|
1
|
A Bridal Song
|
82
|
70%
|
0
|
0%
|
|
2
|
A Dialogue
|
46
|
39%
|
0
|
0%
|
|
3
|
A Dirge
|
32
|
27%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
31
|
26%
|
0
|
0%
|
|
5
|
A Hate-Song
|
52
|
44%
|
0
|
0%
|
|
6
|
A Lament
|
32
|
27%
|
0
|
0%
|
|
7
|
A New National Anthem
|
17
|
14%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
16
|
13%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
17
|
14%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
11
|
9%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
12
|
10%
|
0
|
0%
|
|
12
|
Adonais
|
24
|
20%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
18
|
15%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
8
|
6%
|
0
|
0%
|
|
15
|
An Allegory
|
7
|
5%
|
0
|
0%
|
|
16
|
An Exhortation
|
6
|
5%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
12
|
10%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
14
|
11%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
8
|
6%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
13
|
11%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
4
|
3%
|
0
|
0%
|
|
22
|
Arethusa
|
6
|
5%
|
0
|
0%
|
|
23
|
Art Thou Pale For Weariness
|
10
|
8%
|
0
|
0%
|
|
24
|
Asia: From Prometheus Unbound
|
8
|
6%
|
0
|
0%
|
|
25
|
Autumn: A Dirge
|
10
|
8%
|
0
|
0%
|
|
26
|
Beauty's Halo
|
11
|
9%
|
0
|
0%
|
|
27
|
Bereavement
|
11
|
9%
|
0
|
0%
|
|
28
|
Bigotry's Victim
|
2
|
1%
|
0
|
0%
|
|
29
|
Buona Notte
|
4
|
3%
|
0
|
0%
|
|
30
|
Chorus from Hellas
|
2
|
1%
|
0
|
0%
|
|
31
|
Death
|
6
|
5%
|
0
|
0%
|
|
32
|
Death In Life
|
13
|
11%
|
0
|
0%
|
|
33
|
Death Is Here And Death Is There
|
12
|
10%
|
0
|
0%
|
|
34
|
Despair
|
11
|
9%
|
0
|
0%
|
|
35
|
Dirge For The Year
|
6
|
5%
|
0
|
0%
|
|
36
|
England in 1819
|
37
|
31%
|
0
|
0%
|
|
37
|
Epigram I: To Stella
|
3
|
2%
|
0
|
0%
|
|
38
|
Epigram II: Kissing Helena
|
4
|
3%
|
0
|
0%
|
|
39
|
Epigram IV: Circumstance
|
1
|
0%
|
0
|
0%
|
|
40
|
Epipsychidion (excerpt)
|
1
|
0%
|
0
|
0%
|
|
41
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
0%
|
0
|
0%
|
|
42
|
Epitaph
|
3
|
2%
|
0
|
0%
|
|
43
|
Epithalamium
|
2
|
1%
|
0
|
0%
|
|
44
|
Evening. To Harriet
|
1
|
0%
|
0
|
0%
|
|
45
|
Evening: Ponte Al Mare, Pisa
|
10
|
8%
|
0
|
0%
|
|
46
|
Eyes : A Fragment
|
6
|
5%
|
0
|
0%
|
|
47
|
Faint With Love, The Lady Of The South
|
6
|
