|
1
|
A Fragment: When, To Their Airy Hall
|
8
|
36%
|
0
|
0%
|
|
2
|
A Riddle, On The Letter E
|
15
|
68%
|
0
|
0%
|
|
3
|
A Sketch
|
7
|
31%
|
0
|
0%
|
|
4
|
A Spirit Passed Before Me [From Job]
|
1
|
4%
|
0
|
0%
|
|
5
|
A Very Mournful Ballad On The Siege And Conquest Of Alhama
|
2
|
9%
|
0
|
0%
|
|
6
|
Address, Spoken At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
|
1
|
4%
|
0
|
0%
|
|
7
|
Adieu, Adieu! My Native Shore
|
3
|
13%
|
0
|
0%
|
|
8
|
Adrian's Address To His Soul When Dying
|
1
|
4%
|
0
|
0%
|
|
9
|
All Is Vanity, Saieth the Preacher
|
1
|
4%
|
0
|
0%
|
|
10
|
All Is Vanity, Saieth the Preacher
|
1
|
4%
|
0
|
0%
|
|
11
|
An Occasional Prologue, Delivered Previous To The Performance Of 'The Wheel Of Fortune' At A Private Theatre
|
1
|
4%
|
0
|
0%
|
|
12
|
And Wilt Thou Weep When I Am Low?
|
3
|
13%
|
0
|
0%
|
|
13
|
Answer To A Beautiful Poem, Entitled 'The Common Lot'
|
4
|
18%
|
0
|
0%
|
|
14
|
Answer To Some Elegant Verses Sent By A Friend To The Author, Complaining That One Of His Descriptions Was Rather Too Warmly Drawn
|
2
|
9%
|
0
|
0%
|
|
15
|
Beppo, A Venetian Story
|
1
|
4%
|
0
|
0%
|
|
16
|
Childe Harold's Pilgrimage: A Romaunt. Canto I.
|
3
|
13%
|
0
|
0%
|
|
17
|
Childe Harold's Pilgrimage: A Romaunt. Canto IV.
|
2
|
9%
|
0
|
0%
|
|
18
|
Childe Harold's Pilgrimage: A Romaunt. Canto II.
|
5
|
22%
|
0
|
0%
|
|
19
|
Darkness
|
3
|
13%
|
0
|
0%
|
|
20
|
Dear Doctor, I have Read your Play
|
2
|
9%
|
0
|
0%
|
|
21
|
Don Juan: Canto the Eighth
|
1
|
4%
|
0
|
0%
|
|
22
|
Don Juan: Canto the First
|
11
|
50%
|
0
|
0%
|
|
23
|
Don Juan: Canto The Sixteenth
|
1
|
4%
|
0
|
0%
|
|
24
|
Epigram On My Wedding- Day To Penelope
|
1
|
4%
|
0
|
0%
|
|
25
|
Euthanasia
|
1
|
4%
|
0
|
0%
|
|
26
|
Fare Thee Well
|
2
|
9%
|
0
|
0%
|
|
27
|
Farewell! If Ever Fondest Prayer
|
1
|
4%
|
0
|
0%
|
|
28
|
Fragment Of An Epistle To Thomas Moore
|
1
|
4%
|
0
|
0%
|
|
29
|
I Speak Not, I Trace Not, I Breathe Not Thy Name
|
1
|
4%
|
0
|
0%
|
|
30
|
I Would I Were a Careless Child
|
2
|
9%
|
0
|
0%
|
|
31
|
Impromptus
|
1
|
4%
|
0
|
0%
|
|
32
|
It Is the Hour
|
2
|
9%
|
0
|
0%
|
|
33
|
L'Amitté Est L'Amour
|
1
|
4%
|
0
|
0%
|
|
34
|
Lara
|
2
|
9%
|
0
|
0%
|
|
35
|
Lines Inscribed Upon A Cup Formed From A Skull
|
1
|
4%
|
0
|
0%
|
|
36
|
Maid Of Athens, Ere We Part
|
4
|
18%
|
0
|
0%
|
|
37
|
Manfred (excerpt: Incantation)
|
3
|
13%
|
0
|
0%
|
|
38
|
Martial, Lib. I, Epig. I.
|
1
|
4%
|
0
|
0%
|
|
39
|
My Soul is Dark
|
3
|
13%
|
0
|
0%
|
|
40
|
Ode On Venice
|
2
|
9%
|
0
|
0%
|
|
41
|
On Parting
|
1
|
4%
|
0
|
0%
|
|
42
|
On The Death Of Mr. Fox
|
1
|
4%
|
0
|
0%
|
|
43
|
Parisina
|
1
|
4%
|
0
|
0%
|
|
44
|
Remember Him, Whom Passion's Power
|
1
|
4%
|
0
|
0%
|
|
45
|
She Walks In Beauty
|
13
|
59%
|
0
|
0%
|
|
46
|
So We'll Go No More a-Roving
|
1
|
4%
|
0
|
0%
|
|
47
|
Solitude
|
1
|
4%
|
0
|
0%
|
|
48
|
Stanzas
|
1
|
4%
|
0
|
0%
|
|
49
|
Stanzas Written On The Road Between Florence And Pisa
|
1
|
4%
|
0
|
0%
|
|
50
|
Stanzas: When A Man Hath No Freedom
|
2
|
9%
|
0
|
0%
|
|
51
|
The Cornelian
|
2
|
9%
|
0
|
0%
|
|
52
|
The Corsair
|
22
|
100%
|
0
|
0%
|
|
53
|
The Dark, Blue Sea
|
1
|
4%
|
0
|
0%
|
|
54
|
The Dream
|
5
|
22%
|
0
|
0%
|
|
55
|
The Eve Of Waterloo
|
4
|
18%
|
0
|
0%
|
|
56
|
The First Kiss Of Love
|
5
|
22%
|
0
|
0%
|
|
57
|
The Prayer Of Nature
|
1
|
4%
|
0
|
0%
|
|
58
|
The Tear
|
1
|
4%
|
0
|
0%
|
|
59
|
There Is Pleasure In The Pathless Woods
|
3
|
13%
|
0
|
0%
|
|
60
|
There Was A Time, I Need Not Name
|
1
|
4%
|
0
|
0%
|
|
61
|
To A Lady
|
1
|
4%
|
0
|
0%
|
|
62
|
To Romance
|
1
|
4%
|
0
|
0%
|
|
63
|
To Thyrza: And Thou Art Dead, As Young And Fair
|
1
|
4%
|
0
|
0%
|
|
64
|
To Woman
|
1
|
4%
|
0
|
0%
|
|
65
|
Translation Of The Famous Greek War Song
|
1
|
4%
|
0
|
0%
|
|
66
|
Verses Found In A Summerhouse At Hales-Owen
|
2
|
9%
|
0
|
0%
|
|
67
|
Vision of Belshazzar
|
2
|
9%
|
0
|
0%
|
|
68
|
When We Two Parted
|
5
|
22%
|
0
|
0%
|