|
1
|
[‘Cribs to be Cracked”]
|
2
|
11%
|
0
|
0%
|
|
2
|
[Harry Stephens]
|
2
|
11%
|
0
|
0%
|
|
3
|
`For'ard'
|
4
|
23%
|
0
|
0%
|
|
4
|
`Sez You'
|
13
|
76%
|
0
|
0%
|
|
5
|
‘Coralisle’
|
2
|
11%
|
0
|
0%
|
|
6
|
‘Twas a Land Set Apart
|
2
|
11%
|
0
|
0%
|
|
7
|
39
|
10
|
58%
|
0
|
0%
|
|
8
|
A Backward Glance
|
6
|
35%
|
0
|
0%
|
|
9
|
A Bush Girl
|
16
|
94%
|
0
|
0%
|
|
10
|
A Dan Yell
|
3
|
17%
|
0
|
0%
|
|
11
|
A Derry on a Cove
|
3
|
17%
|
0
|
0%
|
|
12
|
A Dirge of Joy
|
1
|
5%
|
0
|
0%
|
|
13
|
A Fantasy of War
|
1
|
5%
|
0
|
0%
|
|
14
|
A Little Mistake
|
5
|
29%
|
0
|
0%
|
|
15
|
A Mate can do no Wrong
|
6
|
35%
|
0
|
0%
|
|
16
|
A May Night on the Mountains
|
2
|
11%
|
0
|
0%
|
|
17
|
A Mixed Battle Song
|
4
|
23%
|
0
|
0%
|
|
18
|
A New John Bull
|
4
|
23%
|
0
|
0%
|
|
19
|
A Prouder Man Than You
|
6
|
35%
|
0
|
0%
|
|
20
|
A Slight Misunderstanding at the Jasper Gate
|
6
|
35%
|
0
|
0%
|
|
21
|
A Song of Brave Men
|
3
|
17%
|
0
|
0%
|
|
22
|
A Song of the Republic
|
1
|
5%
|
0
|
0%
|
|
23
|
A Study in the 'Nood'
|
1
|
5%
|
0
|
0%
|
|
24
|
A Voice from the City
|
5
|
29%
|
0
|
0%
|
|
25
|
Above Lavender Bay
|
1
|
5%
|
0
|
0%
|
|
26
|
After All
|
8
|
47%
|
0
|
0%
|
|
27
|
An Australian Advertisement
|
4
|
23%
|
0
|
0%
|
|
28
|
And the Bairns Will Come
|
1
|
5%
|
0
|
0%
|
|
29
|
And What Have You To Say?
|
3
|
17%
|
0
|
0%
|
|
30
|
Andy's Gone With Cattle
|
9
|
52%
|
0
|
0%
|
|
31
|
As Good as New
|
1
|
5%
|
0
|
0%
|
|
32
|
As Ireland Wore the Green
|
1
|
5%
|
0
|
0%
|
|
33
|
Australian Engineers
|
1
|
5%
|
0
|
0%
|
|
34
|
Australia's Forgotten Flag
|
3
|
17%
|
0
|
0%
|
|
35
|
Australia's Peril
|
1
|
5%
|
0
|
0%
|
|
36
|
Ballad Of The Drover
|
2
|
11%
|
0
|
0%
|
|
37
|
Before We Were Married
|
3
|
17%
|
0
|
0%
|
|
38
|
Billy of Queensland
|
1
|
5%
|
0
|
0%
|
|
39
|
Billys 'Square Affair'
|
1
|
5%
|
0
|
0%
|
|
40
|
Bound for the Lord-Knows-Where
|
3
|
17%
|
0
|
0%
|
|
41
|
Break o’ Day
|
1
|
5%
|
0
|
0%
|
|
42
|
Brighten’s Sister-In-Law [or The Carrier's Story]
|
1
|
5%
|
0
|
0%
|
|
43
|
Brother, You’ll Take My Hand
|
4
|
23%
|
0
|
0%
|
|
44
|
Bush Hay
|
1
|
5%
|
0
|
0%
|
|
45
|
But What's The Use
|
6
|
35%
|
0
|
0%
|
|
46
|
By Hut, Homestead And Shearing Shed,
|
1
|
5%
|
0
|
0%
|
|
47
|
Cameron's Heart
|
1
|
5%
|
0
|
0%
|
|
48
|
Cherry- Tree Inn
|
1
|
5%
|
0
|
0%
|
|
49
|
Cinderella
|
2
|
11%
|
0
|
0%
|
|
50
|
Clinging Back
|
1
|
5%
|
0
|
0%
|
|
51
|
Constable M‘Carty’s Investigations
|
1
|
5%
|
0
|
0%
|
|
52
|
Corny Bill
|
1
|
5%
|
0
|
0%
|
|
53
|
Cromwell
|
1
|
5%
|
0
|
0%
|
|
54
|
Do You Think That I Do Not Know?
