beauty's bloom
|
1
|
7%
|
0
|
0%
|
|
77
|
Oh! Weep For Those
|
1
|
7%
|
0
|
0%
|
|
78
|
On A Distant View Of Harrow
|
1
|
7%
|
0
|
0%
|
|
79
|
On Being Asked What Was The 'Origin Of Love'
|
1
|
7%
|
0
|
0%
|
|
80
|
On Finding A Fan
|
1
|
7%
|
0
|
0%
|
|
81
|
On Lord Thurlow's Poems
|
1
|
7%
|
0
|
0%
|
|
82
|
On My Wedding-Day
|
1
|
7%
|
0
|
0%
|
|
83
|
On Parting
|
2
|
14%
|
0
|
0%
|
|
84
|
One Struggle More, And I Am Free
|
1
|
7%
|
0
|
0%
|
|
85
|
Remember Him, Whom Passion's Power
|
1
|
7%
|
0
|
0%
|
|
86
|
Remember Thee! Remember Thee!
|
1
|
7%
|
0
|
0%
|
|
87
|
Remembrance
|
1
|
7%
|
0
|
0%
|
|
88
|
She Walks In Beauty
|
3
|
21%
|
0
|
0%
|
|
89
|
So We'll Go No More a-Roving
|
1
|
7%
|
0
|
0%
|
|
90
|
Solitude
|
2
|
14%
|
0
|
0%
|
|
91
|
Stanzas
|
1
|
7%
|
0
|
0%
|
|
92
|
Stanzas For Music: There's Not A Joy The World Can Give
|
3
|
21%
|
0
|
0%
|
|
93
|
Stanzas For Music: They Say That Hope Is Happiness
|
2
|
14%
|
0
|
0%
|
|
94
|
Stanzas To Jessy
|
1
|
7%
|
0
|
0%
|
|
95
|
The Charity Ball
|
1
|
7%
|
0
|
0%
|
|
96
|
The Corsair
|
6
|
42%
|
0
|
0%
|
|
97
|
The Dark, Blue Sea
|
1
|
7%
|
0
|
0%
|
|
98
|
The Destruction of Sennacherib
|
2
|
14%
|
0
|
0%
|
|
99
|
The Devil's Drive: An Unfinished Rhapsody
|
2
|
14%
|
0
|
0%
|
|
100
|
The Dream
|
1
|
7%
|
0
|
0%
|
|
101
|
The First Kiss Of Love
|
1
|
7%
|
0
|
0%
|
|
102
|
The Giaour: A Fragment Of A Turkish Tale
|
1
|
7%
|
0
|
0%
|
|
103
|
The Tear
|
2
|
14%
|
0
|
0%
|
|
104
|
The Vision of Judgment
|
1
|
7%
|
0
|
0%
|
|
105
|
There Be None of Beauty's Daughters
|
1
|
7%
|
0
|
0%
|
|
106
|
There Is Pleasure In The Pathless Woods
|
5
|
35%
|
0
|
0%
|
|
107
|
Thy Days Are Done
|
1
|
7%
|
0
|
0%
|
|
108
|
To A Lady
|
1
|
7%
|
0
|
0%
|
|
109
|
To A Lady, On Being Asked My Reasons For Quitting England In The Spring
|
1
|
7%
|
0
|
0%
|
|
110
|
To A Vain Lady
|
1
|
7%
|
0
|
0%
|
|
111
|
To A Youthful Friend
|
1
|
7%
|
0
|
0%
|
|
112
|
To Anne
|
2
|
14%
|
0
|
0%
|
|
113
|
To Anne: Oh, Say Not, Sweet Anne
|
1
|
7%
|
0
|
0%
|
|
114
|
To Belshazzar
|
1
|
7%
|
0
|
0%
|
|
115
|
To Caroline
|
1
|
7%
|
0
|
0%
|
|
116
|
To Caroline: Oh When Shall The Grave Hide
|
1
|
7%
|
0
|
0%
|
|
117
|
To Caroline: When I Hear That You Express An Affection So Warm
|
1
|
7%
|
0
|
0%
|
|
118
|
To D--
|
1
|
7%
|
0
|
0%
|
|
119
|
To Dives. A Fragment
|
1
|
7%
|
0
|
0%
|
|
120
|
To E---
|
1
|
7%
|
0
|
0%
|
|
121
|
To Edward Noel Long, Esq.
|
1
|
7%
|
0
|
0%
|
|
122
|
To Eliza
|
1
|
7%
|
0
|
0%
|
|
123
|
To Emma
|
1
|
7%
|
0
|
0%
|
|
124
|
To Florence
|
1
|
7%
|
0
|
0%
|
|
125
|
To Lesbia
|
1
|
7%
|
0
|
0%
|
|
126
|
To M
|
1
|
7%
|
0
|
0%
|
|
127
|
To M--
|
1
|
7%
|
0
|
0%
|
|
128
|
To M. S. G.
|
1
|
7%
|
0
|
0%
|
|
129
|
To M. S. G. : When I Dream That You Love Me
|
3
|
21%
|
0
|
0%
|
|
130
|
To Marion
|
1
|
7%
|
0
|
0%
|
|
131
|
To Mary, On Receiving Her Picture
|
1
|
7%
|
0
|
0%
|
|
132
|
To Romance
|
1
|
7%
|
0
|
0%
|
|
133
|
To The Author Of A Sonnet, Beginning, '
|
1
|
7%
|
0
|
0%
|
|
134
|
To The Author Of A Sonnet, Beginning, '
|
1
|
7%
|
0
|
0%
|
|
135
|
To The Countess Of Blessington
|
1
|
7%
|
0
|
0%
|
|
136
|
To Thyrza: And Thou Art Dead
|
1
|
7%
|
0
|
0%
|
|
137
|
To Thyrza: And Thou Art Dead, As Young And Fair
|
1
|
7%
|
0
|
0%
|
|
138
|
To Time
|
1
|
7%
|
0
|
0%
|
|
139
|
To Woman
|
1
|
7%
|
0
|
0%
|
|
140
|
Translation Of A Romaic Love Song
|
1
|
7%
|
0
|
0%
|
|
141
|
Translation Of The Romaic Song
|
1
|
7%
|
0
|
0%
|
|
142
|
We Sate Down And Wept By The Waters
|
1
|
7%
|
0
|
0%
|
|
143
|
Well! Thou Art Happy
|
2
|
14%
|
0
|
0%
|
|
144
|
Were My Bosom As False as Thou Deem'st It To Be
|
1
|
7%
|
0
|
0%
|
|
145
|
When Coldness Wraps This Suffering Clay
|
1
|
7%
|
0
|
0%
|
|
146
|
When We Two Parted
|
2
|
14%
|
0
|
0%
|
|
147
|
Windsor Poetics : Lines Composed On The Occasion Of His Royal Highness The Prince Regent Being Seen Standing Between The Coffins Of Henry VIII And Charles I, In The Royal Vault At Windsor
|
1
|
7%
|
0
|
0%
|
|
148
|
Written After Swimming from Sestos to Abydos
|
1
|
7%
|
0
|
0%
|
|
149
|
Written Shortly After The Marriage Of Miss Chaworth
|
1
|
7%
|
0
|
0%
|
