|
1
|
A Bridal Song
|
35
|
62%
|
0
|
0%
|
|
2
|
A Dialogue
|
30
|
53%
|
0
|
0%
|
|
3
|
A Dirge
|
14
|
25%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
10
|
17%
|
0
|
0%
|
|
5
|
A Hate-Song
|
28
|
50%
|
0
|
0%
|
|
6
|
A Lament
|
19
|
33%
|
0
|
0%
|
|
7
|
A New National Anthem
|
7
|
12%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
5
|
8%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
5
|
8%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
5
|
8%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
4
|
7%
|
0
|
0%
|
|
12
|
Adonais
|
8
|
14%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
11
|
19%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
5
|
8%
|
0
|
0%
|
|
15
|
An Allegory
|
10
|
17%
|
0
|
0%
|
|
16
|
An Exhortation
|
4
|
7%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
8
|
14%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
11
|
19%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
7
|
12%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
6
|
10%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
2
|
3%
|
0
|
0%
|
|
22
|
Arethusa
|
6
|
10%
|
0
|
0%
|
|
23
|
Art Thou Pale For Weariness
|
1
|
1%
|
0
|
0%
|
|
24
|
Asia: From Prometheus Unbound
|
1
|
1%
|
0
|
0%
|
|
25
|
Autumn: A Dirge
|
3
|
5%
|
0
|
0%
|
|
26
|
Beauty's Halo
|
5
|
8%
|
0
|
0%
|
|
27
|
Bereavement
|
2
|
3%
|
0
|
0%
|
|
28
|
Bigotry's Victim
|
1
|
1%
|
0
|
0%
|
|
29
|
Buona Notte
|
1
|
1%
|
0
|
0%
|
|
30
|
Chorus from Hellas
|
4
|
7%
|
0
|
0%
|
|
31
|
Death
|
4
|
7%
|
0
|
0%
|
|
32
|
Death In Life
|
4
|
7%
|
0
|
0%
|
|
33
|
Death Is Here And Death Is There
|
2
|
3%
|
0
|
0%
|
|
34
|
Despair
|
8
|
14%
|
0
|
0%
|
|
35
|
England in 1819
|
13
|
23%
|
0
|
0%
|
|
36
|
Epigram I: To Stella
|
2
|
3%
|
0
|
0%
|
|
37
|
Epipsychidion (excerpt)
|
1
|
1%
|
0
|
0%
|
|
38
|
Evening. To Harriet
|
1
|
1%
|
0
|
0%
|
|
39
|
Evening: Ponte Al Mare, Pisa
|
1
|
1%
|
0
|
0%
|
|
40
|
Faint With Love, The Lady Of The South
|
2
|
3%
|
0
|
0%
|
|
41
|
Feelings Of A Republican On The Fall Of Bonaparte
|
1
|
1%
|
0
|
0%
|
|
42
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
1%
|
0
|
0%
|
|
43
|
Fragment From The Wandering Jew
|
2
|
3%
|
0
|
0%
|
|
44
|
Fragment Of A Ghost Story
|
2
|
3%
|
0
|
0%
|
|
45
|
Fragment Of A Satire On Satire
|
2
|
3%
|
0
|
0%
|
|
46
|
fragment: "To the Moon"
|
2
|
3%
|
0
|
0%
|
|
47
|
Fragment: A Gentle Story Of Two Lovers Young
|
3
|
5%
|
0
|
0%
|
|
48
|
Fragment: Amor Aeternus
|
1
|
1%
|
0
|
0%
|
|
49
|
Fragment: Home
|
1
|
1%
|
0
|
0%
|
|
50
|
Fragment: Love The Universe To-Day
|
1
|
1%
|
0
|
0%
|
|
51
|
Fragment: Thoughts Come And Go In Solitude
|
2
|
3%
|
0
|
0%
|
|
52
|
Fragment: To A Friend Released From Prison
|
4
|
7%
|
0
|
0%
|
|
53
|
Fragment: To Byron
|
3
|
5%
|
0
|
0%
|
|
54
|
Fragment: To One Singing
|
2
|
3%
|
0
|
0%
|
|
55
|
