|
1
|
A Bridal Song
|
45
|
100%
|
0
|
0%
|
|
2
|
A Dialogue
|
12
|
26%
|
0
|
0%
|
|
3
|
A Dirge
|
13
|
28%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
8
|
17%
|
0
|
0%
|
|
5
|
A Hate-Song
|
13
|
28%
|
0
|
0%
|
|
6
|
A Lament
|
17
|
37%
|
0
|
0%
|
|
7
|
A New National Anthem
|
5
|
11%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
11
|
24%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
10
|
22%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
11
|
24%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
6
|
13%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
11
|
24%
|
0
|
0%
|
|
13
|
Adonais
|
21
|
46%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
16
|
35%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
11
|
24%
|
0
|
0%
|
|
16
|
An Allegory
|
4
|
8%
|
0
|
0%
|
|
17
|
An Exhortation
|
8
|
17%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
3
|
6%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
13
|
28%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
8
|
17%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
3
|
6%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
1
|
2%
|
0
|
0%
|
|
23
|
Arethusa
|
3
|
6%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
4
|
8%
|
0
|
0%
|
|
25
|
Asia: From Prometheus Unbound
|
5
|
11%
|
0
|
0%
|
|
26
|
Autumn: A Dirge
|
6
|
13%
|
0
|
0%
|
|
27
|
Beauty's Halo
|
4
|
8%
|
0
|
0%
|
|
28
|
Bereavement
|
4
|
8%
|
0
|
0%
|
|
29
|
Bigotry's Victim
|
4
|
8%
|
0
|
0%
|
|
30
|
Buona Notte
|
2
|
4%
|
0
|
0%
|
|
31
|
Chorus from Hellas
|
1
|
2%
|
0
|
0%
|
|
32
|
Death
|
13
|
28%
|
0
|
0%
|
|
33
|
Death In Life
|
6
|
13%
|
0
|
0%
|
|
34
|
Death Is Here And Death Is There
|
8
|
17%
|
0
|
0%
|
|
35
|
Despair
|
5
|
11%
|
0
|
0%
|
|
36
|
Dirge For The Year
|
2
|
4%
|
0
|
0%
|
|
37
|
England in 1819
|
20
|
44%
|
0
|
0%
|
|
38
|
English In 1819
|
1
|
2%
|
0
|
0%
|
|
39
|
Epigram I: To Stella
|
2
|
4%
|
0
|
0%
|
|
40
|
Epigram II: Kissing Helena
|
4
|
8%
|
0
|
0%
|
|
41
|
Epigram III: Spirit of Plato
|
2
|
4%
|
0
|
0%
|
|
42
|
Epigram IV: Circumstance
|
1
|
2%
|
0
|
0%
|
|
43
|
Epipsychidion (excerpt)
|
2
|
4%
|
0
|
0%
|
|
44
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
2
|
4%
|
0
|
0%
|
|
45
|
Epitaph
|
3
|
6%
|
0
|
0%
|
|
46
|
Epithalamium
|
2
|
4%
|
0
|
0%
|
|
47
|
Epithalamium : Another Version
|
2
|
4%
|
0
|
0%
|
|
48
|
Evening. To Harriet
|
2
|
4%
|
0
|
0%
|
|
49
|
Evening: Ponte Al Mare, Pisa
|
1
|
2%
|
0
|
0%
|
|
50
|
Eyes : A Fragment
|
3
|
6%
|
0
|
0%
|
|
51
|
Faint With Love, The Lady Of The South
|
4
|
8%
|
0
|
0%
|
|
52
|
Feelings Of A Republican On The Fall Of Bonaparte
|
2
|
4%
|
0
|
0%
|
|
53
|
Fiordispina
|
2
|
4%
|
0
|
0%
|
|
54
|
Fragment : What Mary Is When She A Little Smiles
|
5
|
11%
|
0
|
0%
|
|
55
|
Fragment From The Wandering Jew
|
3
|
6%
|
0
|
