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1
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A Fragment: When, To Their Airy Hall
|
1
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12%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
5
|
62%
|
0
|
0%
|
|
3
|
A Sketch
|
7
|
87%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
1
|
12%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
2
|
25%
|
0
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0%
|
|
6
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
1
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12%
|
0
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0%
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|
7
|
Adieu, Adieu! My Native Shore
|
1
|
12%
|
0
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0%
|
|
8
|
Adrian's Address To His Soul When Dying
|
1
|
12%
|
0
|
0%
|
|
9
|
All Is Vanity, Saieth the Preacher
|
1
|
12%
|
0
|
0%
|
|
10
|
All Is Vanity, Saieth the Preacher
|
1
|
12%
|
0
|
0%
|
|
11
|
An Occasional Prologue, Delivered Previous To The Performance Of 'The Wheel Of Fortune' At A Private Theatre
|
1
|
12%
|
0
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0%
|
|
12
|
And Wilt Thou Weep When I Am Low?
|
4
|
50%
|
0
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0%
|
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13
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
1
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12%
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0
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0%
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14
|
Answer To Some Elegant Verses Sent By A Friend To The Author, Complaining That One Of His Descriptions Was Rather Too Warmly Drawn
|
2
|
25%
|
0
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0%
|
|
15
|
Away, Away, Ye Notes Of Woe!
|
1
|
12%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
8
|
100%
|
0
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0%
|
|
17
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
4
|
50%
|
0
|
0%
|
|
18
|
Childe Harold's Pilgrimage: Canto the Fourth
|
8
|
100%
|
0
|
0%
|
|
19
|
Childe Harold's Pilgrimage: Canto the Third
|
1
|
12%
|
0
|
0%
|
|
20
|
Darkness
|
2
|
25%
|
0
|
0%
|
|
21
|
Don Juan: Canto The Fifteenth
|
1
|
12%
|
0
|
0%
|
|
22
|
Don Juan: Canto the First
|
8
|
100%
|
0
|
0%
|
|
23
|
Don Juan: Canto The Fourteenth
|
1
|
12%
|
0
|
0%
|
|
24
|
Don Juan: Canto The Fourth
|
1
|
12%
|
0
|
0%
|
|
25
|
Epigram
|
1
|
12%
|
0
|
0%
|
|
26
|
Epigram On My Wedding- Day To Penelope
|
2
|
25%
|
0
|
0%
|
|
27
|
Epitaph
|
1
|
12%
|
0
|
0%
|
|
28
|
Euthanasia
|
1
|
12%
|
0
|
0%
|
|
29
|
Fare Thee Well
|
1
|
12%
|
0
|
0%
|
|
30
|
Farewell To Malta
|
2
|
25%
|
0
|
0%
|
|
31
|
Farewell! If Ever Fondest Prayer
|
1
|
12%
|
0
|
0%
|
|
32
|
Francisca
|
1
|
12%
|
0
|
0%
|
|
33
|
I would to heaven that I were so much clay
|
1
|
12%
|
0
|
0%
|
|
34
|
Impromptu, In Reply To A Friend
|
1
|
12%
|
0
|
0%
|
|
35
|
Impromptus
|
3
|
37%
|
0
|
0%
|
|
36
|
In The Valley Of The Waters
|
2
|
25%
|
0
|
0%
|
|
37
|
It Is the Hour
|
4
|
50%
|
0
|
0%
|
|
38
|
John Keats
|
3
|
37%
|
0
|
0%
|
|
39
|
L'Amitté Est L'Amour
|
1
|
12%
|
0
|
0%
|
|
40
|
Lara
|
3
|
37%
|
0
|
0%
|
|
41
|
Lines Addressed To A Young Lady
|
1
|
12%
|
0
|
0%
|
|
42
|
Lines To A Lady Weeping
|
1
|
12%
|
0
|
0%
|
|
43
|
Love's Last Adieu
|
2
|
25%
|
0
|
0%
|
|
44
|
Maid Of Athens, Ere We Part
|
1
|
12%
|
0
|
0%
|
|
45
|
Manfred (excerpt: Incantation)
|
2
|
25%
|
0
|
0%
|
|
46
|
Martial, Lib. I, Epig. I.
