Jan Owen

Jan Owen Poems

for Mona Lisa in the fifth lane

Lips straight from the Quattrocento, at each end
a secret curlicue on a face as poised and round
...

Alias Lunaria: silver dollar or silver shilling,
it travels well: hold it up to the light and see

frugal savings for a rainy day.
...

‘Twenty-nine years ago. And only yesterday, '
says Balázs, slapping at a fly.
We sit beside a bottle underneath his vines
and watch the football arc between our sons.
...

An earlier pitch of light
had turned all edges halo―tree, rock, child―
contained the change a moment
then withdrawn.
...

Although we loved the gentle horse whose nose
of worn-out velvet nudged us for rye-grass,
Antarctica come to the suburbs was what drew
us through the heat; we trotted by its slow
...

Chow Kit, Kuala Lumpur

We stopped round midnight at a hawker's stall
of durian mobiles and braided mangosteen
...

Five haloed numbers on her angel chart
are guarding the stick-figure self
at elbow, neck and knee.
Clashing symbols, she calls them,
...

After the woodblock print by Utagawa Hiroshige


Sunset always makes her think of blood.
...

Titian's Young Englishman with a Glove, circa 1530
It happened in Physics,
reading a Library art book under the desk,
(the lesson was Archimedes in the bath)
I turned a page and fell
for an older man, and anonymous at that,
hardly ideal -
he was four hundred and forty-five,
I was fourteen.
‘Eureka!' streaked each thought
(I prayed no-one would hear)
and Paradise all term
was page 179
(I prayed no-one would guess).
Of course
my fingers, sticky with toffee and bliss,
failed to entice him from his century;
his cool grey stare
fastened me firmly in mine.
I got six overdues,
suspension of borrowing rights
and a D in Physics.
But had by heart what Archimedes proves.
Ten years later I married:
a European with cool grey eyes,
a moustache,
pigskin gloves.
...

Mondays Began
with one plait loose, a pip in your teeth
and late for Geography, lined and blank,
facts to the right, tall stories left.
To sail the heat in a weatherboard classroom boat
with banana and vegemite colouring the air
sargasso green. To ship ten thousand things
on cursive seas to the edge of the known page
—coffee, cinnamon, nutmeg, cloves.
To import small desires and grown-up needs
in little packets of time for show and tell.
To carve your name on the prow.
To wait for the bell.



In the Parlour
only the French clock answered back.
They sat cross-legged on the Persian carpet;
destinations flashed by
the smell of Marveer, lavender, dusty velvet.
They opened their eyes in the olden times
to fossick under the coffin flaps
of the jarrah window seat
for proper advice from disheveled magazines:
nose straighteners, recipes, posture improvers,
the runt who smoked and the chap who rowed.
They didn't see foresight's guarded smile,
they didn't hear hindsight howl like a dog;
the riddles were wordy, the clues were dumb:
lopped head of a doll, silk wedding sleeve,
gilt volumes, silverfish,
and in the glass case,
untouchable figurines locked away
as grown-ups always seemed to be:
shepherd and shepherdess on their marks,
Wedgwood, Royal Doulton, Limoges?
The real thing?


Almond Trees
cover Willunga Plains: like the misty breath
of winter children, the blossom hovers. Dearth,
says the black bark, splits to let scent through
with open questions where when why what who?
As for that earliest aroma fear,
she'd smell it, taste it, anywhere,
one part in a million, pungent as coffee or smoke,
already there in her mother's milk.
Against its grey unbeing she caught
at talismans - black stones on a white plate,
concrete nouns clattering out of thought.
Marking time down the dead-end street
to morning. Why was it always dark
in the quiet hall? Through a memory crack
of light an edge squeezed round the door:
regret to inform stop missing in stop the air
elliptic with tracer fire, familiar eyes
glancing away, prismatic as flies'.
Voices crept and huddled, where's Daddy's girl?
He did come back, but who? They could not tell.
Collections began. The tang of foreign coins
lent her a lingo and currency for the unknown;
Brother stuck down squares of expedited
love with serrated edges. And they were invited
to a fancy-dress ball with games of us and them.
Father could not come for he was lame
and Mother had to watch and wait not play
so they learned dolls and trains and night and day
and Snakes and Ladders and Hide and Seek.
Knight's gambit. Castle your king. Check.
And when the black door opened and they knew
threshold was famished, Brother stepped through.
Now fear had her ID and her address.
Best send an invitation. Tell her guest
the lightest thing she served would ward off harm -
a stick, a stone, a cloud of white perfume,
thought itself, needing a go-between
to say ‘this fragrance is like newborn skin,
these quickening trees, like Mary's aging cousin
conceiving all baptism out of season'.



She Collected Dictionaries
as other women take up men
and shelve them:
manuals, grammars, Teach Yourself
German, Malay, Italian, Swahili, Welsh,
like a passion for clothes that would hang
unworn in the dark,
for peridots, garnets, amethysts, pearls
in a shut case, nouns declined.
Each unknown word shone with delicious fire
and the alien phrases silked her skin
with their genders and connotations.

She might have been the end house
on the waterfront of Macau
welcoming every sailor in.
But the longing for many tongues
to part her lips - si, igen, ja,
ah oui, yes, yes -
was departure's smile,
a leaning to the wind
that sweeps a glitter of light
across the sea and sets a silvery chill
at the neck. Quick, to those books
guarding the mantelpiece,
ISBNs snug as a span of days;
to bread and fruit and sparkling wine.

She had been given a cyclamen with scent,
some new trick that married violet and rose,
as if a flower should yearn to sing
and the pink timbre tremble
into quietest words.
She touched her flesh and knew
that it would fade as speech did
and did not.
And yet it was not language that she sought,
nor the music of any meaning.
An old allegiance drew her on
beyond the first ground of thought
and the idea even of silence
to the fifth season which must at last return
with its weather of recognition
and its lost ends.
...

Jan Owen Biography

Jan Owen was born in Adelaide in 1940. She received a BA from the University of Adelaide in 1963 and qualified as a librarian in 1969. She has three children and has worked as a librarian, teacher, editor and translator. In 2016 she was awarded the Philip Hodgins Memorial Medal and in 2017 received a Multicultural NSW prize for her translations of Baudelaire's Les Fleurs du Mal.)

The Best Poem Of Jan Owen

Swimming Instructor

for Mona Lisa in the fifth lane

Lips straight from the Quattrocento, at each end
a secret curlicue on a face as poised and round
as the smiling angel of Rheims surveying the world of men,
and a neck pure Primavera. Her green T-shirt's skin-tight
on breasts so high and full they're made to clasp.

Around her, four small boys of seven or eight
bob like apples in a barrel, shriek and splutter and gasp.
The echoes and reflections bounce off water and wall,
cross-currents of noise, drunken ripples of light.
She moves as evenly as a tide backwards along the lane,
a small head pressed against her belly, backstrokes
faltering left and right, guiding each in turn: ‘Point your toes,
Michael. Head back, Luke, ' she calls above the din.
Small knobs hard with cold, they flail and flounder on.

It's Sunday morning, the fathers have brought them down.
Men nearing forty now, they wait in the humid air,
fidget on benches at the side
and stare at their boisterous offspring and at her.
Their thoughts lap round like water, aching to touch,
as each little boy splashes towards horizons
green as promises, ripe as pippins in May.

The lesson done, they sigh and look away
from the bosom by Rubens under the shirt by Sportsgirl,
and that smile by da Vinci, half-innocent of it all.

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