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Guillaume Apollinaire

(26 August 1880 – 9 November 1918 / Rome)

Biography of Guillaume Apollinaire

Guillaume Apollinaire poet

Wilhelm Albert Włodzimierz Apolinary Kostrowicki, known as Guillaume Apollinaire was a French poet, playwright, short story writer, novelist, and art critic born in Italy to a Polish mother.

Among the foremost poets of the early 20th century, he is credited with coining the word Surrealism and writing one of the earliest works described as surrealist, the play The Breasts of Tiresias (1917, used as the basis for a 1947 opera). Two years after being wounded in World War I, he died in the Spanish flu pandemic of 1918 at age 38.

Biography

Born Wilhelm Albert Włodzimierz Apolinary Kostrowicki and raised speaking French, among other languages, he emigrated to France and adopted the name Guillaume Apollinaire. His mother, born Angelica Kostrowicka, was a Polish noblewoman born near Navahrudak (now in Belarus). Apollinaire's father is unknown but may have been Francesco Flugi d'Aspermont, a Swiss Italian aristocrat who disappeared early from Apollinaire's life. Apollinaire was partly educated in Monaco.

Apollinaire was one of the most popular members of the artistic community of Montparnasse in Paris. His friends and collaborators in that period included Pablo Picasso, Gertrude Stein, Max Jacob, André Salmon, Marie Laurencin, Andre Breton, André Derain, Faik Konica, Blaise Cendrars, Pierre Reverdy, Alexandra Exter, Jean Cocteau, Erik Satie, Ossip Zadkine, Marc Chagall and Marcel Duchamp. In 1911, he joined the Puteaux Group, a branch of the cubist movement.

On September 7, 1911, police arrested and jailed him on suspicion of stealing the Mona Lisa, but released him a week later. Apollinaire then implicated his friend Pablo Picasso, who was also brought in for questioning in the art theft, but he was also exonerated.

He fought in World War I and, in 1916, received a serious shrapnel wound to the temple. He wrote Les Mamelles de Tirésias while recovering from this wound. During this period he coined the word surrealism in the program notes for Jean Cocteau and Erik Satie's ballet Parade, first performed on 18 May 1917. He also published an artistic manifesto, L'Esprit nouveau et les poètes. Apollinaire's status as a literary critic is most famous and influential in his recognition of the Marquis de Sade, whose works were for a long time obscure, yet arising in popularity as an influence upon the Dada and Surrealist art movements going on in Montparnasse at the beginning of the twentieth century as, "The freest spirit that ever existed."

The war-weakened Apollinaire died of influenza during the Spanish Flu pandemic of 1918. He was interred in the Le Père Lachaise Cemetery, Paris.

In 1900 he wrote his first pornographic novel, Mirely, ou le petit trou pas cher, which was eventually lost. Apollinaire's first collection of poetry was L'enchanteur pourrissant (1909), but Alcools (1913) established his reputation. The poems, influenced in part by the Symbolists, juxtapose the old and the new, combining traditional poetic forms with modern imagery. In 1913, Apollinaire published the essay Les Peintres cubistes on the cubist painters, a movement which he helped to define. He also coined the term orphism to describe a tendency towards absolute abstraction in the paintings of Robert Delaunay and others.

In 1907, Apollinaire wrote the well-known erotic novel, The Eleven Thousand Rods (Les Onze Mille Verges). Officially banned in France until 1970, various printings of it circulated widely for many years. Apollinaire never publicly acknowledged authorship of the novel. Another erotic novel attributed to him was The Exploits of a Young Don Juan (Les exploits d'un jeune Don Juan), in which the 15-year-old hero fathers three children with various members of his entourage, including his aunt. The book was made into a movie in 1987.

Shortly after his death, Calligrammes, a collection of his concrete poetry (poetry in which typography and layout adds to the overall effect), and more orthodox, though still modernist poems informed by Apollinaire's experiences in the First World War and in which he often used the technique of automatic writing, was published.

In his youth Apollinaire lived for a short while in Belgium, mastering the Walloon dialect sufficiently to write poetry through that medium, some of which has survived.

Guillaume Apollinaire's Works:

Poetry

Le bestiaire ou le cortège d’Orphée, 1911
Alcools, 1913
Vitam impendere amori', 1917
Calligrammes, poèmes de la paix et de la guerre 1913-1916, 1918 (published shortly after Apollinaire's death)
Il y a..., 1925
Julie ou la rose, 1927
Ombre de mon amour, poems addressed to Louise de Coligny-Châtillon, 1947
Poèmes secrets à Madeleine, pirated edition, 1949
Le Guetteur mélancolique, previously unpublished works, 1952
Poèmes à Lou, 1955
Soldes, previously unpublished works, 1985
Et moi aussi je suis peintre, album of drawings for Calligrammes, from a private collection, published 2006

Prose

Mirely ou le Petit Trou pas cher, 1900
"Que faire?",
Les Onze Mille Verges ou les amours d'un hospodar, 1907
L'enchanteur pourrissant, 1909
L'Hérèsiarque et Cie (short story collection), 1910
Les exploits d’un jeune Don Juan, 1911
La Rome des Borgia, 1914
La Fin de Babylone - L'Histoire romanesque 1/3, 1914
Les Trois Don Juan - L'Histoire romanesque 2/3, 1915
Le poète assassiné, 1916
La femme assise, 1920
Les Épingles (short story collection), 1928

Plays

Les Mamelles de Tirésias, play, 1917
La Bréhatine, screenplay (collaboration with André Billy), 1917
Couleurs du temps, 1918
Casanova, published 1952

Articles

Le Théâtre Italien, illustrated encyclopedia, 1910
Pages d'histoire, chronique des grands siècles de France, chronicles, 1912
Méditations esthétiques. Les peintres cubistes, 1913
La Peinture moderne, 1913
L'Antitradition futuriste, manifeste synthèse, 1913
Case d'Armons, 1915
L'esprit nouveau et les poètes, 1918
Le Flâneur des Deux Rives, chronicles, 1918

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PoemHunter.com Updates

Marizibill

Dans la Haute-Rue à Cologne
Elle allait et venait le soir
Offerte à tous en tout mignonne
Puis buvait lasse des trottoirs
Très tard dans les brasseries borgnes

Elle se mettait sur la paille
Pour un maquereau roux et rose
C'était un juif il sentait l'ail

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