|
2
|
11%
|
0
|
0%
|
|
55
|
Eureka
|
5
|
29%
|
0
|
0%
|
|
56
|
Every Man Should have a Rifle
|
2
|
11%
|
0
|
0%
|
|
57
|
Everyone's Friend
|
3
|
17%
|
0
|
0%
|
|
58
|
Faces In The Street
|
4
|
23%
|
0
|
0%
|
|
59
|
Fall In, My Men, Fall In
|
2
|
11%
|
0
|
0%
|
|
60
|
For Australia
|
6
|
35%
|
0
|
0%
|
|
61
|
For He Was a Jolly Good Fellow
|
1
|
5%
|
0
|
0%
|
|
62
|
For'ard
|
1
|
5%
|
0
|
0%
|
|
63
|
Foreign Lands
|
2
|
11%
|
0
|
0%
|
|
64
|
Freedom on the Wallaby
|
4
|
23%
|
0
|
0%
|
|
65
|
From the Bush
|
2
|
11%
|
0
|
0%
|
|
66
|
Genoa
|
4
|
23%
|
0
|
0%
|
|
67
|
Golden Gully
|
1
|
5%
|
0
|
0%
|
|
68
|
He’s Gone to England for a Wife
|
2
|
11%
|
0
|
0%
|
|
69
|
Here's Luck
|
1
|
5%
|
0
|
0%
|
|
70
|
How the Land was Won
|
2
|
11%
|
0
|
0%
|
|
71
|
I’m an Older Man Than You
|
1
|
5%
|
0
|
0%
|
|
72
|
I'll tell you what you Wanderers
|
1
|
5%
|
0
|
0%
|
|
73
|
In The Day's When We Are Dead
|
1
|
5%
|
0
|
0%
|
|
74
|
In the Height of Fashion
|
1
|
5%
|
0
|
0%
|
|
75
|
Jack Cornstalk as a Poet
|
1
|
5%
|
0
|
0%
|
|
76
|
Jack Robertson
|
1
|
5%
|
0
|
0%
|
|
77
|
Kangaroo Power
|
4
|
23%
|
0
|
0%
|
|
78
|
Keeping His First Wife Now
|
1
|
5%
|
0
|
0%
|
|
79
|
Knocked Up
|
2
|
11%
|
0
|
0%
|
|
80
|
Knockin' Around
|
3
|
17%
|
0
|
0%
|
|
81
|
Marshall's Mate
|
1
|
5%
|
0
|
0%
|
|
82
|
Mary Called Him 'Mister'
|
1
|
5%
|
0
|
0%
|
|
83
|
Mostly Slavonic
|
1
|
5%
|
0
|
0%
|
|
84
|
My Father-in-Law and I
|
2
|
11%
|
0
|
0%
|
|
85
|
My Land and I
|
4
|
23%
|
0
|
0%
|
|
86
|
My Literary Friend
|
1
|
5%
|
0
|
0%
|
|
87
|
Never, Never Land
|
1
|
5%
|
0
|
0%
|
|
88
|
New Life, New Love
|
2
|
11%
|
0
|
0%
|
|
89
|
O Cupid, Cupid; Get Your Bow!
|
2
|
11%
|
0
|
0%
|
|
90
|
O'Hara, J.P.
|
1
|
5%
|
0
|
0%
|
|
91
|
On The Night Train
|
2
|
11%
|
0
|
0%
|
|
92
|
On the Wallaby
|
1
|
5%
|
0
|
0%
|
|
93
|
One Hundred and Three
|
11
|
64%
|
0
|
0%
|
|
94
|
Out on the Roofs of Hell
|
1
|
5%
|
0
|
0%
|
|
95
|
Outback
|
2
|
11%
|
0
|
0%
|
|
96
|
Past Carin'
|
2
|
11%
|
0
|
0%
|
|
97
|
Peddling Round the World
|
2
|
11%
|
0
|
0%
|
|
98
|
Rejected
|
1
|
5%
|
0
|
0%
|
|
99
|
Republican Pioneers
|
1
|
5%
|
0
|
0%
|
|
100
|
Saint Peter
|
1
|
5%
|
0
|
0%
|
|
101
|
Scots of the Riverina
|
1
|
5%
|
0
|
0%
|
|
102
|
Seaweed, Tussock and Fern
|
1
|
5%
|
0
|
0%
|
|
103
|
Second Class wait here
|
3
|
17%
|
0
|
0%
|
|
104
|
Send Round the Hat
|
1
|
5%
|
0
|
0%
|
|
105
|
Sez You
|
1
|
5%
|
0
|
0%
|
|
106
|
Shearer’s Song
|
1
|
5%
|
0
|
0%
|
|
107
|
Somewhere Up In Queensland
|
1
|
5%
|
0
|
0%
|
|
108
|
Sweethearts Wait on Every Shore
|
1
|
5%
|
0
|
0%
|
|
109
|
That Great Waiting Silence
|
1
|
5%
|
0
|
0%
|
|
110
|
The Afterglow
|
1
|
5%
|
0
|
0%
|
|
111
|
The Ballad Of The Drover
|
17
|
100%
|
0
|
0%
|
|
112
|
The Ballad of the Rousabout
|
1
|
5%
|
0
|
0%
|
|
113
|
The Beauty and the Dude
|
2
|
11%
|
0
|
0%
|
|
114
|
The Black Tracker (Or: Why He Lost The Track)
|
1
|
5%
|
0
|
0%
|
|
115
|
The Blue Mountains
|
1
|
5%
|
0
|
0%
|
|
116
|
The Bush Girl
|
9
|
52%
|
0
|
0%
|
|
117
|
The City Bushman
|
1
|
5%
|
0
|
0%
|
|
118
|
The Drovers
|
1
|
5%
|
0
|
0%
|
|
119
|
The Drover's Sweetheart
|
2
|
11%
|
0
|
0%
|
|
120
|
The Fight at Eureka Stockade
|
3
|
17%
|
0
|
0%
|
|
121
|
The Foreign Drunk
|
1
|
5%
|
0
|
0%
|
|
122
|
The Free-Selector's Daughter
|
1
|
5%
|
0
|
0%
|
|
123
|
The Ghost
|
4
|
23%
|
0
|
0%
|
|
124
|
The God-Forgotten Election
|
1
|
5%
|
0
|
0%
|
|
125
|
The Good Samaritan
|
1
|
5%
|
0
|
0%
|
|
126
|
The Heart of Australia
|
3
|
17%
|
0
|
0%
|
|
127
|
The Iron Wedding Rings
|
1
|
5%
|
0
|
0%
|
|
128
|
The Lights of Cobb & Co.
