|
1
|
A Draught Of Sunshine
|
121
|
72%
|
0
|
0%
|
|
2
|
A Dream, After Reading Dante's Episode Of Paolo And Francesca
|
26
|
15%
|
0
|
0%
|
|
3
|
A Galloway Song
|
38
|
22%
|
0
|
0%
|
|
4
|
A Party Of Lovers
|
101
|
60%
|
0
|
0%
|
|
5
|
A Prophecy: To George Keats In America
|
18
|
10%
|
0
|
0%
|
|
6
|
A Song About Myself
|
26
|
15%
|
0
|
0%
|
|
7
|
A Thing of Beauty (Endymion)
|
112
|
67%
|
0
|
0%
|
|
8
|
Acrostic : Georgiana Augusta Keats
|
1
|
0%
|
0
|
0%
|
|
9
|
An Extempore
|
4
|
2%
|
0
|
0%
|
|
10
|
Answer To A Sonnet By J.H.Reynolds
|
1
|
0%
|
0
|
0%
|
|
11
|
Apollo And The Graces
|
5
|
2%
|
0
|
0%
|
|
12
|
Asleep! O Sleep A Little While, White Pearl!
|
7
|
4%
|
0
|
0%
|
|
13
|
Bards of Passion and of Mirth, written on the Blank Page before Beaumont and Fletcher's Tragi-Comedy 'The Fair Maid of the Inn'
|
2
|
1%
|
0
|
0%
|
|
14
|
Ben Nevis: A Dialogue
|
1
|
0%
|
0
|
0%
|
|
15
|
Bright Star
|
167
|
100%
|
0
|
0%
|
|
16
|
Bright star, would I were steadfast as thou art
|
22
|
13%
|
0
|
0%
|
|
17
|
Calidore: A Fragment
|
8
|
4%
|
0
|
0%
|
|
18
|
Character Of Charles Brown
|
9
|
5%
|
0
|
0%
|
|
19
|
Dawlish Fair
|
4
|
2%
|
0
|
0%
|
|
20
|
Dedication To Leigh Hunt, Esq.
|
2
|
1%
|
0
|
0%
|
|
21
|
Endymion (excerpts)
|
2
|
1%
|
0
|
0%
|
|
22
|
Endymion: A Poetic Romance (Excerpt)
|
4
|
2%
|
0
|
0%
|
|
23
|
Endymion: Book I
|
6
|
3%
|
0
|
0%
|
|
24
|
Endymion: Book II
|
1
|
0%
|
0
|
0%
|
|
25
|
Endymion: Book III
|
2
|
1%
|
0
|
0%
|
|
26
|
Endymion: Book IV
|
3
|
1%
|
0
|
0%
|
|
27
|
Epistle To John Hamilton Reynolds
|
2
|
1%
|
0
|
0%
|
|
28
|
Epistle To My Brother George
|
2
|
1%
|
0
|
0%
|
|
29
|
Extracts From An Opera
|
2
|
1%
|
0
|
0%
|
|
30
|
Faery Songs
|
3
|
1%
|
0
|
0%
|
|
31
|
Fancy
|
9
|
5%
|
0
|
0%
|
|
32
|
Fill For Me A Brimming Bowl
|
4
|
2%
|
0
|
0%
|
|
33
|
Fragment Of
|
3
|
1%
|
0
|
0%
|
|
34
|
Fragment of an Ode to Maia
|
3
|
1%
|
0
|
0%
|
|
35
|
Fragment Of An Ode To Maia. Written On May Day 1818
|
2
|
1%
|
0
|
0%
|
|
36
|
Fragment Of 'The Castle Builder.'
|
2
|
1%
|
0
|
0%
|
|
37
|
Fragment. Welcome Joy, And Welcome Sorrow
|
5
|
2%
|
0
|
0%
|
|
38
|
Fragment. Where's The Poet?
|
2
|
1%
|
0
|
0%
|
|
39
|
Fragment: Modern Love
|
3
|
1%
|
0
|
0%
|
|
40
|
Give Me Women, Wine, and Snuff
|
5
|
2%
|
0
|
0%
|
|
41
|
Happy Is England
|
2
|
1%
|
0
|
0%
|
|
42
|
Happy Is England! I Could Be Content
|
1
|
0%
|
0
|
0%
|
|
43
|
His Last Sonnet
|
4
|
2%
|
0
|
0%
|
|
44
|
Hither, Hither, Love
|
3
|
1%
|
0
|
0%
|
|
45
|
Hyperion
|
3
|
1%
|
0
|
0%
|
|
46
|
If By Dull Rhymes Our English Must Be Chain'd
|
1
|
0%
|
0
|
0%
|
|
47
|
In Drear-Nighted December
|
2
|
1%
|
0
|
0%
|
|
48
|
Isabella or The Pot of Basil
|
1
|
0%
|
0
|
0%
|
|
49
|
La Belle Dame Sans Merci
|
2
|
1%
|
0
|
0%
|
|
50
|
La Belle Dame Sans Merci (Original version )
|
5
|
2%
|
0
|
0%
|
|
51
|
Lamia. Part I
|
1
|
0%
|
0
|
0%
|
|
52
|
Last Sonnet
|
3
|
1%
|
0
|
0%
|
|
53
|
Lines
|
3
|
1%
|
0
|
0%
|
|
54
|
Lines from Endymion
|
5
|
2%
|
0
|
0%
|
|
55
|
Lines On Seeing A Lock Of Milton's Hair
|
2
|
1%
|
0
|
0%
|
|
56
|
Lines To Fanny
|
2
|
1%
|
0
|
0%
|
|
57
|
Meg Merrilies
|
1
|
0%
|
0
|
0%
|
|
58
|
O Blush Not So!