0%
|
|
56
|
Fragment Of A Ghost Story
|
5
|
11%
|
0
|
0%
|
|
57
|
Fragment Of A Satire On Satire
|
2
|
4%
|
0
|
0%
|
|
58
|
Fragment Of A Sonnet : To Harriet
|
2
|
4%
|
0
|
0%
|
|
59
|
Fragment Of A Sonnet. Farewell To North Devon
|
2
|
4%
|
0
|
0%
|
|
60
|
Fragment Of The Elegy On The Death Of Bion
|
3
|
6%
|
0
|
0%
|
|
61
|
Fragment, Or The Triumph Of Conscience
|
2
|
4%
|
0
|
0%
|
|
62
|
fragment: "To the Moon"
|
5
|
11%
|
0
|
0%
|
|
63
|
Fragment: A Gentle Story Of Two Lovers Young
|
2
|
4%
|
0
|
0%
|
|
64
|
Fragment: A Wanderer
|
2
|
4%
|
0
|
0%
|
|
65
|
Fragment: Amor Aeternus
|
2
|
4%
|
0
|
0%
|
|
66
|
Fragment: Apostrophe To Silence
|
3
|
6%
|
0
|
0%
|
|
67
|
Fragment: Follow To The Deep Wood's Weeds
|
3
|
6%
|
0
|
0%
|
|
68
|
Fragment: Great Spirit
|
2
|
4%
|
0
|
0%
|
|
69
|
Fragment: Home
|
7
|
15%
|
0
|
0%
|
|
70
|
Fragment: Igniculus Desiderii
|
2
|
4%
|
0
|
0%
|
|
71
|
Fragment: Is It That In Some Brighter Sphere
|
2
|
4%
|
0
|
0%
|
|
72
|
Fragment: Love The Universe To-Day
|
3
|
6%
|
0
|
0%
|
|
73
|
Fragment: Milton's Spirit
|
2
|
4%
|
0
|
0%
|
|
74
|
Fragment: My Head Is Wild With Weeping
|
3
|
6%
|
0
|
0%
|
|
75
|
Fragment: Omens
|
2
|
4%
|
0
|
0%
|
|
76
|
Fragment: Satan Broken Loose
|
2
|
4%
|
0
|
0%
|
|
77
|
Fragment: Such Hope, As Is The Sick Despair Of Good
|
2
|
4%
|
0
|
0%
|
|
78
|
Fragment: Sufficient Unto The Day
|
1
|
2%
|
0
|
0%
|
|
79
|
Fragment: The Lake's Margin
|
3
|
6%
|
0
|
0%
|
|
80
|
Fragment: The Vine-Shroud
|
3
|
6%
|
0
|
0%
|
|
81
|
Fragment: There Is A Warm And Gentle Atmosphere
|
1
|
2%
|
0
|
0%
|
|
82
|
Fragment: Thoughts Come And Go In Solitude
|
1
|
2%
|
0
|
0%
|
|
83
|
Fragment: To A Friend Released From Prison
|
1
|
2%
|
0
|
0%
|
|
84
|
Fragment: To Byron
|
3
|
6%
|
0
|
0%
|
|
85
|
Fragment: To One Singing
|
1
|
2%
|
0
|
0%
|
|
86
|
Fragment: To The People Of England
|
1
|
2%
|
0
|
0%
|
|
87
|
Fragment: Wedded Souls
|
3
|
6%
|
0
|
0%
|
|
88
|
Fragment: What Men Gain Fairly
|
1
|
2%
|
0
|
0%
|
|
89
|
Fragment: Ye Gentle Visitations Of Calm Thought
|
3
|
6%
|
0
|
0%
|
|
90
|
Fragment: Yes! All Is Past
|
1
|
2%
|
0
|
0%
|
|
91
|
Fragments Of An Unfinished Drama
|
3
|
6%
|
0
|
0%
|
|
92
|
Fragments Supposed To Be Parts Of Otho
|
1
|
2%
|
0
|
0%
|
|
93
|
Fragments Written For Hellas
|
1
|
2%
|
0
|
0%
|
|
94
|
From "Adonais," 49-52
|
1
|
2%
|
0
|
0%
|
|
95
|
From the Arabic, an Imitation
|
1
|
2%
|
0
|
0%
|
|
96
|
From The Greek Of Moschus
|
1
|
2%
|
0
|
0%
|
|
97
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
2
|
4%
|
0
|
0%
|
|
98
|
From The Original Draft Of The Poem To William Shelley
|
3
|
6%
|
0
|
0%
|
|
99
|
From Vergil's Fourth Georgic
|
1
|
2%
|
0
|
0%
|
|
100
|
From Vergil's Tenth Eclogue
|
1
|
2%
|
0
|
0%
|
|
101
|
FromThe Arabic: An Imitation
|
1
|
2%
|
0
|
0%
|
|
102
|
Ghasta Or, The Avenging Demon!!!