|
2
|
11%
|
0
|
0%
|
|
129
|
The Little Native Rose
|
1
|
5%
|
0
|
0%
|
|
130
|
The Men Who Made Australia
|
2
|
11%
|
0
|
0%
|
|
131
|
The Men Who Made Bad Matches
|
2
|
11%
|
0
|
0%
|
|
132
|
The Men Who Sleep With Danger
|
1
|
5%
|
0
|
0%
|
|
133
|
The Men Who Stuck To Me
|
1
|
5%
|
0
|
0%
|
|
134
|
The Never-Never Country
|
1
|
5%
|
0
|
0%
|
|
135
|
The Old Bark School
|
2
|
11%
|
0
|
0%
|
|
136
|
The Other Gum
|
1
|
5%
|
0
|
0%
|
|
137
|
The Pink Carnation
|
3
|
17%
|
0
|
0%
|
|
138
|
The Pride That Comes After
|
13
|
76%
|
0
|
0%
|
|
139
|
The Prime of Life
|
1
|
5%
|
0
|
0%
|
|
140
|
The Professional Wanderer
|
2
|
11%
|
0
|
0%
|
|
141
|
The Roaring Days
|
6
|
35%
|
0
|
0%
|
|
142
|
The Rush to London
|
2
|
11%
|
0
|
0%
|
|
143
|
The Separation
|
1
|
5%
|
0
|
0%
|
|
144
|
The Shearers
|
5
|
29%
|
0
|
0%
|
|
145
|
The Shearers Dream
|
1
|
5%
|
0
|
0%
|
|
146
|
The Sleeping Beauty
|
2
|
11%
|
0
|
0%
|
|
147
|
The Sliprails and the Spur
|
1
|
5%
|
0
|
0%
|
|
148
|
The Song of Australia
|
3
|
17%
|
0
|
0%
|
|
149
|
The Song of the Darling River
|
1
|
5%
|
0
|
0%
|
|
150
|
The Squatter’s Daughter
|
3
|
17%
|
0
|
0%
|
|
151
|
The Statue of Our Queen
|
1
|
5%
|
0
|
0%
|
|
152
|
The Stranger's Friend
|
1
|
5%
|
0
|
0%
|
|
153
|
The Swagman and His Mate
|
1
|
5%
|
0
|
0%
|
|
154
|
The Teams
|
1
|
5%
|
0
|
0%
|
|
155
|
The Things We Dare Not Tell
|
1
|
5%
|
0
|
0%
|
|
156
|
The Water
|
1
|
5%
|
0
|
0%
|
|
157
|
The Water Lily
|
1
|
5%
|
0
|
0%
|
|
158
|
The Wattle
|
1
|
5%
|
0
|
0%
|
|
159
|
The Way of the World
|
1
|
5%
|
0
|
0%
|
|
160
|
To An Old Mate
|
1
|
5%
|
0
|
0%
|
|
161
|
To Be Amused
|
1
|
5%
|
0
|
0%
|
|
162
|
To Hannah
|
1
|
5%
|
0
|
0%
|
|
163
|
To-Morrow
|
1
|
5%
|
0
|
0%
|
|
164
|
Up The Country
|
1
|
5%
|
0
|
0%
|
|
165
|
Waratah and Wattle
|
7
|
41%
|
0
|
0%
|
|
166
|
When You’re Bad in Your Inside
|
1
|
5%
|
0
|
0%
|
|
167
|
When Your Pants Begin to Go
|
2
|
11%
|
0
|
0%
|
|
168
|
Wide Lies Australia
|
1
|
5%
|
0
|
0%
|
|
169
|
Wide Spaces
|
1
|
5%
|
0
|
0%
|
|
170
|
Will Yer Write It Down for Me?
|
1
|
5%
|
0
|
0%
|