5%
|
0
|
0%
|
|
48
|
Feelings Of A Republican On The Fall Of Bonaparte
|
1
|
0%
|
0
|
0%
|
|
49
|
Fiordispina
|
1
|
0%
|
0
|
0%
|
|
50
|
Fragment : What Mary Is When She A Little Smiles
|
5
|
4%
|
0
|
0%
|
|
51
|
Fragment From The Wandering Jew
|
2
|
1%
|
0
|
0%
|
|
52
|
Fragment Of A Ghost Story
|
2
|
1%
|
0
|
0%
|
|
53
|
Fragment Of A Satire On Satire
|
3
|
2%
|
0
|
0%
|
|
54
|
Fragment Of A Sonnet : To Harriet
|
3
|
2%
|
0
|
0%
|
|
55
|
Fragment, Or The Triumph Of Conscience
|
3
|
2%
|
0
|
0%
|
|
56
|
fragment: "To the Moon"
|
11
|
9%
|
0
|
0%
|
|
57
|
Fragment: A Gentle Story Of Two Lovers Young
|
12
|
10%
|
0
|
0%
|
|
58
|
Fragment: A Wanderer
|
4
|
3%
|
0
|
0%
|
|
59
|
Fragment: Amor Aeternus
|
5
|
4%
|
0
|
0%
|
|
60
|
Fragment: Home
|
3
|
2%
|
0
|
0%
|
|
61
|
Fragment: Igniculus Desiderii
|
4
|
3%
|
0
|
0%
|
|
62
|
Fragment: Is It That In Some Brighter Sphere
|
2
|
1%
|
0
|
0%
|
|
63
|
Fragment: Love The Universe To-Day
|
4
|
3%
|
0
|
0%
|
|
64
|
Fragment: Satan Broken Loose
|
1
|
0%
|
0
|
0%
|
|
65
|
Fragment: Sufficient Unto The Day
|
3
|
2%
|
0
|
0%
|
|
66
|
Fragment: There Is A Warm And Gentle Atmosphere
|
1
|
0%
|
0
|
0%
|
|
67
|
Fragment: To Byron
|
3
|
2%
|
0
|
0%
|
|
68
|
Fragment: What Men Gain Fairly
|
4
|
3%
|
0
|
0%
|
|
69
|
Fragment: Yes! All Is Past
|
3
|
2%
|
0
|
0%
|
|
70
|
Ginevra
|
2
|
1%
|
0
|
0%
|
|
71
|
Good-Night
|
29
|
24%
|
0
|
0%
|
|
72
|
Hellas
|
1
|
0%
|
0
|
0%
|
|
73
|
Here I sit with my paper…
|
2
|
1%
|
0
|
0%
|
|
74
|
Homer's Hymn To The Earth: Mother Of All
|
4
|
3%
|
0
|
0%
|
|
75
|
Homer's Hymn To The Moon
|
2
|
1%
|
0
|
0%
|
|
76
|
Homer's Hymn To The Sun
|
3
|
2%
|
0
|
0%
|
|
77
|
Hymn of Apollo
|
1
|
0%
|
0
|
0%
|
|
78
|
Hymn Of Pan
|
4
|
3%
|
0
|
0%
|
|
79
|
Hymn to Intellectual Beauty
|
4
|
3%
|
0
|
0%
|
|
80
|
I Arise from Dreams of Thee
|
10
|
8%
|
0
|
0%
|
|
81
|
I Faint, I Perish With My Love!
|
5
|
4%
|
0
|
0%
|
|
82
|
I Would Not Be A King
|
3
|
2%
|
0
|
0%
|
|
83
|
In Horologium
|
1
|
0%
|
0
|
0%
|
|
84
|
Invocation
|
4
|
3%
|
0
|
0%
|
|
85
|
Invocation To Misery
|
8
|
6%
|
0
|
0%
|
|
86
|
Liberty
|
3
|
2%
|
0
|
0%
|
|
87
|
Life Rounded With Sleep
|
2
|
1%
|
0
|
0%
|
|
88
|
Lift Not The Painted Veil Which Those Who Live
|
7
|
5%
|
0
|
0%
|
|
89
|
Lines To A Critic
|
3
|
2%
|
0
|
0%
|
|
90
|
Lines: That time is dead for ever, child!