|
1
|
12%
|
0
|
0%
|
|
47
|
Mazeppa
|
1
|
12%
|
0
|
0%
|
|
48
|
Monody On The Death Of The Right Hon. R. B. Sheridan
|
1
|
12%
|
0
|
0%
|
|
49
|
My Epitaph
|
1
|
12%
|
0
|
0%
|
|
50
|
My Soul Is Dark
|
2
|
25%
|
0
|
0%
|
|
51
|
My Soul is Dark
|
1
|
12%
|
0
|
0%
|
|
52
|
Napoleon's Farewell (From The French)
|
1
|
12%
|
0
|
0%
|
|
53
|
Ode (From The French)
|
1
|
12%
|
0
|
0%
|
|
54
|
Ode On Venice
|
7
|
87%
|
0
|
0%
|
|
55
|
Ode To Napoleon Buonaparte
|
2
|
25%
|
0
|
0%
|
|
56
|
Oh! snatched away in beauty's bloom
|
1
|
12%
|
0
|
0%
|
|
57
|
Oh! Weep For Those
|
2
|
25%
|
0
|
0%
|
|
58
|
On A Change Of Masters At A Great Public School
|
1
|
12%
|
0
|
0%
|
|
59
|
On A Cornelian Heart Which Was Broken
|
1
|
12%
|
0
|
0%
|
|
60
|
On A Distant View Of Harrow
|
1
|
12%
|
0
|
0%
|
|
61
|
On A Distant View Of The Village And School Of The Harrow Hill
|
1
|
12%
|
0
|
0%
|
|
62
|
On A Nun
|
2
|
25%
|
0
|
0%
|
|
63
|
On Being Asked What Was The 'Origin Of Love'
|
2
|
25%
|
0
|
0%
|
|
64
|
On Chillon
|
2
|
25%
|
0
|
0%
|
|
65
|
On Finding A Fan
|
1
|
12%
|
0
|
0%
|
|
66
|
On Jordan's Banks
|
1
|
12%
|
0
|
0%
|
|
67
|
On Leaving Newstead Abbey
|
1
|
12%
|
0
|
0%
|
|
68
|
On Lord Thurlow's Poems
|
1
|
12%
|
0
|
0%
|
|
69
|
On Moore's Last Operatic Farce, Or Farcical Opera
|
1
|
12%
|
0
|
0%
|
|
70
|
On My Thirty-Third Birthday, January 22, 1821
|
1
|
12%
|
0
|
0%
|
|
71
|
On My Wedding-Day
|
5
|
62%
|
0
|
0%
|
|
72
|
On Napoleon's Escape From Elba
|
1
|
12%
|
0
|
0%
|
|
73
|
On Parting
|
1
|
12%
|
0
|
0%
|
|
74
|
On The Bust Of Helen By Canova
|
1
|
12%
|
0
|
0%
|
|
75
|
On The Day Of The Destruction Of Jerusalem By Titus
|
3
|
37%
|
0
|
0%
|
|
76
|
On The Death Of A Young Lady
|
1
|
12%
|
0
|
0%
|
|
77
|
On The Death Of Mr. Fox
|
1
|
12%
|
0
|
0%
|
|
78
|
On this Day I Complete my Thirty-Sixth Year
|
1
|
12%
|
0
|
0%
|
|
79
|
Remember Thee! Remember Thee!
|
1
|
12%
|
0
|
0%
|
|
80
|
Remembrance
|
1
|
12%
|
0
|
0%
|
|
81
|
She Walks In Beauty
|
3
|
37%
|
0
|
0%
|
|
82
|
So We'll Go No More a-Roving
|
4
|
50%
|
0
|
0%
|
|
83
|
Solitude
|
2
|
25%
|
0
|
0%
|
|
84
|
Song For The Luddites
|
1
|
12%
|
0
|
0%
|
|
85
|
Stanzas Composed During A Thunderstorm
|
1
|
12%
|
0
|
0%
|
|
86
|
Stanzas To Augusta
|
1
|
12%
|
0
|
0%
|
|
87
|
Stanzas Written On The Road Between Florence And Pisa
|
3
|
37%
|
0
|
0%
|
|
88
|
Stanzas: When A Man Hath No Freedom
|
1
|
12%
|
0
|
0%
|
|
89
|
The Corsair
|
5
|
62%
|
0
|
0%
|
|
90
|
The First Kiss Of Love
|
2
|
25%
|
0
|
0%
|
|
91
|
The Irish Avatar
|
1
|
12%
|
0
|
0%
|
|
92
|
The Prayer Of Nature
|
5
|
62%
|
0
|
0%
|
|
93
|
The Spell Is Broke, The Charm Is Flown!
|
1
|
12%
|
0
|
0%
|
|
94
|
There Is Pleasure In The Pathless Woods
|
4
|
50%
|
0
|
0%
|
|
95
|
Thou Art Not False, But Thou Art Fickle
|
1
|
12%
|
0
|
0%
|
|
96
|
Thoughts Suggested By A College Examination
|
1
|
12%
|
0
|
0%
|
|
97
|
To Belshazzar
|
1
|
12%
|
0
|
0%
|
|
98
|
To My Son
|
1
|
12%
|
0
|
0%
|
|
99
|
To Thomas Moore (My Boat Is On The Shore)
|
2
|
25%
|
0
|
0%
|
|
100
|
To Woman
|
1
|
12%
|
0
|
0%
|
|
101
|
Translation Of The Nurse's Dole In The Medea Of Euripides
|
1
|
12%
|
0
|
0%
|
|
102
|
When Coldness Wraps This Suffering Clay
|
1
|
12%
|
0
|
0%
|
|
103
|
Written After Swimming from Sestos to Abydos
|
1
|
12%
|
0
|
0%
|