|
3
|
1%
|
0
|
0%
|
|
59
|
O Solitude! If I Must With Thee Dwell
|
4
|
2%
|
0
|
0%
|
|
60
|
Ode
|
3
|
1%
|
0
|
0%
|
|
61
|
Ode On Melancholy
|
7
|
4%
|
0
|
0%
|
|
62
|
Ode On A Grecian Urn
|
7
|
4%
|
0
|
0%
|
|
63
|
Ode On Indolence
|
2
|
1%
|
0
|
0%
|
|
64
|
Ode on Melancholy
|
3
|
1%
|
0
|
0%
|
|
65
|
Ode To A Nightingale
|
9
|
5%
|
0
|
0%
|
|
66
|
Ode To Autumn
|
5
|
2%
|
0
|
0%
|
|
67
|
Ode To Psyche
|
1
|
0%
|
0
|
0%
|
|
68
|
On A Dream
|
3
|
1%
|
0
|
0%
|
|
69
|
On Death
|
6
|
3%
|
0
|
0%
|
|
70
|
On Receiving A Laurel Crown From Leigh Hunt
|
1
|
0%
|
0
|
0%
|
|
71
|
On the Grasshopper and Cricket
|
3
|
1%
|
0
|
0%
|
|
72
|
On the Sea
|
2
|
1%
|
0
|
0%
|
|
73
|
On Visiting The Tomb Of Burns
|
2
|
1%
|
0
|
0%
|
|
74
|
Sharing Eve's Apple
|
1
|
0%
|
0
|
0%
|
|
75
|
Sleep And Poetry
|
1
|
0%
|
0
|
0%
|
|
76
|
Song. Hush, Hush! Tread Softly!
|
3
|
1%
|
0
|
0%
|
|
77
|
Sonnet To Sleep
|
2
|
1%
|
0
|
0%
|
|
78
|
Sonnet VIII. To My Brothers
|
2
|
1%
|
0
|
0%
|
|
79
|
Sonnet XVI. To Kosciusko
|
2
|
1%
|
0
|
0%
|
|
80
|
Sonnet XVII. Happy Is England
|
3
|
1%
|
0
|
0%
|
|
81
|
Sonnet. Written Before Re-Read King Lear
|
2
|
1%
|
0
|
0%
|
|
82
|
Sonnet. A Dream, After Reading Dante's Episode Of Paulo And Francesca
|
1
|
0%
|
0
|
0%
|
|
83
|
Sonnet. If By Dull Rhymes Our English Must Be Chain'd
|
1
|
0%
|
0
|
0%
|
|
84
|
Sonnet. On A Picture Of Leander
|
2
|
1%
|
0
|
0%
|
|
85
|
Sonnet. On Leigh Hunt's Poem 'The Story of Rimini'
|
1
|
0%
|
0
|
0%
|
|
86
|
Sonnet. On Peace
|
1
|
0%
|
0
|
0%
|
|
87
|
Sonnet. On The Sea
|
1
|
0%
|
0
|
0%
|
|
88
|
Sonnet. The Day Is Gone
|
3
|
1%
|
0
|
0%
|
|
89
|
Sonnet. The Human Seasons
|
4
|
2%
|
0
|
0%
|
|
90
|
Sonnet. Why Did I Laugh Tonight?
|
1
|
0%
|
0
|
0%
|
|
91
|
Sonnet. Written In Answer To A Sonnet By J. H. Reynolds
|
1
|
0%
|
0
|
0%
|
|
92
|
Sonnet: As From The Darkening Gloom A Silver Dove
|
1
|
0%
|
0
|
0%
|
|
93
|
Sonnet: Before He Went
|
1
|
0%
|
0
|
0%
|
|
94
|
Sonnet: When I Have Fears That I May Cease To Be
|
2
|
1%
|
0
|
0%
|
|
95
|
Stanzas. In A Drear-Nighted December
|
1
|
0%
|
0
|
0%
|
|
96
|
The Day Is Gone, And All Its Sweets Are Gone
|
1
|
0%
|
0
|
0%
|
|
97
|
This Living Hand
|
2
|
1%
|
0
|
0%
|
|
98
|
To Autumn
|
4
|
2%
|
0
|
0%
|
|
99
|
To Fanny
|
2
|
1%
|
0
|
0%
|
|
100
|
To Hope
|
1
|
0%
|
0
|
0%
|
|
101
|
To My Brothers
|
2
|
1%
|
0
|
0%
|
|
102
|
To Sleep
|
1
|
0%
|
0
|
0%
|
|
103
|
To Some Ladies
|
1
|
0%
|
0
|
0%
|
|
104
|
To the Nile
|
1
|
0%
|
0
|
0%
|
|
105
|
Two Or Three
|
1
|
0%
|
0
|
0%
|
|
106
|
When I Have Fears
|
25
|
14%
|
0
|
0%
|
|
107
|
When I have Fears that I may cease to be
|
1
|
0%
|
0
|
0%
|
|
108
|
Woman! When I Behold Thee Flippant, Vain
|
2
|
1%
|
0
|
0%
|
|
109
|
Written In The Cottage Where Burns Was Born
|
1
|
0%
|
0
|
0%
|