|
2
|
4%
|
0
|
0%
|
|
103
|
Ginevra
|
1
|
2%
|
0
|
0%
|
|
104
|
Good-Night
|
10
|
22%
|
0
|
0%
|
|
105
|
Hellas
|
2
|
4%
|
0
|
0%
|
|
106
|
Here I sit with my paper…
|
3
|
6%
|
0
|
0%
|
|
107
|
Homer's Hymn To Castor And Pollux
|
3
|
6%
|
0
|
0%
|
|
108
|
Homer's Hymn To Minerva
|
1
|
2%
|
0
|
0%
|
|
109
|
Homer's Hymn To The Earth: Mother Of All
|
1
|
2%
|
0
|
0%
|
|
110
|
Homer's Hymn To The Moon
|
2
|
4%
|
0
|
0%
|
|
111
|
Homer's Hymn To The Sun
|
1
|
2%
|
0
|
0%
|
|
112
|
Homer's Hymn To Venus
|
1
|
2%
|
0
|
0%
|
|
113
|
Hymn of Apollo
|
3
|
6%
|
0
|
0%
|
|
114
|
Hymn Of Pan
|
3
|
6%
|
0
|
0%
|
|
115
|
Hymn to Intellectual Beauty
|
4
|
8%
|
0
|
0%
|
|
116
|
Hymn to Intellectual Beauty
|
4
|
8%
|
0
|
0%
|
|
117
|
I Arise from Dreams of Thee
|
3
|
6%
|
0
|
0%
|
|
118
|
I Faint, I Perish With My Love!
|
5
|
11%
|
0
|
0%
|
|
119
|
I Stood Upon A Heaven-cleaving Turret
|
1
|
2%
|
0
|
0%
|
|
120
|
I Would Not Be A King
|
6
|
13%
|
0
|
0%
|
|
121
|
In Horologium
|
1
|
2%
|
0
|
0%
|
|
122
|
Invocation
|
1
|
2%
|
0
|
0%
|
|
123
|
Invocation To Misery
|
1
|
2%
|
0
|
0%
|
|
124
|
Julian and Maddalo (excerpt)
|
2
|
4%
|
0
|
0%
|
|
125
|
Letter To Maria Gisborne
|
2
|
4%
|
0
|
0%
|
|
126
|
Liberty
|
4
|
8%
|
0
|
0%
|
|
127
|
Life Rounded With Sleep
|
1
|
2%
|
0
|
0%
|
|
128
|
Lift Not The Painted Veil Which Those Who Live
|
2
|
4%
|
0
|
0%
|
|
129
|
Lines
|
1
|
2%
|
0
|
0%
|
|
130
|
Lines -- Far, Far Away, O Ye
|
2
|
4%
|
0
|
0%
|
|
131
|
Lines To A Critic
|
1
|
2%
|
0
|
0%
|
|
132
|
Lines To A Reviewer
|
2
|
4%
|
0
|
0%
|
|
133
|
Lines Written Among The Euganean Hills
|
1
|
2%
|
0
|
0%
|
|
134
|
Lines Written During The Castlereagh Administration
|
1
|
2%
|
0
|
0%
|
|
135
|
Lines Written in the Bay of Lerici
|
1
|
2%
|
0
|
0%
|
|
136
|
Lines Written On Hearing The News Of The Death Of Napoleon
|
2
|
4%
|
0
|
0%
|
|
137
|
Lines: That time is dead for ever, child!
|
2
|
4%
|
0
|
0%
|
|
138
|
Lines: The cold earth slept below
|
11
|
24%
|
0
|
0%
|
|
139
|
Lines: We Meet Not As We Parted
|
6
|
13%
|
0
|
0%
|
|
140
|
Love
|
10
|
22%
|
0
|
0%
|
|
141
|
Love, Hope, Desire, And Fear
|
4
|
8%
|
0
|
0%
|
|
142
|
Love's Philosophy
|
31
|
68%
|
0
|
0%
|
|
143
|
Love's Rose
|
5
|
11%
|
0
|
0%
|
|
144
|
Marenghi
|
1
|
2%
|
0
|
0%
|
|
145
|
Marianne's Dream
|
1
|
2%
|
0
|
0%
|
|
146
|
Matilda Gathering Flowers
|
4
|
8%
|
0
|
0%
|
|
147
|
May The Limner
|
1
|
2%
|
0
|
0%
|
|
148
|
Melody To A Scene Of Former Times
|
2
|
4%
|
0
|
0%
|
|
149
|
Methought I Was A Billow In The Crowd
|
2
|
4%
|
0
|
0%
|
|
150
|
Mighty Eagle
|
1
|
2%
|
0
|
0%
|
|
151
|
Mont Blanc
|
2
|
4%
|
0
|
0%
|
|
152
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
1
|
2%
|
0
|
0%
|
|
153
|
Music And Sweet Poetry
|
3
|
6%
|
0
|
0%
|
|
154
|
Music, When Soft Voices Die
|
2
|
4%
|
0
|
0%
|
|
155
|
Mutability
|
33
|
73%
|
0
|
0%
|
|
156
|
Mutability - II.
