Treasure Island

Patrick White

(September l5, l948 / Campbell River, British Columbia, Canada)

Biography of Patrick White

Former poet laureate of Ottawa. Eight books of poetry: Poems (Soft Press) , God in the Rafters, (Borealis) , Stations (Commoner’s Books) , Homage to Victor Jara, (Steel Rail Press) , Seventeen Odes, (Fiddlehead Books) , Orpheus on Highbeam, (Anthos Books) , Habitable Planets, New and Selected Poems, (Cormorant Books) , and The Benjamin Chee Chee Elegies, (General Store Publishing) . His work has been translated into five languages and appears in hundreds of national and international periodicals and anthologies, including the likes of Poetry (Chicago) , Dalhouse Review, Texas Quarterly, the Fiddlehead, and Georgia Review, etc. Winner of the Archibald Lampman Award, Canadian Literature Award, Benny Nicholas Award for Creative Writing, he was also a runner-up for the Milton Acorn People’s Poet Award. Founding editor and publisher of Anthos, a Journal of the Arts, Anthos Books, and producer-host of Radio Anthos, a popular literary radio show. George Woodcock wrote of his Selected Poems in the Ottawa Citizen: He promises to be one our best and best respected poets. Sharon Drache, in the Kingston Whig Standard: He might well win the Nobel Prize one day in his own inimitable way. And Orbis, (London, England) , has said of his work: His images are strong, lyrical, moving. He dares and achieves.

Patrick White's Works:

Poems (Soft Press)
God in the Rafters (Borealis Books)
Stations (Commoner's Books)
Seventeen Odes (Fiddlehead Books)
Homage to Victor Jara (Steel Rail Publishing)
Orpheus on Highbeam (Anthos Books)
Habitable Planets, New and Selected Poems (Cormorant Books)
The Benjamin Chee Chee Elegies (General Store Publishing)

PoemHunter.com Updates

No Matter How Far

No matter how far into the past the star travels,
plunging its white fingers into the expanding womb of the past
to pull its own damp head out of convulsive space,
it will never find a beginning, the widening cleft between two thoughts
opening like a mouth full of silence, a sluice gate of thick water,
a dark prelude, the first letter alpha breaking like an eye
out of the eclipsed envelope into a splendour of light
to hang its jewel, its dropp of flammable water
from the i

[Hata Bildir]