|
1
|
0%
|
0
|
0%
|
|
91
|
Lines: We Meet Not As We Parted
|
3
|
2%
|
0
|
0%
|
|
92
|
Love
|
4
|
3%
|
0
|
0%
|
|
93
|
Love, Hope, Desire, And Fear
|
10
|
8%
|
0
|
0%
|
|
94
|
Love's Philosophy
|
42
|
35%
|
0
|
0%
|
|
95
|
Love's Rose
|
8
|
6%
|
0
|
0%
|
|
96
|
Marenghi
|
1
|
0%
|
0
|
0%
|
|
97
|
Marianne's Dream
|
2
|
1%
|
0
|
0%
|
|
98
|
Matilda Gathering Flowers
|
2
|
1%
|
0
|
0%
|
|
99
|
May The Limner
|
3
|
2%
|
0
|
0%
|
|
100
|
Melody To A Scene Of Former Times
|
2
|
1%
|
0
|
0%
|
|
101
|
Methought I Was A Billow In The Crowd
|
2
|
1%
|
0
|
0%
|
|
102
|
Mighty Eagle
|
2
|
1%
|
0
|
0%
|
|
103
|
Music And Sweet Poetry
|
1
|
0%
|
0
|
0%
|
|
104
|
Music, When Soft Voices Die
|
10
|
8%
|
0
|
0%
|
|
105
|
Music, when soft voices die
|
1
|
0%
|
0
|
0%
|
|
106
|
Mutability
|
25
|
21%
|
0
|
0%
|
|
107
|
Mutability - II.
|
1
|
0%
|
0
|
0%
|
|
108
|
Night
|
4
|
3%
|
0
|
0%
|
|
109
|
O Thou Immortal Deity
|
1
|
0%
|
0
|
0%
|
|
110
|
Ode To Heaven
|
2
|
1%
|
0
|
0%
|
|
111
|
Ode To Liberty
|
7
|
5%
|
0
|
0%
|
|
112
|
Ode to Naples
|
2
|
1%
|
0
|
0%
|
|
113
|
Ode to the West Wind
|
14
|
11%
|
0
|
0%
|
|
114
|
On Death
|
5
|
4%
|
0
|
0%
|
|
115
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
1
|
0%
|
0
|
0%
|
|
116
|
One Word Is Too Often Profaned
|
8
|
6%
|
0
|
0%
|
|
117
|
Orpheus
|
3
|
2%
|
0
|
0%
|
|
118
|
Otho
|
1
|
0%
|
0
|
0%
|
|
119
|
Ozymandias
|
117
|
100%
|
0
|
0%
|
|
120
|
Passage Of The Apennines
|
1
|
0%
|
0
|
0%
|
|
121
|
Prometheus Unbound: Act I (excerpt)
|
1
|
0%
|
0
|
0%
|
|
122
|
Queen Mab: Part II.
|
2
|
1%
|
0
|
0%
|
|
123
|
Remembrance
|
7
|
5%
|
0
|
0%
|
|
124
|
Remorse
|
8
|
6%
|
0
|
0%
|
|
125
|
Revenge
|
10
|
8%
|
0
|
0%
|
|
126
|
Rome And Nature
|
3
|
2%
|
0
|
0%
|
|
127
|
Similes For Two Political Characters of 1819
|
1
|
0%
|
0
|
0%
|
|
128
|
Song
|
1
|
0%
|
0
|
0%
|
|
129
|
Song. To -- [Harriet]
|
2
|
1%
|
0
|
0%
|
|
130
|
Song: Rarely, rarely, comest thou
|
4
|
3%
|
0
|
0%
|
|
131
|
Sonnet -- Ye Hasten To The Grave!