|
1
|
2%
|
0
|
0%
|
|
157
|
Night
|
4
|
8%
|
0
|
0%
|
|
158
|
O That A Chariot Of Cloud Were Mine!
|
1
|
2%
|
0
|
0%
|
|
159
|
O Thou Immortal Deity
|
1
|
2%
|
0
|
0%
|
|
160
|
Ode To Heaven
|
5
|
11%
|
0
|
0%
|
|
161
|
Ode To Liberty
|
2
|
4%
|
0
|
0%
|
|
162
|
Ode to the West Wind
|
22
|
48%
|
0
|
0%
|
|
163
|
On A Dead Violet
|
4
|
8%
|
0
|
0%
|
|
164
|
On A Faded Violet
|
1
|
2%
|
0
|
0%
|
|
165
|
On A Fete At Carlton House: Fragment
|
1
|
2%
|
0
|
0%
|
|
166
|
On An Icicle That Clung To The Grass Of A Grave
|
1
|
2%
|
0
|
0%
|
|
167
|
On Death
|
2
|
4%
|
0
|
0%
|
|
168
|
On Fanny Godwin
|
1
|
2%
|
0
|
0%
|
|
169
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
2
|
4%
|
0
|
0%
|
|
170
|
On Leaving London For Wales
|
1
|
2%
|
0
|
0%
|
|
171
|
On Robert Emmet's Grave
|
2
|
4%
|
0
|
0%
|
|
172
|
On The Dark Height of Jura
|
1
|
2%
|
0
|
0%
|
|
173
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
1
|
2%
|
0
|
0%
|
|
174
|
One sung of thee who left the tale untold
|
1
|
2%
|
0
|
0%
|
|
175
|
One Word Is Too Often Profaned
|
3
|
6%
|
0
|
0%
|
|
176
|
Orpheus
|
3
|
6%
|
0
|
0%
|
|
177
|
Otho
|
1
|
2%
|
0
|
0%
|
|
178
|
Ozymandias
|
44
|
97%
|
0
|
0%
|
|
179
|
Passage Of The Apennines
|
1
|
2%
|
0
|
0%
|
|
180
|
Pater Omnipotens
|
1
|
2%
|
0
|
0%
|
|
181
|
Peter Bell The Third
|
1
|
2%
|
0
|
0%
|
|
182
|
Poetical Essay
|
1
|
2%
|
0
|
0%
|
|
183
|
Prince Athanase
|
1
|
2%
|
0
|
0%
|
|
184
|
Prometheus Unbound: Act I (excerpt)
|
1
|
2%
|
0
|
0%
|
|
185
|
Queen Mab: Part I.
|
1
|
2%
|
0
|
0%
|
|
186
|
Queen Mab: Part II.
|
1
|
2%
|
0
|
0%
|
|
187
|
Queen Mab: Part III.
|
1
|
2%
|
0
|
0%
|
|
188
|
Queen Mab: Part IV.
|
1
|
2%
|
0
|
0%
|
|
189
|
Queen Mab: Part IX.
|
1
|
2%
|
0
|
0%
|
|
190
|
Queen Mab: Part V.
|
1
|
2%
|
0
|
0%
|
|
191
|
Queen Mab: Part VI (excerpts)
|
1
|
2%
|
0
|
0%
|
|
192
|
Queen Mab: Part VII.
