With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the b ..
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Biography
Counting Crows
With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock & Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded their debut album, August & Everything After, with T-Bone Burnett; it was released in the fall. It was a dark, somber record, driven by the morose lyrics and expressive vocals of Adam Duritz; the only up-tempo song, "Mr. Jones," became their ticket to stardom. What made Counting Crows was how they were able to balance Duritz's tortured lyrics with the sound of the late '60s and early '70s; it made them one of the few alternative bands to appeal to listeners who thought that rock & roll died in 1972. Recovering the Satellites followed in 1996, and in 1998 they issued the two-disc Across a Wire--Live in New York. Counting Crows' third studio album, This Desert Life, appeared in 1999. In the midst of recording and collaborating with Ryan Adams on his sophomore album Gold, Duritz joined his band in the studio as well. The fruit of those sessions was the Steve Lillywhite-produced fourth album Hard Candy.
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2/18/2012 12:59:12 PM. #.# You Are Here:
the biography of Counting Crows - singer life story
Poets
With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock & Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded their debut album, August & Everything After, with T-Bone Burnett; it was released in the fall. It was a dark, somber record, driven by the morose lyrics and expressive vocals of Adam Duritz; the only up-tempo song, "Mr. Jones," became their ticket to stardom. What made Counting Crows was how they were able to balance Duritz's tortured lyrics with the sound of the late '60s and early '70s; it made them one of the few alternative bands to appeal to listeners who thought that rock & roll died in 1972. Recovering the Satellites followed in 1996, and in 1998 they issued the two-disc Across a Wire--Live in New York. Counting Crows' third studio album, This Desert Life, appeared in 1999. In the midst of recording and collaborating with Ryan Adams on his sophomore album Gold, Duritz joined his band in the studio as well. The fruit of those sessions was the Steve Lillywhite-produced fourth album Hard Candy.
