|
1
|
`For'ard'
|
7
|
17%
|
0
|
0%
|
|
2
|
39
|
8
|
20%
|
0
|
0%
|
|
3
|
A Backward Glance
|
5
|
12%
|
0
|
0%
|
|
4
|
A Bush Girl
|
28
|
71%
|
0
|
0%
|
|
5
|
A Dan Yell
|
4
|
10%
|
0
|
0%
|
|
6
|
A Derry on a Cove
|
1
|
2%
|
0
|
0%
|
|
7
|
A Dirge of Joy
|
6
|
15%
|
0
|
0%
|
|
8
|
A Fantasy of War
|
14
|
35%
|
0
|
0%
|
|
9
|
A Little Mistake
|
17
|
43%
|
0
|
0%
|
|
10
|
A Mate can do no Wrong
|
14
|
35%
|
0
|
0%
|
|
11
|
A May Night on the Mountains
|
10
|
25%
|
0
|
0%
|
|
12
|
A Mixed Battle Song
|
4
|
10%
|
0
|
0%
|
|
13
|
A Prouder Man Than You
|
14
|
35%
|
0
|
0%
|
|
14
|
A Slight Misunderstanding at the Jasper Gate
|
1
|
2%
|
0
|
0%
|
|
15
|
A Song of Brave Men
|
2
|
5%
|
0
|
0%
|
|
16
|
A Song of the Republic
|
15
|
38%
|
0
|
0%
|
|
17
|
A Study in the 'Nood'
|
3
|
7%
|
0
|
0%
|
|
18
|
A Voice from the City
|
2
|
5%
|
0
|
0%
|
|
19
|
A Word from the Bards
|
1
|
2%
|
0
|
0%
|
|
20
|
A Word to Texas Jack
|
1
|
2%
|
0
|
0%
|
|
21
|
Above Eurunderee
|
2
|
5%
|
0
|
0%
|
|
22
|
After All
|
7
|
17%
|
0
|
0%
|
|
23
|
An Australian Advertisement
|
3
|
7%
|
0
|
0%
|
|
24
|
And What Have You To Say?
|
3
|
7%
|
0
|
0%
|
|
25
|
Andy's Gone With Cattle
|
16
|
41%
|
0
|
0%
|
|
26
|
Andy's Return
|
3
|
7%
|
0
|
0%
|
|
27
|
As Good as New
|
2
|
5%
|
0
|
0%
|
|
28
|
At The Beating Of A Drum
|
1
|
2%
|
0
|
0%
|
|
29
|
Australian Bards And Bush Reviewers
|
1
|
2%
|
0
|
0%
|
|
30
|
Australian Engineers
|
1
|
2%
|
0
|
0%
|
|
31
|
Australia's Forgotten Flag
|
2
|
5%
|
0
|
0%
|
|
32
|
Ballad Of The Drover
|
2
|
5%
|
0
|
0%
|
|
33
|
Beaten Back
|
1
|
2%
|
0
|
0%
|
|
34
|
Bill and Jim Fall Out
|
1
|
2%
|
0
|
0%
|
|
35
|
Bonnie New South Wales
|
1
|
2%
|
0
|
0%
|
|
36
|
Booth's Drum [1]
|
1
|
2%
|
0
|
0%
|
|
37
|
Borderland
|
1
|
2%
|
0
|
0%
|
|
38
|
Bourke
|
1
|
2%
|
0
|
0%
|
|
39
|
Break o’ Day
|
1
|
2%
|
0
|
0%
|
|
40
|
Brighten’s Sister-In-Law [or The Carrier's Story]
|
2
|
5%
|
0
|
0%
|
|
41
|
Broken Axletree
|
1
|
2%
|
0
|
0%
|
|
42
|
Cameron's Heart
|
1
|
2%
|
0
|
0%
|
|
43
|
Charley Turner
|
1
|
2%
|
0
|
0%
|
|
44
|
Cinderella
|
1
|
2%
|
0
|
0%
|
|
45
|
Coomera
|
1
|
2%
|
0
|
0%
|
|
46
|
Corny Bill
|
1
|
2%
|
0
|
0%
|
|
47
|
Dan Wasn’t Thrown from His Horse
|
1
|
2%
|
0
|
0%
|
|
48
|
Divorced
|
1
|
2%
|
0
|
0%
|
|
49
|
Do You Think That I Do Not Know?