|
1
|
2%
|
0
|
0%
|
|
193
|
Remembrance
|
3
|
6%
|
0
|
0%
|
|
194
|
Remorse
|
4
|
8%
|
0
|
0%
|
|
195
|
Revenge
|
9
|
20%
|
0
|
0%
|
|
196
|
Rome And Nature
|
3
|
6%
|
0
|
0%
|
|
197
|
Rosalind and Helen: a Modern Eclogue
|
1
|
2%
|
0
|
0%
|
|
198
|
Saint Edmond's Eve
|
1
|
2%
|
0
|
0%
|
|
199
|
Similes For Two Political Characters of 1819
|
5
|
11%
|
0
|
0%
|
|
200
|
Sister Rosa: A Ballad
|
2
|
4%
|
0
|
0%
|
|
201
|
Song
|
1
|
2%
|
0
|
0%
|
|
202
|
Song. Cold, Cold Is The Blast When December Is Howling
|
1
|
2%
|
0
|
0%
|
|
203
|
Sonnet : From The Italian Of Dante
|
1
|
2%
|
0
|
0%
|
|
204
|
Sonnet To Byron
|
2
|
4%
|
0
|
0%
|
|
205
|
Sonnet: England in 1819
|
2
|
4%
|
0
|
0%
|
|
206
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
2%
|
0
|
0%
|
|
207
|
Stanza
|
15
|
33%
|
0
|
0%
|
|
208
|
Stanza From A Translation Of The Marseillaise Hymn
|
1
|
2%
|
0
|
0%
|
|
209
|
Summer And Winter
|
1
|
2%
|
0
|
0%
|
|
210
|
The Aziola
|
1
|
2%
|
0
|
0%
|
|
211
|
The Cenci : A Tragedy In Five Acts
|
5
|
11%
|
0
|
0%
|
|
212
|
The Cloud
|
27
|
60%
|
0
|
0%
|
|
213
|
The False Laurel And The True
|
1
|
2%
|
0
|
0%
|
|
214
|
The Indian Serenade
|
1
|
2%
|
0
|
0%
|
|
215
|
The Irishman's Song
|
3
|
6%
|
0
|
0%
|
|
216
|
The Isle
|
1
|
2%
|
0
|
0%
|
|
217
|
The Mask Of Anarchy
|
5
|
11%
|
0
|
0%
|
|
218
|
The Moon
|
4
|
8%
|
0
|
0%
|
|
219
|
The Past
|
1
|
2%
|
0
|
0%
|
|
220
|
The Question
|
2
|
4%
|
0
|
0%
|
|
221
|
The Rude Wind Is Singing
|
1
|
2%
|
0
|
0%
|
|
222
|
The Sensitive Plant
|
1
|
2%
|
0
|
0%
|
|
223
|
The Solitary
|
3
|
6%
|
0
|
0%
|
|
224
|
The Sunset
|
5
|
11%
|
0
|
0%
|
|
225
|
The Triumph of Life
|
5
|
11%
|
0
|
0%
|
|
226
|
The Two Spirits: An Allegory
|
1
|
2%
|
0
|
0%
|
|
227
|
The Waning Moon
|
1
|
2%
|
0
|
0%
|
|
228
|
Time
|
1
|
2%
|
0
|
0%
|
|
229
|
Time Long Past
|
2
|
4%
|
0
|
0%
|
|
230
|
To A Lady, With A Guitar
|
9
|
20%
|
0
|
0%
|
|
231
|
To A Skylark
|
2
|
4%
|
0
|
0%
|
|
232
|
To A Star
|
3
|
6%
|
0
|
0%
|
|
233
|
To Coleridge
|
1
|
2%
|
0
|
0%
|
|
234
|
To Death
|
1
|
2%
|
0
|
0%
|
|
235
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
1
|
2%
|
0
|
0%
|
|
236
|
To Ireland
|
2
|
4%
|
0
|
0%
|
|
237
|
To Mary
|
1
|
2%
|
0
|
0%
|
|
238
|
To Mary Wollstonecraft Godwin
|
1
|
2%
|
0
|
0%
|
|
239
|
To Night
|
2
|
4%
|
0
|
0%
|
|
240
|
To The Men Of England
|
3
|
6%
|
0
|
0%
|
|
241
|
To the Moon
|
3
|
6%
|
0
|
0%
|
|
242
|
To The Nile
|
12
|
26%
|
0
|
0%
|
|
243
|
To The Queen Of My Heart
|
1
|
2%
|
0
|
0%
|
|
244
|
To Wordsworth
|
1
|
2%
|
0
|
0%
|
|
245
|
To-- Yet look on me
|
1
|
2%
|
0
|
0%
|
|
246
|
To-morrow
|
2
|
4%
|
0
|
0%
|
|
247
|
Verses On A Cat
|
1
|
2%
|
0
|
0%
|
|
248
|
War
|
4
|
8%
|
0
|
0%
|
|
249
|
When A Lover Clasps His Fairest
|
1
|
2%
|
0
|
0%
|
|
250
|
When The Lamp Is Shattered
|
2
|
4%
|
0
|
0%
|