Ian Blake

Ian Blake Poems

Until I stepped out to the ledge
to find out what the tile in the roof
was made of on the building next to mine,
...

No nudge,
however fitted to the contours of the shoulder
by impassioned ergonomics,
- pyrotic and smoldering, engineered for self-ignition
...

Pilgrims, do not smash your idols now that you’ve found God,
Though knowing what you know, they must seem hideous and flawed.
Don’t throw them to the bonfire, or bury them too deep,
Though looking at them shames you, and gives you cause to weep.
...

One day these catacombs will be exhumed,
and then they’ll carbon-date me
still coiled in my sleeping bag.
Next time I race you up the stairs
...

But this, too, is essential:
That nothing you call consequential moves me;
That the differential of what benefits you’ve weighed against what costs
Leaves you lost in the ledgers;
...

On my back,
the bedsheet is impassable like mountains.
It was not so long ago I would have
kicked the mountains up like gravel
...

yes well inasmuch as
chatter keeps the dark away
and night-lights being lame
off to tie two cans together
...

Murray Stanhope, local pagan
doesn’t think he is mistaken.
Not that he’s the flinty kind
to go flipping off his pastor,
...

We look on over the flood
The city block beneath me, for once.
A spiral staircase on its side sticks out,
A plaything for the trout, no entrance
...

The Best Poem Of Ian Blake

My Neighbor's House

Until I stepped out to the ledge
to find out what the tile in the roof
was made of on the building next to mine,

and I stumbled, and my arm took a few
moments drawing back to reach the wall, I never knew

that beauty is panic,
the manic clacking; the eye’s communiqué
that time is lacking for the mission;
the dread of leaving early; the fear of never
getting to explore; the plea for an extension,
“shortly we’ll know more.”

What river flows in the caverns beneath my feet?
Who drinks in those taverns and who meets his lover
on the stone café patio just above the street and under
a red awning,
fawning over the play of her gait as she approaches
against the lines in the architecture?

Why did I not walk straight up and down
that street when I was secure?
It wasn’t beauty then, but
“shortly we’ll know more.”

Ian Blake Comments

Ian Blake Popularity

Ian Blake Popularity

Close
Error Success