Fragment: Wedded Souls
|
4
|
7%
|
0
|
0%
|
|
56
|
Fragment: Yes! All Is Past
|
2
|
3%
|
0
|
0%
|
|
57
|
Fragments Written For Hellas
|
3
|
5%
|
0
|
0%
|
|
58
|
From The Greek Of Moschus
|
3
|
5%
|
0
|
0%
|
|
59
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
3
|
5%
|
0
|
0%
|
|
60
|
FromThe Arabic: An Imitation
|
3
|
5%
|
0
|
0%
|
|
61
|
Good-Night
|
20
|
35%
|
0
|
0%
|
|
62
|
Hellas
|
2
|
3%
|
0
|
0%
|
|
63
|
Here I sit with my paper…
|
2
|
3%
|
0
|
0%
|
|
64
|
Homer's Hymn To The Sun
|
1
|
1%
|
0
|
0%
|
|
65
|
Homer's Hymn To Venus
|
3
|
5%
|
0
|
0%
|
|
66
|
Hymn to Intellectual Beauty
|
3
|
5%
|
0
|
0%
|
|
67
|
I Would Not Be A King
|
3
|
5%
|
0
|
0%
|
|
68
|
Julian and Maddalo (excerpt)
|
2
|
3%
|
0
|
0%
|
|
69
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
70
|
Lines -- Far, Far Away, O Ye
|
2
|
3%
|
0
|
0%
|
|
71
|
Lines: We Meet Not As We Parted
|
2
|
3%
|
0
|
0%
|
|
72
|
Love
|
5
|
8%
|
0
|
0%
|
|
73
|
Love, Hope, Desire, And Fear
|
3
|
5%
|
0
|
0%
|
|
74
|
Love's Philosophy
|
35
|
62%
|
0
|
0%
|
|
75
|
Love's Rose
|
2
|
3%
|
0
|
0%
|
|
76
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
2
|
3%
|
0
|
0%
|
|
77
|
Music, when soft voices die
|
2
|
3%
|
0
|
0%
|
|
78
|
Mutability
|
10
|
17%
|
0
|
0%
|
|
79
|
Mutability - II.
|
1
|
1%
|
0
|
0%
|
|
80
|
Ode to Naples
|
2
|
3%
|
0
|
0%
|
|
81
|
Ode to the West Wind
|
3
|
5%
|
0
|
0%
|
|
82
|
On A Faded Violet
|
5
|
8%
|
0
|
0%
|
|
83
|
On Death
|
1
|
1%
|
0
|
0%
|
|
84
|
One Word Is Too Often Profaned
|
2
|
3%
|
0
|
0%
|
|
85
|
Ozymandias
|
56
|
100%
|
0
|
0%
|
|
86
|
Pater Omnipotens
|
1
|
1%
|
0
|
0%
|
|
87
|
Remembrance
|
3
|
5%
|
0
|
0%
|
|
88
|
Revenge
|
4
|
7%
|
0
|
0%
|
|
89
|
Song
|
2
|
3%
|
0
|
0%
|
|
90
|
Song. Despair
|
6
|
10%
|
0
|
0%
|
|
91
|
Song. Hope
|
5
|
8%
|
0
|
0%
|
|
92
|
Sonnet : From The Italian Of Dante
|
2
|
3%
|
0
|
0%
|
|
93
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
94
|
Stanza
|
3
|
5%
|
0
|
0%
|
|
95
|
Summer And Winter
|
2
|
3%
|
0
|
0%
|
|
96
|
The Cloud
|
23
|
41%
|
0
|
0%
|
|
97
|
The Cyclops
|
2
|
3%
|
0
|
0%
|
|
98
|
The Drowned Lover
|
2
|
3%
|
0
|
0%
|
|
99
|
The Invitation
|
5
|
8%
|
0
|
0%
|
|
100
|
The Mask Of Anarchy
|
2
|
3%
|
0
|
0%
|
|
101
|
The Moon
|
4
|
7%
|
0
|
0%
|
|
102
|
The Pine Forest Of The Cascine Near Pisa
|
1
|
1%
|
0
|
0%
|
|
103
|
The Rude Wind Is Singing
|
4
|
7%
|
0
|
0%
|
|
104
|
The Solitary
|
4
|
7%
|
0
|
0%
|
|
105
|
The Triumph of Life
|
1
|
1%
|
0
|
0%
|
|
106
|
To A Skylark
|
2
|
3%
|
0
|
0%
|
|
107
|
To Mary ----
|
2
|
3%
|
0
|
0%
|
|
108
|
To The Men Of England
|
2
|
3%
|
0
|
0%
|
|
109
|
To the Moon
|
8
|
14%
|
0
|
0%
|
|
110
|
To The Queen Of My Heart
|
1
|
1%
|
0
|
0%
|
|
111
|
To The Republicans Of North America
|
2
|
3%
|
0
|
0%
|
|
112
|
Wine Of The Fairies
|
4
|
7%
|
0
|
0%
|
|
113
|
With A Guitar, To Jane
|
3
|
5%
|
0
|
0%
|