|
1
|
2%
|
0
|
0%
|
|
50
|
Down the River
|
1
|
2%
|
0
|
0%
|
|
51
|
Eurunderee
|
3
|
7%
|
0
|
0%
|
|
52
|
Every Man Should have a Rifle
|
1
|
2%
|
0
|
0%
|
|
53
|
Everyone's Friend
|
1
|
2%
|
0
|
0%
|
|
54
|
Everyone's Friend
|
3
|
7%
|
0
|
0%
|
|
55
|
Fighting Hard
|
1
|
2%
|
0
|
0%
|
|
56
|
For Australia
|
1
|
2%
|
0
|
0%
|
|
57
|
Foreign Lands
|
1
|
2%
|
0
|
0%
|
|
58
|
From the Bush
|
1
|
2%
|
0
|
0%
|
|
59
|
Grace Jennings Carmicheal
|
1
|
2%
|
0
|
0%
|
|
60
|
Harry Stephens
|
1
|
2%
|
0
|
0%
|
|
61
|
He Had So Much Work To Do
|
1
|
2%
|
0
|
0%
|
|
62
|
He Mourned His Master
|
1
|
2%
|
0
|
0%
|
|
63
|
He’s Gone to England for a Wife
|
1
|
2%
|
0
|
0%
|
|
64
|
Here Died
|
2
|
5%
|
0
|
0%
|
|
65
|
I’m an Older Man Than You
|
1
|
2%
|
0
|
0%
|
|
66
|
In the Storm that is to come
|
1
|
2%
|
0
|
0%
|
|
67
|
Johnson, alias Crow
|
1
|
2%
|
0
|
0%
|
|
68
|
Kangaroo Power
|
1
|
2%
|
0
|
0%
|
|
69
|
Knocked Up
|
1
|
2%
|
0
|
0%
|
|
70
|
Knockin' Around
|
2
|
5%
|
0
|
0%
|
|
71
|
Laughing and Sneering
|
1
|
2%
|
0
|
0%
|
|
72
|
Let’s Be Fools To-Night
|
1
|
2%
|
0
|
0%
|
|
73
|
Lily
|
1
|
2%
|
0
|
0%
|
|
74
|
Mary Called Him 'Mister'
|
1
|
2%
|
0
|
0%
|
|
75
|
My Army, O, My Army!
