|
1
|
A Fragment: When, To Their Airy Hall
|
3
|
21%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
3
|
21%
|
0
|
0%
|
|
3
|
A Sketch
|
1
|
7%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
1
|
7%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
1
|
7%
|
0
|
0%
|
|
6
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
1
|
7%
|
0
|
0%
|
|
7
|
Adieu, Adieu! My Native Shore
|
2
|
14%
|
0
|
0%
|
|
8
|
Adrian's Address To His Soul When Dying
|
1
|
7%
|
0
|
0%
|
|
9
|
All Is Vanity, Saieth the Preacher
|
4
|
28%
|
0
|
0%
|
|
10
|
And Wilt Thou Weep When I Am Low?
|
1
|
7%
|
0
|
0%
|
|
11
|
Away, Away, Ye Notes Of Woe!
|
1
|
7%
|
0
|
0%
|
|
12
|
Bright Be The Place Of Thy Soul!
|
3
|
21%
|
0
|
0%
|
|
13
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
2
|
14%
|
0
|
0%
|
|
14
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
14
|
100%
|
0
|
0%
|
|
15
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
2
|
14%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: A Romaunt. Canto III.
|
1
|
7%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: Canto the Fourth
|
10
|
71%
|
0
|
0%
|
|
18
|
Childe Harold's Pilgrimage: Canto the Third
|
7
|
50%
|
0
|
0%
|
|
19
|
Childish Recollections
|
1
|
7%
|
0
|
0%
|
|
20
|
Darkness
|
2
|
14%
|
0
|
0%
|
|
21
|
Dear Doctor, I have Read your Play
|
3
|
21%
|
0
|
0%
|
|
22
|
Don Juan: Canto the First
|
4
|
28%
|
0
|
0%
|
|
23
|
Don Juan: Dedication
|
1
|
7%
|
0
|
0%
|
|
24
|
Epitaph On A Beloved Friend
|
1
|
7%
|
0
|
0%
|
|
25
|
Fare Thee Well
|
3
|
21%
|
0
|
0%
|
|
26
|
Fill The Goblet Again: A Song
|
2
|
14%
|
0
|
0%
|
|
27
|
From The Prometheus Vinctus Of Aeschylus
|
1
|
7%
|
0
|
0%
|
|
28
|
Herod's Lament For Mariamne
|
1
|
7%
|
0
|
0%
|
|
29
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
1
|
7%
|
0
|
0%
|
|
30
|
If Sometimes In The Haunts Of Men
|
2
|
14%
|
0
|
0%
|
|
31
|
It Is the Hour
|
3
|
21%
|
0
|
0%
|
|
32
|
Jeptha's Daughter
|
1
|
7%
|
0
|
0%
|
|
33
|
John Keats
|
1
|
7%
|
0
|
0%
|
|
34
|
John Keats,
|
1
|
7%
|
0
|
0%
|
|
35
|
Lara
|
4
|
28%
|
0
|
0%
|
|
36
|
Lines To A Lady Weeping
|
2
|
14%
|
0
|
0%
|
|
37
|
Love's Last Adieu
|
1
|
7%
|
0
|
0%
|
|
38
|
Manfred (excerpt: Incantation)
|
2
|
14%
|
0
|
0%
|
|
39
|
Napoleon's Farewell (From The French)
|
1
|
7%
|
0
|
0%
|
|
40
|
On A Distant View Of The Village And School Of The Harrow Hill
|
1
|
7%
|
0
|
0%
|
|
41
|
On A Nun
|
3
|
21%
|
0
|
0%
|
|
42
|
On My Wedding-Day
|
1
|
7%
|
0
|
0%
|
|
43
|
On Parting
|
2
|
14%
|
0
|
0%
|
|
44
|
One Struggle More, And I Am Free
|
1
|
7%
|
0
|
0%
|
|
45
|
Remember Him, Whom Passion's Power
|
1
|
7%
|
0
|
0%
|
|
46
|
She Walks In Beauty
|
1
|
7%
|
0
|
0%
|
|
47
|
Sonnet - to Genevra
|
1
|
7%
|
0
|
0%
|
|
48
|
Stanzas For Music: They Say That Hope Is Happiness
|
5
|
35%
|
0
|
0%
|
|
49
|
Stanzas To A Lady, On Leaving England
|
2
|
14%
|
0
|
0%
|
|
50
|
The Corsair
|
2
|
14%
|
0
|
0%
|
|
51
|
The Dark, Blue Sea
|
3
|
21%
|
0
|
0%
|
|
52
|
The Eve Of Waterloo
|
1
|
7%
|
0
|
0%
|
|
53
|
The First Kiss Of Love
|
2
|
14%
|
0
|
0%
|
|
54
|
The Irish Avatar
|
1
|
7%
|
0
|
0%
|
|
55
|
The Lament Of Tasso
|
2
|
14%
|
0
|
0%
|
|
56
|
The Spell Is Broke, The Charm Is Flown!
|
2
|
14%
|
0
|
0%
|
|
57
|
The Tear
|
1
|
7%
|
0
|
0%
|
|
58
|
The Vision of Judgment
|
3
|
21%
|
0
|
0%
|
|
59
|
The Wild Gazelle
|
2
|
14%
|
0
|
0%
|
|
60
|
There Be None of Beauty's Daughters
|
5
|
35%
|
0
|
0%
|
|
61
|
There Is Pleasure In The Pathless Woods
|
7
|
50%
|
0
|
0%
|
|
62
|
To A Lady, On Being Asked My Reasons For Quitting England In The Spring
|
1
|
7%
|
0
|
0%
|
|
63
|
To A Lady, Who Presented To The Author A Lock Of Hair Braided With His Own, And Appointed A Night In December To Meet Him In The Garden
|
1
|
7%
|
0
|
0%
|
|
64
|
To Dives. A Fragment
|
1
|
7%
|
0
|
0%
|
|
65
|
To M
|
1
|
7%
|
0
|
0%
|
|
66
|
To Thomas Moore (My Boat Is On The Shore)
|
1
|
7%
|
0
|
0%
|
|
67
|
Well! Thou Art Happy
|
1
|
7%
|
0
|
0%
|
|
68
|
When Coldness Wraps This Suffering Clay
|
1
|
7%
|
0
|
0%
|
|
69
|
When We Two Parted
|
3
|
21%
|
0
|
0%
|
|
70
|
Windsor Poetics : Lines Composed On The Occasion Of His Royal Highness The Prince Regent Being Seen Standing Between The Coffins Of Henry VIII And Charles I, In The Royal Vault At Windsor
|
1
|
7%
|
0
|
0%
|