|
2
|
1%
|
0
|
0%
|
|
132
|
Sonnet : On Launching Some Bottles Filled With Knowledge Into The Bristol Channel
|
1
|
0%
|
0
|
0%
|
|
133
|
Sonnet : To A Balloon Laden With Knowledge
|
1
|
0%
|
0
|
0%
|
|
134
|
Sonnet: England in 1819
|
3
|
2%
|
0
|
0%
|
|
135
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
2
|
1%
|
0
|
0%
|
|
136
|
Sonnet: Political Greatness
|
6
|
5%
|
0
|
0%
|
|
137
|
Stanza
|
6
|
5%
|
0
|
0%
|
|
138
|
Summer And Winter
|
5
|
4%
|
0
|
0%
|
|
139
|
The Aziola
|
2
|
1%
|
0
|
0%
|
|
140
|
The Birth Place of Pleasure
|
2
|
1%
|
0
|
0%
|
|
141
|
The Cloud
|
37
|
31%
|
0
|
0%
|
|
142
|
The Cyclops
|
2
|
1%
|
0
|
0%
|
|
143
|
The Death Knell Is Ringing
|
2
|
1%
|
0
|
0%
|
|
144
|
The Deserts Of Dim Sleep
|
4
|
3%
|
0
|
0%
|
|
145
|
The Drowned Lover
|
4
|
3%
|
0
|
0%
|
|
146
|
The Fugitives
|
2
|
1%
|
0
|
0%
|
|
147
|
The Indian Serenade
|
1
|
0%
|
0
|
0%
|
|
148
|
The Irishman's Song
|
2
|
1%
|
0
|
0%
|
|
149
|
The Isle
|
4
|
3%
|
0
|
0%
|
|
150
|
The Mask Of Anarchy
|
14
|
11%
|
0
|
0%
|
|
151
|
The Moon
|
2
|
1%
|
0
|
0%
|
|
152
|
The Past
|
5
|
4%
|
0
|
0%
|
|
153
|
The Question
|
2
|
1%
|
0
|
0%
|
|
154
|
The Rude Wind Is Singing
|
2
|
1%
|
0
|
0%
|
|
155
|
The Sensitive Plant
|
3
|
2%
|
0
|
0%
|
|
156
|
The Solitary
|
6
|
5%
|
0
|
0%
|
|
157
|
The Sunset
|
2
|
1%
|
0
|
0%
|
|
158
|
The Triumph of Life
|
10
|
8%
|
0
|
0%
|
|
159
|
The Waning Moon
|
3
|
2%
|
0
|
0%
|
|
160
|
The Witch Of Atlas
|
3
|
2%
|
0
|
0%
|
|
161
|
Time
|
1
|
0%
|
0
|
0%
|
|
162
|
Time Long Past
|
1
|
0%
|
0
|
0%
|
|
163
|
To ----
|
3
|
2%
|
0
|
0%
|
|
164
|
To A Skylark
|
10
|
8%
|
0
|
0%
|
|
165
|
To A Star
|
2
|
1%
|
0
|
0%
|
|
166
|
To Coleridge
|
6
|
5%
|
0
|
0%
|
|
167
|
To Constantia, Singing
|
2
|
1%
|
0
|
0%
|
|
168
|
To Death
|
1
|
0%
|
0
|
0%
|
|
169
|
To-- I Fear Thy Kisses, Gentle Maiden
|
3
|
2%
|
0
|
0%
|
|
170
|
To Italy
|
2
|
1%
|
0
|
0%
|
|
171
|
To-- Music, when soft voices die
|
2
|
1%
|
0
|
0%
|
|
172
|
To Night
|
4
|
3%
|
0
|
0%
|
|
173
|
To The Men Of England
|
12
|
10%
|
0
|
0%
|
|
174
|
To the Moon
|
3
|
2%
|
0
|
0%
|
|
175
|
To The Moonbeam
|
1
|
0%
|
0
|
0%
|
|
176
|
To The Queen Of My Heart
|
1
|
0%
|
0
|
0%
|
|
177
|
To Wordsworth
|
3
|
2%
|
0
|
0%
|
|
178
|
Ugolino
|
2
|
1%
|
0
|
0%
|
|
179
|
Wake The Serpent Not
|
3
|
2%
|
0
|
0%
|
|
180
|
War
|
3
|
2%
|
0
|
0%
|
|
181
|
When A Lover Clasps His Fairest
|
2
|
1%
|
0
|
0%
|
|
182
|
When Soft Winds And Sunny Skies
|
2
|
1%
|
0
|
0%
|
|
183
|
When The Lamp Is Shattered
|
2
|
1%
|
0
|
0%
|
|
184
|
Wine Of The Fairies
|
3
|
2%
|
0
|
0%
|
|
185
|
Zephyrus The Awakener
|
3
|
2%
|
0
|
0%
|