|
1
|
2%
|
0
|
0%
|
|
76
|
My Father-in-Law and I
|
7
|
17%
|
0
|
0%
|
|
77
|
My Land and I
|
1
|
2%
|
0
|
0%
|
|
78
|
My Wife’s Second Husband
|
2
|
5%
|
0
|
0%
|
|
79
|
On The Night Train
|
1
|
2%
|
0
|
0%
|
|
80
|
Our Mistress and Our Queen
|
2
|
5%
|
0
|
0%
|
|
81
|
Outback
|
4
|
10%
|
0
|
0%
|
|
82
|
Past Carin'
|
1
|
2%
|
0
|
0%
|
|
83
|
Reedy River
|
2
|
5%
|
0
|
0%
|
|
84
|
Second Class wait here
|
1
|
2%
|
0
|
0%
|
|
85
|
Skeleton Flat
|
1
|
2%
|
0
|
0%
|
|
86
|
Song of the Old Bullock-Driver
|
1
|
2%
|
0
|
0%
|
|
87
|
Success
|
1
|
2%
|
0
|
0%
|
|
88
|
That There Dog O' Mine
|
1
|
2%
|
0
|
0%
|
|
89
|
The Afterglow
|
1
|
2%
|
0
|
0%
|
|
90
|
The Ballad Of The Drover
|
39
|
100%
|
0
|
0%
|
|
91
|
The Ballad of the Rousabout
|
1
|
2%
|
0
|
0%
|
|
92
|
The Bards Who Lived at Manly
|
1
|
2%
|
0
|
0%
|
|
93
|
The Bush Girl
|
8
|
20%
|
0
|
0%
|
|
94
|
The Captain of the Push
|
2
|
5%
|
0
|
0%
|
|
95
|
The Cliffs
|
3
|
7%
|
0
|
0%
|
|
96
|
The Days when we went Swimming
|
1
|
2%
|
0
|
0%
|
|
97
|
The Drovers
|
1
|
2%
|
0
|
0%
|
|
98
|
The Drums of Battersea
|
1
|
2%
|
0
|
0%
|
|
99
|
The Fight at Eureka Stockade
|
2
|
5%
|
0
|
0%
|
|
100
|
The Free-Selector's Daughter
|
1
|
2%
|
0
|
0%
|
|
101
|
The Ghost
|
3
|
7%
|
0
|
0%
|
|
102
|
The Glass On The Bar
|
2
|
5%
|
0
|
0%
|
|
103
|
The League of Nations
|
2
|
5%
|
0
|
0%
|
|
104
|
The Man from Waterloo (With kind Regards to Banjo)
|
1
|
2%
|
0
|
0%
|
|
105
|
The Men Who Made Australia
|
1
|
2%
|
0
|
0%
|
|
106
|
The Motor Car
|
1
|
2%
|
0
|
0%
|
|
107
|
The Old Bark School
|
1
|
2%
|
0
|
0%
|
|
108
|
The Port O'Call
|
1
|
2%
|
0
|
0%
|
|
109
|
The Ports of the Open Sea
|
1
|
2%
|
0
|
0%
|
|
110
|
The Separated Women
|
1
|
2%
|
0
|
0%
|
|
111
|
The Separation
|
3
|
7%
|
0
|
0%
|
|
112
|
The Shakedown on the Floor
|
1
|
2%
|
0
|
0%
|
|
113
|
The Shearers
|
2
|
5%
|
0
|
0%
|
|
114
|
The Shearers Dream
|
1
|
2%
|
0
|
0%
|
|
115
|
The Sleeping Beauty
|
1
|
2%
|
0
|
0%
|
|
116
|
The Song of the Darling River
|
1
|
2%
|
0
|
0%
|
|
117
|
The Teams
|
2
|
5%
|
0
|
0%
|
|
118
|
The Three Quiet Gentlemen
|
1
|
2%
|
0
|
0%
|
|
119
|
The Uncultured Rhymer To His Cultured Critics
|
1
|
2%
|
0
|
0%
|
|
120
|
The Vagabond
|
1
|
2%
|
0
|
0%
|
|
121
|
The Water
|
1
|
2%
|
0
|
0%
|
|
122
|
To An Old Mate
|
1
|
2%
|
0
|
0%
|
|
123
|
To Hannah
|
1
|
2%
|
0
|
0%
|
|
124
|
Untitled
|
1
|
2%
|
0
|
0%
|
|
125
|
Waratah and Wattle
|
6
|
15%
|
0
|
0%
|
|
126
|
When the Children Come Home
|
3
|
7%
|
0
|
0%
|
|
127
|
When the Ladies Come to the Shearing Shed
|
1
|
2%
|
0
|
0%
|
|
128
|
When Your Pants Begin to Go
|
2
|
5%
|
0
|
0%
|
|
129
|
Will Yer Write It Down for Me?
|
1
|
2%
|
0
|
0%
|
|
130
|
With Dickens
|
1
|
2%
|
0
|
0%
|