Hans Sachs

Hans Sachs Poems

Hans Sachs Biography

Hans Sachs was a German meistersinger ("mastersinger"), poet, playwright and shoemaker. Biography Hans Sachs was born in Nuremberg (German: Nürnberg).As a child he attended a singing school that was held in the church of Nuremberg. This helped to awaken in him a taste for poetry and music. His father was a tailor. He attended Latin school (German: Lateinschule) in Nuremberg. When he was 14 he took up an apprenticeship as a shoemaker. After the apprenticeship, at age 17, he was a journeyman and set out on his Wanderjahre (or Walz), that is, wandering about and working here and there, travelling with companions, and students, for five years. He worked at his craft in many towns, including Regensburg, Passau, Salzburg, Munich, Osnabrück, Lübeck, and Leipzig. 1513 he ended in a small town of Wels in Austria, where he lived in retirement, devoting himself to the cultivation of the fine arts. The Emperor Maximilian I chanced to pass through this town with a brilliant retinue, and the young poet allowed himself to be carried away by the splendor of the court. The prince placed him in the halls of the palace of Insbruck. Later Hans Sachs quit the court and went to Schatz and Munich. In the same year, he took up a kind of apprenticeship to become a mastersinger at Munich. Lienhard Nunnenbeck (a linen weaver) was his master. In 1516 he settled in Nuremberg and stayed for the rest of his life. On 1 September 1519 he married Kunigunde Creutzer (1502-1560), who died in 1560. He married again on 2 September 1561, this time to the young widow Barbara Harscher. He had no known offspring. The great event of his intellectual life was the coming of the Reformation; he became an ardent adherent of Luther, and in 1523 wrote in Luther's honour the poem beginning “The nightingale of Wittenberg, which is heard everywhere” (German: Die wittenbergisch Nachtigall, Die man jetzt höret überall), and four remarkable dialogues in prose, in which his warm sympathy with the reformer were tempered by counsels of moderation. In spite of this, his advocacy of the new faith brought upon him a reproof from the town council of Nuremberg; and he was forbidden to publish any more “pamphlets or rhymes” (German: Büchlein oder Reimen). It was not long, however, before the council itself openly threw in its lot with the Reformation. Works He wrote over 6000 pieces of various kinds. Exact numbers vary widely in secondary literature, mainly because it is not always clear if a piece is an independent work or part of a larger work. Also, certain works may be put in different categories by different authors. His productivity is especially remarkable because he kept working as a shoemaker throughout his life. (As far as is known, the Mastersingers did not as a common practice write or sing for money.) His works include Mastersongs (German: Meisterlieder) proper (about 4200) other poems and songs Carnival plays Tragedies Comedies Prose dialogues Fables Religious tracts, including “A wonderful prophecy of the papacy about how things will go for it up until the end of the world” (German: Eyn wunderliche Weyssagung von dem Babsttumb, wie es ihm biz an das endt der welt gehen sol) in collaboration with Andreas Osiander (1527). Assessment His mastersongs were not published, being intended solely for the use of the Nuremberg Meistersinger school, of which Sachs was the leading spirit. His fame rests mainly on the “spoken poems” (German: Spruchgedichte) which include his dramatic writings. His “tragedies” and “comedies” are, however, little more than stories told in dialogue, and divided at convenient pauses into a varying number of acts. Sachs had little idea of the essentials of dramatic construction or the nature of dramatic action. The subjects are drawn from the most varied sources, the Bible, the classics and the Italian novelists being specially laid under contribution. He succeeds best in the short anecdotal Fastnachtsspiel or Shrovetide play, where characterization and humorous situation are of more importance than dramatic form or construction. Some of his farces have been played on the modern stage. Among these are: Der fahrende Schüler im Paradies (1550) Das Wildbad (1550) Das heiss Eisen (1551) Der Bauer im Fegefeuer (1552) As a fictional character Hans Sachs is the subject of an opera (1840) by Albert Lortzing, and a leading character in Richard Wagner's opera Die Meistersinger von Nürnberg (1868).)

The Best Poem Of Hans Sachs

Why Art Thou Thus Cast Down, My Heart?

Why art thou thus cast down, my heart?
Why troubled, why dost mourn apart,
O'er nought but earthly wealth?
Trust in thy God, be not afraid,
He is thy Friend who all things made.

Dost think thy prayers He doth not heed?
He knows full well what thou dost need,
And heaven and earth are His;
My Father and my God, who still
Is with my soul in every ill.

Since Thou my God and Father art,
I know Thy faithful loving heart
Will ne'er forget Thy child;
See I am poor, I am but dust,
On earth is none whom I can trust.

The rich man in his wealth confides,
But in my God my trust abides;
Then laugh ye as ye will,
I hold this fast that He hath taught,--
Who trusts in God shall want for nought.

Yes, Lord, Thou art as rich to-day
As Thou hast been and shalt be aye,
I rest on Thee alone;
Thy riches to my soul be given,
And 't is enough for earth and heaven.

What here may shine I all resign,
If the eternal crown be mine,
That through Thy bitter death
Thou gainedst, O Lord Christ, for me--
For this, for this, I cry to Thee!

All wealth, all glories, here below,
The best that this world can bestow,
Silver or gold or lands,
But for a little time is given,
And helps us not to enter heaven.
I thank Thee, Christ, Eternal Lord,
That Thou hast taught me by Thy word
To know this truth and Thee;
O grant me also steadfastness
Thy heavenly kingdom not to miss.

Praise, honour, thanks, to Thee be brought,
For all things in and for me wrought
By Thy great mercy, Christ.
This one thing only still I pray,
Oh cast me ne'er from Thee away

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